Not long after, Ubbiri died. She left a note stating that there were three things she was grateful for: her white dwarf star, Rudrak, and spending her last days with Birha.
A quarter-cycle after Ubbiri’s death, Rudrak came for the first time into Birha’s life.
A Rumination on Thirru, or Rudrak
There is a rift valley between us, a boundary that might separate two people or two universes. I’ve been exploring there, marveling at the tortured geometries of its sheer walls, the pits and chasms on its floor. Through them I’ve sometimes seen stars. So far I’ve avoided falling in, but who knows? One day maybe I’ll hurtle through the layer between this universe and that, and find myself a meteor, a shooting star falling into the gravity well of a far planet.
What if a meteor changed its mind about falling? Would the universe allow it? Only if the rock fell under the sway of another imperative that lifted it beyond gravity’s grasp. But where, in that endless sky, would it find the rift from which it had emerged? It would have to wander, searching, until the journey became an end in itself. And then, one day when the journey had changed it beyond recognition, it would find the rift and it would stand on the lip of it, wondering: should I return?
But I am not a rock. I am a person, slowly ripening in the sun of this world, like a pear on a tree. I am not hard, I am not protected by rocky layers.
Still, I cannot soar through your sky without burning.
Theories of Probability
What the actualizer did was to change probabilities. So sometimes things that were highly improbable, like walking through a wall, or tossing five thousand coins so that heads came up every time — all those things could become much more likely.
Birha thought that in some sense people had always known about the other branches of the kalpa-vriksh. So many of humankind’s fantasies about the magical and the impossible were simply imaginative leaps into different regions of the cosmic tree. But to go to the place of your imagining in the flesh, that wasn’t possible before the actualizer’s discovery. If you adjusted the parameters the actualizer would tweak the probability amplitudes to make your fairytale universe. Or perhaps it only opened a portal to an already existing one. What’s the difference? So much for you, entropy, for heat death, for death. Make it more likely that you live from fatal cancer than an ant bite . . .
But you couldn’t always predict how the amplitudes would work for complex systems like universes, and whether programming in coarse features you desired would give too much creative freedom to subsystems, resulting in surprises beyond imagining, and not always pleasant ones. Thus a mythology had already grown around the actualizer, detailing the possible and impossible other universes and their dangers. One made-up story related how they put in the parameters, the universal physical constants and the wave-function behavior in space and time, and there came to be an instability in the matter of that universe that made people explode like supernovas when they touched each other with love. It was a fanciful lie but it made a great opera.
In her idle moments, Birha wondered whether there was a curtain through which she could slip to find the place that always stays still amid the shifting cosmos, like the eye of a storm. But the foghorn trees were calling in the rain, and she was nodding over a bowl of soup, like the old woman she was. She looked at the veins standing out on the backs of her hands, and the thick-jointed fingers and thought of the body, her universe, which was not a closed system at all. Was there any system that was completely closed? Not in this universe, at least, where the most insulated of systems must interact with its environment, if only very slowly. So was our universe completely disconnected from the others, or did they bleed into each other? Exchange something? Not energy in any form we recognized, perhaps, but something more subtle, like dreams. She wanted to know what connected the universes, she wanted to step back from it all and see the kalpa-vriksh in its entirety. But she was caught in it as surely as anyone else. A participant-observer who must deduce the grand structure of the cosmic tree from within it, who must work at it while being caught in it, a worm in a twig, a fly in amber, to feel the knowing, the learning, like a new intimacy, a love.
“All matter is wavelike in some sense,” she told the dog. “The actualizer generates waves, and through interference changes the probability amplitudes. The tiny bubble universe so formed then resonates with an existing universe with the same properties, and a doorway opens between them.”
The dog sighed, as though this was passé, which in a way it was, and wagged his tail.
A Rumination, Dozing in the Sun
One day I dreamed I was the light falling off the edge of a leaf, nice and straight, but for the lacy diffraction at the edge. At night I flew into the clouds, to the well of stars, and became a piece of the void, a bit of dark velvet stitched onto the sky. In the afternoon I am just an old woman dozing in the sun with a yellow dog sitting by her, wondering about stars, worried about the universes. If I could be the tap of your shoe, the glance out of the corner of your eye when you see that man or this woman, if I could be the curled lip of the snarling arboril, or a mote in the eye of a dog. What would I be, if I were to be any of this?
I am myself and yet not so. I contain multitudes and am a part of something larger; I am a cell the size of a planet, swimming in the void of the night.
When They Left
After the actualizer’s discovery it became a subject of study, a thing to explore, and ultimately an industry dealing in dreams. Streams of adventurers, dreamers, and would-be suicides, people dissatisfied with their lives, went through the actualizer to find the universe that suited them better. The actualizer became a wish-fulfillment machine, opening a path to a universe just like this one, but with your personal parameters adjusted ever so slightly, the complexity matrices shifted just so (this was actually not possible: manipulating individual meta-world-lines was technically an unsolved problem, but tell that to the dreamers). Among the last to go were the people who had worked with Birha, her colleagues and students. They claimed not to be deceived by the dream-merchants; their excuse was academic, but they went like so many other people into the void. The exodus left certain towns and regions thinly populated, some planets abandoned. Imagine being dissatisfied enough to want to change — not towns, or planets, but entire universes! It was all Birha could do in the early days to stand there and watch the insanity until finally her dear companions were sundered from her by space, time, and whatever boundary kept one universe from another. Some people came back but they were strangers, probably from other planets in her universe. She had discovered the infinite branches of the cosmic tree, but it was not hers to claim in any way. She was the only one who wouldn’t travel its endless ways.
Who knew how long her erstwhile companions would be gone, or in what shape they’d come back, if they came back? She was too old to travel, and she liked the pleasures of small things, like tinkering with the tuning on the poeticas, designing and constructing new ones, and sipping the pale tea in the morning. She liked watching the yellow dog chase firelings. But also she was a prickly old woman, conservative as they come about universes and parameters, and she liked this one just fine, thank you. She liked the world on which she lived, with the seven-year day-cycle. No, she wouldn’t go. She was too obstinate and she disapproved of this meddling with the natural unfolding of things. Besides there was the elegance of death. The neatness of it, the way nothing’s wasted after. It seemed as though only in this universe was death real. She liked to sit on the sunny doorstep and talk to the dog about it all. Dogs, she thought, don’t need other universes, they are already perfect for the one in which they exist. She wondered if humans were refugees from some lost other branch of the Tree, which is why we were so restless. Always dissatisfied, going from planet to planet, galaxy to galaxy, branch to branch of the Cosmic Tree, and maybe rewriting our own life-histories of what-has-been. But we are not all like that; there have always been people who are like the dog, like Birha, perfect
ly belonging in the worlds of this universe.
A Rumination on Poeticas
A poetica consists of a series of suspended rods or wires under tension, mounted vertically on a frame. A sounding stick run by an ingenious mechanism of gears and a winding mechanism not unlike an old-fashioned clock brushes over the rods at a varying speed, forward and backward. A series of levers controls which rod or wire is struck. While this instrument can be designed to be played by an adept, it can also be fully automated by the mechanism, which is built to last. The enormous ones on public display recount the histories and great epic poems of the people, and are made of wood and stone and metal. Some kinds are designed to be played by the wind, but in these instruments, the sounds, and therefore the meanings, are always new, and ambiguous.
It took me years to learn the musical language of the aliens, and more years to learn to build miniature poeticas.
To sound these ruminations I have had to interpolate and invent new syllables, new chords and phrases, in order to tell my story. There are no words in their language for some of what I feel and think, and similarly there are sounds in their tongue I’ll never understand.
We call them aliens but this is their world. We took it from them. We are the strangers, the interlopers, the aliens.
Birha’s Loves
So Birha waits, watching the clouds gather over the university ramparts, walking every day to the abandoned laboratory, where her calculations give her both frustration and pleasure. Following the probability distribution of a single meta-world-line is tremendously difficult. Through the skeins and threads of possibility that arc across the simulator’s three-dimensional result-space, she can discern several answers that fit the constraints. A problem with a multiplicity of answers as scattered as stars. Rudrak will be back in 0.3, or 0.87, or 4.6 cycles. Or in 0.0011, or 5.8, or 0.54 cycles. She is out of temper with herself and the meta-universe at large.
As she goes down the slope in the cloud-darkness that passes for evening, tripping a little bit because she wants to be in the stone house before the rain starts, it occurs to her that her irritation signifies love. For Thirru, for the man who temporarily attracted her, for the lesser loves of all the years after, for Rudrak, for all her long-gone colleagues and students, for the yellow dog who lives with her, for the village girl who brings the evening meal and cleans up in silence. For Timmar’s rock, for the aliens and their gift to her, for the cloud forest, for that ever-giving Tree, the cosmic kalpavriksh, and especially her branch of it. And for death, who waits for her as she waits for Rudrak.
As she thinks this, her impatience at Rudrak’s non-arrival dissipates the way the mist does when the sun comes out. In the stone house she is out of breath, her chest hurts. There is an aroma of warm food and the yellow dog looks up from where he is lying and wags his tail lazily. She sits down to eat, dropping bits for the dog, sipping the pale tea. She thinks how it might be good for her to go out, when the time comes, into the deep forest and let her life be taken by a stinging death-vine, as is the custom among some of the natives. The vine brings a swift, painless death, wrapping the body in a shell of silken threads until all the juices are absorbed. The rest is released to become part of the rich humus of the forest floor. She feels like giving herself back to the world that gave her so much, even though she was not born here. It is comforting to think of dying in this way. The yellow dog will be happy enough with the village girl, and the old stone house will eventually be overcome by the forest. The wind will have to learn to play the poeticas, and then it will interpolate its own story with hers. Only closed systems are lonely. And there is no such thing as a closed system.
Three days later as the bell for morning tolls, there is a knock on the door. There is a man standing there. A stranger. No. It takes her a moment to recognize Rudrak, with his customary attitude of bewilderment and anxiety. The change is just enough to render him not quite familiar: more silver hairs, a shirt of a different fashion, in blue with an embroidered sash. He’s taller, stoops a little, and the face is different too, in a way that she can’t quite explain. In that long moment of recognition the kalpa-vriksh speaks to her. The mistake she had made in her calculations was to assume that through all the changes between universes, through space and through time, Rudrak would be Rudrak, and Birha, Birha, and Ubbiri would always remain Ubbiri. But finally she’s seen it: identity is neither invariant nor closed. No wonder the answers had so much scatter in them! The truth, as always, is more subtle and more beautiful. Birha takes a deep breath of gratitude, feels her death only a few ten-days away.
“I’m looking for Ubbiri,” says this almost-stranger, this new Rudrak. His accent is almost perfect. She ushers him in, and he looks around, at the pale sunlight falling on the long table with the poeticas, which are sounding softly. His look of anxiety fades for a moment, to be replaced by wonder.
“This looks familiar,” he says. “Have I been here before?”
TYCHE AND THE ANTS
Hannu Rajaniemi
Hannu Rajaniemi was born in Ylivieska, Finland, but currently lives in Edinburgh, Scotland, where he received a Ph.D. in string theory. He is the cofounder of ThinkTank Maths, which provides consultation service and research in applied mathematics and business development. He is also a member of Writers’ Bloc, an Edinburgh-based spoken-word performance group. Although Rajaniemi has a relatively small body of work, he has had a big impact on the field. His story from 2005, “Deus Ex Homine,” originally from the Scottish regional anthology Nova Scotia, was reprinted in several Best of the Year anthologies, including this one, and was one of the most talked-about stories of the year, as was his Interzone story “His Master’s Voice” in 2008. His first novel, The Quantum Thief, was published in 2010 to a great deal of critical buzz and response. His most recent novel, The Fractal Prince, is receiving similar acclaim.
Here he tells a tale of political warfare and a cyberattack on the barren surface of the Moon, all seen through the focus of a child’s whimsical fantasy world.
THE ANTS ARRIVED on the Moon on the same day Tyche went through the Secret Door to give a ruby to the Magician.
She was glad to be out of the Base: the Brain had given her a Treatment earlier that morning, and that always left her tingly and nervous, with pent-up energy that could only be expended by running down the grey rolling slope down the side of Malapert Mountain, jumping and hooting.
“Come on, keep up!” she shouted that the grag that the Brain had inevitably sent to keep an eye on her. The white-skinned machine followed her on its two thick treads, cylindrical arms swaying for balance as it rumbled laboriously downhill, following the little craters of Tyche’s footprints.
Exasperated, she crossed her arms and paused to wait. She looked up. The mouth of the Base was hidden from view, as it should be, to keep them safe from space sharks. The jagged edge of the mountain hid the Great Wrong Place from sight, except for a single wink of blue malice, just above the gleaming white of the upper slopes, a stark contrast against the velvet black of the sky. The white was not snow — that was a Wrong Place thing — but tiny beads of glass made by ancient meteor impacts. That’s what the Brain said, anyway: according to Chang’e the Moon Girl, it was all the jewels she had lost over the centuries she had lived here.
Tyche preferred Chang’e’s version. That made her think of the ruby, and she touched her belt pouch to make sure the ruby was still there.
“Outings are subject to being escorted at all times,” said the sonorous voice of the Brain in her helmet. “There is no reason to be impatient.”
Most of the grags were autonomous: the Brain could only control a few of them at the time. But of course it would keep an eye on her, so soon after the Treatment.
“Yes, there is, slowpoke,” Tyche muttered, stretched her arms and jumped up and down in frustration.
Her suit flexed and flowed around her with the movement. She had grown it herself as well, the third one so far, although it had taken much longer than the r
uby. Its many layers were alive, it felt light, and best of all, it had a powerskin, a slick porous tissue made from cells that had mechanosensitive ion channels that translated her movements into power for the suit. It was so much better than the white clumsy fabric ones the Chinese had left behind; the grags had cut and sown a baby-sized version out of those for her that kind of worked but was impossibly stuffy and stiff.
It was the only second time she had tested the new suit, and she was proud of it: it was practically a wearable ecosystem, and she was pretty sure that with its photosynthesis layer, it would keep her alive for months, if she only had enough sunlight and brought enough of the horrible compressed Chinese nutrients.
She frowned. Her legs were suddenly gray, mottled with browns. She brushed them with her hand, and her fingers — slick silvery hue of the powerskin — came away the same colour. It seemed the regolith dust clung to the suit. Annoying: she absently noted to do something about it for the next iteration when she fed the suit back into the Base’s big biofabber.
Now the grag was stuck on the lip of a shallow crater, grinding treads sending up silent parabolas of little rocks and dust. Tyche had had enough of waiting.
“I’ll be back for dinner,” she told the Brain.
Without waiting for the Base mind’s response, she switched off the radio, turned around and started running.
The Mammoth Book of Best New SF 26 (Mammoth Books) Page 90
