The knight, for his part, as everyone knew, had been vain as a peacock, and the thought of getting up on a stage and preening before members of the Court would surely have appealed to him.
Yet even if Cooper were telling the truth, the nobles would want Murtaugh's killer punished, whether his death was an accident or not, and indeed the five men on the bench seemed little swayed by the prisoner's words.
Cooper continued. "Those words of anger and threat reported by the lackey there? Sirs, they were not mine."
"And whose be they, then?"
Cooper glanced at his lawyer, who rose and said, "Prithee, sirs, we have a witness whose deposition shall bear on the events. If it please the bench, may we have William Shakespeare step forward."
Ah, yes, Bolt thought, that is who the witness is: the famed playwright and director of the Lord Chamberlain's Men troupe. Bolt himself had seen several of the man's plays at the Rose and the Globe. What was transpiring here? The playwright stepped to the front of the courtroom.
"Master Shakespeare, thou will swear oath to our holy Lord that thy deposition here shall be honest and true?"
"I so confirm, my lord."
"What have thou to say that bears on this case?"
"I pray thee, Lord Chancellor, I am here to add to the deposition thou have previous heard. Some weeks ago, Charles Cooper did come to me and say that he had always been a lover of the player's craft and had hoped to try his hand upon the stage. I bid him attempt some recitation for me and observed that he performed several passages, of my own creation, with exceeding grace.
"I told him I had no place for him just then but I gave him portions of a draft of the play I am presently writing and told him to practice it. When Court returns in the fall, I assured him, I might find a part for him."
"How exactly doth this bear on the case, Master Shakespeare?"
The playwright withdrew from a leather pouch a large sheaf of parchment with writing upon it. He read: "Enter Cassio… RODERIGO: I know his gait, 'tis he. Villain, thou diest!...' Roderigo makes a pass with his blade at Cassio… CASSIO draws his own weapon and wounds Roderigo… RODERIGO: 'O, I am slain!…' Iago from behind wounds Cassio in the leg, and exeunt. CASSIO: 'Iam maim'd for ever. Help, ho! Murder! murder!'"
Shakespeare fell silent and bowed his head. "My lords, so fall my humble words."
"'Villain, thou diest… Help, ho! Murder!' Why those," the high chancellor said, "with some alteration, are the very words that the witness heard the prisoner and Sir Murtaugh exchange. They are from a play of thine?"
"Yes, my lord, they are. It is as yet unperformed and I am presently reworking it." Shakespeare paused for a moment then added, "This shall be the play I did promise Her Highness the queen for her enjoyment when she and the Court return this fall."
A Privy Council member frowned and then asked, "Thou art, if I am not mistaken, much in the queen's favor."
"Humbly, sir, I am but a journeyman playwright. But I can say with little exaggeration that Her Highness hath from time to time offered expressions of pleasure at my work."
Hell's bells, thought the prosecutor. Shakespeare is indeed much in the queen's favor. This fact was well known. It was rumored that Her Highness would name his the sole royal acting company within the next year or two. The course of the case was now clear: To find Cooper guilty would require the judges to disavow Shakespeare's testimony. The queen would hear and there would be consequences. Bolt recalled an expression: "A hundred dukes against a single queen leaves a hundred coffins on the green."
The high chancellor turned to the rest of the Privy Council and they conferred again among themselves. A moment later he pronounced, "In light of the evidence presented, this court of equity rules that the death of Sir Robert Murtaugh was caused by no man's intent and Charles Cooper is herewith free to go forth unfettered, and untainted by any further accusation in this matter." He cast a stern gaze toward the prosecutor. "And, Sir Jonathan, if it be not too taxing in the future, the court would be honored if thou might at least peruse the evidence and consult with the prisoner before thou deign to waste the time of this court."
"I shall do, my noble lord."
One of the judges leaned forward, nodded at the sheaf that the playwright was replacing in his sack and asked, "May I ask, Mr. Shakespeare, what will this play be titled?"
"I know not for certain, my lord, what the final title shall be. I presently call it 'Othello, the Moor of Venice.'"
"And might I be assured from the testimony we have heard today that the audience may look forward to some good sword-play in this work?"
"Oh, yes, my lord."
"Good. I far prefer such plays to thy comedies."
"If I may be so bold, sir, I believe thou will then enjoy this piece," William Shakespeare said and joined Cooper and his wife as they left the dark room.
* * *
Near candle-lighting that night, three men sat in the Unicorn and Bear tavern in Charing Cross, tankards of ale before them: Charles Cooper, Stout and William Shakespeare.
A shadow filled the doorway as a man walked into the tavern.
"Behold, 'tis the mysterious gentleman on the wharf," Charles said.
Hal Pepper joined them and was served up an ale of his own.
Charles lifted his tankard. "Thou did well, my friend."
Hal drank long and nodded proudly to acknowledge the compliment. His role in the daring play, as writ by William Shakespeare and Charles Cooper in collaboration, was critical. After Charles had stopped Murtaugh on the wharf and, as he'd told the Court, piqued the knight's interest with the promise of an appearance onstage, it had been Hal's task to snare a passerby at just the right moment so that he witness the exchange of dialogue between Charles and Murtaugh at the start of their mock duel. Hal had then given the lackey Rawlings a half sovereign to raise the hue and cry with the constable, whom Shakespeare, as master plotter, had decided should perforce be a witness to the duel as well.
Shakespeare now examined Charles gravely and said, "Regarding thy performance in Court, friend, thou need some study as a player, yet on the whole" — the man from Stratford could not resist a smile — "I would venture to say that thou acquitted thyself admirably."
Will Shakespeare often deflected the course of the conversation to allow for the inclusion of puns, which he loved. But neither was Charles Cooper a stranger to wordplay. He riposted, "Ah, but 'tis sadly true, friend, that my talent for bearing witness in Court is no match for thy overbearing wittiness in taverns."
"Touche," cried Shakespeare and the men laughed hard.
"And here is to thee too, my friend." Charles tapped his tankard against Stouts.
It had been the big man's task to wield his barrel-maker's tools with sufficient skill to loosen the railing at Temple wharf just the right degree so that it would not give way under casual hands but would fall apart when Murtaugh stumbled against it.
Stout was not as quick as either Shakespeare or Charles and attempted no cleverness in reply. He merely blushed fiercely with pleasure at the recognition.
Charles then embraced Shakespeare. "But thou, Will, were the linchpin."
Shakespeare said, "Thy father was a good man to me and my family. I will always remember him with pleasure. I am glad to have played a small part in the avenging of his death."
"What might I do to repay thee for the risks thou took and thy efforts on my behalf?" Charles asked.
The playwright said, "Indeed thou have already. Thou have bestowed upon me the most useful gift possible for a dabbler in the writer's craft."
"What might that be, Will?"
"Inspiration. Our plot was the midwife for a sonnet which I completed just an hour ago." He drew a piece of paper from his jacket. He looked over the assembled men and said solemnly, "It seemed a pity that Murtaugh knew not the reason for his death. In my plays, you see, the truth must ultimately out — it needs be revealed, at the least to the audience, if not the characters. That Murtaugh died in ignorance of
our revenge set my pen in motion."
The playwright then read the sonnet slowly:
To a Villain
When I do see a falcon in the wild
I think of he, the man who gave me life,
Who loved without restraint his youthful child
And bestow 'd affection on his wife.
When I do see a vulture in its flight
I can think of naught but thee, who stole
Our family's joy away that evil night
Thou cut my father's body from his soul.
The golden scissors of a clever Fate
Decide how long a man on earth shall dwell.
But as my father's son I could not wait
To see thy wicked soul entombed in hell.
This justice I have wrought is no less fine,
Being known but in God's heart and in mine.
* * *
"Well done, Will," Hal Pepper called out.
Charles clapped the playwright on the back.
"It be about Charles?" Stout asked, staring down at the paper. His lips moved slowly as he attempted to form the words.
"In spirit, yes," Shakespeare said, turning the poem around so that the big man could examine the lines right-way up. He added quietly, "But not, methinks, enough so that the Court of Sessions might find it evidentiary."
"I do think it best, though, that thou not publish it just yet," Charles said cautiously.
Shakespeare laughed. "Nay, friend, not for a time. This verse would find no market now, in any case. Romance, romance, romance… that be the only form of poesy that doth sell these days. Which, by the by, is most infuriating. No, I shall secrete it safe away and retrieve it years hence when the world hath forgot about Robert Murtaugh. Now, it is near to candle-lighting, is it not?"
"Very close to," Stout replied.
"Faith, then… Now that our real-life tale hath come to its final curtain, let us to a fictional one. My play Hamlet hath a showing tonight and I must needs be in attendance. Collect thy charming wife, Charles, then we shall to the ferry and onward to the Globe. Drink up, gentlemen, and let's away!"
Gone Fishing
"Don't go, Daddy."
"Rise and shine, young lady."
"Please?"
"And what's my little Jessie-Bessie worried about?"
"I don't know. Nothing."
Alex sat on the edge of her bed and hugged the girl. He felt the warmth of her body, surrounded by the peculiar, heart-swelling smell of a child waking.
From the kitchen a pan clattered, then another. Water running. The refrigerator door slamming. Sunday-morning sounds. It was early, six-thirty.
She rubbed her eyes. "I was thinking… what we could do today is we could go to the penguin room at the zoo. You said we could go there soon. And if you have to go to the lake, I mean really have to, we could go to Central Park instead and go rowing like we did that time. Remember?"
Alex shivered in mock disgust. "What sorts of fish do you think I'd catch there! Icky fish with three eyes and scales that glow in the dark."
"You don't have to go fishing. We could just row around and feed the ducks."
He looked out the window at the dim, gray horizon of New Jersey across the Hudson River. The whole state seemed asleep. And probably was.
"Please, Daddy? Stay home with us."
"We played all day yesterday," he pointed out, as if this would convince her that she could do without him today. He was, of course, aware that children's logic and adults' bore no resemblance to each other; still, he continued. "We went to FAO Schwarz and Rockefeller Center and I bought you two, count 'em, two hot dogs from Henri's a cote, du subway. And then Rumple-meyer's."
"But that was yesterday!"
Youngsters' logic, Alex decided, was by far the most compelling.
"And what did you eat at Rumpelstiltskin's?"
When logic failed, he was not above diversion.
The eight-year-old tugged at her nightgown. "Banana split."
"You did?" He looked shocked. "No!"
"Did too, and you know it. You were there."
"How big was it?"
"You know!"
"I know nothing, I remember nothing," he said in a thick German accent.
"Thisssss big." She held her hands far apart.
Alex said, "Impossible. You would've blown up like a balloon. Pop!" And she broke into giggles under his tickling fingers.
"Up and at 'em," he announced. "Breakfast together before I leave."
"Daddy," she persisted. But Alex escaped from her room.
He assembled his fishing tackle, stacked it by the door and walked into the kitchen. Kissed Sue on the back of the neck and slipped his arms around her as she flipped pancakes in the skillet.
Pouring orange juice for the three of them, Alex said, "She doesn't want me to go today. She's never complained before."
For the last year he'd taken off a day or two every month to go fishing in the countryside around New York City.
His wife stacked the pancakes on a plate and set them in the oven to warm. Then she glanced down the hall where their daughter, in her purple Barney slippers, wandered sleepily into the bathroom and shut the door behind her.
"Jessie was watching the tube the other night," Sue said. "I was finishing up some homework and wasn't paying attention. Next thing I knew she ran out of the room crying. I didn't see the program but I looked it up in TV Guide. It was some made-for-TV movie about a father who was kidnapped and held hostage. The kidnapper killed him and then came after his wife and daughter. I think there were some pretty graphic scenes. I talked to her about it but she was pretty upset."
Alex nodded slowly. He'd grown up watching horror flicks and shoot-'em-up westerns; in fact he'd found Saturday matinees a sanctuary from his abusive, temperamental father. As an adult he'd never thought twice about violence in films or on TV — until he became a father himself. Then he immediately began censoring what Jessica watched. He didn't mind that she knew death and aggression existed; it was the gratuitous, overtly gruesome carnage lacing popular shows that he wanted to keep from her.
"She's afraid I'm going to get kidnapped while I'm fishing?"
"She's eight. It's a big bad world out there."
It was so difficult with children, he reflected. Teaching them to be cautious of strangers, aware of real threats, but not making them so scared of life they couldn't function. Learning the difference between reality and make-believe could be tough for adults, let alone youngsters.
Five minutes later the family was sitting around the table, Alex and Sue flipping through the Sunday Times, reading portions of stories that seemed interesting. Jessica, accompanied by Raoul, a stuffed bear, methodically ate first her bacon, then her pancakes and finally a bowl of cereal.
The girl pretended to feed Raoul a spoonful of cereal and asked thoughtfully, "Why do you like to fish, Daddy?"
"It's relaxing."
"Oh." The bits of cereal were in the shape of some cartoon creatures. Ninja Turtles, Alex thought.
"Your father needs some time off. You know how hard he works."
As the creative director of a Madison Avenue ad agency, Alex regularly clocked sixty- and seventy-hour weeks.
Sue continued, "He's a type-A personality through and through."
"I thought you had a secretary, Daddy. Doesn't she do your typing?"
Her parents laughed. "No, honey," Sue said. "That means somebody who works real hard. Everything he does has to get him closer to his goal or he isn't interested in it." She rubbed Alex's muscular back. "That's why his ads are so good."
"The Cola Koala!" Jessica's face lit up.
As a surprise for the girl, Alex had just brought home some of the original art cells of the animated cartoon figure he'd created to hawk a product its manufacturer hoped would cut large chunks out of Pepsi's and Coke's market shares. The pictures of the cuddly creature hung prominently on her wall next to portraits of Cyclops and Jean Grey, of X-Men fame. Spider-
Man too and, of course, the Power Rangers.
"Fishing helps me relax," Alex repeated, looking up from the sports section.
"Oh."
Sue packed his lunch and filled a thermos of coffee.
"Daddy?" Moody again, the girl stared at her spoon then let it sink down into the bowl.
"What, Jessie-Bessie?"
"Were you ever in a fight?"
"A fight? Good grief, no." He laughed. "Well, in high school I was. But not since then."
"Did you beat the guy up?"
"In high school? Whupped the tar out of him. Patrick Briscoe. He stole my lunch money. I let him have it. Left jab and a right hook. Technical knockout in three rounds."
She nodded, swallowed a herd, or school, of Ninja Turtles and set her spoon down again. "Could you beat up somebody now?"
"I don't believe in fighting. Adults don't have to fight. They can talk out their disagreements."
"But what if somebody, like a robber, came after you? Could you knock him out?"
"Look at these muscles. Is this Schwarzenegger, or what?" He pulled up the sleeves of his plaid Abercrombie hunting shirt and flexed. The girl lifted impressed eyebrows.
So did Sue.
Alex paid nearly two thousand dollars a year to belong to a midtown health club.
"Honey…" Alex leaned forward and put his hand on the girl's arm. "You know that the things they show on TV, like that movie you saw, they're all made up. You can't think real life is like that. People are basically good."
"I just wish you weren't going today."
"Why today?"
She looked outside. "The sun isn't shining."
"Ah, but that's the best time to go fishing. The fish can't see me coming. Hey, pumpkin, tell you what… how 'bout if I bring you something?"
Her face brightened. "Really?"
"Yup. What would you like?"
"I don't know. Wait, yes, I do. Something for our collection. Like last time?"
"You bet, sweetie. You got it."
Twisted: The Collected Short Stories of Jeffery Deaver Page 17
