Alexander walked about the room, looking at everything.
"I haven't had a chance yet to tell you what a jolly little place I think this is. Where did you get those etchings? They're quite unusual, aren't they?"
"Lady Westmere sent them to me from Rome last Christmas. She is very much interested in the American artist who did them. They are all sketches made about the Villa d'Este, you see. He painted that group of cypresses for the Salon, and it was bought for the Luxembourg."
Alexander walked over to the bookcases. "It's the air of the whole place here that I like. You haven't got anything that doesn't belong. Seems to me it looks particularly well to-night. And you have so many flowers. I like these little yellow irises."
"Rooms always look better by lamplight --in London, at least. Though Marie is clean --really clean, as the French are. Why do you look at the flowers so critically? Marie got them all fresh in Covent Garden market yesterday morning."
"I'm glad," said Alexander simply. "I can't tell you how glad I am to have you so pretty and comfortable here, and to hear every one saying such nice things about you. You've got awfully nice friends," he added humbly, picking up a little jade elephant from her desk. "Those fellows are all very loyal, even Mainhall. They don't talk of any one else as they do of you."
Hilda sat down on the couch and said seriously: "I've a neat little sum in the bank, too, now, and I own a mite of a hut in Galway. It's not worth much, but I love it. I've managed to save something every year, and that with helping my three sisters now and then, and tiding poor Cousin Mike over bad seasons. He's that gifted, you know, but he will drink and loses more good engagements than other fellows ever get. And I've traveled a bit, too."
Marie opened the door and smilingly announced that dinner was served.
"My dining-room," Hilda explained, as she led the way, "is the tiniest place you have ever seen."
It was a tiny room, hung all round with French prints, above which ran a shelf full of china. Hilda saw Alexander look up at it.
"It's not particularly rare," she said, "but some of it was my mother's. Heaven knows how she managed to keep it whole, through all our wanderings, or in what baskets and bundles and theatre trunks it hasn't been stowed away. We always had our tea out of those blue cups when I was a little girl, sometimes in the queerest lodgings, and sometimes on a trunk at the theatre--queer theatres, for that matter."
It was a wonderful little dinner. There was watercress soup, and sole, and a delightful omelette stuffed with mushrooms and truffles, and two small rare ducklings, and artichokes, and a dry yellow Rhone wine of which Bartley had always been very fond. He drank it appreciatively and remarked that there was still no other he liked so well.
"I have some champagne for you, too. I don't drink it myself, but I like to see it behave when it's poured. There is nothing else that looks so jolly."
"Thank you. But I don't like it so well as this." Bartley held the yellow wine against the light and squinted into it as he turned the glass slowly about. "You have traveled, you say. Have you been in Paris much these late years?"
Hilda lowered one of the candle-shades carefully. "Oh, yes, I go over to Paris often. There are few changes in the old Quarter. Dear old Madame Anger is dead--but perhaps you don't remember her?"
"Don't I, though! I'm so sorry to hear it. How did her son turn out? I remember how she saved and scraped for him, and how he always lay abed till ten o'clock.
He was the laziest fellow at the Beaux Arts; and that's saying a good deal."
"Well, he is still clever and lazy. They say he is a good architect when he will work. He's a big, handsome creature, and he hates Americans as much as ever.
But Angel--do you remember Angel?"
"Perfectly. Did she ever get back to Brittany and her bains de mer?"
"Ah, no. Poor Angel! She got tired of cooking and scouring the coppers in Madame Anger's little kitchen, so she ran away with a soldier, and then with another soldier. Too bad! She still lives about the Quarter, and, though there is always a soldat, she has become a blanchisseuse de fin. She did my blouses beautifully the last time I was there, and was so delighted to see me again. I gave her all my old clothes, even my old hats, though she always wears her Breton headdress. Her hair is still like flax, and her blue eyes are just like a baby's, and she has the same three freckles on her little nose, and talks about going back to her bains de mer."
Bartley looked at Hilda across the yellow light of the candles and broke into a low, happy laugh. "How jolly it was being young, Hilda! Do you remember that first walk we took together in Paris? We walked down to the Place Saint-Michel to buy some lilacs. Do you remember how sweet they smelled?"
"Indeed I do. Come, we'll have our coffee in the other room, and you can smoke."
Hilda rose quickly, as if she wished to change the drift of their talk, but Bartley found it pleasant to continue it.
"What a warm, soft spring evening that was," he went on, as they sat down in the study with the coffee on a little table between them; "and the sky, over the bridges, was just the color of the lilacs. We walked on down by the river, didn't we?"
Hilda laughed and looked at him questioningly. He saw a gleam in her eyes that he remembered even better than the episode he was recalling.
"I think we did," she answered demurely. "It was on the Quai we met that woman who was crying so bitterly. I gave her a spray of lilac, I remember, and you gave her a franc. I was frightened at your prodigality."
"I expect it was the last franc I had. What a strong brown face she had, and very tragic. She looked at us with such despair and longing, out from under her black shawl. What she wanted from us was neither our flowers nor our francs, but just our youth. I remember it touched me so. I would have given her some of mine off my back, if I could. I had enough and to spare then," Bartley mused, and looked thoughtfully at his cigar.
They were both remembering what the woman had said when she took the money: "God give you a happy love!" It was not in the ingratiating tone of the habitual beggar: it had come out of the depths of the poor creature's sorrow, vibrating with pity for their youth and despair at the terribleness of human life; it had the anguish of a voice of prophecy. Until she spoke, Bartley had not realized that he was in love. The strange woman, and her passionate sentence that rang out so sharply, had frightened them both. They went home sadly with the lilacs, back to the Rue Saint-Jacques, walking very slowly, arm in arm. When they reached the house where Hilda lodged, Bartley went across the court with her, and up the dark old stairs to the third landing; and there he had kissed her for the first time. He had shut his eyes to give him the courage, he remembered, and she had trembled so--
Bartley started when Hilda rang the little bell beside her. "Dear me, why did you do that? I had quite forgotten--I was back there. It was very jolly," he murmured lazily, as Marie came in to take away the coffee.
Hilda laughed and went over to the piano. "Well, we are neither of us twenty now, you know. Have I told you about my new play? Mac is writing one; really for me this time. You see, I'm coming on."
"I've seen nothing else. What kind of a part is it? Shall you wear yellow gowns? I hope so."
He was looking at her round slender figure, as she stood by the piano, turning over a pile of music, and he felt the energy in every line of it.
"No, it isn't a dress-up part. He doesn't seem to fancy me in fine feathers. He says I ought to be minding the pigs at home, and I suppose I ought. But he's given me some good Irish songs. Listen."
She sat down at the piano and sang. When she finished, Alexander shook himself out of a reverie.
"Sing `The Harp That Once,' Hilda. You used to sing it so well."
"Nonsense. Of course I can't really sing, except the way my mother and grandmother did before me. Most actresses nowadays learn to sing properly, so I tried a master; but he confused me, just!"
Alexander laughed. "All the same, sing it, Hilda."
Hilda started up from the st
ool and moved restlessly toward the window. "It's really too warm in this room to sing. Don't you feel it?"
Alexander went over and opened the window for her. "Aren't you afraid to let the wind low like that on your neck? Can't I get a scarf or something?"
"Ask a theatre lady if she's afraid of drafts!" Hilda laughed. "But perhaps, as I'm so warm-- give me your handkerchief. There, just in front." He slipped the corners carefully under her shoulder-straps. "There, that will do. It looks like a bib." She pushed his hand away quickly and stood looking out into the deserted square.
"Isn't London a tomb on Sunday night?"
Alexander caught the agitation in her voice. He stood a little behind her, and tried to steady himself as he said: "It's soft and misty. See how white the stars are."
For a long time neither Hilda nor Bartley spoke. They stood close together, looking out into the wan, watery sky, breathing always more quickly and lightly, and it seemed as if all the clocks in the world had stopped. Suddenly he moved the clenched hand he held behind him and dropped it violently at his side. He felt a tremor run through the slender yellow figure in front of him.
She caught his handkerchief from her throat and thrust it at him without turning round. "Here, take it. You must go now, Bartley. Good-night."
Bartley leaned over her shoulder, without touching her, and whispered in her ear:
"You are giving me a chance?"
"Yes. Take it and go. This isn't fair, you know. Good-night."
Alexander unclenched the two hands at his sides. With one he threw down the window and with the other--still standing behind her--he drew her back against him.
She uttered a little cry, threw her arms over her head, and drew his face down to hers. "Are you going to let me love you a little, Bartley?" she whispered.
Chapter 5
It was the afternoon of the day before Christmas. Mrs. Alexander had been driving about all the morning, leaving presents at the houses of her friends. She lunched alone, and as she rose from the table she spoke to the butler: "Thomas, I am going down to the kitchen now to see Norah. In half an hour you are to bring the greens up from the cellar and put them in the library. Mr. Alexander will be home at three to hang them himself. Don't forget the stepladder, and plenty of tacks and string. You may bring the azaleas upstairs. Take the white one to Mr.
Alexander's study. Put the two pink ones in this room, and the red one in the drawing-room."
A little before three o'clock Mrs. Alexander went into the library to see that everything was ready. She pulled the window shades high, for the weather was dark and stormy, and there was little light, even in the streets. A foot of snow had fallen during the morning, and the wide space over the river was thick with flying flakes that fell and wreathed the masses of floating ice. Winifred was standing by the window when she heard the front door open. She hurried to the hall as Alexander came stamping in, covered with snow. He kissed her joyfully and brushed away the snow that fell on her hair.
"I wish I had asked you to meet me at the office and walk home with me, Winifred. The Common is beautiful. The boys have swept the snow off the pond and are skating furiously. Did the cyclamens come?"
"An hour ago. What splendid ones! But aren't you frightfully extravagant?"
"Not for Christmas-time. I'll go upstairs and change my coat. I shall be down in a moment. Tell Thomas to get everything ready."
When Alexander reappeared, he took his wife's arm and went with her into the library. "When did the azaleas get here? Thomas has got the white one in my room."
"I told him to put it there."
"But, I say, it's much the finest of the lot!"
"That's why I had it put there. There is too much color in that room for a red one, you know."
Bartley began to sort the greens. "It looks very splendid there, but I feel piggish to have it. However, we really spend more time there than anywhere else in the house. Will you hand me the holly?"
He climbed up the stepladder, which creaked under his weight, and began to twist the tough stems of the holly into the frame- work of the chandelier.
"I forgot to tell you that I had a letter from Wilson, this morning, explaining his telegram. He is coming on because an old uncle up in Vermont has conveniently died and left Wilson a little money--something like ten thousand. He's coming on to settle up the estate. Won't it be jolly to have him?"
"And how fine that he's come into a little money. I can see him posting down State Street to the steamship offices. He will get a good many trips out of that ten thousand. What can have detained him? I expected him here for luncheon."
"Those trains from Albany are always late. He'll be along sometime this afternoon. And now, don't you want to go upstairs and lie down for an hour?
You've had a busy morning and I don't want you to be tired to-night."
After his wife went upstairs Alexander worked energetically at the greens for a few moments. Then, as he was cutting off a length of string, he sighed suddenly and sat down, staring out of the window at the snow. The animation died out of his face, but in his eyes there was a restless light, a look of apprehension and suspense. He kept clasping and unclasping his big hands as if he were trying to realize something. The clock ticked through the minutes of a half-hour and the afternoon outside began to thicken and darken turbidly. Alexander, since he first sat down, had not changed his position. He leaned forward, his hands between his knees, scarcely breathing, as if he were holding himself away from his surroundings, from the room, and from the very chair in which he sat, from everything except the wild eddies of snow above the river on which his eyes were fixed with feverish intentness, as if he were trying to project himself thither. When at last Lucius Wilson was announced, Alexander sprang eagerly to his feet and hurried to meet his old instructor.
"Hello, Wilson. What luck! Come into the library. We are to have a lot of people to dinner to-night, and Winifred's lying down. You will excuse her, won't you? And now what about yourself? Sit down and tell me everything."
"I think I'd rather move about, if you don't mind. I've been sitting in the train for a week, it seems to me." Wilson stood before the fire with his hands behind him and looked about the room. "You HAVE been busy. Bartley, if I'd had my choice of all possible places in which to spend Christmas, your house would certainly be the place I'd have chosen. Happy people do a great deal for their friends. A house like this throws its warmth out. I felt it distinctly as I was coming through the Berkshires. I could scarcely believe that I was to see Mrs. Bartley again so soon."
"Thank you, Wilson. She'll be as glad to see you. Shall we have tea now? I'll ring for Thomas to clear away this litter. Winifred says I always wreck the house when I try to do anything. Do you know, I am quite tired. Looks as if I were not used to work, doesn't it?" Alexander laughed and dropped into a chair. "You know, I'm sailing the day after New Year's."
"Again? Why, you've been over twice since I was here in the spring, haven't you?"
"Oh, I was in London about ten days in the summer. Went to escape the hot weather more than anything else. I shan't be gone more than a month this time.
Winifred and I have been up in Canada for most of the autumn. That Moorlock Bridge is on my back all the time. I never had so much trouble with a job before."
Alexander moved about restlessly and fell to poking the fire.
"Haven't I seen in the papers that there is some trouble about a tidewater bridge of yours in New Jersey?"
"Oh, that doesn't amount to anything. It's held up by a steel strike. A bother, of course, but the sort of thing one is always having to put up with. But the Moorlock Bridge is a continual anxiety. You see, the truth is, we are having to build pretty well to the strain limit up there. They've crowded me too much on the cost. It's all very well if everything goes well, but these estimates have never been used for anything of such length before. However, there's nothing to be done. They hold me to the scale I've used in shorter bridges. The last thing a bridge commission c
ares about is the kind of bridge you build."
When Bartley had finished dressing for dinner he went into his study, where he found his wife arranging flowers on his writing-table.
"These pink roses just came from Mrs. Hastings," she said, smiling, "and I am sure she meant them for you."
Bartley looked about with an air of satisfaction at the greens and the wreaths in the windows. "Have you a moment, Winifred? I have just now been thinking that this is our twelfth Christmas. Can you realize it?" He went up to the table and took her hands away from the flowers, drying them with his pocket handkerchief.
"They've been awfully happy ones, all of them, haven't they?" He took her in his arms and bent back, lifting her a little and giving her a long kiss. "You are happy, aren't you Winifred? More than anything else in the world, I want you to be happy. Sometimes, of late, I've thought you looked as if you were troubled."
"No; it's only when you are troubled and harassed that I feel worried, Bartley. I wish you always seemed as you do to-night. But you don't, always." She looked earnestly and inquiringly into his eyes.
Alexander took her two hands from his shoulders and swung them back and forth in his own, laughing his big blond laugh.
"I'm growing older, my dear; that's what you feel. Now, may I show you something? I meant to save them until to-morrow, but I want you to wear them tonight." He took a little leather box out of his pocket and opened it. On the white velvet lay two long pendants of curiously worked gold, set with pearls. Winifred looked from the box to Bartley and exclaimed:--
"Where did you ever find such gold work, Bartley?"
Alexander's Bridge Page 4
