The time had nearly elapsed, when, upon the last day of the year, one of his guardians entering his room, began to converse with his physician upon the melancholy circumstance of Aubrey’s being in so awful a situation, when his sister was going next day to be married. Instantly Aubrey’s attention was attracted; he asked anxiously to whom. Glad of this mark of returning intellect, of which they feared he had been deprived, they mentioned the name of the Earl of Marsden. Thinking this was a young Earl whom he had met with in society, Aubrey seemed pleased, and astonished them still more by his expressing his intention to be present at the nuptials, and desiring to see his sister. They answered not, but in a few minutes his sister was with him. He was apparently again capable of being affected by the influence of her lovely smile; for he pressed her to his breast, and kissed her cheek, wet with tears, flowing at the thought of her brother’s being once more alive to the feelings of affection. He began to speak with all his wonted warmth, and to congratulate her upon her marriage with a person so distinguished for rank and every accomplishment; when he suddenly perceived a locket upon her breast; opening it, what was his surprise at beholding the features of the monster who had so long influenced his life. He seized the portrait in a paroxysm of rage, and trampled it underfoot. Upon her asking him why he thus destroyed the resemblance of her future husband, he looked as if he did not understand her;—then seizing her hands, and gazing on her with a frantic expression of countenance, he bade her swear that she would never wed this monster, for he—But he could not advance—it seemed as if that voice again bade him remember his oath—he turned suddenly round, thinking Lord Ruthven was near him but saw no one. In the meantime the guardians and physician, who had heard the whole, and thought this was but a return of his disorder, entered, and forcing him from Miss Aubrey, desired her to leave him. He fell upon his knees to them, he implored, he begged of them to delay but for one day. They, attributing this to the insanity they imagined had taken possession of his mind, endeavoured to pacify him, and retired.
Lord Ruthven had called the morning after the drawing-room, and had been refused with every one else. When he heard of Aubrey’s ill health, he readily understood himself to be the cause of it; but when he learned that he was deemed insane, his exultation and pleasure could hardly be concealed from those among whom he had gained this information. He hastened to the house of his former companion, and, by constant attendance, and the pretence of great affection for the brother and interest in his fate, he gradually won the ear of Miss Aubrey. Who could resist his power? His tongue had dangers and toils to recount—could speak of himself as of an individual having no sympathy with any being on the crowded earth, save with her to whom he addressed himself;—could tell how, since he knew her, his existence had begun to seem worthy of preservation, if it were merely that he might listen to her soothing accents;—in fine, he knew so well how to use the serpent’s art, or such was the will of fate, that he gained her affections. The title of the elder branch falling at length to him, he obtained an important embassy, which served as an excuse for hastening the marriage (in spite of her brother’s deranged state), which was to take place the very day before his departure for the continent.
Aubrey, when he was left by the physician and his guardians, attempted to bribe the servants, but in vain. He asked for pen and paper; it was given him; he wrote a letter to his sister, conjuring her, as she valued her own happiness, her own honour, and the honour of those now in the grave, who once held her in their arms as their hope and the hope of their house, to delay but for a few hours that marriage, on which he denounced the most heavy curses. The servants promised they would deliver it; but giving it to the physician, he thought it better not to harass any more the mind of Miss Aubrey by, what he considered, the ravings of a maniac. Night passed on without rest to the busy inmates of the house; and Aubrey heard, with a horror that may more easily be conceived than described, the notes of busy preparation. Morning came, and the sound of carriages broke upon his ear. Aubrey grew almost frantic. The curiosity of the servants at last overcame their vigilance; they gradually stole away, leaving him in the custody of an helpless old woman. He seized the opportunity, with one bound was out of the room, and in a moment found himself in the apartment where all were nearly assembled. Lord Ruthven was the first to perceive him: he immediately approached, and, taking his arm by force, hurried him from the room, speechless with rage. When on the staircase, Lord Ruthven whispered in his ear—“Remember your oath, and know, if not my bride to day, your sister is dishonoured. Women are frail!” So saying, he pushed him towards his attendants, who, roused by the old woman, had come in search of him. Aubrey could no longer support himself; his rage not finding vent, had broken a blood-vessel, and he was conveyed to bed. This was not mentioned to his sister, who was not present when he entered, as the physician was afraid of agitating her. The marriage was solemnized, and the bride and bridegroom left London.
Aubrey’s weakness increased; the effusion of blood produced symptoms of the near approach of death. He desired his sister’s guardians might be called, and when the midnight hour had struck, he related composedly what the reader has perused—he died immediately after.
The guardians hastened to protect Miss Aubrey; but when they arrived, it was too late. Lord Ruthven had disappeared, and Aubrey’s sister had glutted the thirst of a VAMPYRE!
Attributed to Johann Ludwig Tieck
(1773–1853)
IN 1823, A THREE-VOLUME anthology of translations was published in London under the title Popular Tales and Romances of the Northern Nations. The preface mentions that only two of the tales had previously been translated, then adds:
The English reader of these volumes must not expect to find in them the style of romance, which is now so popular, and justly popular, in his own country. These tales do not pretend to be a picture of human nature or human manners; they are either imitations of early traditions, or the traditions themselves, amplified by some modern writer, and must be judged of in reference to such origin…Though supernatural agency forms the basis of all, the superstructures vary with the varying characters of the authors.
With fierce Romantic disdain, the editor complains that “fiction is banished from the nursery” and that “the reign of reason is speedily about to commence, when we shall believe nothing but what can be proved to be, and shall attain a happy exemption from those vulgar prejudices, which have hitherto held society together.”
Although the stories were unsigned, “Wake Not the Dead” has long been attributed to Johann Ludwig Tieck, an important early force in German Romanticism. Like many of the contributors to this anthology, Tieck was a poet, dramatist, and novelist as well as a critic and translator. Along with Novalis and other contemporaries, he fanned the Romantic flames with both scholarship and original creative fictions. In the introduction to Popular Tales, the editor remarks, when discussing various authors, “Lebrecht and Tieck are the authors of many beautiful legends, but they have generally trusted to their own fancy instead of building themselves on antient traditions.” The story “Wake Not the Dead” is self-consciously archaic in style, but in its morass of death and sexuality reads like a Romantic-era saga, not a recycled fable.
The story opens with these lines, which usually have been omitted in reprintings:
Wake not the Dead:—they bring but gloomy night
And cheerless desolation into day
For in the grave who mouldering lay,
No more can feel the influence of light,
Or yield them to the sun’s prolific might;
Let them repose within their house of clay—
Corruption, wilt thou vainly e’er essay
To quicken:—it sends forth a pest’lent blight;
And neither fiery sun, nor bathing dew,
Nor breath of spring the dead can e’er renew.
That which from life is pluck’d, becomes the foe
Of life, and whoso wakes it waketh woe.
Se
ek not the dead to waken from that sleep
In which from mortal eye they lie enshrouded deep.
Wake Not the Dead
WILT THOU FOR EVER sleep? Wilt thou never more awake, my beloved, but henceforth repose for ever from thy short pilgrimage on earth? O yet once again return! and bring back with thee the vivifying dawn of hope to one whose existence hath, since thy departure, been obscured by the dunnest shades. What! dumb? forever dumb? Thy friend lamenteth, and thou heedest him not? He sheds bitter, scalding tears, and thou reposest unregarding his affliction? He is in despair, and thou no longer openest thy arms to him as an asylum from his grief? Say then, doth the paly shroud become thee better than the bridal veil? Is the chamber of the grave a warmer bed than the couch of love? Is the spectre death more welcome to thy arms than thy enamoured consort? Oh! return, my beloved, return once again to this anxious disconsolate bosom.” Such were the lamentations which Walter poured forth for his Brunhilda, the partner of his youthful passionate love: thus did he bewail over her grave at the midnight hour, what time the spirit that presides in the troublous atmosphere, sends his legions of monsters through mid-air; so that their shadows, as they flit beneath the moon and across the earth, dart as wild, agitating thoughts that chase each other o’er the sinner’s bosom: thus did he lament under the tall linden trees by her grave, while his head reclined on the cold stone.
Walter was a powerful lord in Burgundy, who, in his earliest youth, had been smitten with the charms of the fair Brunhilda, a beauty far surpassing in loveliness all her rivals; for her tresses, dark as the raven face of night, streaming over her shoulders, set off to the utmost advantage the beaming lustre of her slender form, and the rich dye of a cheek whose tint was deep and brilliant as that of the western heaven: her eyes did not resemble those burning orbs whose pale glow gems the vault of night, and whose immeasurable distance fills the soul with deep thoughts of eternity, but rather as the sober beams which cheer this nether world, and which, while they enlighten, kindle the sons of earth to joy and love. Brunhilda became the wife of Walter, and both being equally enamoured and devoted, they abandoned themselves to the enjoyment of a passion that rendered them reckless of aught besides, while it lulled them in a fascinating dream. Their sole apprehension was lest aught should awaken them from a delirium which they prayed might continue for ever. Yet how vain is the wish that would arrest the decrees of destiny! as well might it seek to divert the circling planets from their eternal course. Short was the duration of this phrenzied passion; not that it gradually decayed and subsided into apathy, but death snatched away his blooming victim, and left Walter to a widowed couch. Impetuous, however, as was his first burst of grief, he was not inconsolable, for ere long another bride became the partner of the youthful nobleman.
Swanhilda also was beautiful; although nature had formed her charms on a very different model from those of Brunhilda. Her golden locks waved bright as the beams of morn: only when excited by some emotion of her soul did a rosy hue tinge the lily paleness of her cheek: her limbs were proportioned in the nicest symmetry, yet did they not possess that luxuriant fullness of animal life: her eye beamed eloquently, but it was with the milder radiance of a star, tranquillizing to tenderness rather than exciting to warmth. Thus formed, it was not possible that she should steep him in his former delirium, although she rendered happy his waking hours—tranquil and serious, yet cheerful, studying in all things her husband’s pleasure, she restored order and comfort in his family, where her presence shed a general influence all around. Her mild benevolence tended to restrain the fiery, impetuous disposition of Walter: while at the same time her prudence recalled him in some degree from his vain, turbulent wishes, and his aspirings after unattainable enjoyments, to the duties and pleasures of actual life. Swanhilda bore her husband two children, a son and a daughter; the latter was mild and patient as her mother, well contented with her solitary sports, and even in these recreations displayed the serious turn of her character. The boy possessed his father’s fiery, restless disposition, tempered, however, with the solidity of his mother. Attached by his offspring more tenderly towards their mother, Walter now lived for several years very happily: his thoughts would frequently, indeed, recur to Brunhilda, but without their former violence, merely as we dwell upon the memory of a friend of our earlier days, borne from us on the rapid current of time to a region where we know that he is happy.
But clouds dissolve into air, flowers fade, the sands of the hour-glass run imperceptibly away, and even so, do human feelings dissolve, fade, and pass away, and with them too, human happiness. Walter’s inconstant breast again sighed for the ecstatic dreams of those days which he had spent with his equally romantic, enamoured Brunhilda—again did she present herself to his ardent fancy in all the glow of her bridal charms, and he began to draw a parallel between the past and the present; nor did imagination, as it is wont, fail to array the former in her brightest hues, while it proportionably obscured the latter; so that he pictured to himself, the one much more rich in enjoyments, and the other, much less so than they really were. This change in her husband did not escape Swanhilda; whereupon, redoubling her attentions towards him, and her cares towards their children, she expected, by this means, to re-unite the knot that was slackened; yet the more she endeavoured to regain his affections, the colder did he grow—the more intolerable did her caresses seem, and the more continually did the image of Brunhilda haunt his thoughts. The children, whose endearments were now become indispensable to him, alone stood between the parents as genii eager to affect a reconciliation; and, beloved by them both, formed a uniting link between them. Yet, as evil can be plucked from the heart of man, only ere its root has yet struck deep, its fangs being afterwards too firm to be eradicated; so was Walter’s diseased fancy too far affected to have its disorder stopped, for, in a short time, it completely tyrannized over him. Frequently of a night, instead of retiring to his consort’s chamber, he repaired to Brunhilda’s grave, where he murmured forth his discontent, saying: “Wilt thou sleep forever?”
One night as he was reclining on the turf, indulging in his wonted sorrow, a sorcerer from the neighbouring mountains entered into this field of death for the purpose of gathering, for his mystic spells, such herbs as grow only from the earth wherein the dead repose, and which, as if the last production of mortality, are gifted with a powerful and supernatural influence. The sorcerer perceived the mourner, and approached the spot where he was lying.
“Wherefore, fond wretch, dost thou grieve thus, for what is now a hideous mass of mortality—mere bones, and nerves, and veins? Nations have fallen unlamented; even worlds themselves, long ere this globe of ours was created, have mouldered into nothing; nor hath any one wept over them; why then should’st thou indulge this vain affliction for a child of the dust—a being as frail as thyself, and like thee the creature but of a moment?”
Walter raised himself up:—“Let yon worlds that shine in the firmament,” replied he, “lament for each other as they perish. It is true, that I who am myself clay, lament for my fellow-clay: yet is this clay impregnated with a fire,—with an essence, that none of the elements of creation possess—with love: and this divine passion, I felt for her who now sleepeth beneath this sod.”
“Will thy complaints awaken her: or could they do so, would she not soon upbraid thee for having disturbed that repose in which she is now hushed?”
“Avaunt, cold-hearted being: thou knowest not what is love. Oh! that my tears could wash away the earthy covering that conceals her from these eyes; that my groan of anguish could rouse her from her slumber of death! No, she would not again seek her earthy couch.”
“Insensate that thou art, and couldst thou endure to gaze without shuddering on one disgorged from the jaws of the grave? Art thou too thyself the same from whom she parted; or hath time passed o’er thy brow and left no traces there? Would not thy love rather be converted into hate and disgust?”
“Say rather that the stars would leave yon fir
mament, that the sun will henceforth refuse to shed his beams through the heavens. Oh! that she stood once more before me; that once again she reposed on this bosom!—how quickly should we then forget that death or time had ever stepped between us.”
“Delusion! mere delusion of the brain, from heated blood, like to that which arises from the fumes of wine. It is not my wish to tempt thee; to restore to thee thy dead; else wouldst thou soon feel that I have spoken truth.”
“How! restore her to me,” exclaimed Walter casting himself at the sorcerer’s feet. “Oh! if thou art indeed able to effect that, grant it to my earnest supplication; if one throb of human feeling vibrates in thy bosom, let my tears prevail with thee: restore to me my beloved; so shalt thou hereafter bless the deed, and see that it was a good work.”
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