by Rick Riordan
It was the worst lie Amy had ever heard. Usually, she could tell what he was thinking just by looking at his face, but he was hiding his thoughts from her. She could only tell that he was miserable.
"Forget it," he said. "We don't have time."
"Are you sure -- "
"I said forget it! We need to figure out that number box before the Kabras, don't we?" She didn't like it, but he was right. Besides, something told her that if they stayed here much longer, the police would come and start asking questions. She took one last look at the rail pit where Dan had almost died and the dark hatch that led into the Catacombs. Fear still coursed through her body, but they'd been through too much to give up now.
"Let's go, then," she said. "We've got a clue to find." Outside it had started to rain.
By the time they found a cafe, Dan seemed back to normal or at least they'd come to a silent agreement that they would act like everything was normal. They sat under the awning to dry off while Nellie ordered food. Amy didn't think she could eat, but she was hungrier than she'd realized. It was five in the afternoon. They'd been in the Catacombs a long time.
She shuddered as she thought about Ian and Natalie and the poison dart gun. She hoped Uncle Alistair was all right. She still didn't trust him, but there was no denying he'd saved them in the Catacombs. She had terrible thoughts of the old man lying alone and unconscious in the maze.
As they ate brie-and-mushroom sandwiches, Dan drew skulls and Roman numerals on
a napkin.
"Twelve, five, fourteen," he said. "Those are the missing numbers."
Amy didn't bother checking his math. He never messed up on number problems.
"Maybe it's an address and an arrondissement," she said.
Nellie wiped off her iPod. "Wouldn't the address have changed in two hundred years?" Amy got a hollow feeling in her gut. Nellie was probably right. Paris might not have had the arrondissement system when Franklin lived here. And street addresses definitely would've changed -- in which case Franklin's clue was no good anymore. Would Grace have sent them on a search that couldn't be finished?
Why not? a resentful voice said inside of her.
Grace didn't care enough to tell you about the quest in person. If Dan had died in that rail pit, it would've been Grace's fault.
No, she decided. That wasn't true. Grace must've had a reason. The numbers must refer to something else. Amy could only think of one way to find out -- the same thing she did whenever she had an unsolvable problem. "We need to find a library."
Nellie talked to the waiter in French, and he seemed to understand what they wanted. "Pas de probleme," he said.
He drew a map on a fresh napkin and scribbled the name of a Metro station: Ecole Militaire.
"We have to hurry," Nellie said. "He says the library closes at six."
Half an hour later, soggy and still smelling like the Catacombs, they arrived at the
American Library in Paris.
"Perfect," Amy said. The old building had black metal security bars over the doorway, but they were open. Peering inside, Amy saw stacks of books and plenty of comfortable places to read.
"Why should these guys help us?" Dan asked. "I mean, we don't have a library card or anything."
But Amy was already climbing the steps. For the first time in days, she felt absolutely confident. This was her world. She knew what to do.
The librarians came to their aid like soldiers responding to a battle cry. Amy told them she was researching Benjamin Franklin, and within minutes Amy, Dan, and Nellie were sitting at a table in a conference room, examining reproductions of Franklin documents -- some so rare, the librarians told her, the only copies existed in Paris. "Yeah, here's a rare grocery list," Dan muttered. "Wow." He was about to toss it aside when Amy grabbed his wrist.
"Dan, you never know what's important. Back then there weren't many stores. If you wanted to buy something, you had to send the merchant an order and have your stuff shipped. What did Franklin buy?"
Dan sighed. '"Please to send the following: 3 --Treatise on Cyder Making by Cave;
2 -- Nelson on the Government of Children, 8 vol., by Dodsley; 1 Qty. -- Iron Solute; Letters from a Russian Officer -- '"
"Hold it," Amy said. '"Iron Solute.' Where have I heard that before?"
"It was on that other list," Dan said without hesitation, "in one of the letters we saw in
Philadelphia."
Amy frowned. "But iron solute isn't a book. This whole list is books except for that." "What's iron solute, anyway?" Dan asked.
"Oh, guys, I know this!" Nellie chimed in. She held up her hands and closed her eyes like she was remembering the answer for a test. "It's like a chemical solution, right? They use it for metalworking and printing and a bunch of other stuff." Amy stared at her. "How did you know that?"
"Hey, I took chemistry last semester. I remember 'cause the professor was talking about, like, how they make high-end cooking equipment. Franklin probably used iron solute for his ink when he was a printer."
"That's great," Dan muttered. "Except for the fact that it's completely unimportant.
Now can we get back to the magic box coordinates?"
Amy still felt something nagging in the back of her head, like she was missing a connection, but she rifled through the rest of the papers. Finally, she unfolded a huge yellowing document that turned out to be an old-fashioned map of Paris. Her eyes widened.
"This is it." Amy put her finger proudly over a spot on the map. "A church. St-Pierre de Montmartre. That's where we need to go." "How can you be sure?" Nellie asked.
"The numbers form a grid, see?" She pointed to the margins. "This is an old surveyor's map by a couple of French scientists, Compte de Buffon and Thomas-Francois D'Alibard. I remember reading about them. They were the first to test Franklin's lightning rod theories. After they proved the rods worked, King Louis XVI ordered them to draw up a plan to outfit all the major buildings in Paris. That church was the fourteenth installation, at coordinates five by twelve. Franklin would've known about the work. He was really proud of how the French took to his ideas. That has
to be it. I'll bet you a box of French chocolate we'll find an entrance to the Catacombs at the church."
Dan looked doubtful. Outside, the rain was really coming down. Thunder shook the
windows of the library. "What if the Kabras get there first?"
"We have to make sure that doesn't happen," Amy said. "Come on!"
CHAPTER 17
Dan felt like one of the Catacomb skulls -- hollowed out inside.
He was determined not to show it. He was embarrassed enough that he'd cried on the
train platform. But he kept reaching for his backpack and it wasn't there. He couldn't
stop thinking about his parents' picture, whisked away and lost in the Metro tunnels.
Maybe it had been ripped to shreds, or maybe his parents would be smiling in the
darkness forever with no company but the rats. All he'd wanted to do was make them
proud. Now he didn't know if his parents would ever forgive him.
The rain was still coming down. Thunder boomed across the sky. Every few minutes a
flash of lightning would illuminate the Paris skyline.
If Dan had been in a better mood, he would've wanted to explore Montmartre. It looked like a cool neighborhood. The whole area was one big hill, topped with a massive white-domed church that glowed in the rain.
"That's where we're going?" Dan asked.
Amy shook her head. "That's the Sacre-Coeur Basilica. The smaller church, St-Pierre, is just below it. You can't see it from here." "Two churches right together?"
"Yeah."
"Why wouldn't Franklin choose the big fancy one?"
Amy shrugged. "Wasn't his style. He liked simple architecture. He would've thought it amusing to choose a small plain church in the shadow of a big fancy one."
That didn't make much sense to Dan, but he was too wet and tired to argu
e. They hiked up the narrow streets, passing nightclubs with music blaring and neon signs that gleamed against the wet pavement. "I used to have a nightlife," Nellie sighed.
As they climbed toward the top of the hill, Amy told them what she knew about the neighborhood -- how famous artists used to live here like Picasso, Vincent van Gogh, and Salvador Dali.
Nellie pulled her raincoat tighter. "My mom told me another story -- why it's called Montmartre, the Hill of the Martyr. She said Saint Denis was beheaded at the summit, right where we're going."
That didn't sound like a very good omen. Dan wondered if they still kept the head in the church, and whether saints' heads really had haloes.
A few minutes later they stood in a muddy graveyard, looking up at the dark silhouette
of St-Pierre de Montmartre. The church was probably taller than it seemed, but with the white basilica towering on the hill behind it, St-Pierre looked short. It was made of gray stone slabs. A single square bell tower rose from the left-hand side, topped with a lightning rod and cross. Dan thought the building looked angry and resentful. If churches could frown, this one would. "How do we know where to look?" he asked.
"Inside the sanctuary?" Nellie asked hopefully. "At least we'd be out of the rain."
BOOM!
Thunder rolled across the rooftops. Lightning flashed, and in that second, Dan saw something.
"There," he said. "That tombstone."
"Dan," Amy complained, "this is no time for your collection!" But he ran to a marble marker. If he hadn't been a tombstone admirer, he never would've noticed it. There were no dates. No name. At first, Dan thought the figure carved at the top was an angel, but the shape was wrong. It was weathered and worn, but he could still tell-
"Entwined serpents," Amy gasped. "The Lucian crest. And there -- "
She knelt and traced an arrow carved at the base of the marker -- an arrow pointing
down into the earth.
Amy and Dan looked at each other and nodded.
"Oh, you're kidding," Nellie said. "You're not really going to -- "
"Dig up a grave," Dan said.
They found a toolshed around the side of the church. They borrowed a shovel, a couple of gardening spades, and a flashlight that actually worked. Soon they were back at the graveside, digging in the mud. The rain made it hard going. In no time, they were completely filthy. It reminded Dan of the good old days when Amy and he were young. They used to have mud battles and their au pair would shriek in horror and make them spend the evening in a bubble bath, getting cleaned up.
Dan didn't think Nellie was going to make them a bubble bath tonight.
Slowly, the hole got deeper. It kept filling with water, but finally Dan's shovel struck
stone. He scraped away the mud and found a marble slab about four feet long by
three feet wide.
"Too small for a coffin," Amy said.
"Unless it's for a kid," Dan said. "I could fit in there."
"Don't say that!"
Dan wiped the mud off his face, which just made it muddier. "Only one way to find out." He worked the spade under the edge of the slab until he found a crack and then started to pry. "I need help."
Amy joined him. Nellie got the shovel into the crack and together they heaved the slab aside. Beneath was a square hole, but it wasn't a grave. Stairs led down, into the darkness of the Catacombs.
As soon as they reached the bottom, Dan swept the flashlight around the room. It was a square chamber hewn from limestone, with a tunnel exiting to the left and the right. There were no stacks of bones, but the walls were painted with faded murals. In the center was an ornately carved stone pedestal about three feet high. On the top sat a porcelain vase.
"Don't touch it!" Amy said. "It might be booby-trapped."
Dan edged closer to the vase. "It's decorated with little Franklins."
He could make out Ben holding a kite in a storm, Ben in a fur cap, Ben waving a cane
over the ocean like he was doing some kind of magic trick.
"It's a souvenir vase," Amy said. "The kind they made in the 1700s to celebrate
Franklin's arrival in Paris."
"Twenty bucks says something's inside," Dan offered.
"No bet," Amy said.
"Guys," Nellie said. "Look at this."
She was standing at the back wall. Dan came over and shone the light on the mural. The colors were faded, but Dan could make out four figures: two men and two women, dressed in old-fashioned clothes -- even older than from Franklin's time, like from the Middle Ages or the Renaissance or something.
Each was painted larger than life. On the far left was a thin, cruel-looking man with dark hair. He held a dagger that was almost hidden in his sleeve. Faded black letters at his feet read L. CAHILL. Next to him stood a young lady with short blond hair and intelligent eyes. She held an old-fashioned mechanism with bronze gears -- like a navigation instrument or a clock. The inscription under the hem of her brown dress read K. CAHILL. To her right was a huge dude with a thick neck and bushy eyebrows. He had a sword at his side. His jaw and his fists were clenched, like he was getting ready to slam his head into a brick wall. The inscription read T. CAHILL. Finally, on the far right, was a woman in a gold dress. Her red hair was gathered in a braid over one shoulder. She held a small harp -- like one of those Irish harps Dan had seen in the Saint Patrick's Day parade back home in Boston. Her inscription read J. CAHILL. Dan got the strangest feeling all four were watching him. They seemed angry, like he'd just interrupted them in the middle of a fight... but that was stupid. How could he tell that just from a wall painting?
"Who are they?" Nellie asked.
Amy touched the figure of L. Cahill, the man with the knife. "L ... for Lucian?"
"Yeah," Dan said. He wasn't sure how, but he knew immediately that Amy was right. It
was like he could read the expressions of the painted figures, the way he could sometimes do with Amy. "Lucian branch. That guy was the first."
"And K. Cahill ..." Amy moved to the lady with the mechanical device. "Maybe K stood
for Katrina or Katherine? Like Ekaterina branch?"
"Maybe." Dan looked at the guy with the sword. "Then T for Tomas? Hey, he looks like
the Holts."
The picture of T. Cahill seemed to glare at him. Dan could totally see him in a purple
running suit. Then Dan turned his attention to the last picture -- the lady with the
harp. "And... J for Janus. You think her name was Jane?"
Amy nodded. "Could be. The first of the Janus. Look, she's got -- "
"Jonah Wizard's eyes," Dan said. The resemblance was eerie.
"These four," Amy said. "They look almost like -- "
"Brothers and sisters," Dan said. It wasn't just their similar features. It was their postures, their expressions. Dan had been in enough fights with Amy to recognize the look: These guys were siblings who'd spent years annoying each other. The way they were standing -- like they knew each other intimately but were also trying really hard not to throttle each other.
"Something must've happened between them," Amy said. "Something ... "
Her eyes widened. She moved to the middle of the mural and brushed away some cobwebs between K. and T. Cahill. There, small but clear on the painted horizon, was a burning house and a dark figure running away from it -- someone shrouded in a black cloak.
"A fire." Amy clutched her jade necklace. "Like Grace's mansion. Like what happened to our parents. We haven't changed in all these centuries. We're still trying to destroy each other."
Dan ran his fingers across the mural. It made no sense that they could know who these people were, but he was sure Amy was right. He just knew it, somewhere inside. He was looking at four siblings -- the beginnings of the Cahill branches. He studied their faces the way he used to do with his parents' photograph, wondering who he resembled most.
"But what happened?" Nellie said. "What was in that house?"
Dan tu
rned toward the stone pedestal. "I don't know, but I'm thinking it's time to open that vase."
Dan volunteered. Amy and Nellie stood back as he slowly lifted the vase off the pedestal. No poison arrows flew out. No spikes shot from the ceiling and no snake pits opened up, which Dan found kind of disappointing. He was about to open the lid when Amy said, "Wait."
She pointed to the base of the pedestal. Dan had noticed the carvings, but he hadn't realized exactly what they were.
"Is that... sheet music?" he asked. Amy nodded.
Notes, lines, and stanzas were etched in the rock -- a complicated song. It brought
back bad memories of Dan's piano teacher, Mrs. Harsh, who'd quit giving him lessons
last year after he painted her minor keys with Crazy Glue.
"What does it mean?" he asked.
"I don't know," Amy said. "Franklin liked music -- "
"Probably just decoration," Dan said impatiently. Something was rattling around inside the vase, and he was itching to open it. He put his hand on the lid. "Dan, no!" Amy said.
But he opened it. Nothing bad happened. Dan reached inside and pulled out a corked glass cylinder wrapped in paper. "What is that?" Amy asked.
"Liquid," Dan said. "A vial of something." He untied the paper and tossed it aside. "Hey!" Amy said. "That could be important." "It's just a wrapper."
She picked it up and unfolded it. She scanned whatever was on it and quickly tucked it in her shirt pocket. Dan didn't care about that. He was trying to decipher the words etched on the glass vial. Inside was a thick green liquid, like the slime he used to play with and throw at his friends. The inscription read: [proofreader's note: printed on the vial is "Sa othu gearch sith, os I gearch ethe. Sueyht slslki het urtht ot efre."]
"What is that?"
Nellie said. "German?" Amy asked.
"Uh-uh," Nellie said. "That's no language I've ever seen."
Suddenly, Dan's whole body tingled. The letters started rearranging themselves in his head. "It's one of those word puzzles," he announced. "Where they scramble the letters."
"An anagram?" Amy said. "How can you tell?"
