Delphi Complete Poetical Works of Matthew Arnold

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by Matthew Arnold


  The Terrace at Berne has been already dealt with, but that mood for epicede, which was so frequent in Mr Arnold, finds in the Carnac stanzas adequate, and in A Southern Night consummate, expression. The Fragment of Chorus of a Dejaneira, written long before, but now first published, has the usual faults of Mr Arnold’s rhymeless verse. It is really quite impossible, when one reads such stuff as —

  “Thither in your adversity

  Do you betake yourselves for light,

  But strangely misinterpret all you hear.

  For you will not put on

  New hearts with the inquirer’s holy robe

  And purged considerate minds” —

  not to ask what, poetically speaking, is the difference between this and the following —

  “To college in the pursuit of duly

  Did I betake myself for lecture;

  But very soon I got extremely wet,

  For I had not put on

  The stout ulster appropriate to Britain,

  And my umbrella was at home.”

  But Palladium, if not magnificent, is reconciling, the Shakespearian Youth’s Agitations beautiful, and Growing Old delightful, not without a touch of terror. It is the reply, the verneinung, to Browning’s magnificent Rabbi ben Ezra, and one has almost to fly to that stronghold in order to resist its chilling influence. But it is poetry for all that, and whatever there is in it of weakness is redeemed, though not quite so poetically, by The Last Word. The Lines written in Kensington Gardens (which had appeared with Empedocles, but were missed above) may be half saddened, half endeared to some by their own remembrance of the “black-crowned red-boled” giants there celebrated — trees long since killed by London smoke, as the good-natured say, as others, by the idiotic tidiness of the gardeners, who swept the needles up and left the roots without natural comfort and protection. And then, after lesser things, the interesting, if not intensely poetical, Epilogue to Lessing’s Laocoon leads us to one of the most remarkable of all Mr Arnold’s poems, Bacchanalia, or the New Age. The word remarkable has been used advisedly. Bacchanalia, though it has poignant and exquisite poetic moments, is not one of the most specially poetical of its author’s pieces. But it is certainly his only considerable piece of that really poetic humour which is so rare and delightful a thing. And, like all poetic humour, it oscillates between cynicism and passion almost bewilderingly. For a little more of this what pages and pages of jocularity about Bottles and the Rev. Esau Hittall would we not have given! what volumes of polemic with the Guardian and amateur discussions of the Gospel of St John! In the first place, note the metrical structure, the sober level octosyllables of the overture changing suddenly to a dance-measure which, for a wonder in English, almost keeps the true dactylic movement. How effective is the rhetorical iteration of

  “The famous orators have shone,

  The famous poets sung and gone,”

  and so on for nearly half a score of lines! How perfect the sad contrast of the refrain —

  “Ah! so the quiet was!

  So was the hush!”

  how justly set and felicitously worded the rural picture of the opening! how riotous the famous irruption of the New Agers! how adequate the quiet-moral of the end, that the Past is as the Present, and more also! And then he went and wrote about Bottles!

  “Progress,” with a splendid opening —

  “The master stood upon the mount and taught —

  He saw a fire in his disciples’ eyes,” —

  conducts us to two other fine, though rhymeless, dirges. In the first, Rugby Chapel, the intensity of feeling is sufficient to carry off the lack of lyrical accomplishment. The other is the still better Heine’s Grave, and contains the famous and slightly pusillanimous lines about the “weary Titan,” which are among the best known of their author’s, and form at once the motto and the stigma of mid-century Liberal policy. And then the book is concluded by two other elegies — in rhyme this time — The Stanzas written at the Grande Chartreuse and Obermann once more. They are, however, elegies of a different kind, much more self-centred, and, indeed, little more than fresh variations on “the note,” as I ventured to call it before. Their descriptive and autobiographic interest is great, and if poetry were a criticism of life, there is plenty of that of them. The third book — Schools and Universities on the Continent (1868) — in which are put the complete results of the second Continental exploration — is, I suppose, much less known than the non-professional work, though perhaps not quite so unknown as the earlier report on elementary education. By far the larger part of it — the whole, indeed, except a “General Conclusion” of some forty pages — is a reasoned account of the actual state of matters in France, Italy, Germany, and Switzerland. It is not exactly judicial; for the conclusion — perhaps the foregone conclusion — obviously colours every page. But it is an excellent example (as, indeed, is all its author’s non-popular writing) of clear and orderly exposition — never arranged ad captandum, but also never “dry.” Indeed there certainly are some tastes, and there may be many, to which the style is a distinct relief after the less quiet and more mannered graces of some of the rest.

  Opinions may differ more as to the value of the book as a lesson, or as an argument. Mr Arnold had started with a strong belief in the desirableness — indeed of the necessity — of State-control of the most thoroughgoing kind in education; and he was not at all likely to miss the opportunity of fetching new weapons from the very arsenals and places d’armes of that system. He was thoroughly convinced that English ways generally, and especially the ways of English schools and colleges, were wrong; and he had, of course, no difficulty in pointing triumphantly to the fact that, if the institutions of Continental countries differed in some ways from each other, they all differed in nearly the same way from ours. It may undoubtedly be claimed for him — by those who see any force in the argument — that events have followed him. Education, both secondary and university in England, has to a large extent gone since on the lines he indicates; the threatened superiority of the German bagman has asserted itself even more and more; the “teaching of literature” has planted a terrible fixed foot in our schools and colleges. But perhaps the weight usually assigned to this kind of corroboration is rather imaginary. That a thing has happened does not prove that it ought to have happened, except on a theory of determinism, which puts “conduct” out of sight altogether. There are those who will still, in the vein of Mephistopheles-Akinetos, urge that the system which gave us the men who pulled us out of the Indian Mutiny can stand comparison with the system which gave France the authors of the débâcle; that the successes of Germany over France in war have no necessary connection with education, and those of Germany over England in commerce, diplomacy, &c., still less. They will even go further — some of them — and ask whether the Continental practices and the Arnoldian principles do not necessitate divers terribly large and terribly ill-based assumptions, as that all men are educable, that the value of education is undiminished by its diffusion, that all, or at least most, subjects are capable of being made educational instruments, and a great many more.

  On the other hand, they will cheerfully grant that Mr Arnold never succumbed to that senseless belief in examination which has done, and is doing, such infinite harm. But they will add to the debit side that the account of English university studies which ends the book was even at the time of writing so inaccurate as to be quite incomprehensible, unless we suppose that Mr Arnold was thinking of the days of his own youth, and not of those with complete accuracy. He says “the examination for the degree of bachelor of arts, which we place at the end of our three years’ university course, is merely the Abiturienten-examen of Germany, the épreuve du baccalauréat of France, placed in both those countries at the entrance to university studies”; and it is by this that he justifies Signer Matteucci’s absurd description of Oxford and Cambridge as hauts lyceés Now, in the first place, there is not one single word in this sentence, or in the context, or, so far as I r
emember, in the whole book, about the Honours system, which for very many years before 1868 had exalted the standard infinitely higher in the case of a very large proportion of men. And in the second place, there is not a word about the Scholarship system, which in the same way had for very many years provided an entrance standard actually higher — far higher in some ways — than the concluding examinations of the French baccalauréat. My own days at Oxford were from 1863 to 1868, the year of Mr Arnold’s book. During that time there were always in the university some 400 men who had actually obtained scholarships on this standard; and a very considerable number who had competed on it, and done fairly. Whether Mr Arnold shared Mark Pattison’s craze about the abolition of the pass-man altogether, I do not know. But he ought to have known, and I should think he must have known, that at the time of his writing the mere and sheer pass-man — the man whose knowledge was represented by the minimum of Smalls, Mods, and Greats — was, if not actually in a minority, — in some colleges at least he was that — at any rate in a pretty bare majority. With his love of interference and control, he might have retorted that this did not matter, that the university permitted every one to stick to the minimum. But as a matter of fact he suggests that it provided no alternative, no maximum or majus at all.

  By the time that we have now reached, that of his giving up the professorship, Mr Arnold’s position was, for good and for evil, mostly fixed. When he took up the duties of his chair he was, though by no means a very young man and already the author of much remarkable work, yet almost unknown out of Oxford and a small official circle in London. He had now, at forty-five, not exactly popularity, but a very considerable, and a very lively and growing, reputation. By far the most and the best of his poetry was written; but it was only just coming to be at all generally read or at all justly appreciated. He had, partly in obeying, and partly in working against his official superiors, acquired a distinct position as an educational reformer. He had become something of a figure in society. But, above all, he had proclaimed with undoubting authority, and had exemplified with remarkable and varied skill, a new or at least a very greatly altered kind of literary criticism. And this had already threatened incursions into domains from which men of letters as such had generally kept aloof, or which, if they had touched, they had touched not as men of letters. Something of Socrates, something of Addison, something of Johnson, mingled in Mr Arnold’s presentation of himself as, if not exactly an arbiter, at any rate a suggester of elegances in all things, poetry and politics, prose and polite manners, public thought, public morality, religion itself. These pretensions, if urged in a less agreeable manner, would have been intolerable; they were not universally tolerated as it was: but the gifts and graces of the critic made them — so far — inoffensive, even rather fascinating, to all save the least accommodating or the most clear-sighted, and to some even of these.

  And we must remember that this appearance of Mr Arnold as the mild and ingenious tamer of the ferocious manners of Britons coincided with far wider and more remarkable innovations. This was the time, at home, of the second Parliamentary Reform, which did at least as much to infringe the authority of his enemy the Philistine, as the first had done to break the power of the half-dreaded, half-courted Barbarian. This was the time when, abroad, the long-disguised and disorganised power of Germany was to rearrange the map of Europe, and to bring about a considerable rearrangement of Mr Arnold’s own ideas as to the respective greatness of foreign nations. And finally the walls of another stronghold of British Philistia, its intense and apparently impregnable self-satisfaction with Free-trade and cheap money and so forth, were tottering and crumbling. A blast against them — indeed a series of blasts from Chartism to the Latter-day Pamphlets — had been blown long before by Carlyle, in very different tones from Mr Arnold’s. They had lost their stoutest champion and their most eloquent panegyrist in Macaulay. But Sadowa and household suffrage gave the final summons, if not the final shake. Mr Arnold had done his best to co-operate; but his object, to do him justice, was to be rather a raiser of the walls of Thebes than an over-thrower of those of Jericho, or even of Ashdod. He set about, in all seriousness, to clear away the rubbish and begin the re-edification; unluckily, in but too many cases, with dubious judgment, and by straying into quarters where he had no vocation. But he never entirely neglected his real business and his real vocation, and fortunately he returned to them almost entirely before it was too late.

  Chapter IV. In the Wilderness.

  That the end of Mr Arnold’s tenure of the Professorship of Poetry was a most important epoch in his life is sufficiently evident. In the ten years that came to an end then, he had, as two such extremely competent judges as Mr Disraeli and Crabb Robinson in different ways told him, passed from comparative obscurity into something more than comparative prominence. His chair had been for him a real cathedra, and his deliverances from it had always assumed, and had at length, to a great extent, achieved, real authority. In criticism it was evident that if he had not revealed positively novel aspects of truth, he had formulated and put on record aspects which were presenting themselves to many, nay, most, of the best critical minds of his day. His criticism had drawn his poetry with it, if not into actual popularity, yet into something like attention. His attempts to obtain some other employment less irksome, less absorbing, and more profitable, had indeed been unsuccessful; but he was rising in his own department, and his work, if still in part uncongenial and decidedly laborious, appears to have been much less severe than in earlier days. Partly this work itself, partly his writings, and partly other causes had opened to him a very large circle of acquaintance, which it was in his own power to extend or contract as he pleased. His domestic life was perfectly happy, if his means were not very great: and his now assured literary position made it easy for him to increase these means, not indeed largely, but to a not despicable extent, by writing. The question was, “What should he write?”

  It is probably idle ever to wish that a man had done anything different from that which he has done. Without being a rigid Determinist, one may be pretty well convinced that the actual conduct is the joint result of abilities, and of desires, and of opportunity to exercise them, and that the man, had he really done otherwise, would have been unsuccessful or unhappy or both. But I fear that if I had been arbiter of Mr Arnold’s fate at this moment I should have arranged it differently. He should have given us more poems — the man who, far later, wrote the magnificent Westminster Abbey on such a subject as Dean Stanley, had plenty more poetry in his sack. And in prose he should have given us infinite essays, as many as De Quincey’s or as Sainte-Beuve’s own, and more than Hazlitt’s, of the kind of the Heine and the Joubert earlier, of the Wordsworth and the Byron later. I can see no reason why, in the twenty-one years’ lease of life upon which he now entered, he should not have produced a volume a-year of these, — there are more than enough subjects in the various literatures that he knew; and though it is possible that in such extended application his method might have proved monotonous, or his range have seemed narrow, it is not likely. To complete the thing, I should have given him, instead of his inspectorship, a headship at Oxford, for which, it seems to me, he was admirably fitted. But Dis aliter visum: at least it seemed otherwise good to Mr Arnold himself as far as his literary employments were concerned, and the gods did not interfere.

  We have seen that he had, some years before, conceived the ambitious idea of changing the mind of England on a good many points by no means merely literary; and he seems, not altogether unnaturally, to have thought that now was the time to apply seriously to that work. His tenure of the Oxford chair had given him the public ear; and the cessation of that tenure had removed any official seal of etiquette which it might have laid on his own lips. A far less alert and acute mind than his must have seen that the Reform troubles of 1866 and the “leap in the dark” of 1867 were certain to bring about very great changes indeed at home; and that the war of the first-named year meant the alteration of
many things abroad. He at least thought — and there was some justification of a good many kinds for him in thinking — that intellectual changes, of importance equal to the political, were coming or come upon the world. And so for a time he seems to have grown rather cold towards the Muses, his earliest and always his truest loves. Social, political, and religious matters tempted him away from literature; and for a matter of ten years it can hardly be said that he had anything to do with her except to take her name in vain in the title of by far his worst, as it was by far his most popular, volume.

  It has been hinted in a note on one of the early pages in this book that the secret of this unfortunate twist is at least partly to be found in the peculiar character of Mr Arnold’s official employment. For nearly twenty years he had been constantly thrown into contact with the English Dissenters; and, far earlier than the time which we have reached, they seem not only, in familiar phrase, to have “got upon his nerves,” but to have affected his brain. He saw all things in Dissent — or, at least, in the middle-class Philistine Dissenter. His Philistia is not in the least a true portrait of the average middle-class household thirty or forty years ago; though, I daresay (I have little direct knowledge), it is not an unfair one of the average Dissenting middle-class household. The religion which Mr Arnold attacks is not the religion of the Church of England at all, or only of what was even then a decaying and uninfluential part of it, the extremer and more intolerant sect of the Evangelicals. Once more, I cannot from personal knowledge say whether this portrait was true of Dissent, but I can believe it.

 

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