the status of sainthood." Her mouth pulled into a wry expression. "All
of a sudden, the Native way of life is perfect, or was, before the big
bad Western Europeans came along and ruined everything."
"And it wasn't," Bobby said.
"What's perfect? I know an Inupiaq elder from Barrow. She was telling me
stories about life up there, about whale hunting, and the big dance
festival they've got every winter, and the polar bears coming in off the
ice so you have to be careful before you go outside so you don't run
into one." She paused. "The one thing I remember most vividly is
24
when she told me about the whale hunting, the strikes, the landings, the
town getting together to butcher the whale and cut up the maqtaq. It's a
delicacy now, she told me, not a staple, and then she looks at me and
she says"-Anne's voice slowed and an almost imperceptible rhythm began
to shape her words-" "In olden days,? that woman says, "we hunt to eat.
Now we have stores. We buy food. Some years we get a whale; some years
we don't. When we get a whale, that's a good thing for the people. It
brings us together; it reminds us of the olden days.?
"And then," Anne said, "and then she dropped her voice so no one else
could hear her say it, and then she told me, "I lived in olden days.
Olden days was not so good. Nowadays is better, because everybody has
enough to eat.?
Bobby, for probably the only time in his life, was at a loss for words.
"If it really was the olden days," Anne said, "and the town didn't get
its whale, it became the duty of the eldest and most useless of the
tribe to walk out on the ice as far as they could and stay there until
they died, of starvation or exposure, whatever came first."
"I thought that was just an old fairy tale," Bobby said.
"Not unless real people die in fairy tales," Anne said. "And, yes, baby
girls born to a tribe living on the edge of starvation were put to death
as another useless mouth to feed too." With deliberate intent, she
looked at Dinah, still holding Katya on her hip. "You know who had to
kill them?"
"No." But he did.
"Their mothers."
There was another moment of dead air. "I'm not saying there weren't real
wrongs perpetrated against Alaska Natives and Native Americans," Anne
said. "Even Disney couldn't pretty up what turned out to be genocide.
But what I really hate is the mythology that seems to be growing up
around this new awareness of Native life. Nobody talks
P
25
now about the wars fought between tribes years ago, even though you can
see examples of the armor the warriors wore into battle in museums, but
you call your friend Mary Ellen the Athabascan an Eskimo one time and
see what she says. And we, the Native peoples, a lot of us are buying
into it, into the myth. Everything was wonderful then, everything's
lousy now, and it's all the Anglos' fault. Baloney. All that attitude
does is nourish resentment, perpetuate stereotypes, and fund political
campaigns. Turns us into victims. I am not in any way, shape, or form a
victim. Rousseau has a lot to answer for."
"Who?"
"Jean Jacques Rousseau, a French philosopher back in whenever,
precolonial days. Inflicted the idea of the natural man or the noble
savage on the rest of the world. I had to study him in Humanities at
college, and I'll tell you right now I never read such nonsense in my
life. There's nothing noble about hunger. Hunger is a stronger force
than either fear or sex. It always, always takes priority. In the olden
days, like my friend in Barrow knows only too well, the bottom line was
you did what you had to for the tribe as a whole to survive, and if that
included killing off the elderly when they became less of an asset and
more of a liability or killing a baby because you couldn't feed it,
that's what you did. It's not about humanity or compassion then, it's
about survival. It's easy to idealize that time retrospectively, when
you're full."
There was a brief silence. "Don't be shy, Anne," Bobby said. "Tell us
what you really think."
Anne stared at him for a moment, and surprised everyone by bursting out
laughing. There was a palpable lessening of tension in the room. "I
don't know where all that came from. I must be tired." She looked up
when Darlene put a hand on her shoulder and gave her a reassuring smile.
"Okay, folks, you heard it here first. Anne Gordaoff is not a victim,"
Bobby said into the microphone. "This is
26
Park Air, taking you now to the studios of beautiful downtown Detroit,
with some music to raise campaign funds by." He put in a CD and pushed a
few buttons, and the Temptations singing "Ain't Too Proud to Beg" rocked
out of the quadraphonic speakers in full surround sound.
"Turn it down, Clark!" Dinah yelled, and he did, marginally, and caught
sight of Kate, standing stock-still and staring at Anne Gordaoff with an
odd expression on her face. "Shugak!" The wheelchair rolled forward like
it was jet-propelled, and Kate emerged from her trance in time to
sidestep the wheels and save her toes, only to be yanked into Bobby's
lap and thoroughly kissed. She disengaged herself with difficulty, after
which Mutt reared up to pay Bobby her respects, which left him with a
very wet face. "Goddamn!" he bellowed again. "You let the fucking wolf
back in the house! I keep telling you no fucking wolves in the house!"
Mutt, paws on the arms of his wheelchair, laughed down at him lupinely,
not in the least alarmed at his tone of voice. He gave her an
affectionate cuff and rolled over to the wood box, where there was
always a Jurassic anklebone or two to keep the wolves at bay. "How the
hell are you, Shugak?" Bobby said, dark eyes examining her for nicks and
scratches.
"I'm fine," Kate said. "Really."
Easier to convince than his wife, or maybe just wanting it to be true,
he accepted this. "Well, join the damn party! Gimmee some beer, woman!"
"Excuse me a minute," Kate said, and threaded through the crowd
surrounding Darlene and Anne. She waited for Darlene to notice her, and
when she didn't, nudged her ungently in the ribs.
"Hey," Darlene said, turning. "Oh."
"I hear you're looking for my kind of help," Kate said.
The door opened and another group of people jammed into the house. The
noise jumped seven or eight decibels,
too
27
and then a figure moving very fast shot around the pillar and hit the
back door at a dead run. The screen door slammed sharply in its wake.
"Johnny!" The voice, high-pitched and furious, bounced off the ceiling.
"Get back here!"
"I'll get in touch tomorrow," Kate said, and beneath Darlene's
astonished eye hit the floor and was under the counter that encircled
the central pillar of electronic equipment. She scrabbled around the
pillar, the snake's nest of cables slowing her down.
There was the whisk of rubber tires on wood. "And who might you be, madam?"
"I'm Johnny Morgan's mother, and
I just saw him run out the back door.
Let me by! Johnny! Come back here right now!"
There was a brief scuffle, followed by an "Oof!" as someone came up
against a solid wall of chest.
"Do you have any identification, ma'am?" said Jim Chopin.
There was the shuffle of a lot of feet, and Kate pictured everyone
crowding around to watch, forming a barrier between Jane Morgan and the
back door. One for Rats, Rats for All, she thought, and grinned in spite
of the situation. She shook off a piece of coaxial cable determined to
keep her beneath that counter forever and made a break for the door.
Bodies parted and closed in behind her. She pushed open the screen door.
It squeaked, loudly.
"Who's that? Johnny? Johnny, is that you? Get over here, right now! Johnny?"
"Hey, lady, watch who you're shoving," Old Sam Dementieff growled.
"Relax, jeeze, have a beer," Mac Devlin said. "You busy tonight, honey?"
"Ayah," said Auntie Vi, "never mind these men, they just want to get you
drunk and take advantage. Have some iced tea. We have lemon."
28
"I don't want any beer or any iced tea! I want my son! Now let me through!"
Kate slipped outside, dodged the northwest leg of the antenna tower, and
trotted through the vehicles parked in the yard, over the bridge and
down the road to where her truck was parked. Johnny's face gleamed white
in the shadows beneath the dashboard.
Kate climbed in and started the engine. "You'll have to talk to her
sometime, Johnny."
"Just get us out of here, okay?"
Kate, in the full awareness that she was breaking half a dozen statutes
and probably a couple of federal laws while she was at it, put the truck
in gear and headed down the road to her homestead.
29
Paula Pawlowski was a writer. She had been rewriting the first four
chapters of her novel for going on eleven years now. When she got them
perfect, she was going to send it to Simon and Schuster, whose address
she had found in a copy of the 1987 edition of Writer's Market on the
shelf at the Salvation Army.
She'd recently given some thought to letting Hollywood have first crack.
Steven Spielberg was an obvious first choice there, although she worried
that he had a dangerous predilection toward the saccharine. He'd found
ways to end movies on racism, the Holocaust, and World War II on an
upbeat note, which said a lot for his abilities as a filmmaker but not
much for the accuracy of his vision. Still, she owed him the right of
first refusal for ET. Honor among artists, she thought, coming a phrase.
She stretched and rolled her head back, left, forward, right. Microfilm
was a wonderful invention, no doubt, but watching it spool past for more
than two hours at a time tended to make her muscles cramp up. Not to
mention making her seasick.
Seated at a reader in the Fairbanks library, she compared the stack of
microfilmed and microfiched issues of the Anchorage Daily News, the
Anchorage Times, the Fairbanks Daily News-Miner, the Alaska Journal of
Commerce, and various public records going back sixty years that she had
skimmed through with the stack that she hadn't, and sighed.
30
Her day job was also that of a writer, of technical reports, grant
proposals, position papers for political candidates of any party, and
press releases for corporations too small to have their own PR
departments. She was a good writer and better still, she was fast, but
even so, sometimes there just weren't enough writing jobs to make the
payment on the Airstream trailer parked on a weedy five acres that was
all her mother had left her when she died of smoke inhalation in another
trailer parked on that same lot five years before. The Airstream had a
built-in double bed, a tiny kitchen, and an even tinier bathroom, but it
had running water, at least in the summertime, and in the Park, where
homes, of any kind, from a one-room, two-by-four tarpaper shack to a
split-level ranch brought in premium prices, she was lucky and she knew
it. True, January's heating bill sometimes hit three hundred dollars,
but at least it was better than her friend Lillian, who had moved in
with a man she didn't even like that much just for a warm place to stay.
She who moves fastest moves alone, Paula thought to herself, and bent
back over the reader. Her job was to look at the incumbent's family
history going back as far as there was any in Alaska. "Don't get
ridiculous about it," Darlene had said. "Don't go back to the Russians
or anything, but take a look, see what pops up. If you spot anything
with potential, let me know."
For "anything with potential," read any nasty surprises Anne Gordaoff
could attack Peter Heiman on, like a secret abortion, a messy divorce,
an unacknowledged child, an indiscreet affair, a lie on a Permanent Fund
Dividend application, a too-large and too-obvious quid pro quo from a
lobbyist anytime during the past eight years Heiman had been in office.
At the last minute, as Darlene was leaving, the campaign manager had
stopped in the doorway of the Airstream and added, "Look up the Gordaoff
family history while you're
31
at it, too." She saw Paula's raised eyebrow. "If there's anything to
find, you find it first."
Paula had shrugged. "Okay." She'd worked for Darlene Shelikof before, on
other campaigns, on political action committees, on lawsuits. She was a
good researcher, and she was for hire. One thing about this campaign was
that it was extremely well funded. Peter Heiman had tried to hire her,
and Darlene had outbid him, which had to be the first time that had
happened to an Alaskan Republican since the early days of the pipeline.
Speaking of Peter Heiman-she sighed and bent over the reader once more.
Peter Heiman had been elected senator from District 41 eight years
before and had been returned to office four years after that with
minimal opposition. That was before the legislature and the governor had
pissed off everyone in rural Alaska by ignoring, avoiding, bullshitting,
and otherwise bypassing the hot-button issue of subsistence to the
extent that they had managed to overturn a publicly mandated demand to
submit the issue to a general vote. The legislature's passive resistance
on the issue of subsistence was what had put sovereignty on the map as
an Alaska Native issue; if their own state government couldn't or
wouldn't give them preference to hunt and fish, particularly in times of
game shortages, they'd sidestep it and appeal to the federal government
for the authority to oversee their own lands and waters, and take that,
Juneau.
The sting was all the sharper since the Native community had put the
current governor and half the legislature in office, with endorsements
from most of the Native regional corporations and a little matter of two
hundred fifty- three votes from the tiny-and closest to the
International Date Line-Native community of St. Martha's and therefore
the last to be counted after voting day. Two days later the hottest
selling i
tem in St. Martha's was a T-shirt, the front of which read,
"ST. MARTHA'S-THE LITTLE TOWN THAT ELECTS GOVERNORS!" Eighteen months
32
later the hottest selling item in St. Martha's was that same T-shirt,
the back of which now read, "AND AREN'T WE ASHAMED OF OURSELVES."
All of which only went toward making Anne Gordaoff's chances of
attaining office better than even.
But Peter Heiman's credentials were impeccable; he was a card-carrying
Alaskan old fart. His grandfather had come north with the U.S.
Stabenow, Dana - Shugak 11 - The Singing Of The Dead Page 4
