Karen’s job was to help them look great. She’d created a code for her goals. She called it ‘the three esses and the two cees’: soft, sensual, and sexy; comfortable and classy. To do it, she herself had to concentrate. She certainly hadn’t achieved it in the new collection. Now, she lined up three sketch pads on the big table in front of her. For some unknown reason, most women designers worked with the cloth on the model, while most men worked in sketches. Karen did both. She wondered, for a minute, if that made her bisexual. She grinned at her own joke, but the blank pads wiped the smile off her face. It was always hard to get started. When sketching, she worked quickly, using the three at once, so if she got stuck on something she moved to another pad before she got cold. She had already opened her drawer and pulled out a number six pencil – she felt like she needed the freedom a number six would give her – when she was interrupted. She looked up, annoyed.
‘Yes, Mrs Cruz?’ Very unusual for Mrs Cruz to come to the front offices again. What was up?
‘You want more coffee?’
‘No. Thanks anyway.’ She looked guiltily at her cup. She’d been so involved with Defina she’d forgotten to drink up. Now it was cold. ‘That’s okay.’
Without a word, Mrs Cruz picked up the cup, poured off the cold coffee into a jar, and refilled Karen’s mug with fresh, steaming café Cubano. Karen picked it up and smiled for the first time that morning. It felt so good to be taken care of.
‘Karen, I was going to talk to you when we first came up the elevator. But then we ran into Defina. Still, I should say something. There is talk among the girls in the back. I tell them to be quiet. But they still talk. About being sold. About being fired. It isn’t good for the work. What should I say? Or maybe you should say something.’
Karen looked over her cup at Mrs Cruz. The negotiations with NormCo were top secret – no one should know about them, but somehow rumors always spread. Well, Karen couldn’t blame the workroom women. Garment workers had always been exploited, and just because she had tried to do things differently was no reason for them not to fear for their jobs.
Despite being the owner of the company, Karen had been raised by Arnold to consider herself part of labor. She’d taken in his passion for fairness, what Belle called his ‘pinko socialism,’ from the time she was little. Arnold wasn’t great with kids, but in his own way he’d been sweet to Karen. He’d sit in his little study and explain some complicated issue – why the farm workers were striking, for instance, and why the Lipskys shouldn’t eat grapes from California – and Karen would listen soberly. She’d sooner cut her throat than cross a picket line, even today. So she understood the fears of the women workers.
Still, today it felt like just one more thing to deal with. And Karen wished that once, just once, someone would give her the benefit of the doubt. To believe that since she’d always hired union and paid well and fairly, that she’d continue to. That since she’d always pulled the collection together in time, that she’d manage to do it again. That since she’d always kept Jeffrey happy, she’d still manage to, even with a child. Karen sighed and put down the empty cup. Like Bill Blass, she used workers on Eighth and Ninth Avenues, not in Hong Kong. And she’d always been union.
‘Mrs Cruz, I guarantee nobody’s job is in jeopardy. You have my promise. Can you tell everyone that?’
Mrs Cruz smiled and nodded. She had a sweet smile, with tiny irregular teeth, like biwa pearls. ‘I already tell them. But I tell them again. Stronger.’ She made a motion to refill Karen’s cup but Karen waved her away.
‘No more. I’ve got enough shpilkiss already.’ Mrs Cruz had hung around the garment center long enough to know the Yiddish word for ‘restlessness.’ She nodded and left.
There was a knock, although the door was open, and Karen looked up to see a hand extended and fisted, ready to knock again. ‘Yeah?’ Who the hell was this? No one had appointments this early. Even Janet, Karen’s secretary, wasn’t in yet.
‘Hell-ow!’
Oh, God! Karen could tell by the accent that it was Basil Reed, the Brit consultant that NormCo had sent in to do a once-over. She had found him as condescending and as annoying as was humanly possible, but she’d managed to answer most of his questions and then stay out of his way. He’d finished his ‘fact-finding mission’ and submitted his report. What the hell was he doing here now?
‘I know the hours you keep, so I suspected you’d be in. Hope you don’t mind me knocking you up like this, but I just had another question or two to complete my due diligence. I came in from London yesterday, so my timing is still all balled up. Thought this might work for both of us.’
Karen blinked. Had he just said something about knocking her up? Not fucking likely with her ovaries! His accent was so ‘uppah clahss’ he was almost impossible to understand. Something about him made her want to be her most vulgar and Brooklyn. Mayfair meets Bensonhurst. A new sitcom maybe?
Basil had poked through all of her private business. He had insisted on knowing exactly who owned KInc stock. It had embarrassed Karen and made her feel, somehow, vulnerable. The fact was that she alone owned fifty percent. The rest was divided between Jeffrey, who had close to thirty percent, and other members of the family. When Jeffrey’s father had put up the investment capital, he had insisted on the thirty percent with another ten reserved for his wife and daughters. When he died, the thirty percent had gone to Jeffrey. But it was Arnold who had insisted that fifty percent belong to Karen. He had incorporated them, and drawn up the papers. In lieu of fees, he and Belle and Lisa and Leonard split the remaining ten percent. She hadn’t liked Basil Reed learning all that.
‘Come in,’ she said now. ‘Take a seat.’ It was the last thing she wanted, but she knew Jeffrey wanted her to make nice.
‘I’ve only one question, really. What are you going to cover in your presentation to NormCo?’
Oh, God! They were all going to drive her crazy with this NormCo meeting! Did Basil expect her to go over cash flow, inventory, sales and marketing costs right now? ‘I thought I’d just review the line,’ she said.
‘The lion?’ he asked.
‘Yeah. The new line.’
‘Is this some company logo you are considering? Hasn’t one already been used? I’m afraid I don’t know anything about a lion.’
‘You saw it. Remember?’ Jesus, these money men! they irritated Karen so much. All they thought about was numbers and had completely negated the actual product from whence the numbers came. ‘The line,’ she repeated.
‘I’m afraid I don’t remember. Is it an actual wild animal, or are you talking about photos or graphic design?’
‘A wild animal?’ Karen was completely confused. What the hell drug was he on?
‘The lion. Is it tame, then?’
Then she got it. ‘Not a lion. A line. The clothes we’re showing this season.’ He was a twit, but Karen had to admit that with her Brooklyn accent she did pronounce the word with two syllables a lot like the way he pronounced the animal name.
‘Oh. Yes. Of course. How very stupid of me.’ But Basil didn’t sound as if he was apologizing, nor as if he thought it was he who was ‘stew-pit.’ Jeffrey must be right about how bad I sound, Karen thought. She thought of her speech at the Oakley Awards and nearly blushed. Had she sounded awful? Jeffrey had asked her twice to have diction lessons but she’d refused. ‘I yam who I yam,’ she’d told him, doing a pretty good Popeye imitation to cover her hurt feelings. Maybe she should reconsider.
Basil Reed stood up. ‘Well. Very good, then. Splendid. I’m sure Bill will be riveted.’ Karen thought that if rivets should go into anyone she would like to see them through Basil Reed’s own forehead. ‘Well, I’m off then. See you Monday next.’
‘Yeah. Monday next,’ she said, and gratefully watched the twit leave her office. But before she could get back to work, the phone rang. It was her private line. Otherwise, she’d ignore it. But maybe it was Jeffrey, wanting to make up. She lifted the phone.
‘Kar
en, what was that you were wearing at the Waldorf?’
God, it was Belle. Karen wished she could just put the receiver down quietly and pretend this call was not going to happen. Oh well. Too late now. What in the world was her mother talking about? Belle hadn’t been to the Oakley Awards. ‘Did you see Newsday? The picture is terrible. You look big as a house. But what are you wearing? It’s all wrinkled.’
Karen hadn’t seen the papers but she knew that Mercedes spent a lot of time placing pictures from all of the social events that Karen and Jeffrey attended. And of course she’d push the Oakley Awards. Karen had started to get used to seeing her picture in the paper, and it was all for business. But she wasn’t used to Belle’s Monday morning quarterbacking. ‘It was satin, Ma. Satin wrinkles.’
‘But for pictures! For pictures, Karen. And why were you looking down? It makes you look like you have three chins.’
How could she explain to Belle what it was like to be barraged by paparazzi popping shots at you? Why, even the Queen of England had been caught once with a gloved finger up her nose! How could Karen explain to Belle that she had no choice over which angle of her was shot and that it was an honor for a picture – any picture – to get into the columns. After all, she had hired Mercedes Bernard to spend all of her time doing nothing but wooing the press to get this very result. But, of course, Belle hadn’t just called to harp. She’d want to stay on the line until the unspoken question was answered: why Belle had not been there. ‘Mother, I’ll call you back,’ Karen promised.
‘Jeffrey looks very nice,’ her mother said, and Karen almost laughed out loud. It was the same old Belle tactic: ‘Lisa calls me every day. Why can’t you?’ Karen shook her head.
‘I’ll talk to you later,’ Karen said, and hung up the phone. It rang again.
‘Karen?’ It was the unbearably nasal whine of Lenny, their accountant. ‘Look, I’m sorry to bother you,’ he began apologetically – Lenny always sounded apologetic – ‘but KInc is going to be late paying its federal withholding tax. After last time, you made me promise to tell you if it happened again. So now you know. Don’t tell Jeffrey I told you.’
‘How much do we owe?’
‘Not a lot. About twenty-four thousand.’
‘So why don’t we pay it?’
‘Jeffrey says he needs to pay the factor.’
‘Goddamnit, Lenny! We owe it to our staff to make their tax contribution first. Plus, now we’ll have to pay penalties.’ She heard her voice rise. Well, it was no use blaming Lenny. He just did what he was told and at least he called her and warned her this time. ‘Thanks, Lenny,’ she sighed. ‘I’ll take care of it.’
Finally left alone, Karen closed her eyes and tried to regroup. She looked up to the framed Chanel quote she had over her office door. ‘Fashion is architecture: it is a matter of proportion.’ She usually spent the two quiet hours of her morning here, in her corner office, working on sketches. Without this time, how and what would she do with the fit models this afternoon?
She picked up the pencil. What was wrong with her? Why was she so blocked? She thought of poor Halston again: once he sold out, his first season’s line had succeeded, but after that all the rest had flopped. Was that what was bothering her? Well, she wouldn’t let it. Quickly, deftly, she threw a half-dozen lines on the page. A sleeve, a shoulder, and then the flowing line of a smock. No, she would make it a dress. She moved to the next pad and repeated the sleeve, narrowing it a bit, then sketched the shoulder and now a longer smock-like line. Not right. It looked like Kamali on a bad day. Karen swiveled her chair just a little bit to the left, starting this time with a simple rounded neckline, then the shoulders, and then the smock-like swirl. She put the pencil down and looked at the three pads. Jesus Christ. She’d just done her first maternity collection! Karen looked at the three attempted sketches, the obvious belly bulge below the breast line. She bit her lip. Was Jeffrey right? Was she obsessed? She would have sworn that she was not thinking, at least not consciously, about the visit to Dr Goldman. But her left brain clearly knew what her right brain was doing. Well, she wouldn’t need any clothes like these. She picked up the number six pencil and scribbled across all three pads. Goddamnit! The pencil point broke, and the pencil folded under the pressure of her hand and cracked in half.
Karen stood up and threw the broken pencil into the trash. She went to her purse and took out the two photos that she’d secreted in the side pocket. She stared at the sober little girl in the pictures. Then she put them away. Perhaps Jeffrey was right. Maybe searching for the mother of this little girl would open a can of worms.
Well, she would never get anything done this morning. Now it was not a question of discipline. From long experience Karen had developed her creativity muscle and had learned how to force herself to keep her ass in the chair until something developed. But she also had learned from long experience when nothing was going to happen. This, she could tell, was one of those times. Her confidence was shaken. Let’s face it, she told herself. You need to do some really good work and you’re not in any shape to do it.
‘Aunt Karen?’ Karen looked up, glad of an interruption now. Her niece, Lisa’s oldest daughter, stuck her head in around the corner of the door.
‘Stephanie! Hooray! You made it into the city in one piece! All ready for work?’ Karen smiled at her niece despite her panic. Oh, God! How could she have forgotten? Today was Stephanie’s first day in her internship, but neither Jeffrey nor Casey had been able to come up with something for her to do. Karen could just have her help out Janet, but photocopying would be such a drag. Karen had meant to do something about this before, but with all the other worries she hadn’t gotten to it.
She looked at her niece. The girl really was adorable. She had that lovely fresh coloring that couldn’t be faked later either with makeup or lighting. Only youth and health brought that. And she had a perfect size-eight body. Karen considered for a moment. Was she a perfect size eight? Maybe Stephanie could fill in as a fitting model. Tangela was sometimes such a pain. In the Seventh Avenue world there were two very different kinds of models: fitting and runway. Fitting models didn’t have to be young or beautiful (though it didn’t hurt), but their bodies had to be perfectly proportioned. They were used as mannequins and from the original – cut to their measurements – all sizes were made simply by adding or subtracting inches. Since fit was all important, a good fitting model, one with the right proportions, could work steadily and earn a lot of money. The wrong fitting model could ruin a whole line. In his early days, Ralph Lauren had designed with his wife, Ricky, in mind. He used Buffy Birrittella, a petite girl like Ricky, as a fitting model for all his shirts. Even when they were sized up, the shirts never fit any woman who wasn’t proportioned like Buffy. Meanwhile, Susan Jordan, easily over forty, was still used by three of the designers in 550, and her opinion about what felt right and what didn’t could make or break a design.
Yet you never saw poor Susan in a show. She just didn’t have the look and never had. Poor Tangela had perfect proportions but lacked the look. She could make a good living as a fitting model, but she wanted more.
Runway models (who sometimes were also used in showrooms) didn’t have to have quite such perfect proportions, but they had to be attractive, young, and with a look or attitude that put them across. Karen had learned from shows how important it was to have the right girls. The right girls could make magic – they could make bad designs look good and old things look new. That’s why the hot models could get the money they asked for.
Karen looked at her niece appraisingly. Maybe she’d do as a fitting model. She’d have Mrs Cruz measure her. Stephanie had no confidence, no attitude, but she might make a good fitting model. Maybe it wasn’t just guilt, charity, and nepotism that had brought Karen to hire her: the girl might be useful. But what in the world would Karen do with her now? On her first morning, shouldn’t her aunt take Stephanie out for breakfast or, at the very least, give her a tour? But Karen simply didn’t ha
ve the time. She looked at her watch. She’d already lost more than an hour of prime design time. She paused. Maybe Janet was in. She buzzed her secretary and gratefully smiled when Janet’s thick, nasal voice came in over the intercom. ‘Could you come in here?’ she asked, and smiled up at Stephanie.
Janet came in behind the girl.
‘Stephie, you know Janet, don’t you? Janet, schedule half an hour with Stephie for later in the morning. Could you take her now and show her around? Then bring her in to Mrs Cruz to have her measurements taken.’ Very casually, Karen added, ‘Maybe you’ll help out in the fitting room. Is that okay, Stephie?’
The girl nodded, her eyes big. Karen smiled. ‘You’ll just spend the morning in the showroom and the afternoon watching me work with Tangela. She’ll explain a lot about what we do. Okay?’ Stephanie nodded her head again and Janet ushered her out.
Now, Karen stared at the ruined pages on the pads in front of her. She tore them off, threw them away, and closed her eyes for a moment. She picked up the pencil and stared at the pads again. She knew it. Nothing. She waited. Still nothing came.
She had developed, over the years, a handful of tricks to corral inspiration. She’d thumb through fashion books or collections of paintings. (She’d used lots of Renaissance dress ideas.) Or she’d walk – sometimes for dozens and dozens of blocks – and stare at what people wore and how they wore it. (The awful was sometimes more inspiring than the good. People’s mistakes were interesting to Karen.) Or she’d go to her exercise class – somehow when she got her body moving she’d connect with a different part of her brain and images simply formed. Or she’d go to her own closet. Not to see what she had, but to see what she lacked. It was difficult, of course, to fill in the negative space. To imagine what she needed rather than what she had. She’d found that was the key to an important piece of clothing: the long jean skirt that she had created five years ago came from her staring into the closet and it had become a classic. So had the tent dress with the matching ten-pocket vest. And all her signature stuff in sweatshirt material. If all else failed, sometimes she’d go on shopping jaunts with Defina. They’d do a lot of looking, a lot of talking to sales clerks, and a lot of watching the other shoppers.
Fashionably Late Page 8
