Wills' shoulders were beginning to shake. Jazz grinned, but couldn't help feeling angered and hurt by Sara's cunning performance that would have made even Miss Bingley proud.
Harry still said nothing.
'I know she's your protégée, Mr Noble, and I don't want to––'
'We'll work on the emotion again after the break,' said Harry. 'Maybe I need to have a rehearsal with Jasmin alone. Thank you for bringing it to my attention.'
And with that, he started to pore over the script, leaving Sara no option but to leave him alone, wishing she hadn't said anything. Wills pretended that Jazz had said something funny and the two of them laughed loudly. Eventually they looked back over to Harry. He was now gazing thoughtfully at his fingernails.
'If only his Oscar-winning public could see him now,' hissed Jazz.
'Oh, I'm sure they'd love him all the more for it,' Wills said gently. 'He can do no wrong.'
'Yes, I've noticed that. But do I detect some bitterness in your voice?' Jazz had meant it as a joke, but Wills was serious.
He stared at Harry as he spoke. 'It's because of him that I didn't get the part of Maurice in It's Nearly Over.'
Jazz was stunned. 'How? Why? How do you know?'
'Harry knew Howard Fleaback, the producer, from working on Heart of An Englishman, and Howard asked Harry what he thought of me because they considered me perfect for the part. I'd already auditioned for another film that never saw the light of day. It turned out that Harry told him I was immature, self-obsessed and unfocused as an actor. He also said I had a drink problem.'
Jazz gasped.
Wills continued, 'My agent knows Howard and when I didn't get the part, she phoned him up and asked why. He said he'd been told on the best authority that I wasn't cut out for Hollywood. When pressed, he explained it more fully.'
Jazz couldn't believe her ears. She needed to be sure. 'So Harry ruined any chance you may have of a Hollywood career?' she asked incredulously.
'Yup.' Wills drained his coffee cup and dripped the dregs on the church floor.
'Why on earth would anyone do something so meanspirited? Especially someone who's made it themselves?'
'Oh, no actor ever makes it for good,' replied Wills. 'That's the cruelty of the profession. You can win an Oscar one year and be passé the next. Even Harry Noble. And remember, for him there's more to lose because all his family are so well-respected in the business.' Wills shrugged and made an effort to look as if he didn't really care. 'Harry and I go back a long way. We were in a very bad production of Waiting for Godot together years ago and he detested me then. Made no bones about it. I've never got another job with that director either.' He paused. 'The great Harry Noble just doesn't like me and that carries a lot of weight in this profession.'
But something didn't fit for Jazz. 'So why did he give you this part?'
Wills laughed good-naturedly. 'I have absolutely no idea. Maybe he wanted me to see him now he's an Oscar winner. Maybe he gets a kick out of directing me, a lowly TV actor when he's a Hollywood star, when we were once on the same level. Who knows the way his mind works?'
He looked across at her, his eyes open just a little bit too wide and his smile just a little too forced. 'Anyway, I might never have made it in Hollywood. Who knows? Maybe Harry Noble saved my pride.'
His brave humility hurt her more than the story. How dare Harry Noble get away with something like that! And to think he was so universally respected!
'Have you ever told him you know what he did?'
Wills shook his head. 'What would be the point? It would make me look as immature and self-obsessed as he said I was. No. It's enough that I know.'
Boiling with anger at the injustice of it all, Jazz looked over at Harry. He was staring right at her.
She turned away immediately.
10
It was Ben's second birthday party and the family was huddled in Josie and Michael's tiny lounge. Simon had been invited and Jazz didn't know who she was more furious with that he was still on the scene, him or George. She decided it was him.
Letting him sit uncomfortably on his own, she cornered George and related the amazing story Wills had told her about Harry.
George was adamant. 'I don't believe it, I just don't believe it.'
Jazz was exasperated. 'Just because he's the great Harry Noble doesn't mean he's not human, you know.'
But George was stubborn. 'That's not human, that's evil. And anyway, he'd already won his Oscar, so what possible motive could he have for damning Wills' reputation?'
'Jealousy? Small-mindedness? Arrogance? Haven't you often said actors are the most petty people on earth?'
'Not all of them,' said George loyally. She and Jack were going out for a lunch 'rehearsal' the next day. Which meant she had to finish with Simon tonight. It was enough to stop her eating any birthday cake.
'Face it, George,' said Jazz. 'Harry's a supremely arrogant bastard and he's done a fine actor out of a brilliant career.'
'You don't know that, Jazz.'
'Yes I do, I heard it from the horse's mouth,' she said, taking another bite of her cake. 'One with exceptional flanks.'
Mo walked over. She was the only person not eating any food.
'Aren't you eating, Mo?' asked Jazz.
'No thanks,' she beamed. 'I ate before I came.'
'You're looking fabulous,' said George. Mo had lost a stone in just a month. Jazz seemed to be the only one who preferred her before.
'Not as fabulous as this cake though,' said Jazz, biting into the rich chocolate and mocha cake Josie had baked. Another of her weekly columns was forming in her head. Josie had had a successful high-flying career before she became a mother, now had a busy social life and, like most of her friends, bought convenience foods, but when it came to her child's birthday cake, she was expected to make it from scratch. Ben was only two, but already Josie felt that a shop-bought cake would mean Mummy didn't love him enough. Where do they pick up these things? she wondered. She looked over at her sister. Josie was laughing politely at Great-Aunt Sylvia's joke. You'd never guess Josie was pregnant again.
Jazz and George followed her into the kitchen with piles of dirty dishes. All the men were sitting in the lounge easing the uncomfortable feeling of having eaten too much, while the women were in the kitchen, tidying up from tea, trying to take their minds off not having eaten as much as they would have liked.
Jazz had long stopped complaining about the men not offering to help with all the work on these occasions. But it still enraged her that she knew her brother-in law's kitchen better than he did. She had served him meals in his own home ever since he and Josie had first married. Oddly enough, he had never served her in her home. The very idea seemed preposterous.
'You OK?' she asked Josie lightly, picking up a teatowel, while Martha and George presided over the sink, talking loudly.
Josie just laughed bitterly as she stood on tiptoe and put all the crockery into the cupboards that were built too high for her.
'Come round for dinner one night,' pleaded Jazz for the hundredth time. She'd stopped taking Josie's rejections personally. 'Without Ben or Michael. Like the good old days.'
'I can't. Ben won't go to sleep unless I'm there and once he's off, Michael wants his dinner and I'm too pooped to do anything.' Josie said gently, 'When will you realise the good old days don't exist any more?'
Jazz felt blind fury at her stupid brother-in-law. She wanted to slap her sister and tell her to stop being so pathetic. Instead she just said, 'Has Michael's life changed at all since he's become a father?'
Josie took this calmly. 'Sometimes he gets up in the night,' she said quietly. 'And he's very good at weekends. He's knackered too, you know. He's been working very hard since his promotion.'
Jazz looked at her kid sister and felt a wave of longing for the old Josie she knew and loved. She vowed for the trillionth time never to marry.
Mo joined them in the kitchen. She clapped her hands loudly and then rubb
ed them together.
'Right, what can I do to help?'
'Eat cake,' shouted Jazz, and threw her a tea-towel.
'Never again,' Mo swore. 'I feel wonderful.'
Martha turned round. 'Mo? Is that you? I thought it was your shadow.' She was genuinely concerned.
'Thanks, Mrs F,' grinned Mo.
Martha ignored Mo's mistake and turned back to discuss Jeffrey's latest arthritis treatment with George while Josie was called into the lounge because Ben had hurt himself. He'd screamed even more when his daddy had tried to help.
'I've booked us in for a class tomorrow,' said Mo to Jazz.
'Pardon?'
'Step aerobics. You'll love it. Then we'll have a steam room and a sauna.'
Jazz just stared at Mo. 'You hate me, don't you?'
Mo just smiled smugly.
* * * * *
How should George chuck Simon? For the first time in her life, with her thirtieth birthday drifting away from her at a startling speed, Georgia Field was about to chuck a perfectly good man. Well, a man with all his limbs intact anyway. How to do it, though? And what if Jack proved to be a non-starter?
George had thought about this long and hard. She had considered phoning Simon at his office and telling him they 'Had To Talk', but decided against it because that was so melodramatic. She was going to take the bull by the horns and do it now. In the car on the way home from the tea-party.
Now.
She got into the passenger seat of his car, her heart thumping. She stared straight ahead into the drizzle as he reversed out, put on his shades and turned on his multilayered CD shuffle function. She didn't know why he bothered with that, every single CD in it was one by Phil Collins anyway. Surely that was reason enough to chuck the man?
They drove in silence for a while. She just didn't know how to start the conversation. What if he got so angry that he drove them into an oncoming car so as not to lose her to anyone else? What if he shouted at her? What if he talked her out of it? But then one thought gave her courage. She pictured Jack's smiling, intent face.
She gave a small cough.
No reaction. He was mouthing the words to 'Mama', his all-time favourite Phil Collins track and tapping – out of time – on the leather steering wheel. Before she realised it, he was parking in West Hampstead. And now he would ask her if she'd be able to supply him in the caffeine area. She always hated it when he did that.
He turned the engine off, took off his shades, smiled at her and rested his hand on the wheel.
'Fancy furnishing me in the caffeine area?' he asked with a wink.
'Uh huh,' she said weakly and they got out of the car.
* * * * *
George flicked on the lights and Simon immediately plonked himself down in the middle of the three-seater couch. With a big sigh he picked up the paper lying on the coffee table, and turned it to the sports page. Suddenly George realised she hated him.
'We have to talk,' she said.
He didn't take his eyes off the paper.
'Sure, shoot,' he said.
Oh good God, did he really have to use sporting metaphors? Well, here was a googly for him.
'Um,' she said softly. 'Um . . .'
He looked up and smiled at her expectantly, his eyebrows raised, as if she was a blithering fool. She blinked at him like a blithering fool.
'Are you all right?' he asked.
Her ashen face answered him eloquently and for the first time he got a bit concerned. He'd seen that look before.
'Are you about to chuck me or are you dying of some mysterious disease?' he asked in mock seriousness. It was early days in the relationship and he wasn't sure yet which piece of news would hit him worse.
George's jaw dropped. 'I'm not dying of some mysterious disease,' she managed to say pointedly.
There! She'd said it! It wasn't so difficult after all!
'Right,' nodded Simon slowly. That hadn't worked out quite so well as he'd hoped.
There was a pause.
Now it was out in the open, George felt the black cloud that had been hovering over her head for the past month dissolve and disappear. She was suffused with a sense of goodwill to all men, including Simon.
'Coffee?' she asked sincerely.
Simon stared at her. 'Have you just chucked me?' he answered ungenerously.
Oh dear. She thought they'd cleared all that up. She tried again.
'Well, I don't have a terminal illness,' she said pathetically.
Simon frowned and sat forward on the couch.
'Are you chucking me?' he repeated.
George swallowed.
'Well . . .'
No sound came out.
'I think it's a simple question, don't you?'
'Yes – I . . .' she came to a halt.
'Yes . . . you think it's a simple question or yes, you are chucking me?'
'Yes . . . I think it's a simple question,' mumbled George, growing uncomfortably hot and finding her feet rooted to the spot.
'So you're not chucking me?'
George could only nod weakly.
'What does that mean? Yes you're not chucking me or yes you are chucking me?' Simon was vaguely aware that he was making a prat of himself.
'Yes I am chucking you,' she whispered, her eyes down. Really, she hadn't expected him to make it so difficult.
There was an uncomfortable pause.
Simon put the paper down and looked round her flat. Nothing much had changed. Except he was single again. Shit.
'Right, so that's that then.'
He got up suddenly from the couch. George flinched, which seemed to disgust him.
'My God, what do you think I'm going to do?' he asked. 'Hit you?' And then he added under his breath, 'Wouldn't waste my time.'
George thought she was going to be sick. Please, just leave, she thought.
Simon tried to laugh carelessly. 'You'll be all right,' he said, pretending to be fine about it. 'Go and see a soppy girlie film and eat chocolate cake – that's what you girls do, isn't it?'
George tried to smile. Maybe she'd been wrong about him. He seemed to understand her so well.
He stood up to go. 'And I'll just get rat-arsed and pick up some bird in a nightclub. Bye, doll.' And he gave her one last wink and slammed her front door so hard, she thought it would fall off its hinges.
She heard him stamp downstairs. Then silence.
She was free!
Her head felt light. Her stomach relaxed. Her flat was her own again. No more Phil Collins! No more afternoons watching rugby!
She looked round the empty room. And then rushed to the bathroom where she just made it in time before she was sick.
Acting Up Page 10
