“Szymuś, let’s go outside. Don’t go over there! I’ll do it with you. I want to. Do you hear, Szymuś? I want to. I do! For the love of Christ, they’ll kill you! Szymek!”
But someone nearby is already whacking people on the head with a bench. A couple of swings of his bench and he goes down like his legs have been swept from under him. The crowd heads for the door or jumps out the windows. Someone hits a ceiling lamp with a bottle. And the band is playing louder than ever, it’s not obereks and polkas anymore but a full-blown thunderstorm. They play loud, louder, as loud as they can, to drown out the shouts and squeals and the you sons of bitches.
Then someone tips the room the other way. And back again. You don’t know whether you’re standing up or lying down. The girls are grabbing you by the jacket and the shirttails and the arms and neck, pulling you by the elbow, whimpering, screeching, crying. But what do you care about girls now that the knives are out. Somewhere the emcees’s roaring, stay in your pairs! One pair after another! Now form a circle! All the pairs dance! Then suddenly there’s a groan, and all that’s left of the emcee is his colored ribbon. Someone’s trying to swing a chair. They spin it around once and twice and they’re swallowed up by the crowd. Because chairs are no use when it’s knives up against knives. Blood up against blood.
And the room is rolling down a big slope. There’s clattering and wailing and curses. The sound of breaking glass. There’s only one lamp left hanging from the ceiling. A second one is turned on somewhere. Probably over by the buffet. But someone quickly puts it out with another bottle. Glass flies everywhere. And the room goes back uphill through darkness and dust. All you can hear is panting. And the swish of knives like scythes at harvesttime. Then downhill again. All the way over to near the band. The musicians’ arms are dropping off. Keep playing! Keep playing! Play a march now! The fiddler leads off on the march, when all of a sudden someone bumps into his side. There’s blood on his white shirt. The fiddle comes flying down like it’s dropping from heaven to earth. And the drum stops in midbang because someone else has taken a knife to it like it was an exposed belly. The accordion’s been ripped open. And the clarinet is smashed over the clarinetist’s head. The hell with the band! It all started because of them.
And there’s no more band. There’s not a single pane of glass left in the windows. The buffet’s been turned upside down. The decorations hanging from the ceiling are all in tatters. Your jacket’s in rags. There’d be times you could wring the blood out of your shirt – your own blood and other people’s. Then after the whole thing was over you’d sing all the way home.
One night, after one of those dances some farmers took us back home in their wagons. We were drunk as lords. That time I spent three weeks or so hiding out in the loft over the cattle shed, because there’d been a dead body and the police were poking about the villages looking for the guilty party. But you might as well go looking for the wind in the fields. When you’re having fun like that there is no guilty and innocent. Everyone lashes out left, right, and center, you could stab someone to death and you wouldn’t even know who. Or he’d get stabbed and he wouldn’t know who’d done it. Only the Lord God alone could know who was guilty, not the police.
I had three cuts, one in my side and two on my back. I could only lie on my stomach. Mother made compresses with different herbs. But it wasn’t healing up properly. The knife must have been rusty, because the wounds kept bleeding and bleeding, and mother was all teary:
“Szymuś, son. Think of your mother. One of these days they’ll kill you. I couldn’t take that.”
“They’re not going to kill me, mother. No way. Stop crying. I’m not that easy to kill. Look – I’ve got three holes in me, and did they kill me? You see yourself. And I’ll get even with them. Even if they do kill me, better it be sooner than later. There’s no point clinging to life, mother. Just living from one harvest to the next – what kind of life is that?”
As it happened the harvest was beginning, so at least those cuts got me out of mowing the rye and the barley. And more than half our land was barley and rye. On top of everything, that year there were rains, it rained and rained without stopping. Everything was flattened and mowing it was the hardest thing. One acre of flattened crop took as much work as three regular ones. You couldn’t feel your arms afterwards, your back was agony, your head felt like it was made of stone, and your legs would barely carry you home. What were those three holes in me in comparison.
I often tried to convince father to buy a harvester, because I was sick to death of all that mowing. Was it some punishment from God that the harvest had to be taken in year after year? Couldn’t it have grown some different way, so it didn’t have to be mowed and tied up and transported, then after that threshed and winnowed and driven to the mill, and only then you could have bread? Bread could grow right from the start, you’d go out and collect the loaves straight from the field. They could even be small ones the size of heads of cabbage. Not tiny little seeds that you have to sweat over.
But father wouldn’t agree. We can’t afford it, and besides, the hay stays straight when you mow it, but harvesters mess it up so it isn’t any good either for mending the thatch, or making chaff, or stuffing mattresses. And Antek and Stasiek there, they’re growing up. They wouldn’t have anything to do, they’d have to sit around idle if we had a harvester. And when the crop’s been flattened by the rain, you need to mow it by hand anyway, a harvester’s not up to the job.
I didn’t get back on my feet till the wheat was ripe. But we only ever grew a half-acre or so of wheat. So as to have cake for Easter and Whitsun and Christmas, as a base for żurek, and from time to time, mostly on Sundays, for dumplings. As well, the crop hadn’t succeeded that year. It had been overgrown a bit by thistle and gotten lodged by the rain. The police had given up on looking for the culprit. Searching at harvesttime wasn’t the best idea anyway. The farmers were all carrying scythes and the blood was hot in everyone’s veins. And whatever happened the dead man wouldn’t be brought back to life. Besides, he’d been killed among his own people, it was none of the police’s business.
I did a bit of mowing, but I started to feel dizzy and mother told me to go home. She even went after father, saying he should be ashamed of himself, sending me out to work like I was his stepson or some foundling instead of his own son. The poor thing ended up in tears. Because father had been trying to get me out to work since the third day. He came up to the loft where I was hiding while I recovered.
“Are you not getting up? We need to make a start on the rye tomorrow. The spikes are beginning to ripen. You’re not hurt that bad. Looks like flesh wounds. If you could use a knife you can use a scythe. You’re going to come to no good. You’ll end up in jail. We never had a bad seed yet in the family, but it looks like we’re going to now. Grandfather Łukasz killed a man, but that was for the sake of justice. And he ran away to America. You, where are you going to run to? Stach Owsianek only has one leg, the other one’s made of wood, and he mows like no one’s business. Or Mielczarek, his body’s twisted like a tree root, but when he picks up that scythe you’d never know he was deformed. He stands there straight as a fence post and the crop lies itself down in front of him. See, when you’re mowing rye you forget whatever’s wrong with you, whatever hurts. I mean, it’s not like they killed you to death. And if something hurts, it’s best to walk it off. You got cut in the side and the back, but your arms are fine. Your legs are fine. And for mowing all you need is your arms and your legs. If someone’s a good mower they don’t even need to twist. They walk forward like they were going down the road, and their arms swing to and fro in front of them all on their own. The man and his arms are separate. And it’s just legs and arms. You ever see the priest walking along saying his prayers? It’s exactly like that – step by step, slow as can be. Sure, it hurts. But once you’ve mowed a swath it’ll pass. After the second swath you’ll forget you’re injured. The Lord Jesus was stabbed just the same as you, and he’s been
hanging on the cross all these thousands of years. His wound isn’t healing. And he has to keep looking at all the badness. Don’t you think he’d rather be mowing than hanging there on the cross? But how can he come down if that’s his lot? The worst part is getting started. Even if you’ve not been stabbed, after the first day it feels like you have. In your arms, your legs, your sides, your back, everywhere. But once you get going your scythe won’t let you rest. Only enough to sharpen it up. Or cross yourself when they ring the Angelus bell. After that it’ll pull you back to work, and on, and on. Till the very end. That’s how it is with a scythe. Wounds’ll often heal quicker when you’re mowing than if you’d gone to church. Wounds of the body, wounds of the soul, wounds in the family, in the village, out in the world. It was thanks to the peasants mowing all those hundreds of years that they could stand having masters. Once you’ve done some mowing, you can put up with all sorts of things, and forgive even more. And how someone mows will tell you whether they’re good or bad, mean, or false. And even when death comes, it’s like he just took the scythe from your hand at harvesttime when you were getting tired, and he took your place and finished what was left of the rye and the wheat and barley. Depending on what you were mowing. When you mow in wartime, it stops death being so terrible. And you, you didn’t get stabbed in wartime, it happened at a dance. You and your pals were having a party, not crying. Holding young girls, not the dead. Drinking vodka, not bitterness.”
And though I’d been a fool to let myself get stuck that time, the harvest came and went and my wounds healed and it was off to the dances again. And boy, did I like to have fun! I didn’t think the world was all that well set up, but if you got even a little bit scratched up in a fight, after the dance you somehow took a kinder view of things, you were more in the mood to work. One time I got a job for the railways building an embankment they were going to lay the track on, and with the money I earned I bought a brown suit with white stripes. Another time they were digging a pond at the manor and paying half a zloty per cubic yard. I bought a gabardine coat, a shirt, necktie, socks. I even thought about getting a watch and a cigarette case, I probably would have if the war hadn’t broken out. But even without the watch and cigarette case I was better dressed than many a rich man. I had a handkerchief that some people, they didn’t even know what it was for. You’d have had to look far and wide for another young buck like me. And so there wasn’t a single girl at the dance that didn’t want to dance with me. I could take my pick. Sometimes it happened that I wouldn’t come home from a party till the evening of the next day. Father would treat me like I’d just gotten back from hell. Have all the fun you like, damn you. You’ll see, before you know it you’ll have wasted all your life on fun. Then what’ll you say to God when your time comes – that you were busy having fun?
But what did I care about father. All he ever talked about was work and God. He never gave me any money for my ticket. So I’d sneak a quarter-bushel of rye from the attic and sell it to the Jew at half price. Or take a few eggs and then tell mother afterwards the hens didn’t seem to be laying properly. One time I shook almost every last pear out of the pear tree and took them to the railway workers for two groszes apiece. Another time a dogcatcher came through the village buying dogs. I untied our Reks and quietly, round the back of the barn so no one would see, I led him all the way to the end of the village, and I sold him to the catcher as he was already heading out. He was a fine dog, but there was a dance over in Boleszyce that Sunday. It would have been a pity not to go, though it was a pity about the dog as well. He kept rubbing against my leg and whimpering, like he knew what was going on. I started talking to him to make him feel better. This isn’t much of a life for you, Reks. From now on no one’s gonna make you watch out for housebreakers. You’ll be working in a better world. Dogs go to heaven too. Afterwards father went about in a daze, asking everyone in the village if they hadn’t seen our Reks. Because he liked him like no other dog before him, and Reks was fonder of him than of anyone else.
One time there happened to be no dance. So a bunch of us guys were standing around outside the pub on a Sunday afternoon. The young ladies were still all at home for some reason. They had to wash the dishes and clear up. The old women were on their way to late afternoon mass. We would have gotten something to drink, but none of us had two pennies to rub together. The Jew wouldn’t give credit, because each of us already had a tab with him. The sun was all hazy, like it was going to rain. And it was still a long ways till evening. If someone would at least have shown up and bought us a beer. Or gotten into a fight, except there wasn’t even any ragging going on, the boys were all kind of sleepy.
All of a sudden, far away down the road there’s a cloud of dust and three horses, and on the horses three riders. Who the heck could be riding to the village on a Sunday? They looked like they were in military uniform. They ride up to the inn, rein in their horses, and we see it’s a captain, a lieutenant, and a young lady. The captain just looks like a captain, the lieutenant the same, but the young lady takes my breath away. She’s wearing riding breeches and tall boots and spurs, a kind of black skull cap with a peak, she’s got a riding crop in her hand. She looks like an angel in riding clothes. The captain speaks up from the saddle:
“So then, boys! I see there’ll be no shortage of fellows ready to fight for their country if need be! Is there anything to drink in this inn of yours?”
“Sure there is!” The guys livened up, they were talking over each other. “Beer! Kvass! Lemonade!”
I had my eyes glued on the angel, I was staring at her like she was a picture. You’d meet good-looking girls in the village too from time to time, but I’d never seen a beauty like her ever before. Or was it just because of what she was wearing and the fact she was on horseback? In any case I must have been looking real hard, because the angel looked back at me and smiled. Then she slipped down off her horse light as can be, like a cat jumping down from the stove corner. The captain and the lieutenant dismounted as well.
“Mind our horses then, boys, while we go get a drink.”
The guys all rushed forward to hold the horses. Holding horses like those ones meant something. But wait up! I pushed them all aside. They gave them to me to hold.
“Out of my way, all of you, or you’ll be seeing stars!”
I gathered all three sets of reins together and wrapped them around my hand. The three riders went into the inn. After a short while they came out again. The captain mounted up first.
“Thank you, young man!”
The lieutenant followed. Then the angel put her foot in the stirrup. Whether she wasn’t lifting her other leg strongly enough or what, she tried once and twice, but it seemed the saddle was too high for her. And she looks at me. So I grab her under the backside with my right hand, my left still holding the reins, and I hoist her up into the saddle. And then, as if of its own accord my hand ran down her thigh and her boot to the spur, and at the spur I squeezed her foot. She closed her eyes for a second, then she smiled, though kind of sadly. At that moment someone lashed me on the head with a riding crop. The angel exclaimed:
“Oh!”
I turned around. It was the lieutenant.
“Save your hands for your pitchfork, you peasant!” he hissed furiously. “Here, so you don’t feel wronged.” He threw a coin down at my feet. I gave his horse a mighty whack on the rump that made him jump in the saddle. Then they rode away.
The guys ran forward to pick up the coin. I was going to head home – I couldn’t drink with that kind of money. It would have been like selling your soul to the devil. But they grabbed me and forced me into the pub. And before I knew it there was a glass in front of me and it was, down the hatch, because it’s thanks to you. Pity he didn’t hit you twice and give us more. Then, when we’d had a few drinks we started a fight and smashed the place up. Benches, tables, beer mugs, glasses, whatever came to hand got used. One of them picked up a barrel of beer, and when he slammed it down on the floor we all
got covered in foam. The Jew hid under the bar shouting:
“Police! Police!”
Every window in there got shattered. The door came off its hinges. And I broke a bottle over my best friend Ignaś Magdziarz’s head so hard he fell to his knees and wept:
“Why, Szymuś? Why?”
I didn’t know why either, and I wept with him, because he looked like someone had dipped his head in a bucket of pig’s blood.
“I don’t know, Ignaś. I don’t know. Maybe if you’d gone for me I wouldn’t have gone for you. Someone had to go for someone. Don’t cry. Next time we go to a dance you can smash me over the head with a bottle. I won’t say a word. I’ll even buy you a drink afterwards.”
But we were young. When we were enjoying ourselves we did it with all our might, with all our soul, as if we were going to be gone from the world the next day. And I had youth enough for two inside, it was bubbling out of me. There was no right or wrong moment, if there was a chance to have fun you did. There were times when inside you didn’t feel like doing anything at all, but outside you were having a ball, drinking and dancing like nobody’s business. Inside you’d be sad, but you could cheer up the saddest person. And the young ladies thought I was the best fun of all the guys in the village.
“I’m telling you, Szymek, you know how to make people laugh. Even more than Błażej or Łukasz. It’s like you had the devil in you. Hee, hee, hee!”
Because girls like it when you make them laugh to begin with. Making someone laugh is like forgiving their sins. Then it’s easier to persuade them to do the rest. You’d meet one or another of them as she was taking dinner to her folks in the fields, you’d keep her company a ways, joke a bit, put your arm around her, and by evening you’d be lying next to her by the river or in the orchard. And she wouldn’t be afraid it was a sin, because when young people sin it’s honest sinning. If you wanted a peek at this or that she’d show you, even let you hold it in your hand like a dove. Or in church at high mass, you’d sidle up to a girl and whisper in her ear:
Stone Upon Stone Page 9
