We wanted her to say more, to explain clearly what it was she meant by those riddling words, which came to us as though whispered in our ears, in the dark, words that seemed to mock us even as they eluded us—and we looked about tensely, almost eagerly, as if by the sheer effort of our looking we were asserting our vigilance. We saw no hands, and maybe it was true that at the very center of our relief there was a touch of disappointment, but it was relief nonetheless; and if the entire performance had seemed to be leading toward some overwhelming moment that was no longer to take place, still we had been entertained by our knife thrower, had we not, we had been carried a long way, so that even as we questioned his cruel art we were ready to offer our applause.
“If there are no hands,” she said, looking at us sharply, as if to see what it was we were secretly thinking, while we, as if to avoid her gaze, looked rapidly all about. “Oh: yes?” We saw it too, the partly raised hand, which perhaps had always been there, unseen in the half-darkened seats, and we saw the stranger rise, and begin to make her way slowly past drawn-in knees and pulled-back coats and half-risen forms. We watched her climb the steps of the stage, a tall mournful-looking girl in jeans and a dark blouse, with lank long hair and slouched shoulders. “And what is your name?” the woman in black said gently, and we could not hear the answer. “Well then, Laura. And so you are prepared to receive the final mark? Then you must be very brave.” And turning to us she said, “I must ask you, please, to remain absolutely silent.”
She led the girl to the black wooden partition and arranged her there, unconfined: chin up, hands hanging awkwardly at her sides. The dark woman stepped back and appeared to assess her arrangement, after which she crossed to the back of the stage. At this point some of us had confused thoughts of calling out, of demanding an explanation, but we didn’t know what it was we might be protesting, and in any case the thought of distracting Hensch’s throw, of perhaps causing an injury, was repellent to us, for we saw that already he had selected a knife. It was a new kind of knife, or so we thought, a longer and thinner knife. And it seemed to us that things were happening too quickly, up there on the stage, for where was the spotlight, where was the drama of a sudden darkening, but Hensch, even as we wondered, did what he always did—he threw his knife. Some of us heard the girl cry out, others were struck by her silence, but what stayed with all of us was the absence of the sound of the knife striking wood. Instead there was a softer sound, a more disturbing sound, a sound almost like silence, and some said the girl looked down, as if in surprise. Others claimed to see in her face, in the expression of her eyes, a look of rapture. As she fell to the floor the dark woman stepped forward and swept her arm toward the knife thrower, who for the first time turned to acknowledge us. And now he bowed: a deep, slow, graceful bow, the bow of a master, down to his knees. Slowly the dark red curtain began to fall. Overhead the lights came on.
As we left the theater we agreed that it had been a skillful performance, though we couldn’t help feeling that the knife thrower had gone too far. He had justified his reputation, of that there could be no question; without ever trying to ingratiate himself with us, he had continually seized our deepest attention. But for all that, we couldn’t help feeling that he ought to have found some other way. Of course the final act had probably been a setup, the girl had probably leaped smiling to her feet as soon as the curtain closed, though some of us recalled unpleasant rumors of one kind or another, run-ins with the police, charges and countercharges, a murky business. In any case we reminded ourselves that she hadn’t been coerced in any way, none of them had been coerced in any way. And it was certainly true that a man in Hensch’s position had every right to improve his art, to dream up new acts with which to pique curiosity, indeed such advances were absolutely necessary, for without them a knife thrower could never hope to keep himself in the public eye. Like the rest of us, he had to earn his living, which admittedly wasn’t easy in times like these. But when all was said and done, when the pros and cons were weighed, and every issue carefully considered, we couldn’t help feeling that the knife thrower had really gone too far. After all, if such performances were encouraged, if they were even tolerated, what might we expect in the future? Would any of us be safe? The more we thought about it, the more uneasy we became, and in the nights that followed, when we woke from troubling dreams, we remembered the traveling knife thrower with agitation and dismay.
A Visit
Although I had not heard from my friend in nine years, I wasn’t surprised, not really, to receive a short letter from him dashed off in pencil, announcing that he had “taken a wife,” and summoning me to visit him in some remote upstate town I had never heard of. “Come see me on the 16th and 17th” was what he had actually written. “Be here for lunch.” The offhand peremptory tone was Albert all over. He had scribbled a map, with a little black circle marked VILLAGE and a little white square marked MY HOUSE. A wavy line connected the two. Under the line were the words 3½ MILES, MORE OR LESS. Over the line were the words COUNTY ROAD 39. I knew those desolate little upstate villages, consisting of one Baptist church, three bars, and a gas station with a single pump, and I imagined Albert living at an ironic distance, with his books and his manias. What I couldn’t imagine was his wife. Albert had never struck me as the marrying kind, though women had always liked him. I had plans for the weekend, but I canceled them and headed north.
I still considered Albert my friend, in a way my best friend, even though I hadn’t heard from him in nine years. He had once been my best friend and it was hard to think of him in any other way. Even in the flourishing time of our friendship, in the last two years of college and the year after, when we saw each other daily, he had been a difficult and exacting friend, scornful of convention though quiet in his own habits, subject to sudden flare-ups and silences, earnest but with an edge of mockery, intolerant of mediocrity, and cursed with an unfailing scent for the faintly fraudulent in a gesture or a phrase or a face. He was handsome in a sharp-featured New England way—his family, as he put it, had lived in Connecticut since the fall of the Roman Empire—but despite the inviting smiles of girls in his classes he confined himself to brisk affairs with leather-jacketed town girls with whom he had nothing in common. After graduating, we roomed together for a year in a little college town full of cafés and bookstores, sharing the rent and drifting from one part-time job to another, as I put off the inevitable suit-and-tie life that awaited me while he mocked my conventional fear of becoming conventional, defended business as America’s only source of originality, and read his Plato and his Modern Chess Openings and tootled his flute. One day he left, just like that, to start what he called a new life. In the next year I received postcards from small towns all over America, showing pictures of Main Streets and quaint village railroad stations. They bore messages such as “Still looking” or “Have you seen my razor? I think I left it on the bathtub.” Then there was nothing for six months, and then a sudden postcard from Eugene, Oregon, on which he described in minute detail a small unknown wooden object that he had found in the top drawer of the bureau in his rented bedroom, and then nine years of silence. During that time I had settled into a job and almost married an old girlfriend. I had bought a house on a pleasant street lined with porches and maples, thought quite a bit about my old friend Albert, and wondered whether this was what I had looked forward to, this life I was now leading, in the old days, the days when I still looked forward to things.
The town was even worse than I had imagined. Slowly I passed its crumbling brick paper mill with boarded-up windows, its rows of faded and flaking two-family houses with sagging front porches where guys in black T-shirts sat drinking beer, its tattoo parlor and its sluggish stream. County Road 39 wound between fields of Queen Anne’s lace and yellow ragweed, with now and then a melancholy house or a patch of sun-scorched corn. Once I passed a rotting barn with a caved-in roof. At 3.2 miles on the odometer I came to a weathered house near the edge of the road. A bicycle lay in the h
igh grass of the front yard and an open garage was entirely filled with old furniture. Uncertainly I turned onto the unpaved drive, parked with the motor running, and walked up to the front door. There was no bell. I knocked on the wooden screen door, which banged loudly against the frame, and a tall, barefoot, and very pale woman with sleepy eyes came to the door, wearing a long rumpled black skirt and a lumberjack shirt over a T-shirt. When I asked for Albert she looked at me suspiciously, shook her head quickly twice, and slammed the inner door. As I walked back to the car I saw her pale face looking out at me past a pushed-aside pink curtain. It occurred to me that perhaps Albert had married this woman and that she was insane. It further occurred to me, as I backed out of the drive, that I really ought to turn back now, right now, away from this misguided adventure in the wilderness. After all, I hadn’t seen him for nine long years, things were bound to be different. At 4.1 miles on the odometer I rounded a bend of rising road and saw a shadowy house set back in a cluster of dusty-looking trees. I turned into the unknown dirt drive, deep-rutted and sprouting weeds, and as I stepped on the brake with a sharp sense of desolation and betrayal, for here I was, in the godforsaken middle of nauseating nowhere, prowling around like a fool and a criminal, the front door opened and Albert came out, one hand in his pocket and one hand waving.
He looked the same, nearly the same, though browner and leatherier than I remembered, as if he had lived all those years in the sun, his face a little longer and leaner—a handsome man in jeans and a dark shirt. “I wondered if you’d show up,” he said when he reached the car, and suddenly seemed to study me. “You look just the way you ought to,” he then said.
I let the words settle in me. “It depends what I ought to look like,” I answered, glancing at him sharply, but he only laughed.
“Isn’t this a great place?” he said, throwing out one arm as he began carrying my traveling bag toward the house. “Ten acres and they’re practically giving it away. First day after I bought the place I go walking around and bingo! what do you think I found? Grapes. Billions of grapes. An old fallen-down grape arbor, grapes growing all over the ground. Italy in New York. Wait till you see the pond.”
We stepped into the shade of the high trees, a little thicket of pines and maples, that grew close to the house. Big bushes climbed halfway up the windows. It struck me that the house was well protected from view, a private place, a shadowy isle in a sea of fields. “And yet,” I said, looking around for his wife, “somehow I never thought of you as getting married, somehow.”
“Not back then,” he said. “Watch that rail.”
We had climbed onto the steps of the long, deep-shaded front porch, and I had grasped a wobbly iron handrail that needed to be screwed into the wood. A coil of old garden hose hung over the porch rail. A few hornets buzzed about the ceiling light. On the porch stood a sunken chaise longue, an old three-speed bicycle, a metal garbage can containing a rusty snow shovel, and a porch swing on which sat an empty flowerpot.
He opened the wooden screen door and with a little flourish urged me in. “Humble,” he said, “but mine own.” He looked at me with a kind of excitement, an excitement I couldn’t entirely account for, but which reminded me of the old excitement, and I wondered, as I entered the house, whether that was what I had been looking for, back then. The house was cool and almost dark, the dark of deep shade lightened by streaks of sun. Under the half-drawn window shades I saw bush branches growing against the glass. We had entered the living room, where I noticed a rocking chair that leaned too far back and a couch with one pillow. Ancient wallpaper showed faded scenes of some kind repeating themselves all over the room. Albert, who seemed more and more excited, led me up the creaking worn-edged stairs to my room—a bed with a frilly pink spread, a lamp table on which lay a screwdriver with a transparent yellow handle—and quickly back down.
“You must be starving,” he said, with that odd quiver of excitement, as he led me through an open doorway into a dining room that was almost dark. At a big round table there were three place settings, which glowed whitely in the gloom. One of the round-backed chairs appeared to be occupied. Only as I drew closer through the afternoon darkness did I see that the occupant was a large frog, perhaps two feet high, which sat with its throat resting on the table edge. “My wife,” Albert said, looking at me fiercely, as if he were about to spring at my face. I felt I was being tested in some fiendish way. “Pleased to meet you,” I said harshly, and sat down across from her. The table lay between us like a lake. I had thought she might be something else, maybe a stuffed toy of some sort, but even in the dark daylight I could see the large moist eyes looking here and there, I could see her rapid breathing and smell her marshy odor. I thought Albert must be making fun of me in some fashion, trying to trick me into exposing what he took to be my hideous bourgeois soul, but whatever his game I wasn’t going to give myself away.
“Help yourself,” Albert said, pushing toward me a breadboard with a round loaf and a hunk of cheese on it. A big-bladed knife lay on the table and I began cutting the bread. “And if you’d cut just a little piece of cheese for Alice.” I immediately cut a little piece of cheese for Alice. Albert disappeared into the kitchen and in the room’s dusk I stared across the round table at Alice before looking away uncomfortably. Albert returned with a wax carton of orange juice and a small brown bottle of beer, both of which he set before me. “The choice,” he said with a little bow, “is yours entirely.” He picked up the piece of cheese I had cut for Alice, placed it on her plate, and broke it into smaller pieces. Alice looked at him—it seemed to me that she looked at him—with those moist and heavy-lidded eyes, and flicked up her cheese. Then she placed her throat on the table edge and sat very still.
Albert sat down and cut himself a piece of bread. “After lunch I want to show you the place. Take you down to the pond and so on.” He looked at me, tilting his head in a way I suddenly remembered. “And you? It’s been a while.”
“Oh, still a roving bachelor,” I said, and immediately disliked my fatuous tone. I had a sudden urge to talk seriously to Albert, as we’d done in the old days, watching the night turn slowly gray through our tall, arched windows. But I felt constrained, it had been too long a time, and though he had summoned me after all these years, though he had shown me his wife, it was all askew somehow, as if he hadn’t shown me anything, as if he’d kept himself hidden away. And I remembered that even then, in the time of our friendship, he had seemed intimate and secretive at the same time, as if even his revelations were forms of concealment. “Not that I have any fixed plan,” I continued. “I see women, but they’re not the right one. You know, I was always sure I’d be the one to get married, not you.”
“It wasn’t something I planned. But when the moment comes, you’ll know.” He looked at Alice with tenderness and suddenly leaned over and touched the side of her head lightly with his fingertips.
“How did you,” I began, and stopped. I felt like bursting into screams of wild laughter, or of outrage, pure outrage, but I held myself down, I pretended everything was fine. “I mean, how did you meet? You two. If I may ask.”
“So formal! If you may ask! Down by the pond—if I may answer. I saw her in the reeds one day. I’d never seen her before, but she was always there, after that. I’ll show you the exact place after lunch.”
His little mocking rebuke irritated me, and I recalled how he had always irritated me, and made me retreat more deeply into myself, because of some little reproach, some little ironic look, and it seemed strange to me that someone who irritated me and made me retreat into myself was also someone who released me into a freer version of myself, a version superior to the constricted one that had always felt like my own hand on my throat. But who was Albert, after all, that he should have the power to release me or constrict me—this man I no longer knew, with his run-down house and his ludicrous frog-wife. Then I ate for a while in sullen silence, looking only at my food, and when I glanced up I saw him looking at me kindly, alm
ost affectionately.
“It’s all right,” he said quietly, as if he understood, as if he knew how difficult it was for me, this journey, this wife, this life. And I was grateful, as I had always been, for we had been close, he and I, back then.
After lunch he insisted on showing me his land—his domain, as he called it. I had hoped that Alice might stay behind, so that I could speak with him alone, but it was clear that he wanted her to come with us. So as we made our way out the back door and into his domain she followed along, taking hops about two strides in length, always a little behind us or a little before. At the back of the house a patch of overgrown lawn led to a vegetable garden on both sides of a grassy path. There were vines of green peas and string beans climbing tall sticks, clusters of green peppers, rows of carrots and radishes identified by seed packets on short sticks, fat heads of lettuce and flashes of yellow squash—a rich and well-tended oasis, as if the living center of the house were here, on the outside, hidden in back. At the end of the garden grew a scattering of fruit trees, pear and cherry and plum. An old wire fence with a broken wooden gate separated the garden from the land beyond.
We walked along a vague footpath through fields of high grass, passed into thickets of oak and maple, crossed a stream. Alice kept up the pace. Alice in sunlight, Alice in the open air, no longer seemed a grotesque pet, a monstrous mistake of Nature, a nightmare frog and freakish wife, but rather a companion of sorts, staying alongside us, resting when we rested—Albert’s pal. And yet it was more than that. For when she emerged from high grass or tree shade into full sunlight, I saw or sensed for a moment, with a kind of inner start, Alice as she was, Alice in the sheer brightness and fullness of her being, as if the dark malachite sheen of her skin, the pale shimmer of her throat, the moist warmth of her eyes, were as natural and mysterious as the flight of a bird. Then I would tumble back into myself and realize that I was walking with my old friend beside a monstrous lumbering frog who had somehow become his wife, and a howl of inward laughter and rage would erupt in me, calmed almost at once by the rolling meadows, the shady thickets, the black crow rising from a tree with slowly lifted and lowered wings, rising higher and higher into the pale blue sky touched here and there with delicate fernlike clouds.
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