by Anne Perry
“Interesting,” Monk acknowledged. “But not helpful.”
“I don’t know anything helpful.” Sandeman shrugged his heavy shoulders. “Barton Lambert’s reputation is impeccable, both professional and personal. I have never heard anyone make the slightest suggestion that he was less than exactly what he seems, a shrewd but blunt north country businessman who has made a fortune and came to London to enjoy his success, patronize the arts—by the way, that is also painting and music, though principally architecture—and give his wife and daughter the pleasure of London society. You can try, by all means, and see if you can find evidence he patronizes the brothels in the West End or has a mistress tucked away somewhere, or that he gambles at his club, or occasionally drinks a little too much. I doubt you’ll find it, but if you do, it won’t help. So do most men in his position. None of it would be grounds for not marrying his daughter.”
Monk knew it. “What about Mrs. Lambert?” he asked.
“Just as spotless, so far as I know,” Sandeman replied. “Her reputation is excellent. A trifle ambitious for her daughter, but I am not sure that is regarded as a fault. If it is, you can charge nine tenths of the mothers in London with the same offense.”
“Where does she come from?”
“No idea.” Sandeman’s eyes widened. “Do you imagine Melville cares?”
“No. I suppose I am trying any possibility. Could their daughter be illegitimate?”
“No,” Sandeman said with a slight laugh. “I happen to know that she is eighteen years old, and the Lamberts recently celebrated the twentieth anniversary of their wedding. It was mentioned the evening I was there. It was several months ago now, seven or eight. And would it change Melville’s view of her?” He shrugged again, wrinkling his clothes still further. “Yes, I suppose it could. Might not know who the father was. Could be anybody.”
Monk forbore from observing that that could be said of many people. It was a point Sandeman might find offensive. He could think of nothing else to explore, no more to ask that might elicit a useful answer. He rose to his feet and offered his thanks.
“I hope you can help,” Sandeman said with a frown. “It seems like an ugly situation which should never have happened. Lovers’ quarrel, do you suppose? Two young people with more feeling than sense, high temperament of an artist crossed with the emotions of a young girl, overexcited, perhaps suffering a little from nervousness?”
“Could be,” Monk conceded. “But it’s gone too far now. It is already in the courts.”
“What a shame,” Sandeman said sincerely. “If I hear anything, I shall advise you.”
And Monk had to be content with that.
He spent a chilly and exhausting afternoon viewing the latest building close to completion to the plans of Killian Melville. First he had to seek the permission of a dubious caretaker, then pick his way over planks and racks of plaster and past busy craftsmen.
It was an uncomfortable experience. He did not want to feel any involvement with Melville, and already a sense of the young architect’s vision was forcing itself upon him. There was light everywhere around him as he stood in the main floor, where Carrara marble was being laid. It was not cold light, not pale, bleaching of color or fading, but giving an air of expansion and freedom. It was almost as if the interior could be as unrestricting as the outside with its clean, soaring lines and uncluttered facades. It was extremely modern, avant-garde, and yet also timeless.
Walking in the still uncompleted galleries, Monk found himself relaxing. He went through an archway into a farther hall, sun reflecting through a huge rose window along a pale floor, this time of wood. The other windows were very high and round, above the picture line, filling the arched ceiling with more light. He found himself smiling. He enjoyed being there, almost as if he were in the company of someone he liked. There was a kind of communication of joy in beauty, even in life.
What would make a man who could create such things ask a woman to marry him and then break his word? Was it as he had told Rathbone, simply that he had been so naive to the ways of the world that he had allowed himself to form a friendship which was misunderstood? The whole wedding had been arranged around him, and he had at no time the grasp to understand it—or the courage to disclaim and retreat?
These buildings were created by a mind of burning clarity and aspiration, a strength of will to dare anything. Such a man could never be a coward. Nor could he be a deceiver. There was a simplicity of line and conception which was in itself a kind of honesty.
Without realizing it, Monk had clenched his fists; his whole body was stiff with determination and an inner anger in his will to preserve this, to defend whoever was the person whose spirit was embodied there. He had always judged a man not by what he said but by what he did, the choices he made, when it was difficult, dangerous, when he had much to lose. This building soared to the sky with Killian Melville’s choices.
He had entered not wanting to like Melville, not wanting to care one way or the other. He walked out rapidly, his feet loud and brisk on the wood and marble floors, and through the entrance door down steps to the square. He did not even bother to excuse himself to the caretaker. The wind was sharp and growing colder. The sun was already lowering and filling the west over the rooftops with an apricot glow. How could he help Melville? What was he hiding, and above all, why did he not trust Rathbone with it?
Was he protecting himself or someone else? Zillah Lambert herself?
There was no time before Monday morning and the trial’s resumption to discuss anything but the most superficial facts. The most urgent thing to learn was if there had been some incident in Melville’s life he was afraid might come to light and ruin him. It must be something Sacheverall could find out, or Rathbone would have no need to fear it.
It was late Saturday afternoon. No professional organizations would be open for him to ask questions. He would have to call on more acquaintances, people who might help him for the sake of old friendship, or more likely old debt. He had no relationships more than four years long. Everything before that was part of the past he knew so imperfectly, although now that he at least understood why Runcorn hated him, and why their quarrel and his dismissal from the police force had been inevitable, that no longer troubled him. He seldom looked backward anymore. The old ghosts had lost their power.
He stood still on the pavement for several minutes. People passed by him, two ladies chattering, their crinoline skirts swaying, curls blown in the increasing wind, hands held up to keep their bonnets from flying away. A carriage and four went by at a fast clip, horses’ manes streaming, harness jingling loudly. Someone shouted, and a young man darted out into the street.
An elderly man with magnificent whiskers passed an angry remark about the state of society.
Monk remembered the name of someone he could ask about architects and money. He turned and walked briskly across the square and through an archway into a main thoroughfare where he found a hansom and gave the driver an address in Gower Street.
George Burnham was an elderly man with a prodigious memory, and was happy to exercise it to help anyone, even to show off a little. The days were very long now that he was alone, and he delighted in company. He piled more coals on the fire and ordered supper for himself and Monk, and settled comfortably for an evening of companionship and recollections, after shooing away a large and very beautiful black-and-white cat so Monk might have the best chair.
“Known every new architect, painter and sculptor to come to London in the last forty years,” he said confidently. “Do you like pork pie, my dear fellow?” He waved casually at the cat. “Off you go, Florence.”
“Yes, I do,” Monk accepted, sitting down carefully so as not to crush the skirts of his jacket, trying to disregard the cat hairs.
“Excellent!” Mr. Burnham rubbed his hands together. “Excellent. We shall dine on pork pie, hot vegetables and cold pickle. Mrs. Shipton makes the best pickle in this entire city. And what about a little good she
rry first? A nice mellow amontillado? Good, good!” He reached out and pulled the bell cord. “Now, my dear fellow, what is it you wish to know?” He smiled encouragingly.
Monk had met him during a sensitive case concerning missing money. It had been solved very much to Mr. Burnham’s satisfaction. A collection of such clients was invaluable. At first Monk had despised the smaller cases, thinking them beneath his talents and no more than a demeaning necessity in his newly reduced circumstances. Now he began to appreciate the value of the clients far beyond the nature of the problems they had presented to him. Sandeman had been one such; Mr. Burnham was another.
“What do you think of the work of Killian Melville?” he asked candidly.
Mr. Burnham cocked his head to one side, his blue eyes bright with interest.
“Sublime,” he answered. “In a word—sublime! Finest architect this century.” He did not ask why Monk wished to know, but he did not take his gaze from Monk’s face.
“Where did he study?” Monk frowned.
“No idea,” Mr. Burnham said instantly. “No one does. At least, no one I have met. Appeared in London about five years ago from God knows where. Can’t place his accent. Tried to. Don’t think it matters. Man is a genius. He can be a law unto himself. Although don’t mistake me,” he added earnestly. “He’s a very pleasant fellow, no airs or graces, no filthy temper, doesn’t keep a mistress or practice any excesses, so far as I know.” Still he did not ask why Monk was enquiring.
“Could he have studied abroad?” Monk asked.
Florence leaped up into Mr. Burnham’s lap, turned around several times and then settled.
“Of course he could!” Mr. Burnham answered. “Probably did, in fact. He is far too original to have gathered all his inspirations here. But if you doubt his technical ability, you have no need. I know Barton Lambert quite well enough to stake all I possess on his having assured himself, beyond even the slightest question, that all Melville’s drawings are structurally perfect before he would put forward a halfpenny to have them built.” He stroked Florence absentmindedly. “You may rely absolutely upon that as you would upon the Bank of England! Stand as long as the Tower of London, I assure you.” There was absolute conviction in his face, and he smiled as he spoke.
The door opened and a stout and very agreeable woman came in. Mr. Burnham introduced her as Mrs. Shipton, his housekeeper, and requested that supper be served for two. She seemed pleased to have a guest and disappeared briskly about her business.
“A man whose word you would trust?” Monk asked. “And his judgment?”
“Absolutely!” Mr. Burnham answered instantly. “Ask anyone.”
Monk smiled. “I am not sure ‘anyone’ will tell me the truth, or even that they know it.”
“Ah!” Mr. Burnham smiled and settled a little farther down in his chair. Florence was purring loudly. “You’re a skeptic. Of course you are. It’s your job. Silly of me to have forgotten it.”
Monk found himself recalling how much he had liked Mr. Burnham in their previous acquaintance. He had been almost sorry when the case was concluded. It was not a feeling he indulged in often. All too frequently he saw pettiness, spite, a mind too willing to leap to prejudiced assumptions, instances where unnecessary cruelty or greed had opened the way for acts of impulse which were beyond the borders of selfishness and into the area of actual crime. Sometimes there was a justice to be served, too often simply a law. The case here had been one of the happy exceptions.
Mr. Burnham put more coals in the fire. It was now roaring rather dangerously up the chimney, and he regarded it with a flicker of alarm before deciding it would not set the actual fabric of it alight, and relaxed again, folding his hands across his stomach and resettling the cat to its satisfaction.
“Let me tell you a little story about Barton Lambert,” he began with candid pleasure. He loved telling stories and could find too few people to listen to him. He was a man who should have had grandchildren. “And you will see what I mean.”
Monk smiled, amused at both of them. “Please do.” It was just possible the tale would even be enlightening, and he was extremely comfortable and looking forward to a very fine supper. He had tasted Mrs. Shipton’s cooking twice before.
Mr. Burnham settled himself still deeper into his chair and began.
“You must understand one thing about Barton Lambert. He loves beauty in all its forms. For all his rather unrefined exterior, frankly, and his”—he smiled, not unkindly, as he said it—“rather plebeian background—he was in trade—he has the soul of an artist. He has not the talent, but instead of envying those who do, he supports them. That is his way of being part of what they create.”
A coal fell out of the fire and he ignored it, in spite of the smoke it sent up.
Monk recovered it with the tongs and replaced it in the blazing heap.
“He is a man without envy,” Mr. Burnham carried on without apparently having noticed. “And that of itself is a very beautiful thing, my dear fellow. And I think he is entirely unconscious of it. Virtue that does not regard itself is of peculiar value.”
Monk wanted to urge him to begin the story, but he knew from past experience it would only interrupt his thought and hurt his feelings.
Mrs. Shipton came in and set the small gate-legged table with a lace-edged cloth, silver, salt and pepper pots and very fine crystal glasses, and a few moments later carried in the supper and served it. Mr. Burnham continued with his story, barely hesitating as he removed Florence from his lap and conducted Monk to his chair, and thanked Mrs. Shipton. They began to eat.
“Lord …” He hesitated. “I think I shall decline, in the interests of discretion, to give him a name. In any case, someone approached Mr. Lambert about building a civic hall for the performance of musical concerts for the public.” He passed Monk the dish of steaming vegetables and watched with satisfaction as he took a liberal helping. “Excellent, my dear fellow,” he applauded. “The hall would have been most expensive, and milord was prepared to put forward at least half of the cost himself if Lambert would put forward the other half. He had connections with the royal family.” He put a small piece of pie on a saucer and put it on the floor for Florence. “The prestige would have been enormous, and something not open to Lambert from any other source. You may imagine what it would have meant to such a man, who is genuinely most patriotic. The mere mention of the Queen’s name will produce in him a solemnity and a respect which is quite marked. Only a most insensitive person would fail to be affected by it, because it is sincere. No honorable man mocks what is honest in another.”
Monk was enjoying his meal very much. The rich home baking was a luxury he was offered far too seldom, and the thought that all this was so far of no professional value was overridden by physical pleasure, and possibly also by the knowledge that Mr. Burnham was enjoying himself.
“This hall,” Mr. Burnham went on, helping himself to more dark, spicy pickle and pushing the dish across the table towards Monk, “was to be dedicated to Her Majesty. It was some time ago now, and Killian Melville was not the architect, but some other fellow put forward by milord. The plans were given to Lambert and he was cock-a-hoop with excitement. He seemed on the brink of stepping into a circle he had previously barely dreamed of. He was man of the world enough to know his rough origins would never allow him to be accepted in such society ordinarily. Mrs. Lambert, on the other hand, has all the bearing of a lady; whether that is bred in her or learned, no one knows. Women seem to acquire these things more easily. It is in their nature to adapt. I daresay it has to be!”
Monk did not comment. His mouth was full.
“She is a remarkably pretty woman, and has the art to please without ever seeming to seek to or to be overeager,” Mr. Burnham continued. “And yet in her own way she is a perfectionist too, an artist in domestic detail, a woman who can create an air of grace and luxury so natural it appears always to have been there.” He watched Monk to assure himself he understood, and was appare
ntly satisfied.
The first course was finished and treacle tart was offered with cream. Monk accepted with undisguised pleasure, and Mr. Burnham beamed at him in delight. He gave Florence a teaspoonful of cream.
“You may imagine,” he said, resuming his tale, “Mrs. Lambert’s happiness when milord’s only son took a marked fancy to her only daughter, a charming, high-spirited girl, not yet of marriageable age but fast approaching it. In a couple of years the two families could have made a most acceptable arrangement, and in due course young Miss Lambert would have become a lady in every sense of the word, the chatelaine of one of the finest country seats in England.”
“But something spoiled it?” Monk was now truly interested.
“Indeed,” Mr. Burnham agreed, without losing a shred of his satisfaction. He was quite obviously not on the brink of recounting a tragedy. “Indeed it did.” He leaned forward across the table, his face gleaming in the candlelight and the reflected glow of the spring evening beyond the tall window. “This hall was to be magnificent,” he repeated urgently. “Lambert was enthralled with the idea. He took the plans and drawings home with him and pored over them like a man studying holy writ. He was alight with the idea. After all, it is a kind of immortality, is it not? A work of art which can last a thousand years or longer. Do we not still revere the man who designed the Parthenon? Do we not travel halfway around the world like pilgrims to gaze on its beauty and dream of the minds who thought it up, the genius which brought it into reality, even the men and women who daily passed beneath it in their ordinary lives?” He gazed at Monk steadily.
