STORM RUNNERS
T. JEFFERSON PARKER
For those who bring the water
Contents
PART I
Marching Bands and Arabian Nights
1
Stromsoe was in high school when he met the boy…
2
Days after the blast he briefly wavered up from unconsciousness…
3
It took Stromsoe a full month to find the strength…
4
That evening, Dan Birch, Stromsoe’s good friend and former narco…
5
By noon Stromsoe and Susan were back in his courtyard,…
6
They came to the ocean at Fifty-second Street and turned…
PART II
The Heart of the X
7
Stromsoe sat in Dan Birch’s Irvine office and looked out…
x 8
By 4 P.M. Frankie’s video team had set up on…
9
Mike Tavarez surveyed the exercise yard and listened to the…
10
That night at ten Brad Lunce called him out. Lunce…
11
That night at ten Brad Lunce called him out. Lunce…
12
Frankie pushed open the French doors to let in the…
13
Stromsoe broke into a run, swinging his arms and getting…
14
At ten-thirty the next morning Frankie Hatfield identified John Cedros…
PART III
Water and Power
15
John Cedros stood with his shoulders stooped and his head…
16
Cedros signed in at the Pelican Bay visitors’ room and…
17
Frankie’s uncle Ted drove the white long-bed pickup truck through…
18
The three of them sat in the beach chairs in…
19
Mike Tavarez lay on his bunk and listened to the…
20
Early the next day Stromsoe bought rich food and good…
21
It was almost eight by the time Stromsoe got down…
22
People of your ilk usually have to deal with Security…
23
Stromsoe trailed Frankie that evening and night on her rounds…
24
Lejas sat in a big avocado tree watching the changing…
25
Late Saturday afternoon the rain began to fall. It was…
26
Back at Frankie’s house the cops separated them. Frankie got…
PART IV
Pistoleros
27
Birch handed Stromsoe a faxed copy of the Pelican Bay…
28
John Cedros looked through the peephole of his Azusa home.
29
In the cold northern silence of the Crescent City Travelodge,…
30
Tavarez was waiting in the visitation room when Stromsoe was…
31
Choat stepped in front of the maître d’ to guide John…
32
That night Brad Lunce let Tavarez into the library and…
33
The next evening Stromsoe sat outside Frankie’s office at Fox…
34
The sky was bowed with clouds when their jet touched…
35
At seven that evening Stromsoe waited in the hushed immensity…
36
In the late-night twilight of Pelican Bay Prison, Lunce gave…
37
Monday morning John and Marianna Cedros were packing for the…
38
At first light Stromsoe was sitting in Frankie Hatfield’s living…
Author’s Note
Acknowledgments
About the Author
Other Books by T. Jefferson Parker
Credits
Cover
Copyright
About the Publisher
PART I
Marching Bands and Arabian Nights
1
Stromsoe was in high school when he met the boy who would someday murder his wife and son. The boy’s name was Mike Tavarez. Tavarez was shy and curly-haired and he stared as Stromsoe lay the mace on the cafeteria table. A mace is a stylized baton brandished by a drum major, which is what Matt Stromsoe had decided to become. Tavarez held his rented clarinet, which he hoped to play in the same marching band that Stromsoe hoped to lead, and which had prompted this conversation.
“Sweet,” said Tavarez. He had a dimple and fawn eyes. He could play all of the woodwinds, cornet and sax, and pretty much any percussion instrument. He had joined the marching band to meet girls. He was impressed by Stromsoe’s bold decision to try out for drum major now, in only his freshman year. But this was 1980 in Southern California, where drum majoring had long ago slipped down the list of high school cool.
A little crowd of students had stopped to look at the mace. It was not quite five feet long, black-handled, with a chrome chain winding down its length. At one end was an eagle ornament and at the other a black rubber tip.
“How much did it cost?” asked Tavarez.
“Ninety-nine dollars,” said Stromsoe. “It’s the All American model, the best one they had.”
“Waste of money,” said a football player.
“May I help you?” asked Stromsoe, regarding him with a level gaze. Though he was only a freshman and a drum major hopeful, Stromsoe was big at fourteen and there was something incontrovertible about him. He had expressive blue eyes and a chubby, rosy-cheeked face that looked as if he would soon outgrow it.
“Whatever,” said the football player.
“Then move along.”
Tavarez looked from the athlete to the drum-major-in-making. The football player shrugged and shuffled off, a red-and-leather Santa Ana Saints varsity jacket over baggy sweatpants, and outsize athletic shoes with the laces gone. Tavarez thought the guy might take Stromsoe in a fight, but he had also seen Stromsoe’s look—what the boys in Delhi F Troop called ojos de piedros—eyes of stone. Delhi F Troop turf included the Tavarez family’s small stucco home on Flora Street, and though Tavarez avoided the gangs, he liked their solidarity and colorful language. Tavarez figured that the football player must have seen the look too.
That Saturday Matt Stromsoe won the drum major tryouts. He was the only candidate. But his natural sense of rhythm was good and his summer months of solitary practice paid off. He had been accepted for summer clinics at the venerable Smith Walbridge Drum Major Camp in Illinois, but had not been able to come up with the money. His parents had thought it all would pass.
On Friday, one day before Stromsoe won the job of drum major, Mike Tavarez nailed the third b-flat clarinet spot, easily outplaying the other chairs and doing his best to seem humble for the band instructor and other musicians. He played his pieces then spent most of the day quietly loitering around the music rooms, smiling at the female musicians but failing to catch an eye. He was slender and angelic but showed no force of personality.
Stromsoe watched those Friday tryouts, noting the cool satisfaction on Tavarez’s face as he played an animated version of “When the Saints Go Marching In.” The song was a Santa Ana High School staple. By the time Stromsoe retired his mace four years later he had heard the song, blaring behind him as he led the march, well over five hundred times.
He always liked the reckless joy of it. When his band was playing it aggressively it sounded like the whole happy melody was about to blow into chaos. Marching across the emerald grass of Santa Ana stadium on a warm fall night, his shako hat down low over his eyes and his eagle-headed All American mace flashing in the bright lights,
Stromsoe had sometimes imagined the notes of the song bursting like fireworks into the night behind him.
The song was running through his mind twenty-one years later when the bomb went off.
2
Days after the blast he briefly wavered up from unconsciousness at the UC Irvine Medical Center, sensing that he had lost everything. Later—time was impossible to mark or estimate—he fought his way awake again and registered the lights and tubes and the grim faces of people above him, then folded into the welcome darkness one more time.
When he was slightly stronger he was told by his brother that his wife and son were dead, killed by the same blast that had landed him here almost three weeks ago. It looked like we would lose you, said his mother. He could barely understand them because his eardrums had ruptured and now roared. A doctor assured him that a membrane graft would help.
Stromsoe lost his left eye, the little finger of his left hand, most of his left breast, and had sixty-four tacks removed, mostly from the left side of his body. The bomb makers had used three-quarter-inch wood tacks for close-range destruction. His torso and legs were a dense constellation of wounds. His left femur, tibia, and fibula had been shattered. Just as the bomb went off, Stromsoe had turned to his right, away from the blast, so his left side—and Hallie and Billy, who were two steps ahead of him—bore the fury.
A doctor called him “beyond lucky to be alive.” His mother cried rivers. One day his father stared down at him with eyes like campfires smoldering behind a waterfall. Later Stromsoe deduced that his dad’s eyes had been reflecting a red monitor indicator.
“They got him,” his father said. “El fucking Jefe Tavarez is now behind bars.”
Stromsoe managed a nod before the immensity of his loss washed over him again—Hallie whom he loved and Billy whom he adored both gone and gone forever. The tears would have poured from his eyes but the empty left socket was wet-packed with gauze and saline in preparation for a glass implant scheduled for later that week, and the right eyelid was scorched so badly that the tear duct had yet to reroute itself through the burned flesh.
A month later he was released with one functioning eye and a German-made cryolite glass one, a four-fingered left hand, a surgically reconstructed left breast, seven pins in his leg, sixty-four wounds where tacks had been removed, and two tympanic membrane grafts. He had lost ten pounds and most of his color.
He rode the wheelchair to the curbside, which was hospital release policy. His old friend Dan Birch pushed the chair while a covey of reporters asked Matt hopeful, respectful questions. He recognized some of them from the endless hours of television news he’d watched in the last month. Motor drives clattered and video cameras whirred.
“How are you feeling, Deputy Stromsoe?”
“Good to be on my feet again. Well, kind of on my feet.”
“Do you feel vindicated that El Jefe Tavarez was arrested and charged so quickly?”
“Sure.”
“You finally got him,” said Susan Doss of the Orange County Register.
“That’s nice of you to say, Susan.”
He rolled along in the lambent April sunshine. Iceland poppies bloomed in the planters. His ears were ringing but he had never in his thirty-five years been more aware of the magnificence of nature’s colors.
“Do you look forward to testifying against Tavarez?”
“I look forward to justice.”
“What’s next for Matt Stromsoe?”
“I honestly don’t know.”
When they reached the car Stromsoe shooed away Dan and his father, and got himself into Birch’s Mercedes without much difficulty. Stromsoe pulled the door shut and Susan Doss leaned in the open window. He flinched because his peripheral vision was bad, then flushed with embarrassment because Susan was a reporter—young and pretty and intelligent—not someone about to kill him.
“You went to high school with him, didn’t you?” she asked.
Stromsoe had kept his relationship to Mike Tavarez a private thing, but not a secret.
“He played clarinet in my marching band.”
“He and your wife were an item back then.”
“That came a little later.”
“Will you talk to me about it? All of it?”
She gave him a business card and asked him for his home and cell numbers. He gave her his home but not his cell.
“I can’t pay you for the interview,” she said. “But I’d appreciate it if you don’t talk to other media. You’ll have offers from TV—real dollars.”
“I turned them down.”
She smiled. “I’ll call you this afternoon, after you’ve had time to settle in and get some rest. You’re going to need rest, Matt.”
“Give me a few days.”
“Absolutely.”
3
It took Stromsoe a full month to find the strength to talk to the reporter. At first he couldn’t say anything to anybody, could hardly order a combo at the drive-through window.
Two weeks after coming home he had scattered the ashes of his wife and son at sea, as Hallie had requested in a living will. The Neptune Society ship was filled with friends and family, and dipped and rolled noticeably in the big swells off of Newport while the minister spoke. Several people became sick. It was the worst two hours of Stromsoe’s life.
He continued to drink on top of the Vicodin, a little more each night. He thought about the big sleep, saw some advantages to it. He thought about a lot of things he’d never thought about before.
Among them was the idea that the only way to save his sanity was to tell the story of his wife and son, staying his execution like Scheherazade.
“We got to be friends our freshman year,” he said to Susan.
They faced each other at a picnic table in the small courtyard of his Newport Beach home. Susan’s tape recorder sat between them, next to a cobalt-blue vase filled with cut wildflowers. She also had a pen and notebook.
Across the courtyard from where he now sat, Stromsoe’s garage was still under reconstruction. His parents had begun the project weeks ago as a way of doing something optimistic but there had been some trouble with the original contractor. Around the partially rebuilt garage, trampled yellow crime scene tape had been replaced by very similar construction site tape. The muffled blasts of a nail gun popped intermittently in the cool afternoon.
The bomb had taken out one wall of the garage, blown a big hole in the roof, and shredded the bodies of two cars with thousands of tacks. What it had done to Hallie and Billy was unimaginable, but sometimes, against his will, Stromsoe did imagine it. Billy was eight. Stromsoe hadn’t gone into the garage since that day. He was afraid he’d find something.
Stromsoe inwardly shivered at the sound of the nails going into the drywall. None of the reconstruction men had ever spoken to him or looked him directly in the eye. They were all Mexican, and familiar with the presence of the dead.
Use your words, he thought: tell the story and save your self.
“The marching band wasn’t a very hip thing back then,” he said. “It was us and them. But I liked us and them. That made it easy for me to become a cop. Anyway, the band members made friends pretty easy. One night some of the football players bombed our practice with rocks. We were under the lights, marching and playing, and these goofballs stood off behind the chain-link fence in the dark and let the rocks fly. A dumb thing to do. We didn’t know what was going on at first—just a bunch of yelling and screaming about what fags we were. But then Kristy Waters sat down on the grass and covered her face and the blood was coming out from between her fingers. Kristy was first flute, a real sweetie, her dad ran a tire shop on First. I jumped the fence and caught up with a couple of those guys. I messed them up fairly well. I wasn’t the type to get angry but I got very angry then. It seemed wrong that they’d thrown a rock into Kristy’s face because she played the flute in the marching band. Three of my musicians stuck with me—he was one of them.”
“Mike Tavarez?”
>
Stromsoe nodded and touched the vase. He looked at his four-fingered hand then slid it casually beneath the bench.
“Yes. It surprised me because he was small and quiet. But he fought like a demon. It said something about him. Anyway, he was a good musician and nice kid, a real wiseass when you got to know him. So we became friends. That seems like a hundred years ago, you know? Part of another world, or someone else’s past.”
“I can only imagine what you’re going through, Matt.”
Stromsoe met her gaze and looked away. She had arrived today with the wildflowers in the vase, and a bag of fancy cheeses, salami, and crackers from an overpriced market nearby.
Storm Runners Page 1
