A Kind of Grief

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A Kind of Grief Page 25

by A. D. Scott


  “Did you?”

  “Maybe. But nonetheless, I’m right.”

  “Always.”

  Already the shorthand of a married couple was developing. And she loved it. Loved how she could tease him. Make him laugh. Make him meals he appreciated. Talk about the children, the weather, discuss books, music, her work, the manuscript.

  “The manuscript,” she began.

  “Hector!”

  Joanne jumped. McAllister bellowing like a vexed Aberdeen Angus bull she had not previously experienced at such close range.

  Don came in and winked at Joanne. “He’s gone home to file negatives, so he said. You’ll have to make do with me.” He sat and lit up a Capstan Full Strength. “So how are you, ma bonnie lass? Time to go out for a drink with an auld man? Warm the cockles o’ ma heart?”

  “No, she hasn’t,” the editor replied. “We need to find Hector.”

  “Another time.” Don was not offended, as McAllister had meant no offense.

  She reached into her shopping bag, took out the folder, and handed Don a page. “Hector found invisible writing in Alice Ramsay’s manuscript. We want to check if there’s more.”

  “Like a spy story, this,” Don said as he stared at the almost invisible list of numbers.

  “What makes you think that?” McAllister asked. He was staring up at the portrait of a previous editor painted in Victorian times. The heavy dark oils were gloomy, thick, and of no artistic merit. But he liked it, liked the way it connected him to the high times of newspapers and the founding of the Highland Gazette in the 1860s.

  Don was taking his time answering. Puffing away at his cigarette, squinting through the smoke at the faded lists, he began, “I was joking. But now I come to think on it, there is this, then the visit from the man from London and all his threats of a D notice, then the encounters with a mysterious black car or cars, not forgetting thon matchstick.”

  “Ah. Right.”

  Don could see from McAllister’s frown that he hadn’t told Joanne about the matchstick. None o’ my business. He continued, “There was also a mystery man, or is it men, hanging around. And for why? There’s the fake artworks. Miss Ramsay’s past profession and the—”

  “Hang on,” Joanne said. “What did you say? Matchstick?”

  McAllister told her.

  She was not happy.

  “I forgot,” he fibbed.

  Don intervened. “The man from London, is he gone?”

  “He said he was going last week.” McAllister paused. “The only way of contacting him is through DI Dunne.”

  “Don’t know if this is important enough to pass on,” Don said, “but I wouldney mind a wee poke around to see what else we can discover.”

  “These are definitely passport numbers?” Joanne asked.

  “Looks like,” Don replied. “So you young things get Hector to do his magic, and if there is more invisible writing, let’s us talk it out before we contact your mysterious contact.”

  “I was threatened with the Official Secrets Act if I discussed it,” McAllister reminded them.

  “Aye, but I wasn’t.” Don grinned, and they both knew threats from officialdom, particularly English officialdom, were like petrol on a bonfire to Don McLeod of the Skye McLeods.

  In the car, driving along Tomnahurich Street, Joanne said little, until she couldn’t hold it in any longer. “Matchsticks?”

  “A burnt-out match. One. Single. Solitary. Small. Not from the big box in the log basket. I found it the night we came back from Elaine’s farewell party.”

  “When I thought someone had been in the house, you let me believe I was going crazy imagining things.” She said this calmly, as though pointing out the weather or a road sign or an announcement of the coming apocalypse in the classified advertisements.

  “I didn’t think.”

  “I don’t want to fall out with you. So next time, share.”

  “I’m really sorry.” He bit back a comment about her not sharing the drawings.

  “Serves me right for marrying a confirmed bachelor.” Joanne poked him in the arm and opened the car door before he could say more.

  She walked quickly up the front path, past the rockery now denuded of all but heather. She walked around the side to the back garden. The house felt empty, but a notice on the door of the concrete washhouse said “RING BELL” with (if you must) written in red pen underneath. She rang the bell. McAllister came up behind, and she squeezed his hand.

  He put an arm around her shoulders.

  “What do you want?” Hec shouted.

  “Your money or your life!” she shouted back.

  “Have you brought more pages?” Hec opened the door a fraction.

  “Hello, Hec. Yes, I’m very well, thank you for asking.”

  “Wipe your feet,” Hec told McAllister.

  McAllister looked down. Seeing Hec in slippers, he did as he was told.

  Door shut and locked, his granny’s blackout curtains left over from the war pulled to, Hector was working in the dim. Pools of brightness from overhead retractable lamps shone down over a table bench, and what looked like a microscope, cobbled together from a spare lens, was sitting in the middle. Under the lens was an enlarged print of a list of numbers.

  Hec said, “Let’s try another page.”

  Joanne handed him a page of practice handwriting.

  “More numbers.” With the small Leica, he took two shots. “That’s enough. Next?”

  Joanne and McAllister, mostly silent except for the odd “hmm” or “I see” or “interesting,” watched as Hec did his magic with eight sheets, all of which had some form of numbers in lists, groups, or paragraphs.

  When he’d finished, Hec asked, “That’s the lot?”

  McAllister answered, “Yes.”

  Joanne added, “Maybe.” Answering the unsaid question, she continued, “If I wanted to really hide invisible writing, I’d put it in the middle of a picture—you know, in the gaps of color.” She was imagining one of Alice’s illustrations. “There’s space between the lines of her writing and between paragraphs and drawings. I thought it was all artistic, done that way.”

  “For the composition.” Hec felt his knees shoogle with excitement. “Brilliant, Joanne, brilliant. Maybe you could go home and fetch them?” He was less asking, more commanding his boss to run the errand. McAllister surprised himself by agreeing.

  An hour and eleven minutes later, they found what Joanne decided was “the treasure.” “That the writing is in Russian is fascinating. But what’s really interesting is how carefully it’s hidden, the writing interwoven into drawing of the curlews and their nests. See how these tiny letters are placed between the twigs and feathers of the nest?”

  “We could ask Peter Kowalski to translate,” McAllister suggested.

  “And put him and Chiara and the baby in danger?” Joanne was shaking her head. “No, please don’t.”

  Peter, married to Joanne’s best friend, was Polish, and he spoke and read Russian fluently. McAllister had once joked about him speaking five languages, and Peter had contradicted him, saying he spoke seven but only read and wrote five.

  “Hector, when will the prints be ready?” McAllister asked.

  “As soon as you get out ma road, I’ll start. Say late this afternoon?”

  “No. Tonight. Come to our place after supper,” McAllister did not tell him that in sharing, he would be breaking the Official Secrets Act.

  The gathering was like old times, except Elaine joined them. She’d called to say she and Calum were going out but couldn’t agree on a film. “What’s that one you saw last week?” she’d asked Joanne.

  “Don’t. I thought I liked Doris Day, but she was so perfect it was nauseating.”

  “I wanted to see the Hitchcock, but Calum gets nightmares after scary films.”

  “Come round here,” Joanne had said. “Is nine o’clock fine for you?”

  “For me, yes. For Calum, no. His landlady locks up at nine on the do
t. And no passkey.” She’d giggled. “Worse than being at home—almost.”

  The others had walked in without ringing the doorbell, so when it did ring, McAllister answered. It was Elaine. She’d put lipstick on and her hair up, needing to be herself after days and weeks and years of being Nurse Fraser—except with the old people where she was always Nurse Elaine—and McAllister almost didn’t recognize her, as she’d gained a decade of sophistication.

  Seeing the others, Elaine said, “Hope I’m not intruding.” She grinned at Hec and Rob, who were sitting together on the sofa. “Budge up, lovebirds.”

  They moved without comment, Rob happy to have her so close, even if she was Calum’s fiancée.

  “So, what do we think?” Don asked again.

  “We’re trying to make sense o’ these numbers,” Hec explained, handing Elaine copies of the photographs.

  “Right, Miss Ramsay’s drawings. I’d recognize them anywhere.” She was staring at the lines interspersed between Alice’s handwritten notes on the curlew, its nesting habits and territory. “This is some kind of number system.”

  “One column is passport numbers,” McAllister said.

  “Right.” Elaine was holding the print of the drawing at arm’s length, as though she needed reading glasses. “In this list here”—she was looking at another photograph of a page with a long sequence of numbers—“the numbers of the passport identify the person, so the next set is the date of birth, and then date of death. The rest of the set is possibly a number-letter code.” She looked up at Joanne. “I don’t have a passport, but it’s my dream one day to go abroad and— What? What have I said?”

  “No, no, lass, you’re doing grand.” Don did his kind old granddad grin.

  Elaine smiled back.

  “What about these?” Joanne passed another photograph to the nurse.

  “Same first code, then . . .” She stared.

  “I get it.” Rob was sharing the page with her and followed her finger as it rested on part of the set of numbers. “It’s dates of birth of bairns. Babies.” He added the obvious. “It’s rare that a baby would have a passport.”

  “Explain again, lass,” Don asked.

  Only then did Elaine realize that almost everyone from the Gazette was there, barring Lorna, as neither Don nor McAllister was ready for an eighteen-year-old to join the crew, and they were all staring at her.

  “Right, photo four,” Elaine began. “See the dates of birth. Now, look at the list of passport numbers. They start with the three identifying numbers, then the date of birth, then a six-number code.”

  “No death dates,” McAllister muttered, knowing that obviously that would not be checked when applying for a passport.

  “How did you work it out?” Frankie Urquhart asked Elaine. He’d come to the meeting because he was curious, not because he had much to contribute to the proceedings.

  She explained, “I’m trained in patient identification numbers, dates of birth, operation procedure numbers, medication codes, all the paperwork that goes with a hospital admission.” She left out that the date of death was a number she’d had to enter more and more regularly in the Old People’s Home, especially as winter set in. “What’s this all about?” Elaine addressed her question to Joanne.

  “Not sure” was the answer.

  “Long story,” McAllister added.

  “Well, you can’t show me these,” Elaine lifted the two photos up, “then leave me hanging.”

  “It can’t leave this room. And above all, don’t tell Calum,” the editor warned.

  “Because Mrs. Mackenzie can read her son’s mind.” Elaine smiled. They all smiled back.

  It took half an hour to tell her and another half to discuss the possibilities thrown up by Elaine’s insight. When the clock struck ten thirty, she said, “I have to go, I’ve a curfew.”

  “I’ll drive you back,” McAllister offered.

  “Sorry I can’t give you a lift,” Rob added. “The bane o’ my life is with me.”

  Hector chortled at the old joke.

  Frankie said, “I’ll take you. I need to get back anyhow, make sure my wee sister is no reading in bed till midnight.”

  They said good night, and Joanne saw them to the door.

  “Night, Frankie. Night, Elaine. Come and visit on your next day off.”

  “I’d like that.” Elaine was hovering on the doorstep.

  Joanne fancied she could see Elaine’s brain working, trying to decide whether to ask.

  “Do you think there’s any connection between Miss Ramsay’s death and Mrs. Mackenzie’s accident?”

  “I don’t know.” Joanne had thought about it often and could see how there might be a link. A car, in the dark and the rain, had hit her. Had Mrs. Mackenzie seen something? Was the intention to kill her? Was it a sheer accident? Or had she invented a story that ended up putting her in danger? Joanne had no answers. Nor did the local police. “We may never know.”

  “She has enough enemies,” Elaine said, “but enemies who would want to kill her? I can’t see it.”

  When it was only the three of them, and after Joanne had yawned once too many times and gone to bed, McAllister poured a nightcap for himself and his deputy.

  “A grand bunch,” Don said, toasting their young friends and colleagues.

  “They are that.” McAllister raised his glass. An Islay malt this time, the clear oily burnt peat and seaweed flavored liquid rolled over his tongue. He remembered his one trip to the island, when the mist was so dense, the rain so heavy, there was nothing to do but hole up in the hotel and sample the bottles of malt, starting at the top left, working down to the bottom right of three shelves, ending up with a horrific bar bill.

  “So,” Don asked, after he’d had his private moment of reminiscence, involving his late wife, a wondrous few days in Skye, and an Islay malt, “what do we think?”

  “I think this is what whoever they are has been looking for.”

  “Aye, but who are they? And what would Miss Alice Ramsay be wanting with those numbers?”

  McAllister appreciated Don’s Highland way of putting words together and smiled. “Insurance?”

  “Blackmail?”

  “Maybe she was continuing her trade up the glen and—”

  He said, “ ‘Maybe,’ and, ‘If,’ and, ‘But,’ and ‘Perhaps’—I’m hearing too many doubts to be comfortable.”

  “We do know Miss Ramsay was known to some or all of the traitors who escaped to Moscow.”

  “Guy Burgess, Kim Philby, Donald Maclean.” Don and every other journalist in the Kingdom knew the names by heart.

  “There were, are, rumors that not all the traitors were revealed.”

  “And Alice Ramsay’s information might lead to them?”

  “Or her.”

  “Her? She might be the traitor? That’s too deep for us.” Don was deeply suspicious of government agencies, official or otherwise. As a newspaperman, he always assumed there were stories beneath the stories. He believed he was honor bound to expose those who tried to keep everything and anything from the public. He loathed how those self-same self-serving officials believed they knew best.

  “Aye, and they still believe in the divine right of the aristocracy to rule over us peasants,” he’d told McAllister—more than once.

  “Those birth certificates used to create a new identity, the chances of them being discovered are as remote as the parishes they come from.” Don was metaphorically tipping his hat to Miss Ramsay.

  “The method used to hide the information, hiding it in plain sight, that’s clever.”

  “Aye, yet so simple thon clever chappies from Intelligence couldney see it.”

  “Because we have the manuscript.”

  “You will have to inform them.”

  McAllister agreed with Don. He went to bed unhappy that they would have to share the manuscript. Although fearful of Joanne’s reaction to the news, he was pleased at the thought of showing Stuart what the professionals had
missed and what a group of Highland amateurs had found.

  Until twenty past three in the morning.

  What woke him he didn’t know—wind in the trees, an owl shriek, too many cigarettes. He went quietly downstairs, checked that the manuscript was locked tight in the box, then went to make tea.

  Handing the manuscript over to a man who had yet to return one of Joanne’s favorite paintings would be more than hard for her. It was her link to a woman she’d admired from afar. It was a project in which she was learning how an author organized a manuscript. It gave her an understanding of how competent she was. And it gave her pleasure.

  So how do I tell them what we’ve discovered and make sure Joanne keeps the manuscript?

  He still had no answers.

  CHAPTER 20

  D once proposed to me. Ridiculous. Who would marry such a womanizer? The American woman, that’s who. Daddy thought the marriage absurd. “Not one of us,” he’d said. But she stayed with him, even joining him in Russia.

  It was good Daddy didn’t live to learn of the betrayal—he would have been deeply embarrassed. Now what does our family have? Our name. That is enough, Grandmamma would have said. “Our name is ancient and noble, our titles go back centuries, our reputation is for selfless service for king and country.”

  Those old values and that way of life are gone. Yet many of the aristocracy can’t face the truth. “We can’t even afford a full complement of staff,” Mummy had said.

  “You have a housekeeper, a maid, and a cook,” Alice reminded her. That didn’t appease her. With no lady’s maid, she’d had to learn how to fasten her own buttons. Without a butler, she could no longer entertain, or so she believed.

  I doubt there are butlers in Moscow.

  “What do you mean, you can’t contact him?” McAllister could barely hold the telephone steady. His face a shade of puce beyond angry, he yelled, “I’m coming over!”

  He marched up the staircase, ignoring the call of “You can’t go there,” from the constable at the front desk, and into the detectives’ room. No one stopped him. Not because they knew him, more that they recognized there was more chance of turning around the Queen Mary in the Forth & Clyde Canal.

 

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