You've just read the first book in the Wind Dancer series, The Wind Dancer.
The second book, entitled Storm Winds, takes place during the turbulence of the French Revolution and concerns the role played by the Wind Dancer in the rescue of a member of the royal family. It's also a love story and follows the lifelong friendship between two women.
Reap the Wind, the third and final novel in the trilogy, is a contemporary suspense. It's a thriller on a global scale, and moves from the streets of Paris to the White House.
The characters came alive for me and the enthusiasm for writing these books became obsession. I've always believed that some books are written with the mind and others with the heart. The Wind Dancer books involved both my mind and my heart, and the characters and mystique stayed with me long after I finished writing the trilogy.
Even though a decade has passed since I finished the Wind Dancer books, I couldn't resist bringing the statue back to ignite the swirl of violence and intrigue in one of my most recent thrillers, Final Target. After Final Target came out, I found myself inundated with mail from my readers asking about the history of the Wind Dancer, so I was delighted to be given this opportunity to explain the link to my earlier titles.
As you might have already noticed, the books in the Wind Dancer trilogy are a little different from my more recent thrillers, because they're a bit more sensual. But if you want to find out more about the Wind Dancer, there's no better place to go. You can read more about the Wind Dancer's history in Storm Winds and Reap the Wind. I think you'll like them. I'm very proud of these books. You can read an extract from each of them--just turn the page.
I guess it's obvious that I'm one of the lucky people who truly love their work. I'd like to thank you for reading my stories and making that work possible. I'll try never to disappoint you.
Iris Johansen
From Storm Winds...
Ile du Lion, France
June 10, 1787
Jean Marc Andreas strode around the pedestal, studying the statue from every angle. The jewel-encrusted Pegasus was superb.
From its flying mane to the exquisite detail of the gold filigree clouds on which the horse danced, it was a masterful piece of work.
"You've done well, Desedero," Andreas said. "It's perfect."
The sculptor whom some called a mere goldsmith shook his head. "You're wrong, Monsieur. I've failed."
"Nonsense. This copy is identical to the Wind Dancer, is it not?"
"It is as close a copy as could be made, even to the peculiar cut of the facets of the jewels," Desedero said. "I had to journey to India to locate emeralds large and perfect enough to use as the eyes of the Wind Dancer and spent over a year crafting the body of the statue."
"And the inscription engraved on the base?"
Desedero shrugged. "I reproduced the markings with great precision, but since the script is indecipherable that is a minor point, I believe."
"Nothing is minor. My father knows the Wind Dancer in its every detail," Andreas said dryly. "I paid you four million livres to duplicate the Wind Dancer--and I always get my money's worth."
Desedero knew those words to be true. Jean Marc Andreas was a young man, no more than twenty and five, but he had established himself as a formidable force in the world of finance since taking over the reins of the Andreas shipping and banking empire three years before from his ailing father. He was reputed to be both brilliant and ruthless. Desedero had found him exceptionally demanding, yet he did not resent Andreas. Perhaps it was because the young man's commission challenged the artist in him. Certainly Andreas's desperation to please his father was touching. Desedero had loved his own father very much and understood such deep and profound affection. He was much impressed by Jean Marc Andreas's wholehearted zeal for replicating the Wind Dancer to please his ill and aging father.
"I regret to say I do not believe you have gotten your money's worth this time, Monsieur Andreas."
"Don't say such a thing, sir." A muscle jerked in Andreas's jaw. "You have succeeded. We've succeeded. My father will never know the difference between this Wind Dancer and the one at Versailles."
Desedero shook his head. "Tell me, have you ever seen the real Wind Dancer?"
"No, I've never visited Versailles."
Desedero's gaze returned to the statue on the pedestal. "I remember vividly the first time I saw it some forty-two years ago. I was only a lad of ten and my father took me to Versailles to see the treasures that were dazzling the world. I saw the Hall of Mirrors." He paused. "And I saw the Wind Dancer. What an experience. When you walked into my studio some year and a half ago with your offer of a commission to create a copy of the Wind Dancer, I could not pass it by. To replicate the Wind Dancer would have been sublime."
"And you've done it."
"You don't understand. Had you ever seen the original, you would know the difference instantly. The Wind Dancer has... " He searched for a word. "Presence. One cannot look away from it. It captures, it holds"--he smiled crookedly--"as it's held me for these forty-two years."
"And my father," Andreas whispered. "He saw it once as a young man and has wanted it ever since." He turned away. "And by God, he'll have it. She took everything from him--but he shall have the Wind Dancer."
Desedero discreetly ignored the last remark, though he was well aware of the lady to whom Andreas referred. Charlotte, Denis Andreas's wife, Jean Marc's stepmother, had been dead over five years. Still the stories of her greed and treachery were much passed about.
Sighing, Desedero shook his head. "You have only a copy of the Wind Dancer to give to your father."
"There's no difference." A hint of desperation colored Andreas's voice. "My father will never see the two statues side by side. He'll think he has the Wind Dancer until the day he--" He broke off, his lips suddenly pinched.
"Your father is worse?" Desedero asked gently.
"Yes, the physicians think he has no more than six months to live. He's begun to cough blood." He tried to smile. "So it's fortunate you have finished the statue and could bring it now to the Ile du Lion. Yes?"
Desedero had an impulse to reach out and touch him in comfort, but he knew Andreas was not a man who could accept such a gesture, so he merely said, "Very fortunate."
"Sit down." Andreas picked up the statue and started toward the door of the salon. "I'll take this to my father in his study. That's where he keeps all the things he treasures most. Then I'll return and tell you how wrong you were about your work."
"I hope I'm wrong," Desedero said with a shrug. "Perhaps only the eye of an artist can perceive the difference." He sat down in the straight chair his patron had indicated and stretched out his short legs. "Don't hurry, Monsieur. You have many beautiful objects here for me to study. Is that a Botticelli on the far wall?"
"Yes. My father purchased it several years ago. He much admires the Italian masters." Andreas moved toward the door, carefully cradling the statue in his arms. "I'll send a servant with wine, Signor Desedero."
The door closed behind him and Desedero leaned back in his chair, gazing blindly at the Botticelli. Perhaps the old man was too ill to detect the fraud being thrust upon him. Whole and well, he would have seen it instantly, Desedero realized, because everything in this house revealed Denis Andreas's exquisite sensitivity and love of beauty. Such a man would have been as helplessly entranced with the Wind Dancer as Desedero always had been. Sometimes his own memories of his first visit to Versailles were bathed in mist from which only the Wind Dancer emerged clearly.
He hoped for Jean Marc Andreas's sake that his father's memories had dimmed along with his sight.
Jean Marc opened the door of the library, and beauty and serenity flowed over him. This room was both haven and treasure house for his father. A fine Savonnerie carpet in delicate shades of rose, ivory, and beige stretched across the highly polished parquet floor, and a Gobelin tapestry depicting the four seasons covered one wall. Splendid furniture crafted by Jacobs and Boulard wa
s placed for beauty--and comfort--in the room. A fragile crystal swan rested on a cupboard of rosewood and Chinese lacquer marquetry. The desk, wrought in mahogany, ebony, and gilded bronze with mother-of-pearl inserts, might have been the focal point of the room if it had not been for the portrait of Charlotte Andreas. It was dramatically framed and placed over a fireplace whose mantel of Pyrenees marble drew the eye.
Denis Andreas always complained of the cold these days and, although it was the end of June, a fire burned in the hearth. He sat in a huge crimson brocade-cushioned armchair, reading before the fire, his slippered feet resting on a matching footstool.
Jean Marc braced himself, then stepped into the room and closed the door. "I've brought you a gift."
His father looked up with a smile that froze on his lips as he looked at the statue in Jean Marc's arms. "I see you have."
Jean Marc strode over to the table beside his father's chair and set the statue carefully on the malachite surface. He could feel tension coiling painfully in his every muscle as his father gazed at the Pegasus. He forced a smile. "Well, do say something, sir. Aren't you pleased with me? It was far from easy to persuade King Louis to part with the statue. Bardot has virtually lived at court this past year waiting for the opportunity to pounce."
"You must have paid a good deal for it." Denis Andreas reached out and touched a filigree wing with a gentle finger.
His father's hands had always been delicate-looking, the hands of an artist, Jean Marc thought. But now they were nearly transparent, the protruding veins poignantly emphasizing their frailty. He quickly looked from those scrawny hands to his father's face. His face was also thin, the cheeks hollowed, but his eyes still held the gentleness and wonder they always had.
"I paid no more than we could afford." Jean Marc sat down on the chair across from his father. "And Louis needed the livres to pay the American war debt." At least, that was true enough. Louis's aid to the American revolutionaries along with his other extravagant expenditures had set France tottering on the edge of bankruptcy. "Where should we put it? I thought a white Carrara marble pedestal by the window. The sunlight shining on the gold and emeralds would make it come alive."
"The Wind Dancer is alive," his father said gently. "All beauty lives, Jean Marc."
"By the window then?"
"No."
"Where?"
His father's gaze shifted to Jean Marc's face. "You didn't have to do this." He smiled. "But it fills me with joy that you did."
"What's a few million livres?" Jean Marc asked lightly. "You wanted it."
"No, I have it." Denis Andreas tapped the center of his forehead with his index finger. "Here. I didn't need this splendid imitation, my son."
Jean Marc went still. "Imitation?"
His father looked again at the statue. "A glorious imitation. Who did it? Balzar?"
Jean Marc was silent a moment before he said hoarsely, "Desedero."
"Ah, a magnificent sculptor when working in gold. I'm surprised he accepted the commission."
Frustration and despair rose in Jean Marc until he could scarcely bear it. "He was afraid you would recognize the difference but I felt I had no choice. I offered the king enough to buy a thousand statues, but Bardot reported that Louis wouldn't consider selling the Wind Dancer at any price. According to His Majesty, the queen has a particular fondness for it." His hands closed tightly on the arms of the chair. "But, dammit, it's the same."
Denis Andreas shook his head. "It's a very good copy. But, my son, the Wind Dancer is... " He shrugged. "I think it has a soul."
"Mother of God, it's only a statue!"
"I can't explain. The Wind Dancer has seen so many centuries pass, seen so many members of our family born into the world, live out their lives... and die. Perhaps it has come to be much more than an object, Jean Marc. Perhaps it has become... a dream."
"I failed you."
"No." His father shook his head. "It was a splendid gesture, a loving gesture."
"I failed you. It hurt me to know you couldn't have the one thing you so wished--" Jean Marc broke off and attempted to steady his voice. "I wanted to give something to you, something that you'd always wanted."
"You havegiven me something. Don't you see?"
"I've given you disappointment and chicanery and God knows you've had enough of both in your life." Denis flinched and Jean Marc's lips twisted. "You see, even I hurt you."
"You've always demanded too much of yourself. You've been a good and loyal son." He looked Jean Marc in the eye. "And I've had a good life. I've been fortunate enough to have the means to surround myself with treasures, and I have a son who loves me enough to try to deceive me ever so sweetly." He nodded at the statue. "And now why don't you take that lovely thing out to the salon and find a place to show it to advantage?"
"You don't want it in here?"
Denis shook his head. "Looking at it would disturb the fine and fragile fabric of the dream." His gaze drifted to the portrait of Charlotte Andreas over the fireplace. "You never understood why I did it, did you? You never understood about dreams."
Looking intently at his father, Jean Marc felt pain and sorrow roll over him in a relentless tide. "No, I suppose I didn't."
"That hurt you. It shouldn't." He once again opened the leather-bound volume he had closed when Jean Marc came into the study. "There must always be a balance between the dreamers and the realists. In this world strength may serve a man far better than dreams."
Jean Marc stood up and moved toward the table on which he had set the statue. "I'll just get this out of your way. It's almost time for your medicine. You'll be sure to remember to take it?"
Denis nodded, his gaze on the page of his book. "You must do something about Catherine, Jean Marc."
"Catherine?"
"She's been a joy to me, but she's only a child of three and ten. She shouldn't be here when it happens."
Jean Marc opened his mouth to speak, then closed it abruptly. It was the first time his father had indicated he knew the end was near.
"Please do something about our Catherine, Jean Marc."
"I will. I promise you," Jean Marc said thickly.
"Good." Denis looked up. "I'm reading Sanchia's journal, about old Lorenzo Vasaro and his Caterina."
"Again?" Jean Marc picked up the statue and carried it toward the door. "You must have read those old family journals a hundred times."
"More. I never tire of them." His father paused and smiled. "Ah, our ancestor believed in dreams, my son."
With effort Jean Marc smiled. "Like you." He opened the door. "I don't have to return to Marseilles until evening. Would you like to have dinner on the terrace? The fresh air and sunshine will be good for you."
But Denis was once more deeply absorbed in the journal and didn't answer.
Jean Marc closed the door and stood a moment, fighting the agony he felt. His father's last remarks shouldn't have hurt him, for they were true. He was no dreamer; he was a man of action.
His hand clenched on the base of the statue. Then he squared his shoulders. The pain was fading. Just as he had known it would. Just as it had so many times before. He strode across the wide foyer and threw open the door to the salon.
Desedero's gaze was searching. "He knew?"
"Yes." Jean Marc set the statue back on the pedestal. "I'll have my agent in Marseilles give you a letter of credit to our bank in Venice for the remainder of the money I owe you."
"I don't wish any more money," Desedero said. "I cheated you."
"Nonsense. You did what you were paid to do." Jean Marc's smile was filled with irony. "You were given my livres to create a statue, not a dream."
"Ah, yes." Desedero nodded in understanding. "The dream... "
"Well, I'm only a man of business who doesn't understand these idealistic vagaries. It appears a duplicate won't do, so I will have to get the Wind Dancer for him."
"What will you do?"
"What I should have done in the beginning. Go to Ve
rsailles myself and find a way to persuade the queen to sell the Wind Dancer. I didn't want to leave my father when--" He broke off, his hands again slowly clenching. "I knew he didn't have much time left."
"But how can you expect to succeed when she's clearly determined to keep it?" Desedero asked gently.
"Information." Jean Marc's lips twisted in a cynical smile. "I'll find out what she most desires and give it to her in exchange for the statue. I'll take lodgings in an inn near the palace and before two weeks are gone I'll know more about the court and Her Majesty than King Louis does himself, even if I have to bribe every groom and maid in the palace."
Desedero gestured to the statue on the pedestal. "And this?"
Jean Marc avoided looking at the Pegasus as he strode to the door. "I never want to see it again. You may sell off the jewels and melt it down." He jerked open the door. "God knows, I may need the additional gold to tempt Louis into selling the Wind Dancer."
The door slammed behind him.
From Reap the Wind...
St. Basil, Switzerland
June 14, 1991
The jeweled eyes of the Wind Dancer, secret, enigmatic, inhumanly patient, gazed out of the black and white photograph at Alex Karazov.
The uncanny impression that a mysterious sentience exuded from the statue had to be a trick of light the lens had captured. Alex shook his head. Impossible. But now he could understand the statue's mystique and the stories that had grown up around it. The book he held was over sixty years old and the picture probably didn't even do the statue justice. He skimmed the caption beneath the picture.
"The Wind Dancer, recognized as one of the most valuable art objects in the world. The famous 'eyes of the Wind Dancer' are two perfectly matched almond-shaped emeralds 65.50 carats each. Four hundred and forty-seven diamonds encrust the base of the winged statue of Pegasus.
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