As I understand it, Goodman had simply appeared at the British casualty clearing station in late November, driving an ambulance full of wounded, himself in a muddy and mildly concussed state. His ambulance had been shelled and his identity papers and half his uniform were missing, but after a rest he appeared well and declared himself ready to work. Drivers were short at that point and the hospital desperate for help, so the irregularity of his papers was temporarily set aside.
In January, Goodman disappeared as abruptly as he had come, only this time he took with him his ambulance. Although details are unclear, it would seem that he had gone south into French lines. As before, he simply was there one day amongst the French ambulances, delivering wounded to the French tents. When questioned, he claimed to have been seconded there from the BEF. The unlikeliness of the claim took several days to be researched, during which time Goodman continued to drive, and also to make urgent and increasingly incomprehensible enquiries about a missing child.
It was at about this time that a rumour of an unattached ambulance driver had begun to circulate along the Front, when one of the many trench newspapers had a small piece about the so-called Angel of Albert, who rescued wounded men when all seemed lost. In fact, an officer new to Craiglockhart two weeks ago happened to tell me of the Angel, so it would appear that the mythic tale is still active.
In any event, “Goodman” was eventually arrested, and he and his stolen ambulance returned up the line to the British forces. Upon closer enquiry, he was identified as the long-missing Captain Moreton. Men have been shot for less, even officers. However, during his time as a driver, for the British and particularly for the French, he had performed admirably, including an heroic rescue of several French officers and soldiers. During his court martial, three high-ranking French officials and one from the British forces spoke for leniency. (I understand that, since then, Goodman-Moreton has been given a medal by the French government.)
Under these circumstances, his court martial chose to attribute his desertion and subsequent crimes to shell shock, and he was sent to Craiglockhart.
When he arrived, although until the previous month he had been performing efficiently as a driver, he was unresponsive and physically incapable, prey to uncontrollable tremors, and with a severe stammer that rendered speech nearly incomprehensible. (It should be noted that many of the officers arrive here with stammers, which can be interpreted as the body’s rebellion against giving orders, or the result of shattered nerves. In either case, treatment is the same: rest, and talk.)
By the end of March, he had improved to the extent that he could walk and feed himself without mishap, and speech was slow but comprehensible.
However, we had found that to address him by his proper name led to a state of quivering incapacity characterised by uncontrollable but silent weeping. In a staff meeting two weeks after his arrival, it was decided that he would not be so addressed until such time as it seemed therapeutically desirable. I informed him of the decision, and asked him by what name he wished to be called.
He replied with the name of the driver, Robert Goodman, and although the choice is a telling combination of strength (particularly here in Scotland) and virtue (“good man”), here is not the place to go into an analysis.
Under this nom de fou, his progress continued. His stammer became less pronounced except under periods of tiredness or particular stress (such as a visit by his older brother at the end of March). His manual dexterity improved to the point that he could control buttons, table implements, and a pen, and he undertook short visits into the town. In mid-April, however, an attempt to reintroduce his name stimulated an attack of nerves that set him back for days.
With improved speech, talk therapy became more effective. After some weeks, Goodman revealed to me that a wartime incident with a child had sent him south into the French lines; however, he was unwilling to give further details concerning the incident. Questions made him weep.
By early June, it was our judgement that he was ready for his medical board. It should be noted that it is not the task of this hospital to “cure” a man, but either to ready him for a return to duty, or to speak for his inability to perform his duties and thus require discharge. In the case of “Robert Goodman,” his lasting opinion appears to be that “the Other” (i.e., Moreton) had dropped the world into a state of war in the first place, and he, Goodman, wished nothing to do with the man. I do not believe he meant this literally—that his individual family was in some way personally responsible for the War—but that the country’s ingrained system of aristocracy and privilege had made for a situation in which war was the only option.
If this officer is permitted to retain his identity of “Robert Goodman,” I believe he can eventually become a functioning member of society. He has no wish to resume his place in his birth family or in his regiment, and I would strongly recommend that he not be forced into doing so. He has an abhorrence of violence that would make the duties of a front-line officer impossible. He is more than willing to serve as an ambulance driver, although he understands how unlikely that would be.
If the board certifies that he is to return to duty, my strong recommendation is that he be permitted quietly to enter the ranks rather than resume his status of officer: The responsibility of giving orders is what he fears most, to the extent that the friendships he has made here, amongst patients or the community, are men who are dominant to the point of bullying. Were he to resume his rank and his command, it would not surprise me to hear that he arranged to do himself harm.
The changes evinced in this patient’s life are profound and, to all appearances, permanent. His family (I find myself tempted to write, “his former family”) describes Moreton as methodical, tidy, and of a scientific bent; however, as Goodman he embraces spontaneity, spends his time with drawing pencils and clay (or knives and wood, once he was permitted them), and appears ill at ease when confronted by symmetrical array: A ready chess set, for example, gives him a mental itch until he has shifted a piece into an unlikely position. He sings, as apparently he has not done since adolescence, in a light but pleasant voice. He prefers simple songs and nursery rhymes over more complex melodies or hymns.
If the Board is taken aback by the seemingly light-hearted attitude of “Robert Goodman” when he comes before it, I beg that they keep in mind his twenty-seven months of unflinching service on the Front followed by two months of heroic driving to the rescue of his fellows (“The Angel of Albert”). If I may be permitted an anthropological remark beyond the scope of this patient report, I might point out that a society often reacts to trauma by turning its collective back on responsibility and embracing the frivolous. It should be no surprise that an individual might choose the same means of self-preservation.
I recommend a medical discharge for the patient, and until such time as his family becomes available to him again, a full pension.
As a last note, I recommend that the Board be made aware of the distress that will ensue if they choose to address the patient by his birth name.
Respectfully,
W.H.R. Rivers
The file also included seventeen newspaper clippings concerning the trial of “Johnny” McAlpin in Edinburgh, during which accusations were made concerning the history and mental stability of Moreton, who had met McAlpin in a pub near Craiglockhart Hospital during April and May of 1917. No charges were filed against Moreton, and he was thanked by the judge and permitted to return to his home in Cumberland.
Chapter 53
Robert Goodman had only been to two funerals in his life. As The Other Man, no doubt he had attended any number, in calm green cemeteries or in the filth and shattering chaos of the battlefield, but that was The Other Man and he, Goodman, didn’t have to think about that.
So he was mildly curious about this one. It would not be in a small village church as the other two had been, both of them for neighbours who had reached the ends of their long lives and been ushered into the grave with as much relief a
s sorrow. This one would be for a man who had, he gathered, still been strong and hale, and whose sudden death had been a terrible shock for everyone who knew him.
He liked this young woman Mary Russell. If there were more like her in circulation, he might not have chosen to live quite so far out of the world. And such was his respect for her as a person, he thought that anyone she loved as much as she evidently had Mycroft Holmes might have been someone he, Robert Goodman, would have enjoyed.
So he was sympathetic, and sad for opportunities missed, but mostly he was curious. All sorts of currents swirled around the man’s death, each of them promising to wash in some interesting artefacts to the funeral.
His life had become far too simple. It had taken an aeroplane falling out of the sky to make him aware of his lapse into tedium. But now, everything had become exciting and vital and unpredictable, in ways that made him itch to contribute.
And now that he thought of it, he probably could come up with one or two ways to add his own touch to the afternoon’s obsequies.
Yes indeed; why not make the event something to remember, for all concerned? After all, who commanded that a funeral had to be funereal?
It was the least he could do for Miss Russell.
Chapter 54
Russell had been here, in this bolt-hole, Holmes could see that.
But she had brought another person with her. To the bolt-hole. A man.
The clothing she had given the guest indicated he was small; the traces of hair in the razor said he was blond; his choices of reading material suggested either eclectic interests or easy boredom: Russell’s feminist Bible translation by Elizabeth Cady Stanton, a picture-book on the Venetian Mardi Gras, and a biography of Benjamin Franklin lay on the floor beside the chaise.
It was also clear that the man had spent some considerable time here on his own—or if not alone, he had felt free to paw through every corner of the place under Russell’s gaze. The man had even discovered the hidden cabinet, although he had not taken anything, merely re-stacking the gold coins into one teetering pile, and rearranging the eight valuable diamonds into what was perhaps meant to be an R.
Holmes very much looked forward to making the acquaintance of this small, blond, inquisitive man whom his wife trusted enough to leave unattended. Or, he corrected himself, whom his wife had brought here before she fell unconscious. And if that was the case, he looked forward to meeting the man all the more.
He returned the books to the shelf, locked the cabinet and restored the concealing volumes in front of it, scrupulously rinsed and dried the razor, and then began to dress in clothing suitable for the funeral of one’s only brother.
Chapter 55
A song thrush sat atop a tree growing at the corner of a cemetery. It was a large tree, and an old cemetery. Generation upon generation of Londoners had been laid here, their bones dug up and re-buried, their lichen-spangled stones lifted and placed to one side like substantial ghosts lined up to bear witness.
The thrush had fed well that morning; the weak sun was welcome; its young were long gone from the year’s nest. He was happy to perch and cock a bright eye at the curious comings and goings below.
Earlier in the day, the grave-diggers had come with their spades, making their casual way across the lawns to the scheduled resting place of this newest graveyard resident. Their orders were for a larger hole than usual: Having an oversized coffin stuck halfway down was humiliating to professional pride, and affected the generosity of the families.
So their shovels scraped longer than usual in the heavy London soil, and the hole they dug was as outsized as the man it was to contain.
At last, they were finished. The man in the hole tossed out his spade and raised a hand for the others to pull him up. They arranged the cloth over the raw soil mound, gentling reality for the mourners, then propped their tools across their shoulders and went to seek out their luncheons.
Two hours passed, in silence but for the bells of nearby churches. The thrush came and went, came and went and returned. Clouds gathered, then cleared. Three families came to lay flowers on gravestones; a courting couple lingered under the trees; a pack of neighbouring children ran through, their raucous joy not, oddly, entirely out of place.
Then silence.
When the sun was halfway to the horizon, a man came, dressed in formal black, though wearing a soft hat. He stood for a time at the edge of the hole, then turned to survey the surrounding trees, stones, and marble tombs. He walked up and down, taking up a position behind a large granite cross, then beneath the song thrush’s tree, and finally stepped into the shadows beneath a grand family vault. The toes of his polished shoes caught the light, then they, too, retreated into the gloom. The man might not have been there at all.
The hearse that eventually came was the old-fashioned sort: high, black, and pulled by black horses with black feathered top-knots. The priest walked before, his black cassock peeping out from under a lace-trimmed white surplice, head bent beneath a Canterbury cap, prayer book in hand.
The coffin, both large and heavy, was taken from the hearse by six men. They settled it cautiously upon their shoulders, then stepped into an even pace, transferring the body to its eternal home.
Step; pause. Step; pause. Step.
Clouds grew across the sun, and the afternoon went dull. The mourners glanced upwards and fingered their umbrellas. A person looking on, from the high branches, perhaps, or a family vault, might have noticed how the people deferred to two or three of their fellows: Clearly these were important men, at a solemn occasion. Too solemn, too important for the jostling, bumptious press to have been notified.
The bird, back now, noticed primarily that there was no sign of a picnic luncheon.
The coffin approached, paused in the air, was lowered, and came to rest beside the hole. The six men stepped back, surreptitiously easing their shoulders. The priest stepped forward.
“I am the resurrection and the life, saith the Lord.” The ancient words of grief and comfort rose up from the circle. One woman, tall and buxom, raised a handkerchief underneath her black veil. One man, his hair sandy and thin, his black suit slightly out of date, swayed infinitesimally, then regained control. Another man, this one with the nose of a boxer and a tie too gaudy for the occasion, looked intently around the neighbouring area, seemed not to find what he was searching for, and then raised his arm to pass his hand slowly over his greased hair, a gesture so deliberate it might almost have been intended to convey meaning.
The thrush atop the overlooking tree noticed motion at a distance. Men, perhaps a dozen in all, had taken up positions in a wide circle around the oblivious mourners. Now they began to move forward. These were large, hard-looking men; two of them had bruised faces, as if they had recently walked into a tree, or a rock; one limped. Several sparrows flew out from another tree, but the song thrush remained.
Then came another wave of motion. This, too, came from all over, but it had many more than a dozen sources. Along the cemetery’s paths, over the low hill, from under the scattering of ancient trees, small groups of men and women converged on the hole and its coffin. The men wore dark suits, some ill-fitting; the women wore dresses appropriate to mourning. The women’s hair was of all colours and lengths; two of the men were bald beneath their hats. All the men were at least six feet tall, all were thin, all were at least forty years of age; the women were uniformly tall, all were slim, none was over forty.
And all of the women wore spectacles.
Quiet and to all appearances solemn, the men and women closed in to insinuate themselves among the twenty-three mourners already gathered at the grave-side. The original group looked at the oddly similar newcomers with expressions ranging from surprise to outrage, but the men and women were polite, quiet, and patient.
The congregation now numbered almost ninety. The priest stared open-mouthed at the proceedings, then stirred back to his responsibilities. He found his place, and resumed. The shadow beneath the ornate va
ult remained still.
The narrowing circle of hard-looking men had stopped abruptly when the odd cohort of late-comers appeared, to let the men and women flow around them towards the grave. They consulted silently with their fellows, glanced at the burly man with the boxer’s nose, then gave mental shrugs and settled back where they were.
Again, the words of the psalm rose up. Again, the tall, buxom woman raised the scrap of white cloth to her veil. The sparrows returned to their tree.
And again, came an interruption. This time it was music, riding thinly on the fitful breeze: a brass band. The mourners shifted and glanced at one another, disapproving of this thoughtless levity. The priest glanced up briefly, then pushed on.
However, the band did not go away. In fact, the raucous music seemed to be growing, as if some horribly inappropriate Salvation Army band had chosen this place of dignity and sorrow to practice its thumping tunes. Closer it came, and closer, until the tune became clear: “Rock of Ages,” quickened to marching time. The priest raised his voice and speeded up a fraction. Some of the mourners exchanged glances, others hunched into themselves, determinedly oblivious. The sandy-haired man in the old-fashioned suit spoke to the younger man at his side, who put on his hat and stalked in the direction of the disturbance.
But before he had disappeared from view, those mourners unable to keep their eyes from following saw him jerk to a halt. He put out both hands, in a manner strongly reminiscent of a constable directing traffic, but his authority was insufficient: The music came nearer, and louder.
And then it was upon them, a marching band of all the loudest, most discordant instruments in an orchestra: tubas, trombones, and French horns (all of them ever-so-slightly out of tune) tootled along with not one, but two large drums (beat nearly in rhythm), a phalanx of flutes, clarinets, and piccolos, and a short pot-bellied man dwarfed by an enormous pair of brass cymbals.
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