Sepharad

by Antonio Munoz Molina

  Calle Campoamor, at the corner of Santa Teresa; it was here, five years ago, in that time when the years seemed to last much longer, not slip away as they do now. Half a lifetime fit within those five years. I recognize the white shutters on the second-floor balcony. If she comes out on the balcony, she will recognize me, and if I climb the two flights of wooden steps and press the button, the bell will ring not in a dream but in reality, intruding upon the lives of other people, an unwanted surprise. I’ve heard almost nothing about her all this time, we barely know each other, we were together only briefly, long ago.

  My thoughts and actions are not in sync, just as there is no correspondence between this place and my being here. I walk back and forth, looking up at the balconies, thinking at one point that I see a figure behind the windowpanes. I walk into the foyer, which is open and has that strange smell of damp and old wood that doorways have in Madrid. On one of the mailboxes I see her name, handwritten, beside that of her husband. The name that once made me shiver as I spoke it, and in which are codified every degree of tenderness, uncertainty, pain, and desire, is a common name written by hand on a card on a mailbox, among the names of neighbors who meet her every day in the foyer or on the stairs, and for whom her face is part of the same trivial reality as these streets and this city, where I, the traveler, float among mirages of loneliness.

  The bravery of cowards, the strength of the weak, the daring of the faint-hearted: I have come to the landing and without hesitation ring the doorbell. An old door, large, painted dark green, with a brass peephole. Every detail falls back into place, and my agitation and the weakness in my legs are the same as then, even though I am a different person. “Maybe she isn’t home,” I think with both hope and disappointment. A few seconds pass, and I don’t hear anything, not footsteps, not voices, only the resonance of the bell in silent rooms.

  The door opens, and she is looking at me. At first she doesn’t recognize me; she wears the suspicious and questioning expression of someone expecting a door-to-door salesman. I realize that I am much heavier now, and I don’t have my beard, and my hair is shorter than it was five years ago, thinner too. In her arms she holds a large child with dark skin and curly hair who has a pacifier in his mouth and a dirty bib over his pajama top. A little girl wearing glasses peers cautiously from behind her, peering at me with her mother’s eyes. The boy has stopped crying and is staring at me intently, sniffling and making a slurping, sucking noise with his pacifier.

  I recognize the slender face and light gray eyes, the two locks of almost blond hair framing her face, but I can’t associate the girl I knew with this carelessly dressed woman who holds in her arms a child so big that he must exhaust her, and who has a little girl who looks so astonishingly like her.

  “What a surprise,” she says to me. “I wouldn’t have recognized you,” and she smiles a smile that lights up her eyes with the gleam of old times. I apologize. “I was just passing by, and I thought I might as well see if you were in.” I hear my own voice, hoarser than it should be, a voice that hasn’t spoken with anyone for hours. “It’s a miracle you caught me at home, I was going to take the boy to the doctor, but since I don’t have anyone to leave my little girl with I was going to take her too. He’s not sick,” she explains, “at least not really sick. As soon as his tonsils get a little inflamed, his temperature shoots up, and I shouldn’t get frightened, but I always do.” I am a little deflated by the natural way she’s talking, with no trace of surprise, as if I were an ordinary acquaintance. She feels the boy’s forehead. “I gave him an aspirin, I think his fever is coming down.” We give aspirin to my son too, and the same thing happens. I’m about to tell her that but don’t, held back by a strange shyness, as if to hide from her that I’m married too and a father, that my son is more or less the same age as hers and also sick, according to what my wife told me last night on the phone.

  I make some show of getting ready to leave, having been so flustered that I didn’t kiss her when I first saw her. “But come in, don’t stand there in the doorway; since you’ve come to see me, I’m not letting you go without at least giving you a cup of coffee.” Her apartment has long hallways, high ceilings with elaborate plasterwork, and wood floors. It must have been very luxurious once, but now it’s half empty and looks almost abandoned; maybe it belonged to her parents, or her husband’s, and now they don’t have the money to keep it up. She didn’t give me the impression of money, or at least she wasn’t taking care of herself as she did when I knew her, she wore old jeans and canvas shoes with no laces. Her skin had lost its transparency, and her hair was messy, like that of a woman who doesn’t get out of the house all day and, worn down by her children, doesn’t have the time or the energy to put on makeup.

  She clears toys, scribbled papers, and colored pencils from a large, old chair and asks me to have a seat while she makes coffee. I find myself alone in a living room dominated somehow by both emptiness and disorder. On the table is a blender just like the one my wife and I use to blend fruit for our son, a dirty bib, a jar of liquid soap for babies, and a disposable diaper that smells strongly of urine. Street noise comes through the two balconies where sheer curtains filter the wan light of a cloudy day. In an adjoining room I can hear the little boy crying, accompanied by the loud strains of a morning cartoon show. What am I doing sitting here? Absurd and correct as a visitor, rigid in this armchair, not daring to so much as cross my legs, waiting for her to appear in the doorway, as I once waited, eager yet frightened of her presence, covetous of her every feature and gesture, the way she dressed—a little extreme for a provincial city—and her Madrid accent.

  She comes back carrying coffee on a tray, and as she sets it down on the table, she sees the dirty diaper and looks away with an expression of annoyance and weariness. “I forgot the sugar, I don’t know where my head is.” She takes away the diaper, the pacifier, and the blender, and I hear her say something to the little boy, who has stopped crying, and she appears again, smiling with a look of “Sorry!” and brushing a lock of hair from her eyes. Then, as if in a painting, I see her as she was five years ago, as precisely as the clear view you get after you clean a cloudy pane of glass, and I think she looks a lot like someone I know, although it takes a while to realize whom: the woman in the travel agency, the Olympia my friend Juan and I are so crazy about. The same foreshortening as she lifts the hair from her face, the same chestnut hair, the large mouth, the line of her chin and jaw, the glint in her light-colored eyes.

  Just as when I was so much in love with her, I can’t concentrate on what she’s telling me, I’m too absorbed in the fantasy of love, of the contemplative, paralyzing, adolescent passion that reaches its tortuous culmination in impossibility, that nourishes the desire for powerlessness, for the suffering and cowardice of literature. “I left medical school when I got pregnant, you remember? I tried to go back when my daughter was a little older, but then I got pregnant again, and now I’m thinking about entering nursing school. It doesn’t take as long, I can handle the assignments, and I’m pretty sure it will be easy to find a job. Imagine, with my experience they could make me head of Maternity.”

  She gets up because the boy has started crying again, very loud, and when she comes back, he is in her arms. His face is red, and his eyes shine with fever. Suddenly I’m jealous, looking at the boy, recognizing his father’s features, the man I begged her to leave and come away with me. From the next room the girl calls to her, because something has fallen to the floor with a crash. As she leaves the room again, I observe her from the rear. Her face is the same, but her body has filled out, she has lost that sinuous line I loved so much when she was twenty. When she handed me my coffee I noted, furtively, that her breasts are larger and heavier now, the breasts of a woman who has had two children, and nursed them, and not taken very good care of herself afterward. I remember her tight-fitting jeans and her soft shirts buttoned low, blouses with a liquid, silky touch that felt like her skin the few times I dared caress her. I
invited her out for dinner one night in early summer, and she came downstairs wearing sandals and a dress of a fine plaid material with her hair caught back in a pony-tail and two curls at her cheeks, so sexy and desirable that it was a torment not to grab her.

  “But don’t go, tell me something about yourself, you haven’t said a word, you haven’t changed a bit in that regard.” The boy isn’t crying now, and I can hear the television again in the next room. She sits down across from me and asks me to tell her about my life these days, and I notice, with a glowing coal of satisfaction, that she’s combed her hair and dashed on some lipstick. “I heard that you got married too, to your old sweetheart.” “Like you,” I find the courage to say, and for a moment we are truly ourselves and the void between us is a narrow void, we crossed it only once a long time ago but it never entirely closed. We smile, shaking our heads politely, acknowledging the objective vulgarity of real life. “At least you did something, finished your degree. I remember how much you liked art history, how excited you were about it, the Assyrians, the Egyptians, Picasso, Bosch, Velázquez, Giotto. I still have the postcard you sent me from Florence.”

  And a lot of good that did. I remember that card, the exact moment I wrote you sitting on the steps of Santa Maria del Fiore; how I loved you. I explain to her that I found a temporary job as an administrative assistant, and that the next year I took the competitive exams, “although I don’t plan to stay in that office forever. As soon as I can I’ll go back and work on my thesis in earnest, or I’ll start taking my exams to teach at an institute.” “That’s what Victor is doing, he’s studying for exams for the post office. We’ll see if he has as much luck as you.” Victor. She says that name so casually. If she’d stayed with me, she’d be saying my name as easily as my wife does; maybe she’d have some loving nickname for me.

  The telephone rings at the far end of the room. She speaks in a low voice, not looking at me, telling someone that she will take the child to the doctor, although she thinks his temperature has stopped going up. “Ciao,” she says, “come soon.” What am I doing here? A ghost, a visitor, not even an intruder. Ciao, come soon. People say words without stopping to think what they mean; entire lives fit in the simplest phrase, and a personal insult can hide in a polite formula of courtesy: “What a shame you didn’t run into Victor, he would have enjoyed seeing you.”

  This time when I get up, she doesn’t ask me to stay. I notice the smell of domestic life in the hallway, which she doesn’t: the funk of a sick child, kitchen odors, a whiff of sheets and bodies, of a not very well ventilated apartment, these are made up of the everyday events of her life, her real life, which for me is as foreign as this large, disorderly, somber house. There must be a particular smell to the small apartment I bought through a government program, and it must be similar: stale milk and talcum powder. She walks me to the door, holding her son in her arms again. He is red-faced and bawling, his chin wet with slobber. She gives me two kisses, one on each cheek, not touching the skin, barely stirring the air between us. “Will you be in Madrid long? Why don’t you come see us if you’re going to be here awhile?” Perhaps she says that to eliminate any hint of our old relationship. This isn’t the woman who loved me and was ready to live with me; now she speaks in a plural that includes her husband, offering me the kind of matrimonial friendship that is the worst offense to an ex-lover. “I don’t think I’ll have time, I’m going back tonight and I still have things to do.”

  THE REST OF THE DAY I walked around Madrid, weary and bored. I chose a restaurant to eat in, after much looking and hesitation. The minute I went in, I realized I’d made a bad choice, but a waiter in a dirty red jacket was already coming toward me and I didn’t have the courage to leave, so I ate a fillet that smelled slightly spoiled. In a large bookstore on the Gran Vía I got dizzy looking at titles and ended up buying a novel I wasn’t interested in and have never read. I went to a movie, and it was dark when I came out, but I still had several hours to kill before the train left. I called home with a touch of guilt, although I’d been gone less than three days. The minute my wife picked up the phone, I knew there was a problem. Our son had woken up that night with a new cough, and choking, and she’d taken him straight to the emergency room, where they said he had laryngitis.

  A few minutes before the express pulled out, I saw a young woman running along the platform. It had occurred to me, as I waited, that she might come to say good-bye, that that was why she’d asked me what time the train left. Five years before, that other time, I’d waited till the last moment on this same platform, watching the clock and the faces of the people pushing through the glass doors. I’d looked for her when I arrived at dawn and again that night—on the same train I’d come on—and she hadn’t been there either time. Subconsciously, I’d repeated the wait, not because I thought it was likely she would come, not even that I wanted her to, but out of a sentimental inertia.

  Now, shivering, incredulous, almost frightened, I watched her come running toward me, five years too late, and the person who was excited was the person I was then, revived, not as yet humiliated by surrender, by the excessive price of work and family life, but unfortunately not improved with time either, as bewildered and foolish as ever.

  Then I saw it wasn’t she, although the woman kept looking toward me as she came nearer and smiled at me and held her arms open for a hug. She was tall, slender, with curly hair. But she went past me and threw her arms around a man standing behind me. I boarded the train and watched them through the window. The man was carrying a large suitcase, but neither of them looked up when the whistle blew. I watched them grow small in the distance as the train pulled away, arms around each other and alone in the darkness of the platform.

  berghof

  A DARKENED WORKROOM, abstract as a cell, with white walls, wood floor, and a table of sturdy, rough wood, like the tables you used to see in kitchens, in our kitchen when I was a boy. Places become echoes, transparencies of other places, they rhyme with austere assonance. Walking into the room at this indeterminate hour of the winter afternoon, I am reminded of García Lorca’s room in Huerta de San Vicente, and of the one he had in Madrid, in a student dormitory, and from Madrid and García Lorca and the set of transparencies and assonances of places my thoughts go to Rome, to the room in the Spanish Academy where I slept a few nights in March or April of 1992, where I imagined long industrious days of solitude and reading, monkish days of work and tranquillity of mind, the retreat it seems one carries imprinted in one’s soul, is always dreaming of and looking for, the room with only a few necessities: bed, bare wood table, window, perhaps a bookcase for a few books, not too many, and also one of those portable CD players. I would spend the whole day walking around Rome in a state of intoxication, a trance accentuated by solitude, and at night I fell exhausted onto the narrow bed in my room at the academy, and in my agitated dreams, powerful and dark as the waters of the Tiber, I continued my wanderings through the city, seeing columns and ruins and temples magnified and blurred as if in a delirium. I would wake up exhausted, and in the cold, olive-green light of dawn my newly opened eyes would focus on the cupola of the small temple of Bramante.

  Another place rises before me as shadow begins to turn to darkness lighted only by the phosphorescence of the computer and the lamp that illuminates my hands on the keypad. The hand resting beside the mouse isn’t mine any longer. The other hand, the left, distractedly rubs the worn white shell Arturo picked up two summers ago on the Zahara beach, the afternoon before we left, one of those luxuriously long afternoons at the beginning of July when the sun goes down after nine and the sea takes on the blue of cobalt, slowly retreating from the still-golden sand where the footprints of homebound bathers become delicate hollows of shadow.

  From the darkness around by the computer screen and the low lamp, from the two hands, from the smooth feel of the mouse and the roughness of the shell and without any premeditation on my part, a figure emerges, a presence that is not entirely invention,
or memory either: the doctor alone in the shadows, waiting for a patient, moving the mouse with his right hand, searching for a file in the computer, a medical history opened not many days ago, to which he added several test results just yesterday.

  I OFTEN SEE THAT FIGURE, the hands especially, typing in the light of the screen: they are long, bony, sure, with a lot of hair on the back, not as gray as the hair and beard of the doctor, whom I don’t envision standing, although I know he is very tall and so slender that his bathrobe hangs loose from his shoulders. I see him seated, white bathrobe and gray hair and beard, in a room with the curtains drawn, although there is still some time before nightfall. The computer is on one side of the table, and on the other there is nothing but a white, rounded seashell, smaller and more concave than a scallop, stronger, too, as worn and eroded on the outside as the volute of a marble capital eaten by sea air and weather, and on the inside it is soft as mother-of-pearl, a pleasure to brush with fingertips that run over it as if of their own volition as the doctor speaks to the patient who has just arrived, trying to choose his words carefully—or earlier, when he is still alone, reviewing once again the test results lying open on the table. His mind wanders to a different time, luminous days invoked by the feel of the shell, which is a modest shell, not at all flashy, grayish white patterned with ridges opening from its base like the ribs of a fan, each following an exquisite curve, the beginning of a spiral interrupted by the outer edge, which is worn and nicked, presenting the fingertips with the irregularity of a piece of broken pottery.