A single drum beat out its dry call. It was the only sound apart from some idiot whispering at the back the crowd. Geder tried to ignore the people and focus on the spectacle. Even though he’d arrived late, the assembled nobles had made room for him, so he had an excellent view just at the edge of the gallery. Dawson Kalliam and his two sons stood next to him. Geder was wearing his black leather cloak from Vanai, but the cut of it was all wrong now. His body had changed shape over the summer, and it hung loose on him. He wished he’d thought to get it recut. Everyone who wasn’t watching Feldin Maas die seemed to be looking at him.
King Simeon, gray in the face and severe, lifted his arm. The drum went silent. The mass of people in all three levels of the gallery took in their breath. Even the idiot at the back stopped talking.
“You have the courtesy of a final statement, traitor,” the king said.
Feldin Maas shook his head slowly. No.
The king’s arm fell. The executioners moved in, each man sinking the point of his blade hard into the man’s flesh. Geder had been led to believe that the blades were fairly dull, and the force each of the killers used reinforced the idea. Maas cried out once, but only once. When the executioners stood back, he lay in a spreading pool of blood, the ten blades sticking out of his body. The assembly around him let its breath out with a sound like wind through trees.
King Simeon stood. Behind him, Prince Aster looked like a statue of himself carved from pale stone. Geder wondered what it would be like for a boy just past his ninth naming day to know that a grown man had been plotting to kill him and then watch the man die brutally.
“This is the right and proper fate of all who swear false loyalty to the Severed Throne,” he said. “Let all who stand witness to this justice carry forth the word that all traitors to Antea will suffer and all will die.”
The applause and shouts of approval burst forth all around. Geder joined in, and Dawson Kalliam leaned close to him, shouting to be heard.
“This is yours too, Palliako.”
It was a kinder way of putting it than he’d used before the ceremony started. Then he’d said, You’ve given Simeon a spine at last.
The drum began again, and king and prince turned and walked out in solemn procession. Servants dressed in red came to carry out the body. Maas was to be displayed, swords still in place, for seventeen days. What was left after that would be thrown into the Division with the kitchen scraps and sewage, and anyone who tried to pull it out for a more respectful burial would be hung. Somewhere behind Geder, hidden by the nobles of Antea, the doors opened. With the king gone and the ceremony finished, conversation rose to a deafening roar. Geder couldn’t make out what anyone was saying over the noise of everyone else, so he just followed the subtle movement of the crowd and made his way out.
In the great halls of the Kingspire, the nobility of Antea broke into a hundred small groups. Dispersed, the din of the talk was less deafening if not particularly more comprehensible. He saw people pretending not to look at him, and he had some idea what they were saying: Palliako claims he was wandering the Keshet, but he came back knowing all about the plot on Prince Aster and burning Vanai was all part of his plan and I told you his bringing loyal soldiers back just before the mercenaries tried to take the city was no coincidence. He walked through the hall slowly, bathing in it.
“Sir Palliako. A word.”
Curtin Issandrian and Alan Klin walked up to him looking like bookends in the library of the damned. Geder smiled. Curtin Issandrian put out his hand.
“I’ve come to thank you, sir. I owe you a great debt.”
“You do?” Geder asked, leaving the man’s hand floating in the air between them.
“If it weren’t for you, I would still be in alliance with a secret traitor to the crown,” Issandrian said. “Feldin Maas was a friend, and I let that friendship blind me to his nature. Today has been a terrible day for me, but it has been necessary. And I thank you for it.”
Geder wished Basrahip had been there, just to know if Issandrian were what he pretended to be. Another time, though. There were months and years still to come when he and his Righteous Servant could ferret out every secret in the court. A little magnanimity now wouldn’t hurt anyone. He took Issandrian’s hand.
“You’re a good man, Geder Palliako,” Issandrian said, speaking just loudly enough to be overheard. “Antea is fortunate to have you.”
“Thank you, Lord Issandrian,” Geder said, matching him. “It is a strong man who can admit he was misguided. I respect you for it.”
They dropped hands, and Alan Klin came forward, his own hand extended. Geder grinned and took it, pulling the man close.
“Sir Klin!” he said, grinning. “It’s been too long.”
“It has. It truly has.”
“Do you remember that night on the march to Vanai when I got drunk and burned that essay I showed you?”
“Yes. Yes, I do,” Klin said, laughing as if they were sharing a nostalgic moment.
Geder laughed too, and then let the amusement drain from his face.
“So do I.”
He dropped Klin’s hand, turned, and walked away feeling like the ground itself was rising to meet his footsteps. Outside, the day was blue skies and chill winter wind. His father stood near the steps that led down to the carriages, watching the chaos of horses, wood, and wheels. He held a pipe in his hand, but there seemed to be no fire in it.
“So did the political process come to its logical end?” Lerer asked.
“Didn’t you watch?”
“I’m too old for blood sports. If the thing needs doing, then do it, but don’t make a theater piece out of it.”
“But the king has to make an example, doesn’t he? He’s trying to keep Asterilhold from interfering with us,” Geder said. He felt hurt that his father hadn’t watched Maas die. “They were going to kill Prince Aster.”
“I suppose,” Lerer said. “Still. I’ll be damned pleased to be home, get the stink of Camnipol off my skin. We’ve been away from Rivenhalm too long.”
If we are to understand the freedom of humanity, we must first understand its enslavement. The root of all races—even the Firstblood—exists in the reign of dragons, and the end of that reign must by necessity mark the beginning of a peculiarly human history. It is not an exaggeration to say that the last breath of the last dragon was the first moment of the age of humanity in all its variety. But like all freedom, it was bounded and defined by that which came before. Our knowledge of the Dragon Empire is imperfect at best, but I contend that the discovery of the cave-palaces beneath Takynpal gives us our best view into what I have chosen to call the Age of Formation.
Geder flipped ahead, rereading pages he had translated before. The paper was brown with age, and fragile. He disliked handling it for fear that the pages would crack and flake away in his fingertips, but he needed to get as close to the original texts as he could. It seemed to him that there had to be something—some word or phrase that could have been translated in more than one way—that would mention the existence and history of the goddess.
The door of his sitting room swung open and Basrahip came in. He still wore his robes from the temple in the mountains, but he’d accepted a pair of leather-soled boots for walking on the cobbled streets of Camnipol. Among the rich red tapestries and soft upholstered chairs of the Palliako room in Camnipol, he looked entirely out of place. A desert weed in an arrangement of roses. He smiled at Geder and bowed.
“Been walking again?” Geder said.
“I knew tales of the great cities of the world, but nothing I had imagined could be so grand and so corrupt,” the priest said. “A child not more than seven summers old lied to me. And for no reason.”
“What did he say?”
The huge priest lumbered to a chair just across from Geder and lowered himself into it, the wood creaking under him as he spoke.
“That he could tell my future for three copper coins. He knew it was untrue. A child.”
<
br /> “He was a beggar,” Geder said. “Of course they’re trying to cheat you. They need the money for food. I think you should be careful where you walk, though. There are parts of the city that aren’t safe. Especially after dark.”
“You live in an age of darkness, my friend. But this city will be beautiful beyond measure when it is pure.”
“Have you been to the temple?”
“I have,” Basrahip said. “It is a beautiful building. I am looking forward to the day when I can make it my own.”
“The paperwork shouldn’t take long. Before the close of court, certainly, and that’s less than a week now. But there’s not much to do in Camnipol over the winter months.”
“I have tasks enough.”
“So I’ve been reading,” Geder said, “and there’s something bothering me.”
“Yes?”
“The goddess is eternal. She was there at the birth of the dragons. She was there all through the Dragon Empire, but the only references I see to the Righteous Servant or the Sinir Kushku come at the very end, during the final war. And then they talk about it as if Morade created it, the way Asteril made the Timzinae or Vailoth made the Drowned. I just don’t understand how that can be right.”
“Perhaps then it cannot,” the priest said. “You should put less trust in written words, my friend. They are the stone eggs of lies. Here. I will show you. Read something from your book there.”
Geder flipped the pages, fingertips shifting across the words until he found a passage that was easily rendered.
“It was the fourth century of the Dragon Vailoth’s rule when these policies changed.”
“Is that true?” the priest asked him. “Is it untrue? Do you mean what you say? No, old friend. It’s neither. Your voice carries nothing. They are only words you repeat emptily. To write a thing down is to kill it. Only in the living voice can the truth be known. My brothers and I have listened to one another, passing the voice of the goddess down from generation to generation, and with every new speaking from the start, we have known what we heard to be true. These books you have? They are ink on paper. Objects. Soulless. You would be wiser not to put your faith in them.”
“Oh,” Geder said. “That’s… I’d never looked at things that way. Does that—?”
“Geder?”
Lerer Palliako stood in the doorway. His tunic was the blue and gray of House Palliako, formally cut with silver buttons on the sleeve. His hand clutched the doorway, as if he needed it to keep himself steady.
“What’s the matter, Father?”
“We have a visitor. You should come with me.”
Geder rose to his feet, alarm tightening his skin. Basrahip looked from the doorway to Geder and back.
“Stay here,” Geder said. “I’ll come back as soon as I can.”
Lerer walked in silence through the halls. The servants, usually buzzing through the rooms like bees in a meadow, were gone. At the door to the private meeting chamber, he stopped. For a moment, Geder thought he would speak, but instead he shook his head, opened the door, and stepped in.
The private chamber had been designed for comfort. Candles glowed from polished silver sconces, doubling their light and filling the room with the scents of honey and heat. A fire grate sat unlit and soot-blackened in its corner. Light spilled from the western window, and the pale silk chairs caught it, seeming almost to glow. A boy in a grey tunic looked up at him solemnly, and Geder felt he should have recognized the face. On the far wall, a huge painting the size of a standing man showed a green-scaled dragon towering above figures representing the thirteen races of man. And looking up at the painting, King Simeon.
The king turned.
Lerer bowed and said, “Your Majesty.” Geder bowed a moment later, quickly and with the sense of trying to catch up. The boy was the prince. Prince Aster and King Simeon.
“I am pleased to meet you at last, Geder Palliako,” the king said. Geder took the use of his given name as permission to stand.
“I… Um, thank you. It’s a pleasure to meet you too, Majesty.”
“You are aware that tradition calls for the prince to be taken in by a house of the highest reputation and nobility. A family that will swear to protect him should the need arise.”
“Ah,” Geder said. “Yes?”
“I have come to ask you to fill this role.”
“My father, you mean? Our house?”
“It’s not me he wants,” Lerer said. “It’s you.”
“I… I don’t know how to raise a boy. All respect, Your Majesty. I wouldn’t have the first idea what to do.”
“Keep him safe,” the king said. His voice didn’t sound commanding. It didn’t sound formal. It sounded like a man on the edge of begging or prayer. “Just keep him safe.”
“Right now everyone in court loves you or fears you, my boy,” Lerer said. “Half of them are saying you’re the first hero Antea’s seen in a generation, and the other half won’t mention you for fear of drawing your attention. I’m not sure it’s a good reason to take the title of protector.”
“I’m not doing it,” Geder said. “I’m no one’s protector. It’d be you, Father. You’re the Viscount of Rivenhalm.”
“But you are the Baron of Ebbinbaugh,” King Simeon said.
“Ebbinbaugh?” Geder said.
“Someone has to take Maas’s holdings,” Lerer said. “Seems that’s you.”
“Well,” Geder said, a grin spreading across his lips. “Well.”
Prince Aster rose and walked to Geder. He wasn’t a large boy. Geder had always thought he was taller. He had the gray eyes and serious face of the dead queen, but his father’s jaw.
“I owe you my life, Lord Palliako,” the boy said. The cadence of his voice made the phrases sound rehearsed. “I would be pleased to have you as my protector, and swear that I should do honor to you as your ward.”
“Do you want to?” Geder asked. The boy’s formal expression faltered. Tears appeared, glistening in his eyes.
“They say I can’t stay with Da anymore,” he said.
Geder felt himself starting to tear up as well.
“I lost my mother when I was young too,” he said. “Maybe I could be like an uncle? Or an older brother.”
“I don’t have any brothers,” Aster said.
“See? Neither do I,” Geder said. Aster tried to smile. “We’d probably need to visit your father a lot, though. And mine. God, am I going to have my own holding? Father, I’m going to have my own holding.”
“You will,” Lerer said. “I think his majesty didn’t want to be the only one in the room losing a son.”
Geder barely heard him. This morning, he’d been a hero. Now he had a barony of his own and a place in court that men fought and sometimes died to get. Sir Alan Klin would soil himself when he heard that he’d made an enemy of Prince Aster’s protector.
“Thank you, Your Majesty. I accept this duty and honor, and I’ll make sure Aster’s kept safe. I swear it.”
The king was weeping, tears streaking down his cheeks, but his voice didn’t waver when he spoke.
“I put my trust in you, Lord Palliako. I will… I will make the announcement at the close of court. I’ll see you’re seated appropriately for your new station. This is a brighter day for the kingdom. And I thank you for that.”
Geder bowed. He wanted to run out in the streets, capering and singing. He wanted to go brag to all of his friends, starting with Jorey Kalliam and…
“Can I borrow the prince?” Geder asked. “Just for a few minutes? There’s someone I want him to meet.”
In the sitting room, Basrahip had moved to Geder’s chair. The huge hands turned the pages slowly, the broad face twisted with disdain. Geder cleared his throat. The priest looked up, his eyes shifting from Geder to the prince standing at his side.
“Basrahip, high priest of the goddess, may I introduce my new ward Prince Aster. Prince Aster, this is Basrahip.”
The prince walked forward, stopped t
he appropriate distance away, and bowed his small head. He looked like a kitten greeting a bull.
“I am very pleased to meet you, sir,” the prince said.
Basrahip smiled.
“No,” he said, softly. “You aren’t. But give it time, young prince. Give it time.”
extras
meet the author
Kyle Zimmerman
DANIEL ABRAHAM is the author of the critically acclaimed Long Price Quartet. He has been nominated for the Hugo, Nebula, and World Fantasy awards, and won the International Horror Guild award. He also writes as MLN Hanover and (with Ty Franck) James S. A. Corey. He lives in New Mexico. Find out more about the author at www.danielabraham.com.
interview
The Dragon’s Path marks the beginning of a new epic fantasy project for you. What was the impulse behind this project, and how was it different from the other books you’ve written?
Actually, that’s kind of a hard question. The impulse behind a project isn’t something I can really describe. You know, apart from saying that it seemed nifty. But I can talk about the approach. That was very different from what I’ve done before.
How so?
Well, the last epic fantasy—or second world fantasy or however we want to talk about it—was my first big book, essentially. I wanted to do something different and novel, no pun intended. And I wanted to learn how to write book-length fiction. I’d done a lot of short stories, and I felt pretty comfortable with that length, but novels were a different beast.
That’s interesting. We should get back to that, but tell me a little about the novelty. What do you mean by that?
I mean, I wanted to do something that people hadn’t seen before. I wanted an epic fantasy without much violence. I wanted to tell a few people’s stories over the span of their whole lives. I wanted to set it someplace that wasn’t a medieval Europe analogue. I wanted to write something that was different. And I did, and I’m proud of it. But part of what I learned is that different is easy in a way I hadn’t expected. And I started getting interested in something else. I started thinking about how to take elements that are maybe more familiar and remake them. That’s not quite right. I don’t mean take out hoary old tropes and shine them up. I mean, go to what makes epic fantasy epic fantasy—find the genre’s strength—and really engage with it.
Leviathan Wakes: Book One of The Expanse Page 102
