Praise for Trace
“Letitia Moffitt has a winner with Trace! She blends police procedural, supernatural thriller, and romance with a skill which as a writer I admired and as a reader I enjoyed enormously. An engaging protagonist, a deepening mystery, and great pacing add up to a terrifically entertaining read.”
— Frank Chadwick, author of How Dark the World Becomes
“Trace is funny and engaging, and best of all, a page-turner. Mystery meets paranormal in Moffitt’s big-hearted heroine, Nola. Wholly believable — when you’re done, you’ll wonder where the tracists have been hiding all this time.”
— Lania Knight, author of Three Cubic Feet
“Moffitt draws a compelling accidental heroine in Nola Lantri, a no-nonsense, crime-solving ‘tracist’ who struggles to be normal despite her paranormal abilities.”
— Jeff Kohmstedt, author of The Fifth Kraut
“Trace is a wonderful novel—entertaining and suspenseful with a fascinating premise and pitch-perfect writing. What I love most is Nola Lantri, the smart, steely, and often sarcastic heroine who holds her own in a masculine world. More Nola Lantri books, please!”
— Daiva Markelis, author of White Field, Black Sheep: A Lithuanian-American Life
“In Letitia Moffitt’s gripping new mystery, Nola is a female detective with a unique gift who finds herself dropped into her first case—a case that seems to have a lot of questions, even more suspects, and zero answers. Moffitt’s writing is utterly engaging right from the first page. I couldn’t put it down. If you like Megan Abbott’s style of new noir, then you will absolutely love Trace.”
— Tommy Zurhellen, author of Armageddon, Texas
Praise for Sidewalk Dancing
“Moffitt has something here that hints at the layers beneath the surface, of things we want and don’t want to hear.”
— The Summerset Review
“Her stories really build and build and draw you further into the worlds she creates.”
— Roxane Gay, author of An Untamed State
“Moffitt creates complicated, interesting relationships between her characters, whom one can’t help but like and admire, flaws and all.”
— Books Personally
Copyright © 2015 by Letitia L. Moffitt.
All rights reserved. No part of this publication may be reproduced, distributed or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher, addressed “Attention: Permissions Coordinator,” at the address below.
Cantraip Press, Ltd.
2317 Saratoga Place
Charleston, Illinois 61920
www.cantraip.com
Publisher’s Note: This is a work of fiction. Names, characters, places, and incidents are a product of the author’s imagination. Locales and public names are sometimes used for atmospheric purposes. Any resemblance to actual people, living or dead, or to businesses, companies, events, institutions, or locales is completely coincidental.
Cover Design by damonza.com
Trace/ Letitia L. Moffitt -- 1st ed.
ISBN 978-1-942737-03-2
Acknowledgements
Thanks to Dan Davis, Jeff Kohmstedt, and Mary Maddox for providing terrific feedback on drafts of Trace. Without you this book wouldn’t be here. Special thanks to Mary Maddox for everything you’ve done to make this happen.
Thanks to Ken Welle for reading this entire book on a plane to Miami. I’m glad I got to sit next to you while you did.
Thanks to the Moffitts for your much appreciated support.
Contents
Acknowledgements
Prologue
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Prologue
“Let’s say you die.”
Nola’s eyes glinted as some of her audience members shifted uneasily.
“When that happens, your body releases particles of energy. New Agey types might call it your ‘life force.’ I do not.”
She need not have been so forceful with the last three words, as the coolness of her voice clearly dispelled any lingering notions of her as a New Agey type. So did her trim, no-nonsense black suit, lack of jewelry, and straight brown hair pulled back into a tidy knot. It was a look more suitable to someone a lot older, she knew, but that was on purpose; she was 27 but still got carded buying wine and didn’t believe youthfulness in this particular situation was an asset. Before she had been introduced, many of the half-dozen detectives who had assembled for the briefing assumed she’d come from the DA’s office. Now that they knew who she was, many of them still had not wiped the skepticism from their faces ten minutes into her talk.
“Most of the time, the amount of released energy is tiny, and the particles dissipate very quickly. However, in the case of sudden—and especially violent—death, a great deal of particulate energy is released, and not all of it dissipates right away. Much of it, in fact, lingers, something like radioactive energy after a nuclear disaster, for days, weeks, sometimes even months.”
Nola took a sip from her water bottle. Her mouth was ridiculously dry. “Why does this happen? I have no idea. I’m not a pathologist. All I know is what I’m telling you right now: certain people have the ability to sense this energy—this trace, as it’s called. There’s nothing mystical about this; some people can taste minute quantities of certain chemicals in foods while everyone else cannot, or hear a much wider range of frequencies than most people, or have far greater depth perception. It’s much the same with tracists.”
A mid-ranking detective, sitting in an exaggerated slouch to show his disdain, interrupted her. “So let me get this straight. You can’t tell us anything about how the victim was murdered, who committed the murder, when it was committed, or why it was committed—just where.”
“Yes. That is correct. Just. Where.” She drawled the words out as if speaking to a very young child. She knew she came across as frosty and bitchy, which amused her. And the Oscar goes to . . . me. In truth, she was merely, massively, shy. She’d ducked into the ladies room before the briefing simply to stand still for a couple of minutes and try to control her shaking hands.
The detective maintained steady eye contact, leaving unsaid but clearly understood the question “Then what good are you, really?” Nola noted with disgust the way he sat with his legs splayed in that crudely territorial way some guys had. Out of the corners of her eyes she noticed that all the guys were sitting that way.
“Let me say this again, since apparently I went too fast for some of you to follow along: I do one thing. That’s all. If you don’t need that one thing, you don’t ask for my help. My feelings aren’t hurt. If you do need that one thing, I get it for you, which I have, and then I leave you to whatever it is you do.”
The detective looked as if he was about to say something snide again when the Detective Division Commander, Jack Dalton, interjected smoothly from the front row of chairs. “We need leads, Marshall,” he said to the slouchy detective. “We haven’t had any, until now. Ms. Lantri has pinpointed an old fishing shack”—he stood and pointed to the ma
p behind Nola, indicating a bend in the river—“there. The location is marked on your copies.” Papers rustled, and eyes looked down and away from her, much to her relief. “Thanks, Nola,” Dalton said quietly and indicated with a nod and a smile that she could leave.
Despite her anxiety, she wanted to stay, wished she could have more to contribute, but knew that wasn’t possible. Dalton was taking a big enough risk just allowing her to work in this limited capacity. She supposed she should be grateful. She was. She just wished there could have been more to it.
This was her first case. Having gotten through it without throwing up, she reckoned she could chalk it up as a victory. Of course, tracist testimony wouldn’t hold up in court, but that wasn’t the point; the point was to find the missing person—in this case, Amy Siegel, who was only thirteen. The trace in the fishing shack had been so strong it made Nola’s head whirl. That had never happened to her before, and she made sure nobody knew it happened this time, as any sign of feminine weakness would probably undermine her already-shaky standing with the police.
“It happened here.” That was all she said. Then she walked away, seemingly oblivious to the stares that followed her. It surprised people who witnessed it, and perhaps disappointed some of the more skeptical ones—they were probably hoping to enjoy a good snicker at whatever touchy-feely incantations she moaned or whatever dreamy trance she fell into. They certainly expected more drama.
And in truth, she had expected more drama. Her part of the case had ended. She would not be there when the girl’s body, neck broken and flesh burned, was found two hundred yards from the fishing shack, nor would she have any part in finding the killer, a man with a frightening history of sociopathic behavior, distantly related to the girl’s family. Like everyone else in Redfort, New York, she would read about it online. Her name would not be mentioned. Of course, she didn’t want her name to be mentioned; she wasn’t interested in being famous, and certainly not in connection with such a grisly tragedy. She just wanted to do more. There wasn’t any more. Life went back to normal for those still living.
That all changed a year later when Culver Bryant went missing.
1
The assignment began like any other: someone had gone missing, foul play was suspected, few clues, clock ticking. She was summoned that sunny October afternoon to accompany the detectives as they talked to those closest to the missing person—in other words, those most likely to be involved in his disappearance. Most times, she was brought along merely to ascertain that foul play could be ruled out, that the missing person was alive and “missing” on purpose, in which case she would spend the day saying “no” over and over as they went from place to place. There were a lot of missing-persons reports filed in Redfort, and Nola knew the suicide rate was disturbingly high compared with the national average (as were unemployment and alcoholism, probably not coincidentally), but homicides were relatively rare. She didn’t necessarily relish the discovery of a violent death, yet as she made her way across town to the familiar generic grey building—she always thought it looked like it housed dentists or CPAs—she had to admit a tiny hope that this would not be another one of those monotonous “no” days.
Until she’d started her tracist work, she had been feeling as if she lived in the capital of monotony. Redfort City, a name that sounded part Wild West, part delusion of grandeur, as it was too big to be a fort, too small and unimportant to be a city, and so far from being “West” that most stores accepted Canadian coins along with American ones. A river ran through it and an interstate near it. An indie film theater that was really someone’s garage and a mall that could have been anywhere, a state park to the east and a research park to the west, a downtown where nobody worked anymore, and a whole lot of fast food—that was Redfort. That was where Nola had lived nearly her entire life. She wanted to get out but didn’t know how, or where to go if she did get out, or what to do if she figured out where. The work she would do today wasn’t a way out, she acknowledged as she pulled into the parking lot, but at least it made staying put a little more interesting.
She was delighted to hear that she would be riding along with Matt Gorsky and Jeb Crawford, whose first names precluded her from calling them anything but Mutt and Jeff when they were together. They were possibly the only two detectives in the entire county who accepted her presence on a case without reservation; they trusted her and she got along with them. If the building they were just now emerging from looked nondescript, Mutt and Jeff were the perfect occupants. They somehow always managed to look like a couple of ordinary guys, a useful quality in their line of work. They were also about as different from each other as could be; Gorsky was short and muscular, dark of hair and complexion, and widely rumored to be gay, while Crawford was lanky and fair and getting married to his longtime girlfriend in six months. Yet they worked together brilliantly—and worked with Nola, period. No one else would.
“Perfect timing,” Jeb said with a smile, gesturing toward the unmarked car they’d be using that day.
“Always,” Nola said, getting into the back. She waited as patiently as she could for the guys to get in front and get on their way so she could be briefed on the case.
Thankfully, Mutt and Jeff did not believe in wasting time, another reason she liked working with them. “It’s Culver Bryant,” Matt said without preamble.
She raised her eyebrows. Matt nodded at her in the rearview mirror. “Yup. Mr. Big Shot himself, or at least as big as they come this far upstate, anyway.”
Nola knew, as did everyone else in town, that Culver Bryant was a real estate developer, and whatever wasn’t a hospital or a school or farmland in the greater Redfort area, and really the greater area of Morgan County, was more than likely owned by him or soon would be. If it wasn’t either of those, the property was worthless.
Culver Bryant was rich, and everyone was aware of that. Beyond that, however, little was known about him. Bryant kept his private life private without appearing to be furtive or antisocial. He attended the requisite big-shot charity functions and social events yet managed to avoid calling attention to himself. His house, cars, and clothes were, Nola had heard, “nothing special.” The man himself was almost weirdly indistinct, Nola reflected as she studied the photos Jeb gave her: middle age, average height, average weight.
And now he had disappeared.
They told her very little else about the case, in part to maintain confidentiality but in part because Nola insisted it be that way. She never wanted anyone to wonder whether she had been subconsciously swayed by something she’d heard. As soon as she entered a location, she would turn her focus away from its inhabitant and to the space around them. Her job, like that of a judge, was not to determine guilt or innocence. Even if she ended up sensing trace in a house, that didn’t mean its owner was the murderer—and, more important, it didn’t much matter one way or another, as far as her involvement went. This aspect of her work was, she admitted, aggravating—it made her feel as if she weren’t really a part of the team, not important or valuable or legitimate enough to warrant complete inclusion. But it had to be this way, so Nola had no idea whom she would meet that morning.
Mrs. Maureen Bryant was first. She had called the police after her husband had failed to come home at night and then hadn’t shown up for a business meeting the next morning. As they pulled up to the Bryant house, Nola could see that it obviously carried a large price tag. Her entire apartment could have fit into one of the elegant flower beds on the front lawn. Yet there was nothing excessive or gaudy about the Bryant home—or in it, she observed as they were ushered inside by Mrs. Bryant. It struck Nola that while the furnishings didn’t scream new money (expensive in price, cheap in aesthetics, as she liked to define it), they also didn’t necessarily speak of distinctive taste, either—more like the cautiousness of people who knew enough to avoid bad taste but lacked the daring to cultivate their own.
Cautious was also the impression Nola got from Maureen Bryant. She was som
ewhere in her early thirties, she worked at a nonprofit organization to bring scholarships to underprivileged youths, and she was beautiful in subtle ways—luminous skin, grace in her gestures, a clear, melodious voice. Again, though, like the house, there was a sense of negativity about her, as if her life was more about denying what was wrong than embracing what was right.
There was also no trace whatsoever in the house. Once Nola established this, she could listen in, nonchalantly, on the conversation Matt and Jeb were having with Mrs. Bryant, all while under the guise of being a department clerical assistant taking notes. “Did you notice anything in his behavior that was in any way unusual for him?” Jeb asked.
“He’s been very tired lately, probably because he’s been working very hard on the new development,” Mrs. Bryant said in that quiet, clear voice. “I haven’t seen much of him in the last two months.”
The last sentence struck Nola as a curious one, which she pondered as the detectives wrapped up the conversation and headed back to the car. It seemed somehow passive-aggressive, as if beneath the simple statement about her husband’s long hours on the job was a subtle complaint. In the car as they drove to their next destination, Nola felt emboldened to voice this observation to the guys.
They nodded almost simultaneously. “You caught that, huh?” Matt said from the driver’s seat. “Well, you’re dead-on about that. Bryant had a girlfriend. She’s third on our list today, after Vincent Kirke.”
“Kirke, by the way, is the one who tipped us off about the girlfriend when we talked to him on the phone to arrange this meeting,” Jeb said. “We don’t know if the wife knows or not.”
“I’d guess they usually do,” Nola said, “though they don’t want to admit it to anyone, including themselves.”
Trace (TraceWorld Book 1) Page 1
