Murder in the Dark - A Libby Sarjeant Murder Mystery (Libby Sarjeant Murder Mystery Series)

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Murder in the Dark - A Libby Sarjeant Murder Mystery (Libby Sarjeant Murder Mystery Series) Page 1

by Cookman, Lesley




  MURDER

  IN THE DARK

  LESLEY COOKMAN

  Published by Accent Press Ltd – 2013

  ISBN 9781909335936

  Copyright © Lesley Cookman 2013

  The right of Lesley Cookman to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988.

  The story contained within this book is a work of fiction. Names and characters are the product of the author’s imagination and any resemblance to actual persons, living or dead, is entirely coincidental.

  All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, electrostatic, magnetic tape, mechanical, photocopying, recording or otherwise, without the written permission of the publishers: Accent Press Ltd, Ty Cynon House, Navigation Park, Abercynon, CF45 4SN

  Cover Design by Sarah Davies

  WHO’S WHO IN THE LIBBY SARJEANT SERIES

  Libby Sarjeant

  Former actor, sometime artist, resident of 17, Allhallow’s Lane, Steeple Martin. Owner of Sidney the cat.

  Fran Castle

  Also former actor, occasional psychic, and owner of Balzac the cat.

  Ben Wilde

  Owner of The Manor Farm and the Oast House Theatre.

  Guy Wolfe

  Artist and owner of a shop and gallery in Harbour Street, Nethergate.

  Peter Parker

  Ben’s cousin. Free-lance journalist, part-owner of The Pink Geranium restaurant and partner of Harry Price.

  Harry Price

  Chef and co-owner of The Pink Geranium and Peter Parker’s partner.

  Hetty Wilde

  Ben’s mother. Lives at The Manor.

  Greg Wilde

  Hetty’s husband and Ben’s father.

  DCI Ian Connell

  Local policeman.

  Adam Sarjeant

  Libby’s youngest son. Works with garden designer Mog, mainly at Creekmarsh.

  Lewis Osbourne-Walker

  TV gardener and handy-man who owns Creekmarsh.

  Sophie Wolfe

  Guy’s daughter. Lives above the gallery.

  Flo Carpenter

  Hetty’s oldest friend.

  Lenny Fisher

  Hetty’s brother. Lives with Flo Carpenter.

  Ali and Ahmed

  Owners of the Eight-til-late in the village.

  Jane Baker

  Chief Reporter for the Nethergate Mercury. Mother to Imogen.

  Terry Baker

  Jane’s husband and father of Imogen.

  Joe, Nella and Owen

  Of Cattlegreen Nurseries.

  DCI Don Murray

  Of Canterbury Police.

  Amanda George

  Novelist, known as Rosie

  Acknowledgements

  More acknowledgments than ever this time, as I’ve been helped by so many people. Firstly, once again, my son Miles, who gave me the original idea, and who also introduced me to Helen and Sean Sullivan, who let me poke around their beautiful house, Bogle.

  Next, Richard Platt, whose History of Smuggling and terrific website www.smuggling.co.uk were of inestimable value, as were the pamphlets Whitstable and the French Prisoners of War and The Seasalter Company by the late Wallace Harvey.

  Val and Stuart Tilley also gave me a lot of help on Whitstable’s past, and Christchurch University Canterbury’s project on the Battle of Maidstone was also a great help.

  When the book was nearly finished, in the course of ongoing research I came across a book by a friend of mine, Catherine Aird, called A Most Contagious Game, which, although written forty-five years ago, has so many similarities in the background, as it were, that I was stunned. It is the only novel published outside her Inspector Sloan series, and lay almost forgotten until recently reissued by the Rue Morgue Press. I recommend it highly.

  Thanks once more to my publishers, Accent Press, who this year celebrated their tenth birthday (with my help!) and to my lovely editor, Bob Cushion. Love you all.

  It may be noticed that I’ve actually mentioned some real places in this book, but don’t try and find any of the Steeple villages or Nethergate. I’ve sort of zipped Kent open to insert my little corner of it, so no one will ever find it. Only Libby and me.

  Lesley Cookman, 2013

  Contents

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Burham Heath, May 30th 1648

  Chapter One

  The white-rimed undergrowth crackled and the grass crunched underfoot. In the moonlight, shapes loomed up on either side, threatening. The murderer paused, listening, but all was quiet. He then turned and crept from the scene, leaving the victim on the ground, staring silently and sightlessly through the branches at the stars.

  Adam Sarjeant glanced over his shoulder at the creeping mist. Through it, the trees were vague outlines, giants moving noiselessly towards him.

  ‘Mog,’ he called. ‘We can’t go on much longer in this, can we?’

  His employer pushed back lank dark hair and looked up from the paving slab he was lining up. ‘No. Just bring the tarp over and we’ll cover it all. With any luck it’ll be better tomorrow.’

  Adam turned away from the new swimming pool he and Mog had been landscaping towards the covered pile of materials at the edge of the lawn. Beyond a wall, the house swam eerily like a great half-timbered ship. There was rustle over to his right, and a figure burst through the hedge.

  ‘’Ere, Adam! Mog!’

  ‘Johnny?’ Mog stood up. ‘What is it?’

  ‘Bleedin’ body, innit? Fuckin’ ʼell.’ Johnny suddenly bent double, his stringy grey pony tail swinging forward over his shoulder.

  ‘Johnny?’ Adam ran towards him. ‘Are you all right? What do you mean a body?’

  Johnny lifted his head. ‘’Course I’m not bleedin’ all right. Call the cops.’

  Mog arrived at Adam’s side. They looked at each other.

  ‘Had we better check?’ said Mog.

  ‘It’s a bleedin’ woman, I tell yer. Dead as a dodo. Call the cops.’ He sat down suddenly on the ground, his head in his hands.

  Mog pulled out his phone and pushed buttons, while Adam ineffectually patted Johnny’s shoulder.

  ‘Yeah,’ he heard Mog saying. ‘No, I’m just working on the garden. The caretaker, he found it. Dark House, Dark Lane, between Steeple Cross and Keeper’s Cob.’

  ‘They say to stay here.’ Mog looked nervously towards the gap in the hedge where Johnny had burst through. ‘Where is it, Johnny?’


  ‘Just outside the grotto. They won’t make me go back, will they?’

  ‘I don’t know,’ said Adam. ‘They might.’

  ‘I can’t.’

  ‘Did they say how long they’d be?’ asked Adam.

  ‘No, and let’s face it, this house isn’t exactly on a major road, is it?’ Mog felt in his pocket for his tobacco. ‘Want a rollie, Johnny?’

  ‘Yeah. Ta.’ Johnny looked up and watched as Mog rolled two slim cigarettes.

  ‘It’s going to be dark soon,’ said Adam. ‘Have we got a torch, Mog?’

  ‘Don’t know. Might have in the van.’

  ‘Shall I go and see? If I walk about at the front the security light will come on and the police might see it.’

  Mog nodded, leaning down to light Johnny’s cigarette.

  Adam walked towards the gate in the hedge which led to the lawns at the back of the house and made for the drive at the side. The security lights came on and he walked to the gateway to see if he could see anything coming, but the lane, narrow as a cart track, twisted away in both directions, shrouded in unbroken mist.

  He fetched the big wind-up torch from the van and went back to Mog and Johnny.

  ‘You know, I don’t suppose we actually need to stay out here. I’m sure we could go in to the house.’

  ‘Haven’t got the key.’ Johnny shook his head.

  ‘But I thought you were the caretaker?’ said Mog.

  ‘Yeah, well. Just here to keep an eye on things. The cleaner’s got a key. Missis calls ʼer and me when she’s coming down and the cleaner comes and gives the place a once over. I just locks and unlocks the gates.’

  ‘We could sit in the van,’ suggested Adam.

  Mog nodded. ‘Come on, Johnny. We can all squeeze in.’

  But as they approached the van, they heard an engine and within seconds a police car had pulled up in the lane.

  ‘You reported finding a body?’ The first uniform climbed out of the driver’s seat.

  ‘Yes,’ they said together.

  ‘That was quick,’ said Adam.

  ‘Diverted from traffic.’ The other uniform came up. ‘We were near the turn off on the Canterbury Road. Better take a look.’

  ‘I can’t go back,’ whined Johnny.

  ‘You found it, did you, sir?’ First Uniform looked Johnny up and down. ‘Point me in the right direction.’

  ‘You’d never find it,’ said Adam, with a sigh. ‘We’ll show you where the grotto is and you can take it from there.’

  ‘Grotto? Bloody Father Christmas got here early?’ said Second Uniform. Adam and Mog just looked at him.

  ‘Come on, Johnny,’ said Mog.

  Adam led the way back to the hedge and pointed through at the Victorian stone grotto.

  ‘Johnny has to come through the grotto from his place,’ he explained.

  The Uniforms peered in to the grotto, with its mock bridge and tumbling “ruins”, planted with a variety of ferns.

  ‘Bit weird,’ sniffed First Uniform.

  ‘’S’artistic,’ muttered Johnny.

  ‘So where’s this body, then?’ asked Second Uniform, swinging his torch across the empty space.

  ‘Other side of the bridge.’ Johnny turned his back. ‘I don’t want to see it.’

  ‘All right, sir, all right. You stay here.’ Second Uniform stepped into the grotto, leaving First Uniform with Adam, Mog and Johnny.

  ‘Ain’t you going?’ said Johnny.

  ‘No, he’s got to look after us,’ said Mog.

  ‘Quite right, sir. Now,’ First Uniform got out his notebook. ‘Can I have your names and addresses, please?’

  He had just finished writing them down when Second Uniform reappeared talking into a radio.

  ‘Better go and have a look, Steve,’ he said, as he ended the call. ‘I’ll stay here.’

  First Uniform went through into the grotto and turned on his own torch.

  ‘Now, sir,’ said Second Uniform. ‘Did you touch anything?’

  Johnny looked as though he was going to be sick. ‘No, I fuckin’ didn’t!’

  ‘And you don’t know the deceased?’

  ‘No.’

  ‘So she’s not one of the family who live here?’

  ‘No. Oh gawd, I’d better tell ʼer, ʼadn’t I?’

  ‘He means Mrs Watson, one of the owners,’ said Mog.

  Second Uniform swung towards the house. ‘She not in?’

  ‘She’ll be in London,’ said Adam. ‘She’s not here that much.’

  ‘So you look after the place?’

  ‘Johnny does. We’re just landscaping round the new swimming pool.’

  Second Uniform’s eyebrows rose to his hairline. ‘Strewth! And she’s not here much?’

  Adam and Mog both shook their heads.

  ‘Enjoys ʼaving things done about the place,’ contributed Johnny. ‘It’s ʼer ʼobby, like.’

  First Uniform came back through the grotto. ‘I can hear the cars,’ he said. ‘You go, I’ll stay here.’

  After a moment a group of men rounded the side of the house and came across the garden.

  The first man stopped in front of them.

  ‘Oh, no, Adam, not you,’ said Chief Detective Inspector Connell.

  Chapter Two

  ‘Oh, no, Adam, not you!’ said Libby Sarjeant.

  ‘Yes, Ma, I’m sorry. Ian said he’s very sorry, too, but he couldn’t do much else, could he?’

  ‘He could have let you go home and called you in tomorrow!’

  ‘No, Ma, he couldn’t,’ said Adam patiently, ‘you know that really. So what I was wondering was, could you come and get me? Mog needs to get home, and he doesn’t really want to go all the way out to Steeple Martin first.’

  Libby looked at her watch. ‘All right. I’ll just call Pete and ask him to take the panto rehearsal –’

  ‘Oh, I forgot! Look don’t worry, I’ll get the bus.’

  ‘Don’t be daft. Ben’s already gone to the theatre, or I’d get him to come with me. Will you be in the reception area?’

  ‘I expect so,’ said Adam. ‘Thanks, Ma. Bit much, still having to rescue me at my age, isn’t it?’

  ‘You’re still my baby,’ said Libby. ‘You all are.’

  ‘Shall I send Ben back to you?’ asked Peter Parker when she called him. ‘Can you wait?’

  ‘No, I’m fine, Pete. Sorry to have to ask this, but I suppose it is a bit of an emergency.’

  ‘Ian should have sent him home in a police car,’ grumbled Peter.

  ‘The village would have had a field day,’ laughed Libby. ‘No, I’m going. I’ll speak to you later.’

  Libby decided that Ben’s new 4x4 was a better bet than her crumbling Romeo the Renault, and accordingly set off for Canterbury in it.

  To her surprise, Chief Detective Inspector Ian Connell, old friend and sometime adversary, was in the reception area of the police station with Adam.

  ‘I’m sorry about this, Libby,’ he said, coming forward to take her hand. ‘But however much I know that neither Adam nor Mog could have had anything to do with this, we have to go by the book.’

  ‘I know.’ Libby looked at Adam, who looked pale. ‘Are you all right, darling?’

  ‘He had to view the body, I’m afraid,’ said Ian.

  ‘It was OK,’ said Adam, valiantly. ‘They had to see if anyone knew who she was.’

  ‘And no one does?’ asked Libby.

  Adam shook his head.

  ‘The owner of the property is coming down tomorrow, and we’ll ask her, of course.’ Ian patted Adam’s shoulder. ‘Go on. Go home and have a good strong drink.’

  ‘It wasn’t very nice, Ma,’ said Adam as they climbed into the car. ‘I think her throat had been cut.’

  Libby’s stomach lurched. ‘Oh, darling, I’m so sorry. Didn’t they cover her up?’

  ‘We had to look while she was still in the garden,’ said Adam. ‘Mog hated it.’

  ‘Of course, both of you did,’ said Libby, tur
ning the car round in the car park. ‘Come on, let’s get you home. Do you think Harry will let you have something to eat in the flat?’

  Adam lived in a flat over The Pink Geranium restaurant, owned by Peter and his partner Harry Price, and run by Harry himself. He pulled a face.

  ‘I expect he would, but it’s Monday. He’s closed. Anyway, I don’t think I’m hungry.’

  ‘What do you want to do, then? Come home with me?’

  ‘No, I’m going to go to the pub. You go on to rehearsal and have a drink with me afterwards. I don’t want to sit in the flat on my own.’

  ‘If you’re sure.’

  ‘I’m sure,’ said Adam. ‘I can have a pie in the pub if I feel like it.’

  Libby dropped Adam in the high street, drove up The Manor drive and parked outside the theatre. She pushed open the glass doors and heard faint sounds of laughter from the auditorium.

  She found Peter on the stage himself, giving a very good impression of a principal boy, while the rest of the cast hooted with laughter.

  ‘Going to take it on, are you?’ she asked when the laughter had died down.

  ‘I was just demonstrating to Olivia,’ Peter said, somewhat sheepishly. ‘I didn’t expect you back.’

  ‘Olivia, you’ve now seen just how outrageous you can be in panto,’ Libby said to the young woman hovering at the side of the stage. ‘The rest of you, take five while I have a word with Peter.’

  ‘How’s Adam, Libby?’ called someone from the back. Ben Wilde, Libby’s significant other, suddenly appeared from backstage.

  ‘Yes, how is he?’ he asked.

  ‘He’s fine, thanks,’ said Libby. ‘Well, a bit shocked, you know, but OK otherwise.’

  ‘So, how is he really?’ asked Peter as they sat down in the stalls.

  ‘Shocked, as I said. He’s gone to the pub. Is Harry at home? Because I think Ad could do with some company. I’ll go down at the end of rehearsal.’

 

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