"'Drawin' myse'f out o' the water, I straddles the bole of my tree, an' organizes for the catamount, who's already crawlin' after me. T'arin' off a convenient bough the thickness of your laig, I arranges myse'f as a reeception committee for visitin' catamounts, an' by way of beginnin' confers on my partic'lar anamile sech a bat over the snout that he falls back into the drink, an' starts to swimmin' fancy an' goin' 'round in circles, same as if his funny-bone's been teched.
"'Every time he gets in reach I jabs him in the eye with the splinter end of the bough, an' at last he grows that disgusted at these formal'ties he swims off to the bank. Thar he camps down on his ha'nches, an' glares green-eyed at me across the ragin' flood.
"'Shore, I could have raised the long yell for he'p, but am withheld by foolish pride. Besides, I can hear Ben an' Jenks tusslin' an' gruntin' an' carryin' on over in the mouth of the hollow, as they kyarves into each other with their knives, an' don't want to distract their attention.
"'As I sets camped thar on my lodged tree, an' the catamount is planted on the bank, I hears the lippin' splash of a paddle, an' then a voice which sounds like a chime of bells floats across to ask, "Dick Stallins, you ornery runnigate, wharever be you?"
"'It's my Sarah Ann, whose love, gettin' the upper hand of maidenly reeserve, has sent her projectin' 'round in search of me. She's in my dugout.
"'The catamount identifies her as soon as me; an' thinkin' she ought to be easy, he slides into the water ag'in an' starts for the boat. It's that dark I ain't shore of his deesigns ontil I sees him reach up, tip the dugout over, an' set Sarah Ann to wallowin' in the rushin' torrent. The dugout upsets on the catamount, an' this so confooses him that, by the time he's got his bearin's, Sarah Ann's been swept down to my tree, an' I've lifted her to a seat by my side. The catamount don't try to lay siege to our p'sition, recognizing it as impregnable, but paddles back to the shore an' goes into watchful camp as prior.
"'For myse'f, I'm so elevated with love an' affection at havin' Sarah Ann with me, I dismisses the catamount as a dead issue, an' as sech beneath contempt, an' by way of mollifyin' Sarah Ann's feelin's, cuts loose an' kisses her a gross or two of times, an' each like the crack of a bull-whacker's whip.
"'Old Bender hears them caresses plumb up to his house––as well he may, they're that onreeserved an' earnest––an' thinks it's some one shootin' a rifle. It has the effect of bringin' out the old Spartan with his Hawkins; an' the first word of it that reaches me an' Sarah Ann is him, Marm Bender an' the whole b'ilin' of folks is down thar on the bank, tryin' to make out in the gen'ral dimness whatever be we-all lovers doin' out thar in the middle of the Hawgthief on a snag.
"'They don't deetect my catamount none, which sagacious feline slinks off into the shadows covered with confoosion; all they sees is us. An' the spectacle certainly excites old Bender. "Gen'ral Jackson fit the Injuns!" he exclaims, as all of a sudden a thought strikes him; "that measly excoose for a Union Democrat out thar is seekin' to eelope with our Sarah Ann."
"'The old murderer starts to get a bead on me with the Hawkins. "Father," yells Marm Bender, pullin' at his sleeve, "you shore must be mistook."
"'Old Bender won't have it. "Maw," he returns, strivin' to disengage himse'f, "I was never mistook about nothin' in my life but once, an' that's when I shifts from baldface whiskey to hard cider on a temp'rance argyooment. Let me go, woman, till I drill the miscreant an' wash the stain from our fam'ly honor."
"'Before the old hom'cide can get to launderin' the fam'ly honor in my blood, however, Sarah Ann has interposed. "Don't go to blazing away at my Dickey, pop," she sings out, "or I'll shore burn every improvement you got, an' leave you an' maw an' me roofless in the midst of the wilderness."
"'This goes a long way towards soberin' down old Bender, because he knows my Sarah Ann's the Cumberland hollyhock to put them menaces into execootion. He lowers the muzzle of his old 8-squar', an' allows if I promises to marry the girl I can swim ashore an' be forgiven.
"'Thus the matter ends mighty amic'ble. We'all goes trackin' up to the house, a preacher is rushed to the scene from Pineknot, an' them nuptials between Sarah Ann an' me is sol'mnized. Shore, Jenks an' Ben is thar. They're found by a committee of their friends scattered about at the foot of the hollow, an' is collected an' brought up to the weddin' in blankets. Dave Daniels, who surveys the scene next day, says you could plant corn whar they fit, it's that plowed up.
"'Followin' the cer'mony Marm Bender an' the old gent takes me into their hearts an' cabin like I'm their own an' only son. He's a great old daddy-in-law, old Bender is, an' is ven'rated for forty miles about Gingham Mountain, as deevoted heart an' soul to baldface, seven-up an' sin in any shape.
"'That match-makin' catamount?
"'We hives him. Me an' my new daddy-in-law tracks him to his reetreat, an' when we're through he's plumb used up. I confers the pelt on my Sarah Ann; an' she spreads it on the floor over by her side of the bed, so as to put her little number sevens on it when she boils out of a winter's mornin' to light the fire, an' rustle me my matoot'nal buckwheat cakes an' sa'sage.'"
* * *
III
CYNTHIANA, PET-NAMED ORIGINAL SIN
"This yere speecific heroine is a heap onconventional, so much so as to be plumb puzzlin' to the common mind. Jest the same, she finishes winner, an' makes herse'f a gen'ral source of pride. She don't notify us, none whatever, that she intends a Wolfville deboo; jest nacherally descends upon us, that a-way, as onannounced as a mink on a settin' hen. All the same, we knows she's comin' while yet she's five mile out on the trail. Not that we savvys who she is or what she aims at; we merely gets moved up next to the fact that she's a lady, an' likewise no slouch for looks.
"We reads these yere trooths in the dust old Monte kicks up, as he comes swingin' in with the stage. Which it's the weakness of this inebriate, as I tells you former, that once let him get a lady aboard, it looks like it's a signal for him to go pourin' the leather into his team like he ain't got a minute to live. It's a p'lite attention he assoomes, in his besotted way, is doo the sex.
"It's the more strange, too, since it's the only attention Monte ever pays 'em. He never looks at 'em, never speaks to 'em; simply plants himse'f on the box, as up an' down as a cow's tail, an' t'ars into them harassed hosses. If the lady he's complimentin' that a-way was to get jolted overboard––which the same wouldn't be no mir'cal, considerin' how that dipsomaniac drives––it's even money he leaves her hunched up like a jack-rabbit alongside the trail, an' never thinks of stoppin' or turnin' back. He's merely a drunkard with that one fool idee of showin' off, an' nothin' the stage people's ever able to say can teach him different. From first to last you-all could measure Monte's notion of the pulcritoode of a petticoat passenger by the extent to which he lams loose with his whip. Given what he deems is a she-sunburst, he shorely does maltreat the company's live stock shameful.
"'If,' observes Peets, as a bunch of us stands gossipin' round in front of the Red Light that time, watchin' the dust cloud draw nearer an' nearer––'if it's poss'ble to imagine the old sot as havin' a Cleopatra to freight over from Tucson, it's a cow pony to a Mexican sheep he'd kill one of the wheelers.'
"Thar ain't none of us knows who this yere Cleopatra the Doc refers to is, onless it's Colonel Sterett, who edits the Daily Coyote. Still, the compar'son is plenty convincin'. Accordin' to the Doc himself, this Cleopatra's a meteoric female party, as lively as she is lovely, who sets a passel of ancient sports to walkin' in a cirkle back some'ers in the mists of time. Also, it's bloo chips to white, an' bet 'em higher than a cat's back, the Doc knows. The Doc is ondoubted the best eddicated gent that ever makes a moccasin track between Yuma an' the Raton Pass, an' when he onbuckles techin' any historic feachures, you can call for a gooseha'r pillow, an' go to sleep on it he ain't barkin' at no knot.
"Thar's a feeble form of young tenderfoot pesterin' about the suburbs of the crowd. He's one of them hooman deficits, so plumb ornery as to be useless East, which their fam'
lies, in gettin' rid of 'em, saws happ'ly off onto a onprotected West. This partic'lar racial disaster's been on our hands now mebbe it's six months, an' we-all is hopin' that in some p'intless sort o' way he'll brace up and do overt acts which entitles us to stampede him out of camp. But so far he don't.
"This yere exile comes wanderin' into the talk by askin'––his voice as thin as a curlew's:
"'Who is this old Monte you're alloodin' at?'
"'Whoever he is?' says Boggs. 'Which if you-all'd struck camp by way of Tucson, instead of skulkin' upon us in the low-down fashion you does along of the Lordsburg-Red Dog buckboard, you wouldn't have to ask none. He's the offishul drunkard of Arizona, Monte is. Which the same should be notice, too, that it's futile for you to go ropin' at that p'sition. I says this, since from the quantity of Old Jordan you've been mowin' away, I more'n half infers that you nourishes designs upon the place.'
"The feeble young shorthorn smiles a puny smile, and don't lunge forth into no more queries.
"Texas, who's been listenin' to what Boggs says, squar's 'round an' half-way erects his crest for an argyooment. Texas has had marital troubles, an' him ponderin' the same constant renders him some morbid an' morose.
"'From your tone of voice, Dan,' remarks Texas, 'I takes it you holds Monte's appetite for nose paint to be a deefect. That's whar I differs. That old marauder is a drunkard through sheer excess of guile. He finds in alcohol his ark of refooge. I only wish I'd took to whiskey in my 'teens.'
"Boggs is amazed.
"'Texas,' he says, plenty sorrowful, 'it wouldn't astonish me none if you finds your finish in a wickeyup deevoted to loonatics, playin' with a string of spools.'
"'That's your onthinkin' way. Do you reckon now, if I'd been a slave to drink when that Laredo wife of mine first sees me, she'd have w'irled me to the altar an' made me the blighted longhorn you sees now? She wouldn't have let me get near enough to her to give her a bunch of grapes. It's my sobri'ty that's my ondoin', that an' bein' plumb moral. Which I onerringly traces them divorce troubles, an' her sellin' up my stock at public vandoo for cost an' al'mony like she does, to me weakly holdin' aloof from whisky when I'm young.'
"'Which I shore,'––an' Boggs shows he's mighty peevish an' put out––'never meets up with a more exasp'ratin' conversationist! It's because you're sech an' egreegious egotist! You-all can't talk ten minutes, Texas, but what you're allers bringin' in them domestic affairs of yours. If you desires to discuss whiskey abstract, an' from what the Doc thar calls a academic standp'int, I'm your gent. But I declines to be drug into personal'ties, in considerin' which I might be carried by the heat of deebate to whar I gets myse'f shot up.'
"'I sees your attitood, Dan; I sees your attitood, an' respects it. Jest the same, thar's an anti-nuptial side to the liquor question, an' bein' a drunkard that a-way is not without its compensations.'
"'But he's bound to be so blurred,' reemonstrates Boggs, who by nacher is dispootatious, an' once started prone to swing an' rattle with a topic like a pup to a pig's y'ear: 'That drunkard is so plumb blurred.'
"'Blurred but free, Dan,' retorts Texas, mighty firm. 'Don't overlook no sech bet as that drunkard bein' free. Also, it's better to be free than sober.'
"'Goin' back to Monte,' says Boggs, returning to the orig'nal text; 'half the time, over to the O.K. Restauraw when Missis Rucker slams him down his chuck, he ain't none shore he's eatin' flapjacks or rattlesnakes. The other day, when Rucker drops a plate, he jumps three feet in the air, throws up his hands an' yells, "Take the express box, gents, but spar' my life!" It's whiskey does it. The old cimmaron thinks it's road agents stickin' him up.'
"Dispoote is only ended by the stage thunderin' in––leathers creakin', chains jinglin', bosses a lather of sweat an' alkali dust, Monte cocked up on the box as austere as a treeful of owls. He's for openin' the door, but Peets is thar before him. Let it get dealt down to showin' attentions to a lady, an' the briskest sport'll have to move some sudden, or the Doc'll beat him to it. Which he certainly is the p'litest drug sharp of which hist'ry makes mention!
"The Doc offers his hand to he'p her out, but she hits the ground onaided as light as any leaf. Nacherally we looks her over. Take her from foretop to fetlocks, she's as lovely as a diamond flush. She's got corn-colored ha'r, an' eyes as soft as the sky in Joone. Peets calls 'em azure––bein' romantic. As for the rest of us, we don't call 'em nothin'. Thar's a sprightly look about 'em, which would shore jestify any semi-proodent gent in jumpin' sideways. Likewise, she's packin' a Colt's .45, an' clutchin' a winchester in her little claw, the same contreebutin' a whole lot toward makin' her impressive as a pageant.
"'How are you, sports?' she says, tossin' her disengaged hand a heap arch. 'I gets word about you-all up in Vegas, an' allows I'll come trundlin' down yere an' size you up. My idee is you needs regen'ratin'.'
"'Is thar anything we-all can he'p you to, Miss?' asks Enright, who takes the play away from Peets. 'If aught is wanted, an' thar's a lariat in the outfit long enough to reach, you-all can trust Wolfville to rope, throw an' hawg-tie the same accordin' to your wishes.'
"'Yes,' adds Peets, 'as Sam says, if thar's any little way we-all can serve you, Miss, jest say the word. Likewise, if you don't feel like speakin', make signs; an' if you objects to makin' signs, shake a bush. All we reequires is the slightest hint.'
"'Be ca'm,' says the young lady, her manner as se'f-confident as if she's a queen. 'Thar's nothin' demanded of you outlaws except to tamely listen. I'm a se'f-respectin', se'f-supportin' young female, who believes in Woman Suffrage, an' the equality of the sexes in pol'tics an' property rights. Which my name is Bark, baptized Cynthiana, the same redooced by my old pap, while yet alive, into the pet name of Original Sin. It's my present purpose to become a citizen of this yere camp, an' take my ontrammeled place in its commercial life by openin' a grogshop. Pendin' which, do you-all see this?'––an' she dallies gently with a fringe of b'ar-claws she's wearin' as a necklace, the same bein' in loo of beads. 'That grizzly's as big an' ugly as him.' Yere she tosses a rose-leaf hand at Boggs, who breaks into a profoose sweat. 'I downs him. Also, I'll send the first horned-toad among you, who pays me any flagrant attentions, pirootin' after that b'ar. Don't forget, gents: my name's Bark, Cynthiana Bark, pet-named Original Sin, an' thar's a bite goes with the Bark.'
"Havin' conclooded this yere salootatory, Miss Bark, givin' a coquettish flourish to her winchester, goes trapsein' over to the O. K. Restauraw, leavin' us––as the story-writer puts it––glooed to the spot. You see it ain't been yoosual for us to cross up with ladies who, never waitin' for us to so much as bat an admirin' eye or wag an adorin' y'ear, opens neegotations by threatenin' to shoot us in two.
"'Thar's a young lady,' says Peets, who's first to ketch his breath, 'that's got what I calls verve.'
"'Admittin' which,' observes Enright, some doubtful, havin' been thrown back on his hocks a whole lot; 'some of you-all young bucks must none the less have looked at her in a improper way to start her ghost-dancin' like she does.'
"Enright's eye roves inquirin'ly from Boggs to Texas, an' even takes in Tutt.
"'Not me!' declar's Texas, plenty fervent; 'not me!––more'n if she's a she rattlesnake!'
"'As the husband of Tucson Jennie,' observes Tutt, his air some haughty––which he allers puts on no end of dog whenever he mentions his fam'ly––'as the husband of Tucson Jennie, an' the ondoubted father of that public ornament an' blessin', little Enright Peets Tutt, I do not regyard it as up to me to cl'ar myse'f of no sech charges.'
"'Sam,' says Boggs, his voice reproachful, 'you notes how she makes invidious compar'sons between me an' that b'ar, an' how she beefs the b'ar? After which gratooitous slur it's preeposterous to s'ppose I'd go admirin' her or to takin' any chances.'
"'Then it's you,' says Enright, comin' round on the puny tenderfoot. 'Jack,' he continyoos, appealin' to Jack Moore, who's kettle-tender to the Stranglers, of which arm of jestice Enright is chief––'Jack, do you reemark any on
toward looks or leers on the part of this yere partic'lar prairie dog, calc'lated to alarm a maiden of fastidious feelin's?'
"'Sir,' breaks in the feeble young tenderfoot, an' all mighty tremyoolous, 'as shore as my name is Oscar Freelinghuysen I never even glances at that girl. I ain't so much as present while she's issuin' her deefiances. I lapses into the Red Light the moment I observes how she's equipped, an' Black Jack, the barkeep, will ver'fy my words.'
"'All right,' warns Enright, plumb severe, 'you be careful an' conduct yourself deecorous. Wolfville is a moral camp. Thar's things done every day an' approved of in Noo York which'd get a gent downed in Wolfville.'
"'That Miss Bark mentions she's Woman Suffrage, Sam?' observes Boggs, in a questionin' way, as we stands sloppin' out a recooperative forty drops in the Red Light.
"'Shore!' replies Enright. 'The Doc yere can tell you all about 'em. As I onderstands, they're a warlike bevy of women who voylently resents not bein' born men. Thar's one thing, however; I sincerely trusts that none of you young sports'll prove that forward an' onwary as to go callin' her by her pet name of Original Sin. Which she might take advantage of it. Them exponents of women's rights is plumb full of the onexpected, that a-way, an' it's my belief that all who ain't honin' to commit sooicide'll be careful an' address her as Miss Bark.'
"'Be they many of that Woman Suffrage brand?' persists Boggs.
"'Herds of 'em,' chips in Peets. 'The Eastern ranges is alive with 'em. But they don't last. As a roole they gets married, an' that's gen'rally speakin' the end of their pernicious activ'ties. Wedlock is a heap apt to knock their horns off.'
Faro Nell and Her Friends Page 4
