Life in 19th Century Paris
Page 13
Among the items of expenditure are, interest of debt and sinking-fund, $9,214,000; expenses of collections, salaries etc., $1,689,000; primary institutions, $1,100,000; public worship, $36,000; national guard and military service, $576,300; repairs of public buildings, $ 346,000; assistance to the poor, including hospitals, $4,469,200; promenades and works of art, $653,340; public schools, 123,200; public festivals, $152,000; the police department, $3,124,000; new public works, $4,924,000; lighting streets, $783,416,000.
It will thus be seen that, notwithstanding the tribulations through which Paris has passed [the Siege of Paris by the Prussian army and the Commune uprising in 1871], she spent last year nearly $5,000,000 on new public improvements, whilst the receipts exceeded the whole expenses of the city by nearly $150,000. Poor Baltimore, with its “rings” and political hunkers, spends literally nothing on public improvements, and runs deeper in debt every year. The city government of Paris is a model for the world, and if we must continue to keep the incompetents in control, do send them over here to learn something.
The Government of Paris Will Sell Your Crinoline
Excerpt from Europe Viewed Through American Spectacles (1873) by Charles C. Fulton.
◆◆◆
Mont-de-Piété is one of the most important and extensive establishments connected with the city government of Paris. It is a municipal pawnbroker establishment for the relief and protection of the poor, and, indeed, of all classes who may by either poverty or misfortune be compelled to borrow money on their personal effects. That the extent of this establishment may be understood, it is only necessary to state that it has two principal offices in opposite section of the city, twenty auxiliary offices in different wards or arrondissements, and has three hundred officers connected with it.
The average number of articles pledged daily is three thousand, but no pledges are received from anyone unless they are known to be householders, or produce a passport or papers en règle, showing who they are and that the property they offer is their own. The privilege of loaning money on deposits is enjoyed exclusively by this establishment: hence thieves have but little opportunity of disposing of their plunder. Out of two millions of articles pledged per annum, the average number delivered to the police on suspicion of theft is three hundred and ninety-one, representing loans to the amount of eight thousand nine hundred francs. Thus this establishment, instead of encouraging theft, leads to detection, punishment, and restoration of stolen goods.
The Mont-de-Piété is under the authority of the Minister of the Interior and the Prefect of the Seine and is managed by a Director, appointed by the former. It has a Council or Board of Managers, consisting of three members of the City Council, three citizens of Paris, and three members of three Council of Public Assistance. The number of officers employed in its management is over three hundred, and they are kept busy for twelve or fourteen hours per day.
Everything that is brought to be pledged is carefully appraised, and the amount loaned is four-fifths of the value of gold and silver articles, and two-thirds of the value of other effects, provided no loan at the two central offices exceeds ten thousand francs, and at the branch establishments five hundred francs. From this, it will be seen it is not used entirely by the extremely poor, but all classes at times avail themselves of its advantages to enable them to ride over temporary difficulties.
The pledges of the previous day are brought every morning to the central establishments or the two storehouses and it would be difficult to find in the whole of Paris a scene of more stirring business activity. The system with which the whole business is managed is wonderful, there being one department where borrowers are enabled to refund by installments the sums advanced: even one franc is received.
Whilst the work of redeeming pledges is constantly in progress in one part of the establishment, another is crowded with men, women, and children with bundles to offer for small advances, which continues from nine o’clock in the morning until four o’clock in the afternoon. In another section, an auction is daily held for the sale of forfeited pledges, which have not been redeemed within the time specified. After a year, or rather fourteen months, the effects, if the duplicate be not renewed by paying the interest due upon it, are thus sold, and the auction room is a scene for a painter. Here all the old-clothes establishments are represented, and at times the bidding is very lively, nothing being sold and no bids received for less sum than the amount advanced.
Parisian Foundlings
The official returns of the hospitals of Paris show that of the fifty-five thousand of births in the city during the past year, fifteen thousand three hundred and sixty-six were illegitimate. The proportion of illegitimates to the number of inhabitants is not quite up to that of Vienna, which has ten thousand for one million inhabitants, whilst the population of Paris is nearly two millions. In various parts of Paris , boxes called tours are established, each of which revolvers upon a pivot, and, on a bell being rung, is turned around by the person inside to receive the child that may have been deposited in it without attempting to ascertain who the parents are.
The child is taken to a hospital and cared for, and as soon as a nurse from the country may be procured, it is given into her charge. Nurses from the country, of good character, are always applying for these infants. The nurses are paid by the city from four francs to eight francs per month, according to the age of the child, care being taken to assign the children to nurses living as far as possible from their birth-places. After the second year, the nurse may give the child up, when, if no other nurse can be found for it, it is transferred to the Orphan Department. Sometimes the nurses become so attached to the children that they retain them. The number of children thus placed out in the country to nurse is about four thousand annually. The abolition, in some of the departments, of this humane custom of receiving these little waifs and asking no questions has caused infanticide to become very frequent. As for infanticide before birth, the number is said to have doubled and trebled in some districts, and to have risen to four and five times the usual amount in others. The average number of foundlings maintained at the Paris Hospital is four thousand four hundred. At the age of twelve the boys are bound apprentice to some trade at the expense of the city. A portion of one hundred and forty-eight francs is awarded by the city to female foundlings when they marry, provided their conduct has been unexceptionable throughout.
The Hospice des Enfants Assistés founded in 1640 by St. Vincent of Paul is for the reception of foundlings. For a child to be received at this hospital, however, it is necessary that a certificate of abandonment be produced, signed by a Commissary of Police. The Commissary is bound to admonish the mother or party abandoning the child and to procure for them assistance from the hospital fund in case of their consenting to retain and support the child. Every encouragement is thus given to those who relinquish the idea of abandoning their offspring and consent to support them at home. Of the children received at this hospital, those that are healthy are put out in the country to nurse, whilst those that are sickly are retained at the hospital until they die or recover. The number of beds in this hospital is about six hundred. And the children annually sent from it to the country are about four thousand three hundred. The children are first placed in a general reception room, called La Crêche, where they are visited every morning by the physicians assigned to the different infirmaries. In each of these infirmaries, as well as in La Crêche, cradles are placed around the walls in rows, and several nurses are constantly employed in attending to them. An inclined bed is placed in front of the fire, on which the children who require it are laid, and chairs are ranged in a warm corner, in which those of sufficient age and strength sit part of the day. Everything is admirably conducted, and to all outward appearances they are kindly and humanely cared for.
Poor and Helpless in the 19th Century Paris
Source: Paris from the Earliest Period to the Present Day by William Walton, published in 1899
◆◆◆
Very fortunate are those who succeed in obtaining a bed at the hospice in which to end their days; the number of applicants each year exceeds by three or four thousand the number of vacancies. The crippled and incurable paupers, for whom all labor is impossible, are admitted without regard to age; the octogenarians, cancerous, blind, and epileptic, and the sick transferred from the hospitals to the hospices, are always eligible; but the slightest misdemeanor recorded on their civil papers, even though atoned for by a long life of honesty, is fatal to the hopes of the unfortunate aged;—for them there is no asylum but the Dépôt de Mendicité. The most celebrated of these hospices of Paris are the Bicêtre and the Salpêtrière; the former at Gentilly, about a kilomètre from the southern fortifications, and the latter on the Boulevard d'Hôpital. The Bicêtre especially, under the ancient régime, represented everything that was abhorrent in a mediæval hospital, asylum, and jail combined; it was "at once a prison, a dépôt de mendicité, an asylum for the aged, a special hospital, a lunatic asylum, a political Bastille, an establishment for receiving sick children."
It is organized in two great divisions—a hospice for old men, and an asylum for the deranged; but the latter includes an infirmary for idiot, epileptic, and feeble-minded children. The buildings of the hospice proper are arranged around four rectangular courts, planted with trees and gardens, in which the aged inmates sun themselves, and when it rains they take refuge under arcades known as the Allée des Bronchite and the Rue de Rivoli de Bicêtre. For a considerable distance around the establishment these pensioners may be seen in fine weather taking the air; they have this privilege for the whole of the day on Sundays, Tuesdays, and Thursdays, and from eleven o'clock in the morning to four in the afternoon on the remaining days of the week.
All the sounder ones, to the number of some four hundred, are obliged to work at one of the many useful trades practised in the various ateliers, and they gain, for their own use, from forty centimes to a franc a day, money which goes to provide them with various small creature comforts. Those who are not strong enough, or capable enough, to work in the ateliers are obliged to pick vegetables for the culinary department, for which they receive no pay;—from this obligation no one is free excepting the octogenarians, the sickly, and the active workers. The administration also encourages the enterprise of those who wish to work on their own account; it provides them with a locality and facilities, for which they pay a monthly rental of from twenty centimes to one franc twenty centimes a month. Some of these petty industries are very curious and ingenious.
Paris Morgue in Emile Zola’s Words
The name of Emile Zola still resonates in the French collective memory. By founding the naturalistic novel that gives science, the people, and society their full importance, and by choosing to risk imprisonment to denounce anti-Semitism, Zola deeply marked the consciences of the late nineteenth century.
The following is a passage in Zola's Therese Raquin (1867):
...Laurent imposed on himself the task of passing each morning by the Morgue, on the way to his office. He had made up his mind to attend to the business himself. Notwithstanding that his heart rose with repugnance, notwithstanding the shudders that sometimes ran through his frame, for over a week he went and examined the countenance of all the drowned persons extended on the slabs.
While some retained their natural condition in the rigidity of death, others seemed like lumps of bleeding and decaying meat. At the back, against the wall, hung some lamentable rags, petticoats and trousers, puckered against the bare plaster. Laurent at first only caught sight of the wan ensemble of stones and walls, spotted with dabs of russet and black formed by the clothes and corpses. A melodious sound of running water broke the silence.
Little by little he distinguished the bodies, and went from one to the other. It was only the drowned that interested him. When several human forms were there, swollen and blued by the water, he looked at them eagerly, seeking to recognise Camille. Frequently, the flesh on the faces had gone away by strips, the bones had burst through the mellow skins, the visages were like lumps of boned, boiled beef. Laurent hesitated; he looked at the corpses, endeavouring to discover the lean body of his victim. But all the drowned were stout. He saw enormous stomachs, puffy thighs, and strong round arms. He did not know what to do. He stood there shuddering before those greenish-looking rags, which seemed like mocking him, with their horrible wrinkles.
One morning, he was seized with real terror. For some moments, he had been looking at a corpse, taken from the water, that was small in build and atrociously disfigured. The flesh of this drowned person was so soft and broken-up that the running water washing it, carried it away bit by bit. The jet falling on the face, bored a hole to the left of the nose. And, abruptly, the nose became flat, the lips were detached, showing the white teeth. The head of the drowned man burst out laughing...
When there were no drowned persons on the back row of slabs, he breathed at ease; his repugnance was not so great. He then became a simple spectator, who took strange pleasure in looking death by violence in the face, in its lugubriously fantastic and grotesque attitudes. This sight amused him, particularly when there were women there displaying their bare bosoms. These nudities, brutally exposed, bloodstained, and in places bored with holes, attracted and detained him.
Once he saw a young woman of twenty there, a child of the people, broad and strong, who seemed asleep on the stone. Her fresh, plump, white form displayed the most delicate softness of tint. She was half smiling, with her head slightly inclined on one side. Around her neck she had a black band, which gave her a sort of necklet of shadow. She was a girl who had hanged herself in a fit of love madness.
Each morning, while Laurent was there, he heard behind him the coming and going of the public who entered and left.
The morgue is a sight within reach of everybody, and one to which passers-by, rich and poor alike, treat themselves. The door stands open, and all are free to enter. There are admirers of the scene who go out of their way so as not to miss one of these performances of death. If the slabs have nothing on them, visitors leave the building disappointed, feeling as if they had been cheated, and murmuring between their teeth; but when they are fairly well occupied, people crowd in front of them and treat themselves to cheap emotions; they express horror, they joke, they applaud or whistle, as at the theatre, and withdraw satisfied, declaring the Morgue a success on that particular day.
Laurent soon got to know the public frequenting the place, that mixed and dissimilar public who pity and sneer in common. Workmen looked in on their way to their work, with a loaf of bread and tools under their arms. They considered death droll. Among them were comical companions of the workshops who elicited a smile from the onlookers by making witty remarks about the faces of each corpse. They styled those who had been burnt to death, coalmen; the hanged, the murdered, the drowned, the bodies that had been stabbed or crushed, excited their jeering vivacity, and their voices, which slightly trembled, stammered out comical sentences amid the shuddering silence of the hall.
There came persons of small independent means, old men who were thin and shrivelled-up, idlers who entered because they had nothing to do, and who looked a
t the bodies in a silly manner with the pouts of peaceful, delicate-minded men. Women were there in great numbers: young work-girls, all rosy, with white linen, and clean petticoats, who tripped along briskly from one end of the glazed partition to the other, opening great attentive eyes, as if they were before the dressed shop window of a linen draper. There were also women of the lower orders looking stupefied, and giving themselves lamentable airs; and well-dressed ladies, carelessly dragging their silk gowns along the floor.
On a certain occasion Laurent noticed one of the latter standing at a few paces from the glass, and pressing her cambric handkerchief to her nostrils. She wore a delicious grey silk skirt with a large black lace mantle; her face was covered by a veil, and her gloved hands seemed quite small and delicate. Around her hung a gentle perfume of violet.
She stood scrutinising a corpse. On a slab a few paces away, was stretched the body of a great, big fellow, a mason who had recently killed himself on the spot by falling from a scaffolding. He had a broad chest, large short muscles, and a white, well-nourished body; death had made a marble statue of him. The lady examined him, turned him round and weighed him, so to say, with her eyes. For a time, she seemed quite absorbed in the contemplation of this man. She raised a corner of her veil for one last look. Then she withdrew...