Cleopatra readily provokes an emotional response. In addition, myth and romance surround Antony and Cleopatra and make the truth elusive. Both of them consciously worked to shape their public images during their lifetime – as strong rulers, as godlike, as lovers of life and luxury. Simultaneously, political opponents sought to damn them. The orator Cicero directed his Philippics against Antony, producing some of the most effective character assassination of all time. Far more thoroughly, Caesar’s adopted son Octavian – the man who would become Rome’s first emperor and take the name Augustus – defeated Antony and Cleopatra. They died and he survived, holding supreme power for more than forty years. It gave him plenty of time to shape the historical record to best suit his new regime. His strongly hostile view of both Antony and Cleopatra influenced our fullest sources for their lives, all of which were written under the rule of Augustus’successors.
Cleopatra continues to attract plenty of biographers. A few of these books also study Antony’s life in detail, but biographies devoted exclusively to him remain rare. He now tends to be an accessory to the life of his lover. Anyone looking at the period will be quick to point out the problems caused by Augustan propaganda; often it is difficult to know whether an incident happened, and it would be tempting to reject any negative story. Unfortunately, however, there are well-attested incidents in which both Antony and Cleopatra behaved in ways that seem irrational or at best politically unwise.3
The young Octavian is difficult to like. He was unscrupulous, could be vicious and at times was a physical coward. The Principate, the system by which Rome was ruled by emperors for the next two and a half centuries, was his creation and attitudes to this often do much to shape views of Antony and Cleopatra. Admirers of the Augustan system will pardon the brutality of his path to power and see his enemies as delaying – even endangering – Rome’s great legacy to the world. Critics will praise them for resisting an extremely unpleasant tyrant, and some will claim that the pair offered a far better alternative, although they cannot usually be too specific about what this was.4
Cleopatra was a strong and independent woman in an ancient world that was dominated by men. She had power in her own right as queen, unlike Roman women who were more likely to have influence as the wives or mothers of great men. For most modern authors this is extremely attractive and encourages a generous treatment. Serious accounts of Cleopatra’s life never let this mood slip into eulogy, but sympathy for the queen all too readily combines with the glamour of her fictional portrayals to distort our view of her times. There are two very basic truths about her, which conflict so strongly with the legend that it takes a conscious and determined effort to maintain them.
The first of these is at least usually noted. All recent biographers will begin by pointing out that Cleopatra was Greek and not Egyptian. Greek was her first language, and it was in Greek literature and culture that she was educated. Although represented on Egyptian temples and in some statuary clad in the traditional headgear and robes of the pharaohs’ wives, it is unlikely that she actually dressed this way save perhaps occasionally to perform certain rites. Instead, she wore the headband and robes of a Greek monarch. Cleopatra proclaimed herself the ‘New Isis’, and yet her worship of the goddess betrayed a strongly Hellenised version of the cult. She was no more Egyptian culturally or ethnically than most residents of modern-day Arizona are Apaches.
Noting the essential Greek-ness of Cleopatra is one thing. It is much harder to resist the lure of truly ancient Egypt – both the popular imagery and the actual reality. Egypt is exotic, and it is also to Westerners decidedly eastern. In the past, a sensual Egyptian Cleopatra could be an alluring, almost irresistible threat to stern Roman virtue and the advance of Rome’s empire and civilisation. Even if she was Greek, then she was a representative of Hellenic culture, which had decayed through contact with eastern decadence. Such views have not been fashionable for a long time, and often the pendulum has swung to the opposite extreme. Empires are now automatically bad things, imperialists brutal and exploitative, and European culture itself is often seen by many Westerners today in a negative light. Thus it is common to emphasise the savagery of Rome’s rise to empire, and Cleopatra is admired for resisting the onslaught. Occasionally this is as a Greek, but the attraction of the orient is strong, and usually she once again becomes a representative of the east.
This is not really helped by the tradition of separating the period following the rise of Philip II and his son Alexander the Great from earlier Greek history. In the nineteenth century this later period was dubbed Hellenistic – not Greek or Hellenic, but ‘Greek-like’. Classical Greece had been dominated by city states, of which the greatest were Athens and Sparta. Athens produced art, literature and philosophy, which have profoundly influenced the world to this day; Sparta became famous for the formidable prowess of its soldiers at the cost of creating a particularly repellent society. Athens took the idea of democracy further than any other ancient state, and was exceptionally aggressive and ruthless in its foreign policy.5
Eventually, the promise of this democracy faded, as did Athens’ power. Kings appeared again and so did tyrants, while those cities who retained any vestige of democracy reduced the electorate to ever smaller sections of society. By the later fourth century BC the kings of Macedonia dominated all of Greece. In this different political climate the cultural spark appeared to fade. To modern eyes – and indeed to many people at the time – no more drama or literature was being created to match the heights reached in the past.
Scholarly attitudes have changed somewhat and many would now dispute any inherent inferiority of the Hellenistic Age – at least in terms of government and society. They still employ the term, for convenience if nothing else. The tradition also remains of dating the end of this period to the death of Cleopatra. That makes her the end of an era beginning with Alexander and his conquests. This connection is there in the best modern biographies, but it often struggles to compete with the romance of the much older Egyptian past. That several recent biographers have been Egyptologists has only made it harder for them to maintain an essentially Greek Cleopatra. Yet that was the reality, whether we like it or not. Her world was not the same as the fifth century BC and the height of Athenian achievement, but it was thoroughly Greek none the less. So if there was a great struggle in Cleopatra’s lifetime it was not between east and west, but Greek and Roman.6
The second uncomfortable fact about Cleopatra is universally ignored by her modern biographers. These routinely lament that our sources focus almost exclusively on Cleopatra’s affairs with Caesar and Antony. The rest of her life, including the years she spent ruling Egypt on her own, receive scant mention. Unfortunately, documents on papyrus that give details of official decrees, the workings of government, and private business and affairs are rare for the first century BC in general and Cleopatra’s reign in particular. The vast bulk of these texts date to much earlier in the rule of Egypt by her family. A papyrus discovered relatively recently consisted of a decree issued by the queen and may well end with a single Greek word written in her own hand. This is exciting, but scarcely sufficient to do more than give us the slightest glimpse of her government in action. Significantly, it also grants a concession to a prominent Roman.7
The literary sources were all written either by Romans or by Greeks writing under the Roman Empire at least a century after Cleopatra’s death. A good deal of information and personal anecdote comes from Plutarch’s Life of Mark Antony. This is the only biography of him to survive from the ancient world. There is no surviving ancient biography of Cleopatra. A familiar complaint is that the story is not simply told by the victors, but always from the Roman viewpoint – in some cases that this is a male Roman viewpoint may be emphasised even more.8
There is a reason why this is so. Whether we like it or not, Cleopatra was not really that important. Her world was one utterly dominated by Rome, in which her kingdom had at best a precarious independence. She was a queen, and
controlled an Egypt that was wealthy and by ancient standards densely populated. Yet it was a Roman client kingdom and never fully independent. Egypt was the largest, and in many ways the most important, of Rome’s subordinate allies, but it was always subordinate, and its power was dwarfed by that of the Roman Republic. Cleopatra only became queen because her father was placed back in power by a Roman army. Even after that, she would have been dead or exiled by her early twenties were it not for Caesar’s intervention.
Cleopatra only had importance in the wider world through her Roman lovers. Television documentaries and popular books often repeat the claim that the Romans only ever feared two people – Hannibal and Cleopatra, but people usually ignore the fact that this sweeping statement was made in the 1930s. It rests on no ancient evidence, and does not make any real sense. Much as Augustan propaganda demonised the queen, no one could seriously have believed that she had the power to overthrow Rome. It was simply far more convenient to hate a foreign, female enemy, than to face the fact that Octavian’s great war and subsequent triumph was over a distinguished Roman. For all her glamour, Antony was of far greater power and significance than Cleopatra.9
None of this means that Cleopatra is any less fascinating. We need to understand the reality of the first century BC if we are to understand her. In many ways this makes her career all the more spectacular because it was unexpected. Her achievements were remarkable: she not only survived in power for almost two decades, but also for a while expanded her realm almost to the extent of her most successful ancestors. That she did this through harnessing Roman power to her own benefit does not detract from the scale of her success. It is vital to step beyond the myth and the wishful thinking and seek the reality of Cleopatra and her place in the world.
Just as importantly, we need to understand Antony as a Roman senator, not simply relegate him to the supporting role of Caesar’s subordinate and Cleopatra’s lover. On closer inspection, many of the familiar assumptions about him prove to be mistaken. Plutarch and others painted him as very much the military man, a bluff and coarse soldier brought low by a woman. It is debatable how far Antony ever let Cleopatra determine his policy. What is clear is that he actually had very little military service by Roman standards, and most of his experience came in civil wars. He was not an especially good general, although at times he was a popular leader. There was much that was traditional about Antony and this goes a long way to explaining his importance and his ambitions. It was certainly not inevitable that he was defeated by Octavian. If the latter’s rise to power was spectacular for such a young man, Antony’s own career also owed a great deal to good fortune and the unusual opportunities presented by a Roman Republic rent by civil wars.
Both Antony and Cleopatra need to be understood within the context of their culture and times. Yet this book cannot hope to cover this turbulent era in every detail. Its concern is always with them, on where they were and what they were doing. Events elsewhere will be treated briefly, and only as far as is necessary to understand their story. Therefore, Caesar’s career is treated very quickly, and only in greater depth when it also involved Antony and Cleopatra. Similarly, the rise of Octavian is both remarkable and fascinating, but cannot be dealt with at any length. Other important figures, notably Cicero, Pompey and his son Sextus, are treated even more briefly. This is not a reflection of their importance, but a question of focus.
Politics will be at the forefront of the story, because Antony and Cleopatra were first and foremost political animals. So was Caesar, the queen’s first lover and father of her oldest child. None of them ever acted without at least a degree of political calculation. In spite of a few unconvincing accusations of debauchery, the evidence strongly suggests that Cleopatra only took two lovers and each was the most important man in the Roman Republic at that time. None of this need mean that there was not also strong and genuine attraction involved on both sides. Indeed, it is hard to understand this story in any other way. It is vital in studying any history to remember that the characters were flesh and blood human beings much like us, however different the times and their cultures may have been. The romance must be there because it was real. One of the reasons for the enduring appeal of Antony and Cleopatra’s story is that all of us can understand the power of passion from our own lives.
The story of Antony and Cleopatra is one of love, but also one of politics, war and ambition. The actual events were intensely dramatic – hence the appeal to novelists, dramatists and screenwriters. Looking at the facts as far as we know or can confidently guess them only reinforces the drama. So does the acknowledgement of what we do not know, for many of the mysteries remain fascinating in themselves. A closer look at the truth exposes an episode in human history more remarkable than any invention. It may not be the story we expect, or even perhaps would like to believe, but it is one of lives lived intensely at a time when the world was changing profoundly.
[I]
THE TWO LANDS
Egypt was already ancient long before Cleopatra was born in 69 BC. Almost four hundred years earlier Herodotus – the first man to write a prose history in any western language – assured his fellow Greeks that they must have learnt much of their own religion and knowledge from the Egyptians. Like much of his work, Herodotus’ account of Egypt is a curious mixture of myth, fantasy and confusion, occasionally leavened with accurate information. Greeks tended to idealise Egypt as the home of ancient wisdom, while at the same time despising a people who worshipped sacred animals and practised circumcision. They were also awed by the sheer scale of the pyramids at Giza and included them amongst the Seven Wonders of the World.
It is sobering to remember that Cleopatra lived closer to us in time than she did to the builders of the great pyramids. The largest pyramid of all was built for the Pharaoh Khufu, who died in 2528 BC, some twenty-five centuries before the queen took her own life. That is the same distance of time separating us from Herodotus himself, from the Persian invasions of Greece and the early days of the Roman Republic.
Khufu was not the first pharaoh, but belonged to what is known as the Fourth Dynasty. The organisation of rulers into dynasties was done by a priest scholar working for Cleopatra’s family, and the scheme he devised is still largely followed today. There were no fewer than thirty dynasties before her family came to power at the end of the fourth century BC. The first pharaoh ruled from around 2920 BC – it is difficult to be precise at such an early period. That was not the beginning of civilisation in Egypt – there were organised communities farming on the banks of the Nile long before then, and in time two major kingdoms had emerged, which eventually combined. The pharaohs were the lords of‘two lands’, Upper and Lower Egypt, and wore a crown symbolising this union. Upper Egypt lay to the south with its capital at Thebes. Lower Egypt was to the north, reaching to the Mediterranean coast and with Memphis as its centre. (This arrangement of upper and lower only seems strange to us because we are so accustomed to maps and globes showing north at the top.)1
The Nile made everything possible. Each summer it flooded its banks and then receded – a natural cycle only ended by the building of the Aswan Dam in the second half of the twentieth century. The annual inundation left behind a rich deposit of dark alluvial silt, and with it moisture to make the land wonderfully fertile. All of the earliest civilisations rested on the ability of farmers to produce a surplus. They grew because communities were better able to develop large-scale irrigation systems than individuals. In Egypt the problems of dealing with and exploiting the bounty offered by the inundation were greater, and did even more to encourage the growth of central authority.
People lived only where there was water. Egypt’s population was very large by ancient standards, but was overwhelmingly concentrated in just two areas. In the north was the Delta, where the river split into many separate channels to flow into the Mediterranean, irrigating a wide stretch of land as it did so. South of this was the Nile Valley as far as the first cataract. The inundation did not
spread far, producing a very densely populated strip of land some 500 miles long and never wider than a dozen miles. The lands beyond were desert. A few communities survived around the rare oases, but mainly there was nothing.2
Egyptians saw themselves as the centre of the world and the one true civilisation. Outside there were chaos and hostile barbaric peoples. Even inside there were threats to order – the Nile inundation was unpredictable in its scale. Too much water could be as disastrous as too little, producing very poor harvests – the years of plenty and years of famine of pharaoh’s dream in Genesis. There were supernatural threats to add to the natural ones and the human enemies, for the struggle between order and chaos was reflected in the divine world as well. The pharaohs stood between gods and men and communicated with both, ensuring that order and justice – embraced by the term Maat – prevailed over chaos.3
They were also the heads of a rich and powerful nation, but there were other powers in the world and conflict was not uncommon. At times Egypt was strong, and pharaohs extended their rule further south along the Nile at the expense of the Kingdom of Meroe, or eastwards into Syria and Palestine. Sometimes the balance of power favoured their neighbours and they lost territory. In the second millennium BC a foreign people known as the Hyksos overran much of Egypt and ruled for nearly a century before they were expelled and the New Kingdom created. Nor was Egypt free from internal rebellion and civil war. At times the two kingdoms were divided and rival dynasties ruled simultaneously.
Egyptian culture was never entirely static or immune to change, but it was remarkably conservative. At its heart was the annual agricultural cycle centred around the inundation, and farming methods changed hardly at all in thousands of years. Surrounding this and all aspects of life were the rituals and beliefs that secured the order of seasons, the growth of crops and every aspect of life itself. Outside Egypt the power of the pharaohs stretched far afield or shrank as other empires rose and fell. In the last millennium BC the Assyrians, Babylonians and Persians in turn dominated the middle east. For some of this time Egypt was itself powerful, controlling substantial territories in Asia, but its strength declined and for over a century from 525 to 404 BC the Persians ruled Egypt. Finally, the Egyptians rebelled and expelled them, and for the next sixty-one years were ruled again by native pharaohs. Yet the Persian Empire remained strong and in 343 BC it again conquered Egypt. This occupation seems to have been especially brutal, and was certainly bitterly resented.
Antony and Cleopatra Page 2
