by Ian Rankin
Copyright © 2002 by John Rebus Limited
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review.
First eBook Edition: February 2003
Little, Brown and Company
Hachette Book Group,
237 Park Avenue,
New York, NY 10017
Originally published in Great Britain by Orion Books
The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.
The “Little, Brown and Company” name and logo are trademarks of Hachette Book Group, Inc.
ISBN: 978-0-7595-2787-4
Visit our Web site at www.HachetteBookGroup.com.
Contents
A NOTE ON TERMINOLOGY
CAST OF CHARACTERS
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 21
CHAPTER 22
CHAPTER 23
CHAPTER 24
CHAPTER 25
CHAPTER 26
CHAPTER 27
CHAPTER 28
CHAPTER 29
CHAPTER 30
CHAPTER 31
CHAPTER 32
CHAPTER 33
CHAPTER 34
ABOUT THE AUTHOR
Resurrection Men
Ian Rankin
Inspector John Rebus has messed up badly this time, so badly that he’s been sent to a kind of reform school for damaged cops. While there among the last-chancers known as “resurrection men,” he joins a covert mission to gain evidence of a drug heist orchestrated by three of his classmates. But the group has been assigned an unsolved murder that may have resulted from Rebus’s own mistake. Now Rebus can’t determine if he’s been set up for a fall or if his disgraced classmates are as ruthless as he suspects.
When Detective Sergeant Siobhan Clarke discovers her investigation of an art dealer’s murder is tied to Rebus’s inquiry, the protégé and mentor join forces. Soon they find themselves in the midst of an even bigger scandal than they had imagined—a plot with conspirators in every corner of Scotland and deadly implications about their colleagues.
With the brilliant eye for character and place that earned him the name “the Dickens of Edinburgh,” Ian Rankin delivers a page-turning novel of intricate suspense.
ALSO BY IAN RANKIN
The Inspector Rebus Series
Knots & Crosses
Hide & Seek
Tooth & Nail
A Good Hanging and Other Stories
Strip Jack
The Black Book
Mortal Causes
Let It Bleed
Black & Blue
The Hanging Garden
Death Is Not the End (a novella)
Dead Souls
Set in Darkness
The Falls
A NOTE ON TERMINOLOGY
Scotland is divided into several police regions. Rebus works for Lothian and Borders Police, whose “beat” covers Edinburgh and most points south until you reach the English border. The region’s HQ is based at Fettes Avenue in Edinburgh, and is often referred to by officers as “the Big House.” Other main police stations in the capital include St. Leonard’s (where Rebus is normally based), Leith (the port of Edinburgh), Gayfield Square and West End.
The officer in charge of this region is known as the chief constable. He is served, in decreasing order of rank, by a deputy chief constable (DCC), two assistant chief constables (ACCs), and various detective chief superintendents (DCSs), superintendents, chief inspectors, inspectors, sergeants and constables. If an officer works for CID (Criminal Investigation Department), then he or she will carry the prefix D (for Detective). A DCI is a detective chief inspector, DI is a detective inspector, DS a detective sergeant, and DC a detective constable. Officers not assigned to CID would wear a uniform. (Rebus sometimes refers to these unfortunates as “woolly suits.”) Lowest in the pecking order are the PC (police constable) and WPC (woman police constable).
CAST OF CHARACTERS
At Tulliallan Police College
DI John Rebus - based at St. Leonard’s police station in Edinburgh
DI James “Jazz” McCullough - based in Dundee
DI Francis Gray - based in Glasgow
DS Stu Sutherland - based in Livingston
DI Thomas “Tam” Barclay - based in Falkirk
DC Allan Ward - based in Dumfries
DCI Archibald Tennant - the Resurrection Men’s boss
Andrea Thomson - career analyst
The Rico Lomax Murder Case
Eric “Rico” Lomax - murder victim
Fenella - Rico’s widow
“Chib” Kelly - Fenella’s current lover, Glasgow bar owner and criminal
Richard “Dickie” Diamond - Rico’s friend
Malky - Dickie’s nephew, barman in Edinburgh
Jenny Bell - Dickie’s onetime girlfriend
Bernie Johns - deceased Glasgow drug baron
At St. Leonard’s Police Station
DS Siobhan Clarke - (pronounced “Shiv-awn”)
DI Derek Linford - no friend to Rebus, disliked by Siobhan
DCS Gill Templer - officer in charge of St. Leonard’s
DC David Hynds - a new recruit
DS George “Hi-Ho” Silvers - officer with both eyes on approaching pension
DC Grant Hood - young and unpredictable officer with a crush on Siobhan
DC Phyllida Hawes - tough female officer, usually based at Gayfield Square
DCI Bill Pryde - second in command to DCS Gill Templer
The Edward Marber Murder Case
Edward Marber - murdered Edinburgh art dealer
Cynthia Bessant - friend of the deceased, also an art dealer
Malcolm Neilson - artist
William Allison - Neilson’s lawyer
Dominic Mann - art dealer
Eric “Brains” Bain - detective, computer specialist
Professor Gates - pathologist
Morris Gerald “Big Ger” Cafferty - Edinburgh’s preeminent gangster
The Weasel - Cafferty’s lieutenant
Aly - the Weasel’s son
Ellen Dempsey -owner of MG Cabs in Edinburgh
DI Bobby Hogan - Leith-based detective
WPC Antonia “Toni” Jackson - experienced uniformed officer at St. Leonard’s
PC John “Perry” Mason - latest recruit to the uniformed branch at St. Leonard’s
Laura Stafford - a prostitute
Donny Dow - father of Laura’s child
DS Liz Hetherington - Dundee-based detective
Ricky - manager of the Sauna Paradiso
Other Characters
Claverhouse - detective in the Scottish Drug Enforcement Agency
Ormiston - Claverhouse’s partner
ACC Colin Carswell - based at police HQ
Sir David Strathern - chief constable of Lothian and Borders Police
Jean Burchill - Rebus’s current partner, museum curator
1
Then why are you here?”
“Depends what you mean,�
� Rebus said.
“Mean?” The woman frowned behind her glasses.
“Mean by ‘here,’ ” he explained. “Here in this room? Here in this career? Here on the planet?”
She smiled. Her name was Andrea Thomson. She wasn’t a doctor — she’d made that clear at their first meeting. Nor was she a “shrink” or a “therapist.” “Career Analysis” was what it had said on Rebus’s daily sheet.
2:30–3:15: Career Analysis, Rm 3.16.
With Ms. Thomson. Which had become Andrea at the moment of introduction. Which was yesterday, Tuesday. A “get to know” session, she’d called it.
She was in her late thirties, short and large-hipped. Her hair was a thick mop of blond with some darker streaks showing through. Her teeth were slightly oversized. She was self-employed, didn’t work for the police full-time.
“Do any of us?” Rebus had asked yesterday. She’d looked a bit puzzled. “I mean, do any of us work full-time . . . that’s why we’re here, isn’t it?” He’d waved a hand in the direction of the closed door. “We’re not pulling our weight. We need a smack on the wrists.”
“Is that what you think you need, Detective Inspector?”
He’d wagged a finger. “Keep calling me that and I’ll keep calling you ‘Doc.’ ”
“I’m not a doctor,” she’d said. “Nor am I a shrink, a therapist, or any other word you’ve probably been thinking in connection with me.”
“Then what are you?”
“I deal with Career Analysis.”
Rebus had snorted. “Then you should be wearing a seat belt.”
She’d stared at him. “Am I in for a bumpy ride?”
“You could say that, seeing how my career, as you call it, has just careered out of control.”
So much for yesterday.
Now she wanted to know about his feelings. How did he feel about being a detective?
“I like it.”
“Which parts?”
“All of me.” Fixing her with a smile.
She smiled back. “I meant —”
“I know what you meant.” He looked around the room. It was small, utilitarian. Two chrome-framed chairs either side of a teak-veneered desk. The chairs were covered in some lime-colored material. Nothing on the desk itself but her legal-sized lined pad and her pen. There was a heavy-looking satchel in the corner; Rebus wondered if his file was in there. A clock on the wall, calendar below it. The calendar had come from the local firehouse. A length of net curtaining across the window.
It wasn’t her room. It was a room she could use on those occasions when her services were required. Not quite the same thing.
“I like my job,” he said at last, folding his arms. Then, wondering if she’d read anything into the action — defensiveness, say — he unfolded them again. Couldn’t seem to find anything to do with them except bunch his fists into his jacket pockets. “I like every aspect of it, right down to the added paperwork each time the office runs out of staples for the staple gun.”
“Then why did you blow up at Detective Chief Superintendent Templer?”
“I don’t know.”
“She thinks maybe it has something to do with professional jealousy.”
The laugh burst from him. “She said that?”
“You don’t agree?”
“Of course not.”
“You’ve known her some years, haven’t you?”
“More than I care to count.”
“And she’s always been senior to you?”
“It’s never bothered me, if that’s what you’re thinking.”
“It’s only recently that she’s become your commanding officer.”
“So?”
“You’ve been at DI level for quite some time. No thoughts of improvement?” She caught his look. “Maybe ‘improvement’ is the wrong word. You’ve not wanted promotion?”
“No.”
“Why not?”
“Might be I’m afraid of responsibility.”
She stared at him. “That smacks of a prepared answer.”
“Be prepared, that’s my motto.”
“Oh, you were a Boy Scout?”
“No,” he said. She stayed quiet, picking up her pen and studying it. It was one of those cheap yellow Bics. “Look,” he said into the silence, “I’ve got no quarrel with Gill Templer. Good luck to her as a DCS. It’s not a job I could do. I like being where I am.” He glanced up. “Which doesn’t mean here in this room, it means out on the street, solving crimes. The reason I lost it is . . . well, the way the whole inquiry’s being handled.”
“You must have had similar feelings before in the middle of a case?” She had taken her glasses off so she could rub the reddened skin on either side of her nose.
“Many a time,” he admitted.
She slid the glasses back on. “But this is the first time you’ve thrown a mug?”
“I wasn’t aiming for her.”
“She had to duck. A full mug, too.”
“Ever tasted cop-shop tea?”
She smiled again. “So you’ve no problem then?”
“None.” He folded his arms in what he hoped was a sign of confidence.
“Then why are you here?”
Time up, Rebus walked back along the corridor and straight into the men’s toilets, where he splashed water on his face, dried off with a paper towel. Watched himself in the mirror above the sink as he pulled a cigarette from his packet and lit it, blowing the smoke ceilingwards.
One of the lavatories flushed; a door clicked its lock off. Jazz McCullough came out.
“Thought that might be you,” he said, turning on the tap.
“How could you tell?”
“One long sigh followed by the lighting of a cigarette. Had to be a shrink session finishing.”
“She’s not a shrink.”
“Size of her, she looks like she’s shrunk.” McCullough reached for a towel. Tossed it in the bin when he’d finished. Straightened his tie. His real name was James, but those who knew him seemed never to call him that. He was Jamesy, or more often Jazz. Tall, mid-forties, cropped black hair with just a few touches of gray at the temples. He was thin. Patted his stomach now, just above the belt, as if to emphasize his lack of a gut. Rebus could barely see his own belt, even in the mirror.
Jazz didn’t smoke. Had a family back home in Broughty Ferry: wife and two sons about his only topic of conversation. Examining himself in the mirror, he tucked a stray hair back behind one ear.
“What the hell are we doing here, John?”
“Andrea was just asking me the same thing.”
“That’s because she knows it’s a waste of time. Thing is, we’re paying her wages.”
“We’re doing some good then.”
Jazz glanced at him. “You dog! You think you’re in there!”
Rebus winced. “Give me a break. All I meant was . . .” But what was the point? Jazz was already laughing. He slapped Rebus on the shoulder.
“Back into the fray,” he said, pulling open the door. “Three-thirty, ‘Dealing with the Public.’ ”
It was their third day at Tulliallan: the Scottish Police College. The place was mostly full of recent recruits, learning their lessons before being allowed out onto public streets. But there were other officers there, older and wiser. They were on refresher courses, or learning new skills.
And then there were the Resurrection Men.
The college was based at Tulliallan Castle, not in itself a castle but a mock-baronial home to which had been added a series of modern buildings, connected by corridors. The whole edifice sat in huge leafy grounds on the outskirts of the village of Kincardine, to the northern side of the Firth of Forth, almost equidistant between Glasgow and Edinburgh. It could have been mistaken for a university campus, and to some extent that was its function. You came here to learn.
Or, in Rebus’s case, as punishment.
There were four other officers in the seminar room when Rebus and McCullough arrived. “
The Wild Bunch,” DI Francis Gray had called them, first time they’d been gathered together. A couple of faces Rebus knew — DS Stu Sutherland from Livingston; DI Tam Barclay from Falkirk. Gray himself was from Glasgow, and Jazz worked out of Dundee, while the final member of the party, DC Allan Ward, was based in Dumfries. “A gathering of nations,” as Gray had put it. But to Rebus they acted more like spokesmen for their tribes, sharing the same language but with different outlooks. They were wary of each other. It was especially awkward with officers from the same region. Rebus and Sutherland were both Lothian and Borders, but the town of Livingston was F Division, known to anyone in Edinburgh as “F Troop.” Sutherland was just waiting for Rebus to say something to the others, something disparaging. He had the look of a haunted man.
The six men shared only one characteristic: they were at Tulliallan because they’d failed in some way. Mostly it was an issue with authority. Much of their free time the previous two days had been spent sharing war stories. Rebus’s tale was milder than most. If a young officer, fresh out of uniform, had made the mistakes they had made, he or she would probably not have been given the Tulliallan lifeline. But these were lifers, men who’d been in the force an average of twenty years. Most were nearing the point where they could leave on full pension. Tulliallan was their last-chance saloon. They were here to atone, to be resurrected.
As Rebus and McCullough took their seats, a uniformed officer walked in and marched briskly to the head of the oval table where his chair was waiting. He was in his mid-fifties and was here to remind them of their obligation to the public at large. He was here to train them to mind their p’s and q’s.
Five minutes into the lecture, Rebus let his eyes and mind drift out of focus. He was back on the Marber case . . .
Edward Marber had been an Edinburgh art and antiques dealer. Past tense, because Marber was now dead, bludgeoned outside his home by assailant or assailants unknown. The weapon had not yet been found. A brick or rock was the best guess offered by the city pathologist, Professor Gates, who had been called to the scene for a PLE: Pronouncement of Life Extinct. Brain hemorrhage brought on by the blow. Marber had died on the steps of his Duddingston Village home, front-door keys in his hand. He had been dropped off by taxi after the private viewing night of his latest exhibition: New Scottish Colorists. Marber owned two small, exclusive galleries in the New Town, plus antiques shops in Dundas Street, Glasgow, and Perth. Rebus had asked someone why Perth, rather than oil-rich Aberdeen.
