They started walking again, past the Pont Neuf, towards the glare of the Place St. Michel. Three names had come into Andrews’s head, “Arsinoë, Berenike, Artimisia.” For a little while he puzzled over them, and then he remembered that Geneviève Rod had the large eyes and the wide, smooth forehead and the firm little lips the women had in the portraits that were sewn on the mummy cases in the Fayum. But those patrician women of Alexandria had not had chestnut hair with a glimpse of burnished copper in it; they might have dyed it, though!
“Why are you laughing?” asked Jeanne.
“Because things are so silly.”
“Perhaps you mean people are silly,” she said, looking up at him out of the corners of her eyes.
“You’re right.”
They walked in silence till they reached Andrews’s door.
“You go up first and see that there’s no one there,” said Jeanne in a business-like tone.
Andrews’s hands were cold. He felt his heart thumping while he climbed the stairs.
The room was empty. A fire was ready to light in the small fireplace. Andrews hastily tidied up the table and kicked under the bed some soiled clothes that lay in a heap in a corner. A thought came to him: how like his performances in his room at college when he had heard that a relative was coming to see him.
He tiptoed downstairs.
“Bien. Tu peux venir, Jeanne,” he said.
She sat down rather stiffly in the straight-backed armchair beside the fire.
“How pretty the fire is,” she said.
“Jeanne, I think I’m crazily in love with you,” said Andrews in an excited voice.
“Like at the Opéra Comique.” She shrugged her shoulders. “The room’s nice,” she said. “Oh, but, what a big bed!”
“You’re the first woman who’s been up here in my time, Jeanne. … Oh, but this uniform is frightful.”
Andrews thought suddenly of all the tingling bodies constrained into the rigid attitudes of automatons in uniforms like this one; of all the hideous farce of making men into machines. Oh, if some gesture of his could only free them all for life and freedom and joy. The thought drowned everything else for the moment.
“But you pulled a button off,” cried Jeanne laughing hysterically. “I’ll just have to sew it on again.”
“Never mind. If you knew how I hated them.”
“What white skin you have, like a woman’s. I suppose that’s because you are blond,” said Jeanne.
The sound of the door being shaken vigorously woke Andrews. He got up and stood in the middle of the floor for a moment without being able to collect his wits. The shaking of the door continued, and he heard Walters’s voice crying “Andy, Andy.” Andrews felt shame creeping up through him like nausea. He felt a passionate disgust towards himself and Jeanne and Walters. He had an impulse to move furtively as if he had stolen something. He went to the door and opened it a little.
“Say, Walters, old man,” he said, “I can’t let you in. … I’ve got a girl with me. I’m sorry. … I thought you wouldn’t get back till tomorrow.”
“You’re kidding, aren’t you?” came Walters’s voice out of the dark hall.
“No.” Andrews shut the door decisively and bolted it again.
Jeanne was still asleep. Her black hair had come undone and spread over the pillow. Andrews pulled the covers up about her carefully.
Then he got into the other bed, where he lay awake a long time, staring at the ceiling.
IV
People walking along the boulevard looked curiously through the railing at the line of men in olive-drab that straggled round the edge of the courtyard. The line moved slowly, past a table where an officer and two enlisted men sat poring over big lists of names and piles of palely tinted banknotes and silver francs that glittered white. Above the men’s heads a thin haze of cigarette smoke rose into the sunlight. There was a sound of voices and of feet shuffling on the gravel. The men who had been paid went off jauntily, the money jingling in their pockets.
The men at the table had red faces and tense, serious expressions. They pushed the money into the soldiers’ hands with a rough jerk and pronounced the names as if they were machines clicking.
Andrews saw that one of the men at the table was Walters; he smiled and whispered “Hello” as he came up to him. Walters kept his eyes fixed on the list.
While Andrews was waiting for the man ahead of him to be paid, he heard two men in the line talking.
“Wasn’t that a hell of a place? D’you remember the lad that died in the barracks one day?”
“Sure, I was in the medicks there too. There was a hell of a sergeant in that company tried to make the kid get up, and the loot came and said he’d court-martial him, an’ then they found out that he’d cashed in his checks.”
“What’d ’ee die of?”
“Heart failure, I guess. I dunno, though, he never did take to the life.”
“No. That place Cosne was enough to make any guy cash in his checks.”
Andrews got his money. As he was walking away, he strolled up to the two men he had heard talking.
“Were you fellows in Cosne?”
“Sure.”
“Did you know a fellow named Fuselli?”
“I dunno. …”
“Sure, you do,” said the other man. “You remember Dan Fuselli, the little wop thought he was goin’ to be corporal.”
“He had another think comin’.” They both laughed.
Andrews walked off, vaguely angry. There were many soldiers on the Boulevard Montparnasse. He turned into a side street, feeling suddenly furtive and humble, as if he would hear any minute the harsh voice of a sergeant shouting orders at him.
The silver in his breeches pocket jingled with every step.
Andrews leaned on the balustrade of the balcony, looking down into the square in front of the Opéra Comique. He was dizzy with the beauty of the music he had been hearing. He had a sense somewhere in the distances of his mind of the great rhythm of the sea. People chattered all about him on the wide, crowded balcony, but he was only conscious of the blue-grey mistiness of the night where the lights made patterns in green-gold and red-gold. And compelling his attention from everything else, the rhythm swept through him like sea waves.
“I thought you’ld be here,” said Geneviève Rod in a quiet voice beside him.
Andrews felt strangely tongue-tied.
“It’s nice to see you,” he blurted out, after looking at her silently for a moment.
“Of course you love Pelléas.”
“It is the first time I’ve heard it.”
“Why haven’t you been to see us? It’s two weeks. … We’ve been expecting you.”
“I didn’t know … Oh, I’ll certainly come. I don’t know anyone at present I can talk music to.”
“You know me.”
“Anyone else, I should have said.”
“Are you working?”
“Yes. … But this hinders frightfully.” Andrews yanked at the front of his tunic. “Still, I expect to be free very soon. I’m putting in an application for discharge.”
“I suppose you will feel you can do so much better. … You will be much stronger now that you have done your duty.”
“No … by no means.”
“Tell me, what was that you played at our house?”
“‘The Three Green Riders on Wild Asses,’” said Andrews smiling.
“What do you mean?”
“It’s a prelude to the ‘Queen of Sheba,’” said Andrews. “If you didn’t think the same as M. Emile Faguet and everyone else about St. Antoine, I’d tell you what I mean.”
“That was very silly of me. … But if you pick up all the silly things people say accidentally … well, you must be angry most of the time.”
In the dim light he could not see her eyes. There was a little glow on the curve of her cheek coming from under the dark of her hat to her rather pointed chin. Behind it he could see other faces of men and w
omen crowded on the balcony talking, lit up crudely by the gold glare that came out through the French windows from the lobby.
“I have always been tremendously fascinated by the place in La Tentation where the Queen of Sheba visited Antoine, that’s all,” said Andrews gruffly.
“Is that the first thing you’ve done? It made me think a little of Borodine.”
“The first that’s at all pretentious. It’s probably just a steal from everything I’ve ever heard.”
“No, it’s good. I suppose you had it in your head all through those dreadful and glorious days at the front. … Is it for piano or orchestra?”
“All that’s finished is for piano. I hope to orchestrate it eventually… . Oh, but it’s really silly to talk this way. I don’t know enough. … I need years of hard work before I can do anything. … And I have wasted so much time. … That is the most frightful thing. One has so few years of youth!”
“There’s the bell, we must scuttle back to our seats. Till the next intermission.” She slipped through the glass doors and disappeared. Andrews went back to his seat very excited, full of unquiet exultation. The first strains of the orchestra were pain, he felt them so acutely.
After the last act they walked in silence down a dark street, hurrying to get away from the crowds of the Boulevards.
When they reached the Avenue de l’Opéra, she said:
“Did you say you were going to stay in France?”
“Yes, indeed, if I can. I am going tomorrow to put in an application for discharge in France.”
“What will you do then?”
“I shall have to find a job of some sort that will let me study at the Schola Cantorum. But I have enough money to last a little while.”
“You are courageous.”
“I forgot to ask you if you would rather take the Métro.”
“No; let’s walk.”
They went under the arch of the Louvre. The air was full of a fine wet mist, so that every street lamp was surrounded by a blur of light.
“My blood is full of the music of Debussy,” said Geneviève Rod, spreading out her arms.
“It’s no use trying to say what one feels about it. Words aren’t much good, anyway, are they?”
“That depends.”
They walked silently along the quais. The mist was so thick they could not see the Seine, but whenever they came near a bridge they could hear the water rustling through the arches.
“France is stifling,” said Andrews, all of a sudden. “It stifles you very slowly, with beautiful silk bands. … America beats your brains out with a policeman’s billy.”
“What do you mean?” she asked, letting pique chill her voice.
“You know so much in France. You have made the world so neat. …”
“But you seem to want to stay here,” she said with a laugh.
“It’s that there’s nowhere else. There is nowhere except Paris where one can find out things about music, particularly. … But I am one of those people who was not made to be contented.”
“Only sheep are contented.”
“I think I have been happier this month in Paris than ever before in my life. It seems six, so much has happened in it.”
“Poissac is where I am happiest.”
“Where is that?”
“We have a country house there, very old and very tumbledown. They say that Rabelais used to come to the village. But our house is from later, from the time of Henri Quatre. Poissac is not far from Tours. An ugly name, isn’t it? But to me it is very beautiful. The house has orchards all round it, and yellow roses with flushed centers poke themselves in my window, and there is a little tower like Montaigne’s.”
“When I get out of the army, I shall go somewhere in the country and work and work.”
“Music should be made in the country, when the sap is rising in the trees.”
“‘D’après nature,’ as the rabbit man said.”
“Who’s the rabbit man?”
“A very pleasant person,” said Andrews, bubbling with laughter. “You shall meet him some day. He sells little stuffed rabbits that jump, outside the Café de Rohan.”
“Here we are. … Thank you for coming home with me.”
“But how soon. Are you sure it is the house? We can’t have got there as soon as this.”
“Yes, it’s my house,” said Geneviève Rod laughing. She held out her hand to him and he shook it eagerly. The latchkey clicked in the door.
“Why don’t you have a cup of tea with us here tomorrow?” she said.
“With pleasure.”
The big varnished door with its knocker in the shape of a ring closed behind her. Andrews walked away with a light step, feeling jolly and exhilarated.
As he walked down the mist-filled quai towards the Place St. Michel, his ears were filled with the lisping gurgle of the river past the piers of the bridges.
Walters was asleep. On the table in his room was a card from Jeanne. Andrews read the card holding it close to the candle.
“How long it is since I saw you!” it read. “I shall pass the Café de Rohan Wednesday at seven, along the pavement opposite the Magazin du Louvre.”
It was a card of Malmaison.
Andrews flushed. Bitter melancholy throbbed through him. He walked languidly to the window and looked out into the dark court. A window below his spilled a warm golden haze into the misty night, through which he could make out vaguely some pots of ferns standing on the wet flagstones. From somewhere came a dense smell of hyacinths. Fragments of thought slipped one after another through his mind. He thought of himself washing windows long ago at training camp, and remembered the way the gritty sponge scraped his hands. He could not help feeling shame when he thought of those days. “Well, that’s all over now,” he told himself. He wondered, in a half-irritated way, about Geneviève Rod. What sort of a person was she? Her face, with its wide eyes and pointed chin and the reddish-chestnut hair, unpretentiously coiled above the white forehead, was very vivid in his mind, though when he tried to remember what it was like in profile, he could not. She had thin hands, with long fingers that ought to play the piano well. When she grew old would she be yellow-toothed and jolly, like her mother? He could not think of her old; she was too vigorous; there was too much malice in her passionately-restrained gestures. The memory of her faded, and there came to his mind Jeanne’s overworked little hands, with callous places, and the tips of the fingers grimy and scarred from needlework. But the smell of hyacinths that came up from the mist-filled courtyard was like a sponge wiping all impressions from his brain. The dense sweet smell in the damp air made him feel languid and melancholy.
He took off his clothes slowly and got into bed. The smell of the hyacinths came to him very faintly, so that he did not know whether or not he was imagining it.
The major’s office was a large white-painted room, with elaborate mouldings and mirrors in all four walls, so that while Andrews waited, cap in hand, to go up to the desk, he could see the small round major with his pink face and bald head repeated to infinity in two directions in the grey brilliance of the mirrors.
“What do you want?” said the major, looking up from some papers he was signing.
Andrews stepped up to the desk. On both sides of the room a skinny figure in olive-drab, repeated endlessly, stepped up to endless mahogany desks, which faded into each other in an endless dusty perspective.
“Would you mind O.K.-ing this application for discharge, Major?”
“How many dependents?” muttered the major through his teeth, poring over the application.
“None. It’s for discharge in France to study music.”
“Won’t do. You need an affidavit that you can support yourself, that you have enough money to continue your studies. You want to study music, eh? D’you think you’ve got talent? Needs a very great deal of talent to study music.”
“Yes, sir. … But is there anything else I need except the affidavit?”
“No.
… It’ll go through in short order. We’re glad to release men. … We’re glad to release any man with a good military record. … Williams!”
“Yes, sir.”
A sergeant came over from a small table by the door.
“Show this man what he needs to do to get discharged in France.”
Andrews saluted. Out of the corner of his eye he saw the figures in the mirror, saluting down an endless corridor.
When he got out on the street in front of the great white building where the major’s office was, a morose feeling of helplessness came over him. There were many automobiles of different sizes and shapes, limousines, runabouts, touring cars, lined up along the curb, all painted olive-drab and neatly stencilled with numbers in white. Now and then a personage came out of the white marble building, puttees and Sam Brown belt gleaming, and darted into an automobile, or a noisy motorcycle stopped with a jerk in front of the wide door to let out an officer in goggles and mud-splattered trench coat, who disappeared immediately through revolving doors. Andrews could imagine him striding along halls, where from every door came an imperious clicking of typewriters, where papers were piled high on yellow varnished desks, where sallow-faced clerks in uniform loafed in rooms, where the four walls were covered from floor to ceiling with card catalogues. And every day they were adding to the paper, piling up more little drawers with index cards. It seemed to Andrews that the shiny white marble building would have to burst with all the paper stored up within it, and would flood the broad avenue with avalanches of index cards.
“Button yer coat,” snarled a voice in his ear.
Andrews looked up suddenly. An M.P. with a raw-looking face in which was a long sharp nose, had come up to him.
Andrews buttoned up his overcoat and said nothing.
“Ye can’t hang around here this way,” the M.P. called after him.
Andrews flushed and walked away without turning his head. He was stinging with humiliation; an angry voice inside him kept telling him that he was a coward, that he should make some futile gesture of protest. Grotesque pictures of revolt flamed through his mind, until he remembered that when he was very small, the same tumultuous pride had seethed and ached in him whenever he had been reproved by an older person. Helpless despair fluttered about within him like a bird beating against the wires of a cage. Was there no outlet, no gesture of expression, would he have to go on this way day after day, swallowing the bitter gall of indignation, that every new symbol of his slavery brought to his lips?
Three Soldiers Page 33
