Then he drew from his waistcoat-pocket the little emerald box, raised the golden lid, and took from it a pastille about the size of a pea, which he placed in her hand. She took it, and looked attentively on the count; there was an expression on the face of her intrepid protector which commanded her veneration. She evidently interrogated him by her look. “Yes,” said he. Valentine carried the pastille to her mouth, and swallowed it. “And now, my dear child, adieu for the present. I will try and gain a little sleep, for you are saved.”
“Go,” said Valentine, “whatever happens, I promise you not to fear.”
Monte Cristo for some time kept his eyes fixed on the young girl, who gradually fell asleep, yielding to the effects of the narcotic the count had given her. Then he took the glass, emptied three parts of the contents in the fireplace, that it might be supposed Valentine had taken it, and replaced it on the table; then he disappeared, after throwing a farewell glance on Valentine, who slept with the confidence and innocence of an angel.
Chapter 14. Valentine.
The night-light continued to burn on the chimney-piece, exhausting the last drops of oil which floated on the surface of the water. The globe of the lamp appeared of a reddish hue, and the flame, brightening before it expired, threw out the last flickerings which in an inanimate object have been so often compared with the convulsions of a human creature in its final agonies. A dull and dismal light was shed over the bedclothes and curtains surrounding the young girl. All noise in the streets had ceased, and the silence was frightful. It was then that the door of Edward’s room opened, and a head we have before noticed appeared in the glass opposite; it was Madame de Villefort, who came to witness the effects of the drink she had prepared. She stopped in the doorway, listened for a moment to the flickering of the lamp, the only sound in that deserted room, and then advanced to the table to see if Valentine’s glass were empty. It was still about a quarter full, as we before stated. Madame de Villefort emptied the contents into the ashes, which she disturbed that they might the more readily absorb the liquid; then she carefully rinsed the glass, and wiping it with her handkerchief replaced it on the table.
If any one could have looked into the room just then he would have noticed the hesitation with which Madame de Villefort approached the bed and looked fixedly on Valentine. The dim light, the profound silence, and the gloomy thoughts inspired by the hour, and still more by her own conscience, all combined to produce a sensation of fear; the poisoner was terrified at the contemplation of her own work. At length she rallied, drew aside the curtain, and leaning over the pillow gazed intently on Valentine. The young girl no longer breathed, no breath issued through the half-closed teeth; the white lips no longer quivered—the eyes were suffused with a bluish vapor, and the long black lashes rested on a cheek white as wax. Madame de Villefort gazed upon the face so expressive even in its stillness; then she ventured to raise the coverlet and press her hand upon the young girl’s heart. It was cold and motionless. She only felt the pulsation in her own fingers, and withdrew her hand with a shudder. One arm was hanging out of the bed; from shoulder to elbow it was moulded after the arms of Germain Pillon’s “Graces,” but the forearm seemed to be slightly distorted by convulsion, and the hand, so delicately formed, was resting with stiff outstretched fingers on the framework of the bed. The nails, too, were turning blue.
Madame de Villefort had no longer any doubt; all was over—she had consummated the last terrible work she had to accomplish. There was no more to do in the room, so the poisoner retired stealthily, as though fearing to hear the sound of her own footsteps; but as she withdrew she still held aside the curtain, absorbed in the irresistible attraction always exerted by the picture of death, so long as it is merely mysterious and does not excite disgust. Just then the lamp again flickered; the noise startled Madame de Villefort, who shuddered and dropped the curtain. Immediately afterwards the light expired, and the room was plunged in frightful obscurity, while the clock at that minute struck half-past four. Overpowered with agitation, the poisoner succeeded in groping her way to the door, and reached her room in an agony of fear.
The darkness lasted two hours longer; then by degrees a cold light crept through the Venetian blinds, until at length it revealed the objects in the room. About this time the nurse’s cough was heard on the stairs and the woman entered the room with a cup in her hand. To the tender eye of a father or a lover, the first glance would have sufficed to reveal Valentine’s condition; but to this hireling, Valentine only appeared to sleep. “Good,” she exclaimed, approaching the table, “she has taken part of her draught; the glass is three-quarters empty.”
Then she went to the fireplace and lit the fire, and although she had just left her bed, she could not resist the temptation offered by Valentine’s sleep, so she threw herself into an armchair to snatch a little more rest. The clock striking eight awoke her. Astonished at the prolonged slumber of the patient, and frightened to see that the arm was still hanging out of the bed, she advanced towards Valentine, and for the first time noticed the white lips. She tried to replace the arm, but it moved with a frightful rigidity which could not deceive a sick-nurse. She screamed aloud; then running to the door exclaimed,—”Help, help!”
“What is the matter?” asked M. d’Avrigny, at the foot of the stairs, it being the hour he usually visited her.
“What is it?” asked Villefort, rushing from his room. “Doctor, do you hear them call for help?”
“Yes, yes; let us hasten up; it was in Valentine’s room.” But before the doctor and the father could reach the room, the servants who were on the same floor had entered, and seeing Valentine pale and motionless on her bed, they lifted up their hands towards heaven and stood transfixed, as though struck by lightening. “Call Madame de Villefort!—Wake Madame de Villefort!” cried the procureur from the door of his chamber, which apparently he scarcely dared to leave. But instead of obeying him, the servants stood watching M. d’Avrigny, who ran to Valentine, and raised her in his arms. “What?—this one, too?” he exclaimed. “Oh, where will be the end?” Villefort rushed into the room. “What are you saying, doctor?” he exclaimed, raising his hands to heaven.
“I say that Valentine is dead!” replied d’Avrigny, in a voice terrible in its solemn calm.
M. de Villefort staggered and buried his head in the bed. On the exclamation of the doctor and the cry of the father, the servants all fled with muttered imprecations; they were heard running down the stairs and through the long passages, then there was a rush in the court, afterwards all was still; they had, one and all, deserted the accursed house. Just then, Madame de Villefort, in the act of slipping on her dressing-gown, threw aside the drapery and for a moment stood motionless, as though interrogating the occupants of the room, while she endeavored to call up some rebellious tears. On a sudden she stepped, or rather bounded, with outstretched arms, towards the table. She saw d’Avrigny curiously examining the glass, which she felt certain of having emptied during the night. It was now a third full, just as it was when she threw the contents into the ashes. The spectre of Valentine rising before the poisoner would have alarmed her less. It was, indeed, the same color as the draught she had poured into the glass, and which Valentine had drunk}; it was indeed the poison, which could not deceive M. d’Avrigny, which he now examined so closely; it was doubtless a miracle from heaven, that, notwithstanding her precautions, there should be some trace, some proof remaining to reveal the crime. While Madame de Villefort remained rooted to the spot like a statue of terror, and Villefort, with his head hidden in the bedclothes, saw nothing around him, d’Avrigny approached the window, that he might the better examine the contents of the glass, and dipping the tip of his finger in, tasted it. “Ah,” he exclaimed, “it is no longer brucine that is used; let me see what it is!”
Then he ran to one of the cupboards in Valentine’s room, which had been transformed into a medicine closet, and taking from its silver case a small bottle of nitric acid, dropped a little of i
t into the liquor, which immediately changed to a blood-red color. “Ah,” exclaimed d’Avrigny, in a voice in which the horror of a judge unveiling the truth was mingled with the delight of a student making a discovery. Madame de Villefort was overpowered, her eyes first flashed and then swam, she staggered towards the door and disappeared. Directly afterwards the distant sound of a heavy weight falling on the ground was heard, but no one paid any attention to it; the nurse was engaged in watching the chemical analysis, and Villefort was still absorbed in grief. M. d’Avrigny alone had followed Madame de Villefort with his eyes, and watched her hurried retreat. He lifted up the drapery over the entrance to Edward’s room, and his eye reaching as far as Madame de Villefort’s apartment, he beheld her extended lifeless on the floor. “Go to the assistance of Madame de Villefort,” he said to the nurse. “Madame de Villefort is ill.”
“But Mademoiselle de Villefort”—stammered the nurse.
“Mademoiselle de Villefort no longer requires help,” said d’Avrigny, “since she is dead.”
“Dead,—dead!” groaned forth Villefort, in a paroxysm of grief, which was the more terrible from the novelty of the sensation in the iron heart of that man.
“Dead!” repeated a third voice. “Who said Valentine was dead?”
The two men turned round, and saw Morrel standing at the door, pale and terror-stricken. This is what had happened. At the usual time, Morrel had presented himself at the little door leading to Noirtier’s room. Contrary to custom, the door was open, and having no occasion to ring he entered. He waited for a moment in the hall and called for a servant to conduct him to M. Noirtier; but no one answered, the servants having, as we know, deserted the house. Morrel had no particular reason for uneasiness; Monte Cristo had promised him that Valentine should live, and so far he had always fulfilled his word. Every night the count had given him news, which was the next morning confirmed by Noirtier. Still this extraordinary silence appeared strange to him, and he called a second and third time; still no answer. Then he determined to go up. Noirtier’s room was opened, like all the rest. The first thing he saw was the old man sitting in his armchair in his usual place, but his eyes expressed alarm, which was confirmed by the pallor which overspread his features.
“How are you, sir?” asked Morrel, with a sickness of heart.
“Well,” answered the old man, by closing his eyes; but his appearance manifested increasing uneasiness.
“You are thoughtful, sir,” continued Morrel; “you want something; shall I call one of the servants?”
“Yes,” replied Noirtier.
Morrel pulled the bell, but though he nearly broke the cord no one answered. He turned towards Noirtier; the pallor and anguish expressed on his countenance momentarily increased.
“Oh,” exclaimed Morrel, “why do they not come? Is any one ill in the house?” The eyes of Noirtier seemed as though they would start from their sockets. “What is the matter? You alarm me. Valentine? Valentine?”
“Yes, yes,” signed Noirtier. Maximilian tried to speak, but he could articulate nothing; he staggered, and supported himself against the wainscot. Then he pointed to the door.
“Yes, yes, yes!” continued the old man. Maximilian rushed up the little staircase, while Noirtier’s eyes seemed to say,—”Quicker, quicker!”
In a minute the young man darted through several rooms, till at length he reached Valentine’s. There was no occasion to push the door, it was wide open. A sob was the only sound he heard. He saw as though in a mist, a black figure kneeling and buried in a confused mass of white drapery. A terrible fear transfixed him. It was then he heard a voice exclaim “Valentine is dead!” and another voice which, like an echo repeated,—”Dead,—dead!”
Chapter 15. Maximilian.
Villefort rose, half ashamed of being surprised in such a paroxysm of grief. The terrible office he had held for twenty-five years had succeeded in making him more or less than man. His glance, at first wandering, fixed itself upon Morrel. “Who are you, sir,” he asked, “that forget that this is not the manner to enter a house stricken with death? Go, sir, go!” But Morrel remained motionless; he could not detach his eyes from that disordered bed, and the pale corpse of the young girl who was lying on it. “Go!—do you hear?” said Villefort, while d’Avrigny advanced to lead Morrel out. Maximilian stared for a moment at the corpse, gazed all around the room, then upon the two men; he opened his mouth to speak, but finding it impossible to give utterance to the innumerable ideas that occupied his brain, he went out, thrusting his hands through his hair in such a manner that Villefort and d’Avrigny, for a moment diverted from the engrossing topic, exchanged glances, which seemed to say,—”He is mad!”
But in less than five minutes the staircase groaned beneath an extraordinary weight. Morrel was seen carrying, with superhuman strength, the armchair containing Noirtier upstairs. When he reached the landing he placed the armchair on the floor and rapidly rolled it into Valentine’s room. This could only have been accomplished by means of unnatural strength supplied by powerful excitement. But the most fearful spectacle was Noirtier being pushed towards the bed, his face expressing all his meaning, and his eyes supplying the want of every other faculty. That pale face and flaming glance appeared to Villefort like a frightful apparition. Each time he had been brought into contact with his father, something terrible had happened. “See what they have done!” cried Morrel, with one hand leaning on the back of the chair, and the other extended towards Valentine. “See, my father, see!”
Villefort drew back and looked with astonishment on the young man, who, almost a stranger to him, called Noirtier his father. At this moment the whole soul of the old man seemed centred in his eyes which became bloodshot; the veins of the throat swelled; his cheeks and temples became purple, as though he was struck with epilepsy; nothing was wanting to complete this but the utterance of a cry. And the cry issued from his pores, if we may thus speak—a cry frightful in its silence. D’Avrigny rushed towards the old man and made him inhale a powerful restorative.
“Sir,” cried Morrel, seizing the moist hand of the paralytic, “they ask me who I am, and what right I have to be here. Oh, you know it, tell them, tell them!” And the young man’s voice was choked by sobs. As for the old man, his chest heaved with his panting respiration. One could have thought that he was undergoing the agonies preceding death. At length, happier than the young man, who sobbed without weeping, tears glistened in the eyes of Noirtier. “Tell them,” said Morrel in a hoarse voice, “tell them that I am her betrothed. Tell them she was my beloved, my noble girl, my only blessing in the world. Tell them—oh, tell them, that corpse belongs to me!”
The young man overwhelmed by the weight of his anguish, fell heavily on his knees before the bed, which his fingers grasped with convulsive energy. D’Avrigny, unable to bear the sight of this touching emotion, turned away; and Villefort, without seeking any further explanation, and attracted towards him by the irresistible magnetism which draws us towards those who have loved the people for whom we mourn, extended his hand towards the young man. But Morrel saw nothing; he had grasped the hand of Valentine, and unable to weep vented his agony in groans as he bit the sheets. For some time nothing was heard in that chamber but sobs, exclamations, and prayers. At length Villefort, the most composed of all, spoke: “Sir,” said he to Maximilian, “you say you loved Valentine, that you were betrothed to her. I knew nothing of this engagement, of this love, yet I, her father, forgive you, for I see that your grief is real and deep; and besides my own sorrow is too great for anger to find a place in my heart. But you see that the angel whom you hoped for has left this earth—she has nothing more to do with the adoration of men. Take a last farewell, sir, of her sad remains; take the hand you expected to possess once more within your own, and then separate yourself from her forever. Valentine now requires only the ministrations of the priest.”
“You are mistaken, sir,” exclaimed Morrel, raising himself on one knee, his heart pierced by a more a
cute pang than any he had yet felt—”you are mistaken; Valentine, dying as she has, not only requires a priest, but an avenger. You, M. de Villefort, send for the priest; I will be the avenger.”
“What do you mean, sir?” asked Villefort, trembling at the new idea inspired by the delirium of Morrel.
“I tell you, sir, that two persons exist in you; the father has mourned sufficiently, now let the procureur fulfil his office.”
The eyes of Noirtier glistened, and d’Avrigny approached.
“Gentlemen,” said Morrel, reading all that passed through the minds of the witnesses to the scene, “I know what I am saying, and you know as well as I do what I am about to say—Valentine has been assassinated!” Villefort hung his head, d’Avrigny approached nearer, and Noirtier said “Yes” with his eyes. “Now, sir,” continued Morrel, “in these days no one can disappear by violent means without some inquiries being made as to the cause of her disappearance, even were she not a young, beautiful, and adorable creature like Valentine. Mr. Procureur,” said Morrel with increasing vehemence, “no mercy is allowed; I denounce the crime; it is your place to seek the assassin.” The young man’s implacable eyes interrogated Villefort, who, on his side, glanced from Noirtier to d’Avrigny. But instead of finding sympathy in the eyes of the doctor and his father, he only saw an expression as inflexible as that of Maximilian. “Yes,” indicated the old man.
“Assuredly,” said d’Avrigny.
“Sir,” said Villefort, striving to struggle against this triple force and his own emotion,—”sir, you are deceived; no one commits crimes here. I am stricken by fate. It is horrible, indeed, but no one assassinates.”
The eyes of Noirtier lighted up with rage, and d’Avrigny prepared to speak. Morrel, however, extended his arm, and commanded silence. “And I say that murders are committed here,” said Morrel, whose voice, though lower in tone, lost none of its terrible distinctness: “I tell you that this is the fourth victim within the last four months. I tell you, Valentine’s life was attempted by poison four days ago, though she escaped, owing to the precautions of M. Noirtier. I tell you that the dose has been double, the poison changed, and that this time it has succeeded. I tell you that you know these things as well as I do, since this gentleman has forewarned you, both as a doctor and as a friend.”
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