by Эмиль Золя
Then looking at the count and finding him so pale and so shaken, he was calm at once.
"Devil take it!" he said simply.
And with that there ensued a fresh silence. At bottom he didn't care a pin about it. That great thing Nana playing the duchess might possibly prove amusing! Besides, now that this had happened he had Muffat well in his grasp. Accordingly he was not long in coming to a decision, and so he turned round and called out:
"Fauchery!"
The count had been on the point of stopping him. But Fauchery did not hear him, for he had been pinned against the curtain by Fontan and was being compelled to listen patiently to the comedian's reading of the part of Tardiveau. Fontan imagined Tardiveau to be a native of Marseilles with a dialect, and he imitated the dialect. He was repeating whole speeches. Was that right? Was this the thing? Apparently he was only submitting ideas to Fauchery of which he was himself uncertain, but as the author seemed cold and raised various objections, he grew angry at once.
Oh, very well, the moment the spirit of the part escaped him it would be better for all concerned that he shouldn't act it at all!
"Fauchery!" shouted Bordenave once more.
Thereupon the young man ran off, delighted to escape from the actor, who was wounded not a little by his prompt retreat.
"Don't let's stay here," continued Bordenave. "Come this way, gentlemen."
In order to escape from curious listeners he led them into the property room behind the scenes, while Mignon watched their disappearance in some surprise. They went down a few steps and entered a square room, whose two windows opened upon the courtyard. A faint light stole through the dirty panes and hung wanly under the low ceiling. In pigeonholes and shelves, which filled the whole place up, lay a collection of the most varied kind of bric-a-brac. Indeed, it suggested an old-clothes shop in the Rue de Lappe in process of selling off, so indescribable was the hotchpotch of plates, gilt pasteboard cups, old red umbrellas, Italian jars, clocks in all styles, platters and inkpots, firearms and squirts, which lay chipped and broken and in unrecognizable heaps under a layer of dust an inch deep. An unendurable odor of old iron, rags and damp cardboard emanated from the various piles, where the debris of forgotten dramas had been collecting for half a century.
"Come in," Bordenave repeated. "We shall be alone, at any rate."
The count was extremely embarrassed, and he contrived to let the manager risk his proposal for him. Fauchery was astonished.
"Eh? What?" he asked.
"Just this," said Bordenave finally. "An idea has occurred to us. Now whatever you do, don't jump! It's most serious. What do you think of Nana for the duchess's part?"
The author was bewildered; then he burst out with:
"Ah no, no! You're joking, aren't you? People would laugh far too much."
"Well, and it's a point gained already if they do laugh! Just reflect, my dear boy. The idea pleases Monsieur le Comte very much."
In order to keep himself in countenance Muffat had just picked out of the dust on a neighboring shelf an object which he did not seem to recognize. It was an eggcup, and its stem had been mended with plaster. He kept hold of it unconsciously and came forward, muttering:
"Yes, yes, it would be capital."
Fauchery turned toward him with a brisk, impatient gesture. The count had nothing to do with his piece, and he said decisively:
"Never! Let Nana play the courtesan as much as she likes, but a lady--No, by Jove!"
"You are mistaken, I assure you," rejoined the count, growing bolder. "This very minute she has been playing the part of a pure woman for my benefit."
"Where?" queried Fauchery with growing surprise.
"Upstairs in a dressing room. Yes, she has, indeed, and with such distinction! She's got a way of glancing at you as she goes by you-- something like this, you know!"
And eggcup in hand, he endeavored to imitate Nana, quite forgetting his dignity in his frantic desire to convince the others. Fauchery gazed at him in a state of stupefaction. He understood it all now, and his anger had ceased. The count felt that he was looking at him mockingly and pityingly, and he paused with a slight blush on his face.
"Egad, it's quite possible!" muttered the author complaisantly. "Perhaps she would do very well, only the part's been assigned. We can't take it away from Rose."
"Oh, if that's all the trouble," said Bordenave, "I'll undertake to arrange matters."
But presently, seeing them both against him and guessing that Bordenave had some secret interest at stake, the young man thought to avoid aquiescence by redoubling the violence of his refusal. The consultation was on the verge of being broken up.
"Oh, dear! No, no! Even if the part were unassigned I should never give it her! There, is that plain? Do let me alone; I have no wish to ruin my play!"
He lapsed into silent embarrassment. Bordenave, deeming himself DE TROP, went away, but the count remained with bowed head. He raised it with an effort and said in a breaking voice:
"Supposing, my dear fellow, I were to ask this of you as a favor?"
"I cannot, I cannot," Fauchery kept repeating as he writhed to get free.
Muffat's voice became harder.
"I pray and beseech you for it! I want it!"
And with that he fixed his eyes on him. The young man read menaces in that darkling gaze and suddenly gave way with a splutter of confused phrases:
"Do what you like--I don't care a pin about it. Yes, yes, you're abusing your power, but you'll see, you'll see!"
At this the embarrassment of both increased. Fauchery was leaning up against a set of shelves and was tapping nervously on the ground with his foot. Muffat seemed busy examining the eggcup, which he was still turning round and about.
"It's an eggcup," Bordenave obligingly came and remarked.
"Yes, to be sure! It's an eggeup," the count repeated.
"Excuse me, you're covered with dust," continued the manager, putting the thing back on a shelf. "If one had to dust every day there'd be no end to it, you understand. But it's hardly clean here--a filthy mess, eh? Yet you may believe me or not when I tell you there's money in it. Now look, just look at all that!"
He walked Muffat round in front of the pigeonholes and shelves and in the greenish light which filtered through the courtyard, told him the names of different properties, for he was anxious to interest him in his marine-stores inventory, as he jocosely termed it.
Presently, when they had returned into Fauchery's neighborhood, he said carelessly enough:
"Listen, since we're all of one mind, we'll finish the matter at once. Here's Mignon, just when he's wanted."
For some little time past Mignon had been prowling in the adjoining passage, and the very moment Bordenave began talking of a modification of their agreement he burst into wrathful protest. It was infamous--they wanted to spoil his wife's career--he'd go to law about it! Bordenave, meanwhile, was extremely calm and full of reasons. He did not think the part worthy of Rose, and he preferred to reserve her for an operetta, which was to be put on after the Petite Duchesse. But when her husband still continued shouting he suddenly offered to cancel their arrangement in view of the offers which the Folies-Dramatiques had been making the singer. At this Mignon was momenrarily put out, so without denying the truth of these offers he loudly professed a vast disdain for money. His wife, he said, had been engaged to play the Duchess Helene, and she would play the part even if he, Mignon, were to be ruined over it. His dignity, his honor, were at stake! Starting from this basis, the discussion grew interminable. The manager, however, always returned to the following argument: since the Folies had offered Rose three hundred francs a night during a hundred performances, and since she only made a hundred and fifty with him, she would be the gainer by fifteen thousand francs the moment he let her depart. The husband, on his part, did not desert the artist's position. What would people say if they saw his wife deprived of her part? Why, that she was not equal to it; that it had been deemed necessary to fi
nd a substitute for her! And this would do great harm to Rose's reputation as an artist; nay, it would diminish it. Oh no, no! Glory before gain! Then without a word of warning he pointed out a possible arrangement: Rose, according to the terms of her agreement, was pledged to pay a forfeit of ten thousand francs in case she gave up the part. Very well then, let them give her ten thousand francs, and she would go to the Folies-Dramatiques. Bordenave was utterly dumfounded while Mignon, who had never once taken his eyes off the count, tranquilly awaited results.
"Then everything can be settled," murmured Muffat in tones of relief; "we can come to an understanding."
"The deuce, no! That would be too stupid!" cried Bordenave, mastered by his commercial instincts. "Ten thousand francs to let Rose go! Why, people would make game of me!"
But the count, with a multiplicity of nods, bade him accept. He hesitated, and at last with much grumbling and infinite regret over the ten thousand francs which, by the by, were not destined to come out of his own pocket he bluntly continued:
"After all, I consent. At any rate, I shall have you off my hands."
For a quarter of an hour past Fontan had been listening in the courtyard. Such had been his curiosity that he had come down and posted himself there, but the moment he understood the state of the case he went upstairs again and enjoyed the treat of telling Rose. Dear me! They were just haggling in her behalf! He dinned his words into her ears; she ran off to the property room. They were silent as she entered. She looked at the four men. Muffat hung his head; Fauchery answered her questioning glance with a despairing shrug of the shoulders; as to Mignon, he was busy discussing the terms of the agreement with Bordenave.
"What's up?" she demanded curtly.
"Nothing," said her husband. "Bordenave here is giving ten thousand francs in order to get you to give up your part."
She grew tremulous with anger and very pale, and she clenched her little fists. For some moments she stared at him, her whole nature in revolt. Ordinarily in matters of business she was wont to trust everything obediently to her husband, leaving him to sign agreements with managers and lovers. Now she could but cry:
"Oh, come, you're too base for anything!"
The words fell like a lash. Then she sped away, and Mignon, in utter astonishment, ran after her. What next? Was she going mad? He began explaining to her in low tones that ten thousand francs from one party and fifteen thousand from the other came to twenty- five thousand. A splendid deal! Muffat was getting rid of her in every sense of the word; it was a pretty trick to have plucked him of this last feather! But Rose in her anger vouchsafed no answer. Whereupon Mignon in disdain left her to her feminine spite and, turning to Bordenave, who was once more on the stage with Fauchery and Muffat, said:
"We'll sign tomorrow morning. Have the money in readiness."
At this moment Nana, to whom Labordette had brought the news, came down to the stage in triumph. She was quite the honest woman now and wore a most distinguished expression in order to overwhelm her friends and prove to the idiots that when she chose she could give them all points in the matter of smartness. But she nearly got into trouble, for at the sight of her Rose darted forward, choking with rage and stuttering:
"Yes, you, I'll pay you out! Things can't go on like this; d'you understand?" Nana forgot herself in face of this brisk attack and was going to put her arms akimbo and give her what for. But she controlled herself and, looking like a marquise who is afraid of treading on an orange peel, fluted in still more silvery tones.
"Eh, what?" said she. "You're mad, my dear!"
And with that she continued in her graceful affectation while Rose took her departure, followed by Mignon, who now refused to recognize her. Clarisse was enraptured, having just obtained the part of Geraldine from Bordenave. Fauchery, on the other hand, was gloomy; he shifted from one foot to the other; he could not decide whether to leave the theater or no. His piece was bedeviled, and he was seeking how best to save it. But Nana came up, took him by both hands and, drawing him toward her, asked whether he thought her so very atrocious after all. She wasn't going to eat his play--not she! Then she made him laugh and gave him to understand that he would be foolish to be angry with her, in view of his relationship to the Muffats. If, she said, her memory failed her she would take her lines from the prompter. The house, too, would be packed in such a way as to ensure applause. Besides, he was mistaken about her, and he would soon see how she would rattle through her part. By and by it was arranged that the author should make a few changes in the role of the duchess so as to extend that of Prulliere. The last-named personage was enraptured. Indeed, amid all the joy which Nana now quite naturally diffused, Fontan alone remained unmoved. In the middle of the yellow lamplight, against which the sharp outline offa, there were twenty thousand francs' worth of POINT DE VENISE lace. The furniture was lacquered blue and white under designs in silver filigree, and everywhere lay such numbers of white bearskins that they hid the carpet. This was a luxurious caprice on Nana's part, she having never been able to break herself of the habit of sitting on the floor to take her stockings off. Next door to the bedroom the little saloon was full of an amusing medley of exquisitely artistic objects. Against the hangings of pale rose- colored silk--a faded Turkish rose color, embroidered with gold thread--a whole world of them stood sharply outlined. They were from every land and in every possible style. There were Italian cabinets, Spanish and Portuguese coffers, models of Chinese pagodas, a Japanese screen of precious workmanship, besides china, bronzes, embroidered silks, his goatlike profile shone out with great distinctness, he stood showing off his figure and affecting the pose of one who has been cruelly abandoned. Nana went quietly up and shook hands with him.
"How are you getting on?"
"Oh, pretty fairly. And how are you?"
"Very well, thank you."
That was all. They seemed to have only parted at the doors of the theater the day before. Meanwhile the players were waiting about, but Bordenave said that the third act would not be rehearsed. And so it chanced that old Bosc went grumbling away at the proper time, whereas usually the company were needlessly detained and lost whole afternoons in consequence. Everyone went off. Down on the pavement they were blinded by the broad daylight and stood blinking their eyes in a dazed sort of way, as became people who had passed three hours squabbling with tight-strung nerves in the depths of a cellar. The count, with racked limbs and vacant brain, got into a conveyance with Nana, while Labordette took Fauchery off and comforted him.
A month later the first night of the Petite Duchesse proved supremely disastrous to Nana. She was atrociously bad and displayed such pretentions toward high comedy that the public grew mirthful. They did not hiss--they were too amused. From a stage box Rose Mignon kept greeting her rival's successive entrances with a shrill laugh, which set the whole house off. It was the beginning of her revenge. Accordingly, when at night Nana, greatly chagrined, found herself alone with Muffat, she said furiously:
"What a conspiracy, eh? It's all owing to jealousy. Oh, if they only knew how I despise 'em! What do I want them for nowadays? Look here! I'll bet a hundred louis that I'll bring all those who made fun today and make 'em lick the ground at my feet! Yes, I'll fine-lady your Paris for you, I will!"
CHAPTER X
Thereupon Nana became a smart woman, mistress of all that is foolish and filthy in man, marquise in the ranks of her calling. It was a sudden but decisive start, a plunge into the garish day of gallant notoriety and mad expenditure and that daredevil wastefulness peculiar to beauty. She at once became queen among the most expensive of her kind. Her photographs were displayed in shopwindows, and she was mentioned in the papers. When she drove in her carriage along the boulevards the people would turn and tell one another who that was with all the unction of a nation saluting its sovereign, while the object of their adoration lolled easily back in her diaphanous dresses and smiled gaily under the rain of little golden curls which ran riot above the blue of her made-up eyes and
the red of her painted lips. And the wonder of wonders was that the great creature, who was so awkward on the stage, so very absurd the moment she sought to act the chaste woman, was able without effort to assume the role of an enchantress in the outer world. Her movements were lithe as a serpent's, and the studied and yet seemingly involuntary carelessness with which she dressed was really exquisite in its elegance. There was a nervous distinction in all she did which suggested a wellborn Persian cat; she was an aristocrat in vice and proudly and rebelliously trampled upon a prostrate Paris like a sovereign whom none dare disobey. She set the fashion, and great ladies imitated her.
Nana's fine house was situated at the hangingscorner of the Rue Cardinet, in the Avenue de Villiers. The avenue was part of the luxurious quarter at that time springing up in the vague district which had once been the Plaine Monceau. The house had been built by a young painter, who was intoxicated by a first success, and had been perforce resold almost as soon as it was habitable. It was in the palatial Renaissance manner and had fantastic interior arrangements which consisted of modern conveniences framed in a setting of somewhat artificial originality. Count Muffat had bought the house ready furnished and full of hosts of beautiful objects--lovely Eastern hangings, old credences, huge chairs of the Louis XIII epoch. And thus Nana had come into artistic surroundings of the choicest kind and of the most extravagantly various dates. But since the studio, which occupied the central portion of the house, could not be of any use to her, she had upset existing arrangements, establishing a small drawing room on the first floor, next to her bedroom and dressing room, and leaving a conservatory, a large drawing room and a dining room to look after themselves underneath. She astonished the architect with her ideas, for, as became a Parisian workgirl who understands the elegancies of life by instinct, she had suddenly developed a very pretty taste for every species of luxurious refinement. Indeed, she did not spoil her house overmuch; nay, she even added to the richness of the furniture, save here and there, where certain traces of tender foolishness and vulgar magnificence betrayed the ex-flower seller who had been wont to dream in front of shopwindows in the arcades.
