by W. B. Yeats
Once when walking in the town of Sligo I had turned to look after an English man and woman whose clothes attracted me. The man I remember had gray clothes and knee-breeches and the woman a gray dress, and my nurse had said contemptuously, “towrows.” Perhaps before my time, there had been some English song with the burden “tow row row,” and everybody had told me that English people ate skates and even dog-fish, and I myself had only just arrived in England when I saw an old man put marmalade in his porridge. I was divided from all those boys, not merely by the anecdotes that are everywhere perhaps a chief expression of the distrust of races, but because our mental images were different. I read their boys’ books and they excited me, but if I read of some English victory, I did not believe that I read of my own people. They thought of Cressy and Agincourt and the Union Jack and were all very patriotic, and I, without those memories of Limerick and the Yellow Ford that would have strengthened an Irish Catholic, thought of mountain and lake, of my grandfather and of ships. Anti-Irish feeling was running high, for the Land League had been founded and landlords had been shot, and I, who had no politics, was yet full of pride, for it is romantic to live in a dangerous country.
I daresay I thought the rough manners of a cheap school, as my grandfather Yeats had those of a chance companion, typical of all England. At any rate I had a harassed life & got many a black eye and had many outbursts of grief and rage. Once a boy, the son of a great Bohemian glass-maker, and who was older than the rest of us, and had been sent out of his country because of a love affair, beat a boy for me because we were “both foreigners.” And a boy, who grew to be the school athlete and my chief friend, beat a great many. His are the face and name that I remember — his name was of Huguenot origin and his face like his gaunt and lithe body had something of the American Indian in colour and lineament.
I was very much afraid of the other boys, and that made me doubt myself for the first time. When I had gathered pieces of wood in the corner for my great ship, I was confident that I could keep calm among the storms and die fighting when the great battle came. But now I was ashamed of my lack of courage; for I wanted to be like my grandfather who thought so little of danger that he had jumped overboard in the Bay of Biscay after an old hat. I was very much afraid of physical pain, and one day when I had made some noise in class, my friend the athlete was accused and I allowed him to get two strokes of the cane before I gave myself up. He had held out his hands without flinching and had not rubbed them on his sides afterwards. I was not caned, but was made to stand up for the rest of the lesson. I suffered very much afterwards when the thought came to me, but he did not reproach me.
I had been some years at school before I had my last fight. My friend, the athlete, had given me many months of peace, but at last refused to beat any more and said I must learn to box, and not go near the other boys till I knew how. I went home with him every day and boxed in his room, and the bouts had always the same ending. My excitability gave me an advantage at first and I would drive him across the room, and then he would drive me across and it would end very commonly with my nose bleeding. One day his father, an elderly banker, brought us out into the garden and tried to make us box in a cold-blooded, courteous way, but it was no use. At last he said I might go near the boys again and I was no sooner inside the gate of the playing field than a boy flung a handful of mud and cried out “mad Irishman.” I hit him several times on the face without being hit, till the boys round said we should make friends. I held out my hand in fear; for I knew if we went on I should be beaten, and he took it sullenly. I had so poor a reputation as a fighter that it was a great disgrace to him, and even the masters made fun of his swollen face; and though some little boys came in a deputation to ask me to lick a boy they named, I had never another fight with a school-fellow. We had a great many fights with the street boys and the boys of a neighbouring charity school. We had always the better because we were not allowed to fling stones, and that compelled us to close or do our best to close. The monitors had been told to report any boy who fought in the street, but they only reported those who flung stones. I always ran at the athlete’s heels, but I never hit anyone. My father considered these fights absurd, and even that they were an English absurdity, and so I could not get angry enough to like hitting and being hit; and then too my friend drove the enemy before him. He had no doubts or speculations to lighten his fist upon an enemy, that, being of low behaviour, should be beaten as often as possible, and there were real wrongs to avenge: one of our boys had been killed by the blow of a stone hid in a snowball. Sometimes we on our side got into trouble with the parents of boys. There was a quarrel between the athlete and an old German who had a barber’s shop we passed every day on our way home, and one day he spat through the window and hit the German on his bald head — the monitors had not forbidden spitting. The German ran after us, but when the athlete squared up he went away. Now, though I knew it was not right to spit at people, my admiration for my friend arose to a great height. I spread his fame over the school, and next day there was a fine stir when somebody saw the old German going up the gravel walk to the head-master’s room. Presently there was such a noise in the passage that even the master had to listen. It was the head-master’s red-haired brother turning the old German out and shouting to the man-servant “see that he doesn’t steal the top-coats.” We heard afterwards that he had asked the names of the two boys who passed his window every day and been told the names of the two head boys who passed also but were notoriously gentlemanly in their manners. Yet my friend was timid also and that restored my confidence in myself. He would often ask me to buy the sweets or the ginger-beer because he was afraid sometimes when speaking to a stranger.
I had one reputation that I valued. At first when I went to the Hammersmith swimming-baths with the other boys, I was afraid to plunge in until I had gone so far down the ladder that the water came up to my thighs; but one day when I was alone I fell from the spring-board which was five or six feet above the water. After that I would dive from a greater height than the others and I practised swimming under water and pretending not to be out of breath when I came up. And then if I ran a race, I took care not to pant or show any sign of strain. And in this I had an advantage even over the athlete; for though he could run faster and was harder to tire than anybody else, he grew very pale and I was often paid compliments. I used to run with my friend when he was training to keep him in company. He would give me a long start and soon overtake me.
I followed the career of a certain professional runner for months, buying papers that would tell me if he had won or lost. I had seen him described as “the bright particular star of American athletics,” and the wonderful phrase had thrown enchantment over him. Had he been called the particular bright star, I should have cared nothing for him. I did not understand the symptom for years after. I was nursing my own dream, my form of the common school-boy dream, though I was no longer gathering the little pieces of broken and rotting wood. Often, instead of learning my lesson, I covered the white squares of the chessboard on my little table with pen and ink pictures of myself, doing all kinds of courageous things. One day my father said “there was a man in Nelson’s ship at the battle of Trafalgar, a ship’s purser, whose hair turned white; what a sensitive temperament; that man should have achieved something!” I was vexed and bewildered, and am still bewildered and still vexed, finding it a poor and crazy thing that we who have imagined so many noble persons cannot bring our flesh to heel.
VI
The head-master was a clergyman, a good-humoured, easy-going man, as temperate, one had no doubt, in his religious life as in all else, and if he ever lost sleep on our account, it was from a very proper anxiety as to our gentility. I was in disgrace once because I went to school in some brilliant blue homespun serge my mother had bought in Devonshire, and I was told I must never wear it again. He had tried several times, though he must have known it was hopeless, to persuade our parents to put us into Eton clothes, and on certain d
ays we were compelled to wear gloves. After my first year, we were forbidden to play marbles because it was a form of gambling and was played by nasty little boys, and a few months later told not to cross our legs in class. It was a school for the sons of professional men who had failed or were at the outset of their career, and the boys held an indignation meeting when they discovered that a new boy was an apothecary’s son (I think at first I was his only friend,) and we all pretended that our parents were richer than they were. I told a little boy who had often seen my mother knitting or mending my clothes that she only mended or knitted because she liked it, though I knew it was necessity.
It was like, I suppose, most schools of its type, an obscene, bullying place, where a big boy would hit a small boy in the wind to see him double up, and where certain boys, too young for any emotion of sex, would sing the dirty songs of the street, but I daresay it suited me better than a better school. I have heard the head-master say, “how has so-and-so done in his Greek?” and the class-master reply, “very badly, but he is doing well in his cricket,” and the head-master has gone away saying “Oh, leave him alone.” I was unfitted for school work, and though I would often work well for weeks together, I had to give the whole evening to one lesson if I was to know it. My thoughts were a great excitement, but when I tried to do anything with them, it was like trying to pack a balloon into a shed in a high wind. I was always near the bottom of my class, and always making excuses that but added to my timidity; but no master was rough with me. I was known to collect moths and butterflies and to get into no worse mischief than hiding now and again an old tailless white rat in my coat-pocket or my desk. There was but one interruption of our quiet habits, the brief engagement of an Irish master, a fine Greek scholar and vehement teacher, but of fantastic speech. He would open the class by saying, “there he goes, there he goes,” or some like words as the head-master passed by at the end of the hall. “Of course this school is no good. How could it be with a clergyman for head-master?” And then perhaps his eye would light on me, and he would make me stand up and tell me it was a scandal I was so idle when all the world knew that any Irish boy was cleverer than a whole class-room of English boys, a description I had to pay for afterwards. Sometimes he would call up a little boy who had a girl’s face and kiss him upon both cheeks and talk of taking him to Greece in the holidays, and presently we heard he had written to the boy’s parents about it, but long before the holidays he was dismissed.
VII
Two pictures come into my memory. I have climbed to the top of a tree by the edge of the playing field, and am looking at my school-fellows and am as proud of myself as a March cock when it crows to its first sunrise. I am saying to myself, “if when I grow up I am as clever among grown-up men as I am among these boys, I shall be a famous man.” I remind myself how they think all the same things and cover the school walls at election times with the opinions their fathers find in the newspapers. I remind myself that I am an artist’s son and must take some work as the whole end of life and not think as the others do of becoming well off and living pleasantly. The other picture is of a hotel sitting-room in the Strand, where a man is hunched up over the fire. He is a cousin who has speculated with another cousin’s money and has fled from Ireland in danger of arrest. My father has brought us to spend the evening with him, to distract him from the remorse my father knows that he must be suffering.
VIII
For years Bedford Park was a romantic excitement. At North End my father had announced at breakfast that our glass chandelier was absurd and was to be taken down, and a little later he described the village Norman Shaw was building. I had thought he said, “there is to be a wall round and no newspapers to be allowed in.” And when I had told him how put out I was at finding neither wall nor gate, he explained that he had merely described what ought to be. We were to see De Morgan tiles, peacock-blue doors and the pomegranate pattern and the tulip pattern of Morris, and to discover that we had always hated doors painted with imitation grain and the roses of mid-Victoria, and tiles covered with geometrical patterns that seemed to have been shaken out of a muddy kaleidoscope. We went to live in a house like those we had seen in pictures and even met people dressed like people in the storybooks. The streets were not straight and dull as at North End, but wound about where there was a big tree or for the mere pleasure of winding, and there were wood palings instead of iron railings. The newness of everything, the empty houses where we played at hide-and-seek, and the strangeness of it all, made us feel that we were living among toys. We could imagine people living happy lives as we thought people did long ago when the poor were picturesque and the master of a house would tell of strange adventures over the sea. Only the better houses had been built. The commercial builder had not begun to copy and to cheapen, and besides we only knew the most beautiful houses, the houses of artists. My two sisters and my brother and myself had dancing lessons in a low, red-brick and tiled house that drove away dreams, long cherished, of some day living in a house made exactly like a ship’s cabin. The dining-room table, where Sinbad the sailor might have sat, was painted peacock-blue, and the woodwork was all peacock-blue and upstairs there was a window niche so big and high up, there was a flight of steps to go up and down by and a table in the niche. The two sisters of the master of the house, a well-known pre-Raphaelite painter, were our teachers, and they and their old mother were dressed in peacock-blue and in dresses so simply cut that they seemed a part of every story. Once when I had been looking with delight at the old woman, my father who had begun to be influenced by French art, muttered, “imagine dressing up your old mother like that.”
John Butler Yeats, from a watercolour drawing by himself
My father’s friends were painters who had been influenced by the pre-Raphaelite movement but had lost their confidence. Wilson, Page, Nettleship, Potter are the names I remember, and at North End, I remember them most clearly. I often heard one and another say that Rossetti had never mastered his materials, and though Nettleship had already turned lion-painter, my father talked constantly of the designs of his youth, especially of “God creating Evil,” which Browning praised in a letter my father had seen “as the most sublime conception in ancient or modern Art.” In those early days, that he might not be tempted from his work by society, he had made a rent in the tail of his coat; and I have heard my mother tell how she had once sewn it up, but before he came again he had pulled out all the stitches. Potter’s exquisite “Dormouse,” now in the Tate Gallery, hung in our house for years. His dearest friend was a pretty model who was, when my memory begins, working for some position in a board-school. I can remember her sitting at the side of the throne in the North End Studio, a book in her hand and my father hearing her say a Latin lesson. Her face was the typical mild, oval face of the painting of that time, and may indeed have helped in the moulding of an ideal of beauty. I found it the other day drawn in pencil on a blank leaf of a volume of the “Earthly Paradise.” It was at Bedford Park that I had heard Farrar, whom I had first known at Burnham Beeches, tell of Potter’s death and burial. Potter had been very poor and had died from the effects of semi-starvation. He had lived so long on bread and tea that his stomach withered — I am sure that was the word used, and when his relations found out and gave him good food, it was too late. Farrar had been at the funeral and had stood behind some well-to-do people who were close about the grave and saw one point to the model, who had followed the hearse on foot and was now crying at a distance, and say, “that is the woman who had all his money.” She had often begged him to allow her to pay his debts, but he would not have it. Probably his rich friends blamed his poor friends, and they the rich, and I daresay, nobody had known enough to help him. Besides, he had a strange form of dissipation, I had heard someone say; he was devoted to children, and would become interested in some child — his “Dormouse” is a portrait of a child — and spend his money on its education. My sister remembers seeing him paint with a dark glove on his right hand, and hi
s saying that he had used so much varnish the reflection of the hand would have teased him but for the glove. “I will soon have to paint my face some dark colour,” he added. I have no memory, however, but of noticing that he sat at the easel, whereas my father always stands and walks up and down, and that there was dark blue, a colour that always affects me, in the background of his picture. There is a public gallery of Wilson’s work in his native Aberdeen and my sisters have a number of his landscapes — wood-scenes for the most part — painted with phlegm and melancholy, the romantic movement drawing to its latest phase.
