“If you have any interaction with local or fed LE, don’t you mention the JFK angle. Not a word. It’s straight interstate to commit a crime. I didn’t want a local player, so I got an undercover who’d worked with the bureau before and that I knew and trusted. That’s the game. Who are you this time, by the way?”
“I seem to be one John ‘Jack’ Brophy, a retired mining engineer from Boise. I did some counterchecking against myself, and those boys did this one real good. You don’t find good work like that just anywhere these days.”
“The program was designed to keep Mafia snitches alive long enough to testify, then incentivize the possibility of a new life away from the Mob, although they usually revert. Putting one together is expensive and time-consuming work, and it requires a big payoff to make it worth the time and effort. That’s why I hate to waste it on somebody who isn’t named Vito.”
“Well, if it makes you happy, call me Vito.”
“Give me your plan, Vito.”
“I have the victim’s notebook. It ain’t much, because his handwriting is so awful that I can’t read most of it. It’s got his schedule and his appointments. I know exactly where he went and who he talked to and the issues he raised. I’ll follow that same path. Maybe someone will try to smoke me. Then we’ll know we have something.”
“Jesus, that’s it? You, sixty-six years old with a hip that hasn’t worked in ten years, are going to play the tethered goat? What on earth makes you think you can match it up with a pro forty years younger and walk away?”
“If it comes to guns, I’ll put ninety-nine out of a hundred in a hole in the ground to this day.”
“Are you packing?”
“Not yet. If I pick up cues that I’m in someone’s crosshairs, I have a .38 Super and three mags of straight hardball stashed in my room at the Adolphus. I figure if I’m shooting, I’m shooting through windshield glass or door panels, so I need speed and strength, not expansion.”
“That stuff ricochets like crazy.”
“I know. I’ll be careful.”
“All right. This is how it has to work. You call the number I give you every morning and report your sked and plans for that day. If I can, I’ll put a backup team on you to make certain no one else is on your tail. If someone is, I’ll call you on the cell I’m going to give you, and we’ll set up our own ambush. I don’t have to tell you this as a friend, but as the federal officer who’s running you, I am obligated to do so: No cowboy shit. Shoot only when shot at or your life is in danger. I would so much prefer if there was no shooting, not because I think you’ll miss, but because one of them might, and with my luck, he’ll hit the orphaned violin prodigy on his way to accept the Nobel Peace Prize. You keep me informed, Brother Brophy, or I’ll have to pull you in.”
“I always play by the rules.”
“No, you never play by the rules, and my career has benefited from it to no end. If you say this ultimately might have to do with something we nearly unraveled twenty years ago but which slipped through our hands, that’s fine. I’ll buy in to that, cautiously, like the pension-scared bureaucrat I’ve become. But I remember. Everything I got since then, I got because of that wild ride we went on out of New Orleans that made me a Bureau star back in ’93. And I don’t forget you saved my life on that ride. I will always owe you, and I will stand by you on this last wild ride, even if it goes straight into craziness. Just. . be careful.”
“Thanks, Nick. Stick with me, and we’ll get you back to Washington.”
“Yeah,” said Nick, “maybe in a casket or a pair of handcuffs. So what’s the first stop?”
“Up there,” Bob said, suggesting by shoulder twitch the sixth-floor corner window. The sniper’s nest.
- - - -
He paid his $13.50 and received some kind of tape recorder to wear around his neck. The instructions were to push a certain button when the elevator dumped him off at floor six, and thereby launch the recorded narrative that would guide him across the floor at a certain pace and direction. He saw that the point of the tape recorder wasn’t to inform people, most of whom, if they self-selected themselves for the trip, knew where they were going and what they would see, but to isolate them, to keep them moving at a steady pace and to cut down on the chatter, as if it were a reliquary.
And it was, holding not the bones of a saint but the bones of the past. Now the empty, box-filled space of nothingness that had been the sixth floor fifty years ago had been turned into a generic JFK museum, a polite narrative of the themes of that day expressed neutrally, without outrage or snark, in the old journalism tradition of the five Ws. Swagger knew the five Ws of this one already and didn’t need a refresher, so he left the tape recorder silent and slid through the thin crowd of tourists who clustered in smallish groups at each of the signboards and photo displays that followed the strands. It all led to one spot.
Swagger looked at it. The good fathers of Dallas had decided to cut down on the vicarious teenage thrill of being Lee Harvey and lining up the head shot from exactly his place and posture; they had erected a cubicle of Plexiglas to seal off the corner but also as if to preserve it in amber, a frozen ghost of a lost bad time.
Swagger stared at the array of Scott Foresman boxes, arranged just as the screwball from New Orleans had done, building a childish little fort that would block him from the view of anyone else on the sixth floor and also give him a solid supported position for the shot. The guy had been a marine, after all; the importance of the sound position had been drilled into him, and on his day of days, he had not forgotten it.
Swagger looked, unsure what he was supposed to feel. Too many people were drifting by or resting on benches for it to have any ceremonial dignity; it was just a crummy corner of a crummy building looking through a crummy window. He went to the window – not Oswald’s, which was unreachable behind the Plexiglas, but the next one over, and saw how close the two crosses in the street were. The longest was 265 feet away, if he remembered correctly. The head shot. Under a hundred yards. The range wasn’t as important as the angle: he was here for the angles. This one was an outgoer, about three or four degrees to the left, diminishing slightly as the distance increased, moving laterally right to left but just as slowly. With any modern hunting rig and a hundred bucks’ worth of Walmart optics from low-end Chinese glassworks like BSA or Tasco, it would be an easy enough shot. Given the angle and the speed, it was hardly a mover at all; given the stability offered by the carefully arranged boxes, it was like shooting bull’s-eye at the bench.
There were other things that leaped out at him. The first was that when the big limo had pivoted around that 120-degree turn, it must have been almost still, or at least moving so slowly that the movement would have no play in the shooting. Moreover, it was so close. It was seventy-five feet away, almost straight down, and JFK’s chest and head were in total exposure and the windshield between the passenger compartment and the driver’s compartment was overcome by the vertical angle of the downward trajectory. That was the shot. He tried to figure out why Lee Harvey hadn’t taken it.
Maybe he would have had to lean out too far. Maybe if he’d had a better shot, they also would’ve had a better shot, and even a good pistol guy with a four-inch Smith .357 or a Colt .45 ACP, as both feds and Dallas cops carried in those days, could draw, fire, and hit in a second’s worth of move. Maybe Harvey would be the one with the brain shot from some Secret Servicer’s Smith four; he’d be the one with cerebellum shredded and blown raggedly everywhere. Or maybe he’d fogged the scope. Maybe he’d had a qualm, a regret, a bolt of fear, and lost his killer’s determination, a brief crisis of confidence. All of those could explain it, but which one did?
Swagger looked to the right. Lee Harvey doesn’t take that shot. Instead, he lets the car crank around the corner and disappear behind the line of oak trees at the side of the road, and shoots through them. Duh. How stupid is that? Why would he do something so stupid? Was he an idiot, in the grip of panic, a hopeless loser? And of cour
se: he missed.
Swagger then looked at the first X on Elm Street, which would have been Lee Harvey’s second shot fired, after the miss. That was probably his best opportunity after passing on the turner below him and after recovering too quickly and missing the first shot, but he’d blown that one too, at least in the sense of missing the head shot and landing a few inches low, in the back under the neck. Yes, he was coming off a swift bolt throw, but the target was under two hundred feet away, and from the target angle (always the angles!), it did not present an image moving harshly or radically. By his standards, he missed, and given the president’s lack of visible reaction, Oswald might have counted it as a clean miss. You’d think, still, if he were going to hit a head shot, that was the one he would have hit, not the third, even farther out, the target even smaller, coming off another fast bolt throw. It was the third he’d hit. And he had hit it. No doubt, no regret, no pain, no nothing, no force on Earth could change the fact that a 6.5 mm bullet had hit Jack Kennedy in the head at 12:30 p.m. November 22, 1963, and shocked the world with the visceral reality of the shattered skull, the vaporized brain tissue, the animal vibration of catastrophic trauma.
Could Oswald have made that shot? Bob considered. The question wasn’t abstract; he might have had the skill, but that skill had to be expressed through the system he used, and it had to be forced through the prism of the actual. He was a punk nobody shooting at the president of the United States in a hurry, working a bolt that had to be at some level unfamiliar to him – he’d trained on the old semi-auto M1 Garand, as had Bob – so the adrenaline must have been coursing through his veins like lighter fluid. All the buck-fever things must have been happening; eyes wide to f/1, auditory exclusion, loss of fine motor control, vision impingement, the sensation of oxygen debt. Yet he made the shot.
It was an easy shot. Bob probably could have made it offhand, as any of the dozens of snipers he’d known could have. So what? The issue was, could this little monkey from all our dark furious dreams, with his hatred and bitterness and political crackpottiness, his incompetence and long history of failure, could he have made that shot on that day at that time?
It was stupid to ask, even if thousands had done so publicly. That’s because to answer, you had to be familiar with the capacities of the rifle at its maximum and at its minimum. He turned, and as if by magic, there it was: a full-size silhouette of C2766, the Mannlicher-Carcano Model 1938 carbine made in Terni, Italy, in 1941 and scoped by an anonymous mechanic – “gunsmith” was far too grand a word – with a cheesy 4X tube out of a Japan that hadn’t yet discovered its postwar optical engineering genius and was attached to the receiver by a machined piece of pot metal in the form of a scope mount, all of it held together by two screws when there should have been four. The image floated at Bob off a signboard a few feet away. He walked over and confronted the thing as reproduced in the full-size photo.
The FBI forensic ballisticians had done a number on the weapon as soon as they received it, but Bob had looked through the testimony and found it somewhat spotty. Frazier, the agent, was revered in the Bureau as a gun expert, but Bob noted that he was a high-power shooter by choice (and a champion at that), which meant he specialized in the discipline of shooting large, stable targets at long range (out to six hundred yards) with service rifles through open sights. His skill set would have included stamina, sophisticated wind doping, trigger control, and long-term nervous system control. By experience, he was not particularly knowledgeable about or comfortable with the telescopic sight or precision shooting. The one shot/one kill mantra of the sniper would have been lost on him. Though his testimony in certain areas seemed problematic, Swagger knew he’d have to look more carefully at it on another day.
Here, in 2-D glory, the rifle looked like something an eight-year-old tin soldier in a red papier-mache tunic might carry in a junior high version of The Nutcracker. He’d been dragged to a production when Nikki was in her ballet phase and remembered the stiff-legged little boys with the red circles painted on their cheeks under the tall cardboard faux-hussar hats. That was how miniaturized and quaint it seemed. It was small, hardly a weapon of war. Like many of the rifles of the Mediterranean, it seemed somehow to lack seriousness of purpose; it wasn’t a heavily machined vault that could shoot a bullet a mile with accuracy or provide a platform to drive a bayonet into a man’s guts, like a Mauser, a Springfield, a Lee-Enfield. You might use it to pot rabbits, as it was of light caliber: roughly .264 in an age before high-velocity powders, not a .30 with its tons of muzzle energy. The ballistics were unimpressive. He looked at the stamped pot-metal scope mount, well resolved in the photo blowup, and noted that it boasted enough detail to depict the two empty screw holes on the plate that held rifle to scope. What influence would that have had on events? How long would the two screws hold the scope tight, if they’d been tightened at all? Through one shot or two or, most important, three? What would the consequences be of a loose scope, which would reset itself whimsically after each shot, screwing up accuracy? All good shooters tightened their scope screws before they fired; had Oswald? Would he have known that? He wasn’t trained on scopes in the Corps, just the knurl-index click system of the M1 peep sight, a brilliant mechanical device in its day. Did Oswald understand the concept of zeroing a scope? Was this scope zeroed? Was it altered after recovery? All these questions would have to be answered in re: this particular rifle, not any other, before one could issue a comment on its capabilities.
If that was the thing that did it, he’d have to know more about it. He resolved to acquire and study such a piece – they were available dirt cheap, usually under three hundred or so. Could he learn the bolt throw, could he find a target fast through that little four-power, not particularly clean scope, could the rifle sustain its accuracy over a string of shots, could that improvised sling improve the accuracy, if indeed Oswald, who knew of slings from the Marine Corps, applied it during his shooting? All yet to be discovered.
Swagger tired of the place. No big deal, no emotional reaction to the foreign visitors, the running kids, the goofball Ohio tourists; it was just enough, and was time to go.
- - - -
Now, the grassy knoll. It was a kind of absurd conceit, a mock Greek temple etched into a grass hillside along a busy commercial road in the heart of the city. Someone’s long-ago idea of class, when the Greek model was beloved and appreciated in America. But it looked like something out of an ancient Rome movie, and you half expected to see people lounging around in togas.
Swagger stood to the side of the circle of columns at the height of the crest and tried not to think of togas; he considered the angles. Below him, maybe fifty feet, cars rushed down Elm toward the triple underpass. The slope of grass ran down to the curbside, the road itself fed the commuters onto the Stemmons Freeway, and beyond that stretched the field, also pool-table green, of Dealey Plaza.
Here, the shooting was so close. Some kind of professional hard-core hit team without access to the TBD, which loomed to the left through some thin trees, almost certainly would have chosen this spot. They could yank subguns-grease guns, Thompsons, Schmeissers, all the common war bring-backs plentiful in the America of 1963 – and lay down a fusillade that no man could survive. Then they could race off and try to gunfight their way to freedom, but they’d fail, enough police would arrive eventually, and they’d die of extreme ventilation of the twelve-gauge variety at some roadblock a few miles away.
But one shooter, knowing he had to hit cold-bore on his first shot to syncopate with the patsy Oswald’s sure misses? He couldn’t make any sense of it. I came here for answers, Swagger thought. All I am getting is more questions.
Still, like all the other rubes, he moseyed down the hill and stood at the curb not seven feet from the X that marked the position of the car when the third bullet hit head. He’d seen it enough to view it with dispassion, but unbidden, a sound cue came to him. He had been near men hit in the head, and he knew that it was a sound like no other on the
planet. He didn’t want to, but from some forgotten atrocity in his long and violent past, that noise abruptly reproduced itself. It sounded like a baseball bat hitting a grapefruit, as it held both the thud of power and the squirt of liquefaction. Vapor was left in the air, a cloud of atomized brain particles thick enough to register on Zapruder’s film before it dissipated in the rush of the car accelerating away.
Swagger shook his head. He hadn’t expected that moment of horror. He tried to clear his brain. He turned, looked up Elm to the cube of the depository with its front of mismatched windows, arc and square and arc and square, now lacking the gaudy Hertz sign that had commanded the heights in 1963, and he saw Lee Harvey’s window 288 feet away and 66 feet off the ground. But he saw another thing. He waited until a traffic light at the corner halted the stream so he was able to walk the seven feet to the X and turn and look back.
The other thing he saw was a building. It was also a brick box, and it was just across Houston from the depository. From this angle, its seventh-story window was but a few feet to the right of Oswald’s nest. Any fair computerized trajectory cone, imprecise to begin with, would have included it too.
It was the Dal-Tex Building.
- - - -
Because the writer had spent an afternoon there, Swagger next found himself in the local history room of the Dallas Public Library on Young Street a few blocks from his hotel on Commerce. The library itself, which seemed to match City Hall across the street, appeared to resemble a spaceship crashed into the earth. It was a kind of inverted or upside-down pyramid thing, and each floor addressed the world through a line of wide, deep windows. It was so old-fashioned modern.
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