Maximilian had scarcely finished his story, during which the Count’s heart had swelled within him, when Emmanuel entered wearing a hat and coat. He saluted the Count with the air of a man who is aware of the rank of his guest; then, after having led Monte Cristo around the little garden, he returned to the house. A large vase of Japan porcelain, filled with flowers that loaded the air with their perfume, stood in the salon. Julie, suitably dressed, and her hair arranged (she had accomplished this feat in less than ten minutes), received the Count on his entrance. The song of the birds were heard in an aviary hard by, and the branches of laburnums and rose acacias formed an exquisite framework to the blue velvet curtains. Everything in this charming retreat, from the warble of the birds to the smile of the mistress, breathed tranquility and repose. The Count had felt the influence of this happiness from the moment he entered the house, and he remained silent and pensive, forgetting that he was expected to renew the conversation, which had ceased after the first salutations had been exchanged. The silence became almost painful when, by a violent effort, tearing himself from his pleasing reverie—“Madame,” said he at length, “I pray you to excuse my emotion, which must astonish you who are only accustomed to the happiness I meet here; but contentment is so new a sight to me, that I could never be weary of looking at yourself and your husband.”
“We are very happy, monsieur,” replied Julie; “but we have also known unhappiness, and few have ever undergone more bitter sufferings than ourselves.” The Count’s features displayed an expression of the most intense curiosity.
“Oh, all this is a family history, as Chateau-Renaud told you the other day,” observed Maximilian. “This humble picture would have but little interest for you, accustomed as you are to behold the pleasures and the misfortunes of the wealthy and industrious; but such as we are, we have experienced bitter sorrows.”
“And God has poured balm into your wounds, as he does into those of all who are in affliction?” said Monte Cristo inquiringly.
“Yes, Count,” returned Julie, “we may indeed say he has, for he has done for us what he grants only to his chosen; he sent us one of his angels.” The Count’s cheeks became scarlet, and he coughed, in order to have an excuse for putting his handkerchief to his mouth. “Those born to wealth, and who have the means of gratifying every wish,” said Emmanuel, “know not what is the real happiness of life, just as those who have been tossed on the stormy waters of the ocean on a few frail planks can alone realize the blessings of fair weather.”
Monte Cristo rose, and without making any answer (for the tremulousness of his voice would have betrayed his emotion) walked up and down the apartment with a slow step.
“Our magnificence makes you smile, Count,” said Maximilian, who had followed him with his eyes. “No, no,” returned Monte Cristo, pale as death, pressing one hand on his heart to still its throbbings, while with the other he pointed to a crystal cover, beneath which a silken purse lay on a black velvet cushion. “I was wondering what could be the significance of this purse, with the paper at one end and the large diamond at the other.”
“Count,” replied Maximilian, with an air of gravity, “those are our most precious family treasures.”
“The stone seems very brilliant,” answered the Count.
“Oh, my brother does not allude to its value, although it has been estimated at 100,000 francs; he means, that the articles contained in this purse are the relics of the angel I spoke of just now.”
“This I do not comprehend; and yet I may not ask for an explanation, madame,” replied Monte Cristo bowing. “Pardon me, I had no intention of committing an indiscretion.”
“Indiscretion,—oh, you make us happy by giving us an excuse for expatiating on this subject. If we wanted to conceal the noble action this purse commemorates, we should not expose it thus to view. Oh, would we could relate it everywhere, and to everyone, so that the emotion of our unknown benefactor might reveal his presence.”
“Ah, really,” said Monte Cristo in a half-stifled voice.
“Monsieur,” returned Maximilian, raising the glass cover, and respectfully kissing the silken purse, “this has touched the hand of a man who saved my father from suicide, us from ruin, and our name from shame and disgrace,—a man by whose matchless benevolence we poor children, doomed to want and wretchedness, can at present hear every one envying our happy lot. This letter” (as he spoke, Maximilian drew a letter from the purse and gave it to the Count)—“this letter was written by him the day that my father had taken a desperate resolution, and this diamond was given by the generous unknown to my sister as her dowry.” Monte Cristo opened the letter, and read it with an indescribable feeling of delight. It was the letter written (as our readers know) to Julie, and signed “Sinbad the Sailor.” “Unknown you say, is the man who rendered you this service—unknown to you?”
“Yes; we have never had the happiness of pressing his hand,” continued Maximilian. “We have supplicated heaven in vain to grant us this favor, but the whole affair has had a mysterious meaning that we cannot comprehend—we have been guided by an invisible hand,—a hand as powerful as that of an enchanter.”
“Oh,” cried Julie, “I have not lost all hope of some day kissing that hand, as I now kiss the purse which he has touched. Four years ago, Penelon was at Trieste—Penelon, Count, is the old sailor you saw in the garden, and who, from quartermaster, has become gardener—Penelon, when he was at Trieste, saw on the quay an Englishman, who was on the point of embarking on board a yacht, and he recognized him as the person who called on my father the fifth of June, 1829, and who wrote me this letter on the fifth of September. He felt convinced of his identity, but he did not venture to address him.”
“An Englishman,” said Monte Cristo, who grew uneasy at the attention with which Julie looked at him. “An Englishman you say?”
“Yes,” replied Maximilian, “an Englishman, who represented himself as the confidential clerk of the house of Thomson & French, at Rome. It was this that made me start when you said the other day, at M. de Morcerf’s, that Messrs. Thomson & French were your bankers. That happened, as I told you, in 1829. For God’s sake, tell me, did you know this Englishman?”
“But you tell me, also, that the house of Thomson & French have constantly denied having rendered you this service?”
“Yes.”
“Then is it not probable that this Englishman may be someone who, grateful for a kindness your father had shown him, and which he himself had forgotten, has taken this method of requiting the obligation?”
“Everything is possible in this affair, even a miracle.”
“What was his name?” asked Monte Cristo.
“He gave no other name,” answered Julie, looking earnestly at the Count, “than that at the end of his letter— ‘Sinbad the Sailor.’“
“Which is evidently not his real name, but a fictitious one.”
Then, noticing that Julie was struck with the sound of his voice,—
“Tell me,” continued he, “was he not about my height, perhaps a little taller, with his chin imprisoned, as it were, in a high cravat; his coat closely buttoned up, and constantly taking out his pencil?”
“Oh, do you then know him?” cried Julie, whose eyes sparkled with joy.
“No,” returned Monte Cristo “I only guessed. I knew a Lord Wilmore, who was constantly doing actions of this kind.”
“Without revealing himself?”
“He was an eccentric being, and did not believe in the existence of gratitude.”
“Oh, heaven,” exclaimed Julie, clasping her hands, “in what did he believe, then?”
“He did not credit it at the period which I knew him,” said Monte Cristo, touched to the heart by the accents of Julie’s voice; “but, perhaps, since then he has had proofs that gratitude does exist.”
“And do you know this gentleman, monsieur?” inquired Emmanuel.
“Oh, if you do know him,” cried Julie, “can you tell us where he is—where w
e can find him? Maximilian—Emmanuel—if we do but discover him, he must believe in the gratitude of the heart!” Monte Cristo felt tears start into his eyes, and he again walked hastily up and down the room.
“In the name of heaven,” said Maximilian, “if you know anything of him, tell us what it is.”
“Alas,” cried Monte Cristo, striving to repress his emotion, “if Lord Wilmore was your unknown benefactor, I fear you will never see him again. I parted from him two years ago at Palermo, and he was then on the point of setting out for the most remote regions; so that I fear he will never return.”
“Oh, monsieur, this is cruel of you,” said Julie, much affected; and the young lady’s eyes swam with tears.
“Madame,” replied Monte Cristo gravely, and gazing earnestly on the two liquid pearls that trickled down Julie’s cheeks, “had Lord Wilmore seen what I now see, he would become attached to life, for the tears you shed would reconcile him to mankind;” and he held out his hand to Julie, who gave him hers, carried away by the look and accent of the Count. “But,” continued she, “Lord Wilmore had a family or friends, he must have known someone, can we not—”
“Oh, it is useless to inquire,” returned the Count; “perhaps, after all, he was not the man you seek for. He was my friend: he had no secrets from me, and if this had been so he would have confided in me.”
“And he told you nothing?”
“Not a word.”
“Nothing that would lead you to suppose?”
“Nothing.”
“And yet you spoke of him at once.”
“Ah, in such a case one supposes”—
“Sister, sister,” said Maximilian, coming to the Count’s aid, “monsieur is quite right. Recollect what our excellent father so often told us, ‘It was no Englishman that thus saved us.’“ Monte Cristo started. “What did your father tell you, M. Morrel?” said he eagerly.
“My father thought that this action had been miraculously performed—he believed that a benefactor had arisen from the grave to save us. Oh, it was a touching superstition, monsieur, and although I did not myself believe it, I would not for the world have destroyed my father’s faith. How often did he muse over it and pronounce the name of a dear friend—a friend lost to him forever; and on his deathbed, when the near approach of eternity seemed to have illumined his mind with supernatural light, this thought, which had until then been but a doubt, became a conviction, and his last words were, ‘Maximilian, it was Edmond Dantes!’“ At these words the Count’s paleness, which had for some time been increasing, became alarming; he could not speak; he looked at his watch like a man who has forgotten the hour, said a few hurried words to Madame Herbault, and pressing the hands of Emmanuel and Maximilian,—“Madame,” said he, “I trust you will allow me to visit you occasionally; I value your friendship, and feel grateful to you for your welcome, for this is the first time for many years that I have thus yielded to my feelings;” and he hastily quitted the apartment.
“This Count of Monte Cristo is a strange man,” said Emmanuel.
“Yes,” answered Maximilian, “but I feel sure he has an excellent heart, and that he likes us.”
“His voice went to my heart,” observed Julie; “and two or three times I fancied that I had heard it before.”
Chapter 8. Pyramus and Thisbe.
About two-thirds of the way along the Faubourg Saint-Honore, and in the rear of one of the most imposing mansions in this rich neighborhood, where the various houses vie with each other for elegance of design and magnificence of construction, extended a large garden, where the wide-spreading chestnut-trees raised their heads high above the walls in a solid rampart, and with the coming of every spring scattered a shower of delicate pink and white blossoms into the large stone vases that stood upon the two square pilasters of a curiously wrought iron gate, that dated from the time of Louis XII. This noble entrance, however, in spite of its striking appearance and the graceful effect of the geraniums planted in the two vases, as they waved their variegated leaves in the wind and charmed the eye with their scarlet bloom, had fallen into utter disuse. The proprietors of the mansion had many years before thought it best to confine themselves to the possession of the house itself, with its thickly planted courtyard, opening into the Faubourg Saint-Honore, and to the garden shut in by this gate, which formerly communicated with a fine kitchen-garden of about an acre. For the demon of speculation drew a line, or in other words projected a street, at the farther side of the kitchen-garden. The street was laid out, a name was chosen and posted up on an iron plate, but before construction was begun, it occurred to the possessor of the property that a handsome sum might be obtained for the ground then devoted to fruits and vegetables, by building along the line of the proposed street, and so making it a branch of communication with the Faubourg Saint-Honore itself, one of the most important thoroughfares in the city of Paris.
In matters of speculation, however, though “man proposes,” “money disposes.” From some such difficulty the newly named street died almost in birth, and the purchaser of the kitchen-garden, having paid a high price for it, and being quite unable to find anyone willing to take his bargain off his hands without a considerable loss, yet still clinging to the belief that at some future day he should obtain a sum for it that would repay him, not only for his past outlay, but also the interest upon the capital locked up in his new acquisition, contented himself with letting the ground temporarily to some market-gardeners, at a yearly rental of 500 francs. And so, as we have said, the iron gate leading into the kitchen-garden had been closed up and left to the rust, which bade fair before long to eat off its hinges, while to prevent the ignoble glances of the diggers and delvers of the ground from presuming to sully the aristocratic enclosure belonging to the mansion, the gate had been boarded up to a height of six feet. True, the planks were not so closely adjusted but that a hasty peep might be obtained through their interstices; but the strict decorum and rigid propriety of the inhabitants of the house left no grounds for apprehending that advantage would be taken of that circumstance. Horticulture seemed, however, to have been abandoned in the deserted kitchen-garden; and where cabbages, carrots, radishes, peas, and melons had once flourished, a scanty crop of lucerne alone bore evidence of its being deemed worthy of cultivation. A small, low door gave egress from the walled space we have been describing into the projected street, the ground having been abandoned as unproductive by its various renters, and had now fallen so completely in general estimation as to return not even the one-half per cent it had originally paid. Towards the house the chestnut-trees we have before mentioned rose high above the wall, without in any way affecting the growth of other luxuriant shrubs and flowers that eagerly dressed forward to fill up the vacant spaces, as though asserting their right to enjoy the boon of light and air. At one corner, where the foliage became so thick as almost to shut out day, a large stone bench and sundry rustic seats indicated that this sheltered spot was either in general favor or particular use by some inhabitant of the house, which was faintly discernible through the dense mass of verdure that partially concealed it, though situated but a hundred paces off.
Whoever had selected this retired portion of the grounds as the boundary of a walk, or as a place for meditation, was abundantly justified in the choice by the absence of all glare, the cool, refreshing shade, the screen it afforded from the scorching rays of the sun, that found no entrance there even during the burning days of hottest summer, the incessant and melodious warbling of birds, and the entire removal from either the noise of the street or the bustle of the mansion. On the evening of one of the warmest days spring had yet bestowed on the inhabitants of Paris, might be seen negligently thrown upon the stone bench, a book, a parasol, and a workbasket, from which hung a partly embroidered cambric handkerchief, while at a little distance from these articles was a young woman, standing close to the iron gate, endeavoring to discern something on the other side by means of the openings in the planks,—the earnestness of he
r attitude and the fixed gaze with which she seemed to seek the object of her wishes, proving how much her feelings were interested in the matter. At that instant the little side-gate leading from the waste ground to the street was noiselessly opened, and a tall, powerful young man appeared. He was dressed in a common gray blouse and velvet cap, but his carefully arranged hair, beard and mustache, all of the richest and glossiest black, ill accorded with his plebeian attire. After casting a rapid glance around him, in order to assure himself that he was unobserved, he entered by the small gate, and, carefully closing and securing it after him, proceeded with a hurried step towards the barrier.
At the sight of him she expected, though probably not in such a costume, the young woman started in terror, and was about to make a hasty retreat. But the eye of love had already seen, even through the narrow chinks of the wooden palisades, the movement of the white robe, and observed the fluttering of the blue sash. Pressing his lips close to the planks, he exclaimed, “Don’t be alarmed, Valentine—it is I!” Again the timid girl found courage to return to the gate, saying, as she did so, “And why do you come so late to-day? It is almost dinner-time, and I had to use no little diplomacy to get rid of my watchful mother-in-law, my too-devoted maid, and my troublesome brother, who is always teasing me about coming to work at my embroidery, which I am in a fair way never to get done. So pray excuse yourself as well as you can for having made me wait, and, after that, tell me why I see you in a dress so singular that at first I did not recognize you.”
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