Thomas Godfrey (Ed)

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by Murder for Christmas


  “Now, then,” said the first—the man with the deep voice— “let us hide ourselves. They will all be back again in a minute. That was a good trick to get them out of the house—eh?”

  “Yes. You well imitated the cries of a man in distress,” said the second.

  “Excellently,” said the third.

  “But they will soon find out that it was a false alarm. Come, where shall we hide? It must be some place we can stay in for two or three hours, till all are in bed and asleep. Ah! I have it. Come this way! I have learnt that the further closet is not opened once in a twelve-month; it will serve our purpose exactly.”

  The speaker advanced into a corridor which led from the hall. Creeping a little farther forward, Hubert could discern that the closet stood at the end, facing the dining-hall. The thieves entered it, and closed the door. Hardly breathing, Hubert glided forward, to learn a little more of their intention, if possible; and, coming close, he could hear the robbers whispering about the different rooms where the jewels, plate, and other valuables of the house were kept, which they plainly meant to steal.

  They had not been long in hiding when a gay chattering of ladies and gentlemen was audible on the terrace without. Hubert felt that it would not do to be caught prowling about the house, unless he wished to be taken for a robber himself; and he slipped softly back to the hall, out the door, and stood in a dark corner of the porch, where he could see everything without being himself seen. In a moment or two a whole troop of personages came gliding past him into the house. There were an elderly gentleman and lady, eight or nine young ladies, as many young men, besides half-a-dozen men-servants and maids. The mansion had apparently been quite emptied of its occupants.

  “Now, children and young people, we will resume our meal,” said the old gentleman. “What the noise could have been I cannot understand. I never felt so certain in my life that there was a person being murdered outside my door.”

  Then the ladies began saying how frightened they had been, and how they had expected an adventure, and how it had ended in nothing at all.

  “Wait awhile,” said Hubert to himself. “You’ll have adventure enough by-and-by, ladies.”

  It appeared that the young men and women were married sons and daughters of the old couple, who had come that day to spend Christmas with their parents.

  The door was then closed, Hubert being left outside in the porch. He thought this a proper moment for asking their assistance; and, since he was unable to knock with his hands, began boldly to kick the door.

  “Hullo!” “What disturbance are you making here?” said a footman who opened it; and, seizing Hubert by the shoulder, he pulled him into the dining-hall. “Here’s a strange boy I have found making a noise in the porch, Sir Simon.”

  Everybody turned.

  “Bring him forward,” said Sir Simon, the old gentleman before mentioned. “What were you doing there, my boy?”

  “Why, his arms are tied!” said one of the ladies.

  “Poor fellow!” said another.

  Hubert at once began to explain that he had been waylaid on his journey home, robbed of his horse, and mercilessly left in this condition by the thieves.

  “Only to think of it!” exclaimed Sir Simon.

  “That’s a likely story,” said one of the gentlemen-guests, incredulously.

  “Doubtful, hey?” asked Sir Simon.

  “Perhaps he’s a robber himself,” suggested a lady.

  “There is a curiously wild, wicked look about him, certainly, now that I examine him closely,” said the old mother.

  Hubert blushed with shame; and, instead of continuing his story, and relating that robbers were concealed in the house, he doggedly held his tongue, and half resolved to let them find out their danger for themselves.

  “Well, untie him,” said Sir Simon. “Come, since it is Christmas Eve, we’ll treat him well. Here, my lad; sit down in that empty seat at the bottom of the table, and make as good a meal as you can. When you have had your fill we will listen to more particulars of your story.”

  The feast then proceeded; and Hubert, now at liberty, was not at all sorry to join in. The more they ate and drank the merrier did the company become; the wine flowed freely, the logs flared up the chimney, the ladies laughed at the gentlemen’s stories; in short, all went as noisily and as happily as a Christmas gathering in old times possibly could do.

  Hubert, in spite of his hurt feelings at their doubts of his honesty, could not help being warmed both in mind and in body by the good cheer, the scene, and the example of hilarity set by his neighbors. At last he laughed as heartily at their stories and repartees as the old Baronet, Sir Simon, himself. When the meal was almost over one of the sons, who had drunk a little too much wine, after the manner of men in that century, said to Hubert, “Well, my boy, how are you? Can you take a pinch of snuff?” He held out one of the snuff-boxes which were then becoming common among young and old throughout the country.

  “Thank you,” said Hubert, accepting a pinch.

  “Tell the ladies who you are, what you are made of, and what you can do,” the young man continued, slapping Hubert upon the shoulder.

  “Certainly,” said our hero, drawing himself up, and thinking it best to put a bold face on the matter. “I am a traveling magician.”

  “Indeed!”

  “What shall we hear next?”

  “Can you call up spirits from the vasty deep, young wizard?”

  “I can conjure up a tempest in a cupboard,” Hubert replied.

  “Ha-ha!” said the old Baronet, pleasantly rubbing his hands. “We must see this performance. Girls, don’t go away: here’s something to be seen.”

  “Not dangerous, I hope?” said the old lady.

  Hubert rose from the table. “Hand me your snuff-box, please,” he said to the young man who had made free with him. “And now,” he continued, “without the least noise, follow me. If any of you speak it will break the spell.”

  They promised obedience. He entered the corridor, and, taking off his shoes, went on tiptoe to the closet door, the guests advancing in a silent group at a little distance behind him. Hubert next placed a stool in front of the door, and, by standing upon it, was tall enough to reach to the top. He then, just as noiselessly, poured all the snuff from the box along the upper edge of the door, and, with a few short puffs of breath, blew the snuff through the chink into the interior of the closet. He held up his finger to the assembly, that they might be silent.

  “Dear me, what’s that?” said the old lady, after a minute or two had elapsed.

  A suppressed sneeze had come from inside the closet.

  Hubert held up his finger again.

  “How very singular,” whispered Sir Simon. “This is most interesting.”

  Hubert took advantage of the moment to gently slide the bolt of the closet door into its place. “More snuff,” he said, calmly.

  “More snuff,” said Sir Simon. Two or three gentlemen passed their boxes, and the contents were blown in at the top of the closet. Another sneeze, not quite so well suppressed as the first, was heard: then another, which seemed to say that it would not be suppressed under any circumstances whatever. At length there arose a perfect storm of sneezes.

  “Excellent, excellent for one so young!” said Sir Simon. “I am much interested in this trick of throwing the voice—called, I believe, ventriloquism.”

  “More snuff,” said Hubert.

  “More snuff,” said Sir Simon. Sir Simon’s man brought a large jar of the best scented Scotch.

  Hubert once more charged the upper chink of the closet, and blew the snuff into the interior, as before. Again he charged, and again, emptying the whole contents of the jar. The tumult of sneezes became really extraordinary to listen to—there was no cessation. It was like wind, rain, and sea battling in a hurricane.

  “I believe there are men inside, and that it is no trick at all!” exclaimed Sir Simon, the truth flashing on him.

  “There are,”
said Hubert. “They are come to rob the house; and they are the same who stole my horse.”

  The sneezes changed to spasmodic groans. One of the thieves, hearing Hubert’s voice, cried, “Oh! mercy! mercy! let us out of this!”

  “Where’s my horse?” said Hubert.

  “Tied to the tree in the hollow behind Short’s Gibbet. Mercy! Mercy! Let us out, or we shall die of suffocation!”

  All the Christmas guests now perceived that this was no longer sport, but serious earnest. Guns and cudgels were procured; all the menservants were called in, and arranged in position outside the closet. At a signal Hubert withdrew the bolt, and stood on the defensive. But the three robbers, far from attacking them, were found crouching in the corner, gasping for breath. They made no resistance; and, being pinioned, were placed in an outhouse till the morning.

  Hubert now gave the remainder of his story to the assembled company, and was profusely thanked for the services he had rendered. Sir Simon pressed him to stay over the night, and accept the use of the best bedroom the house afforded, which had been occupied by Queen Elizabeth and King Charles successively when on their visits to this part of the country. But Hubert declined, being anxious to find his horse Jerry, and to test the truth of the robbers’ statements concerning him.

  Several of the guests accompanied Hubert to the spot behind the gibbet, alluded to by the thieves as where Jerry was hidden. When they reached the knoll and looked over, behold! there the horse stood, uninjured, and quite unconcerned. At sight of Hubert he neighed joyfully; and nothing could exceed Hubert’s gladness at finding him. He mounted, wished his friends “Good-night!” and cantered off in the direction they pointed out, reaching home safely about four o’clock in the morning.

  The Case is Altered - Margery Allingham

  If anyone ever challenged the throne of Agatha Christie, it was Margery Allingham. It was not unreasonable to suppose that Allingham was the author Christie chose when she wanted to curl up with a good mystery. Both women were masters of the genteel English setting. Both were tremendously prolific in their prime.

  But, after World War II, Allingham seemed to grow tired of her series character Albert Campion. He had bowed to much acclaim in the 1929 book The Crime at Black Dudley, but had become peripheral to the action of her post-war stories. When he returned to center stage, it was in the role of government agent. At the height of her popularity, she was mentioned with Christie and Dorothy Sayers, but she is less well-remembered today. Her last book, Cargo of Eagles, was completed after her death by her husband, Philip Youngman Carter, who added to the Campion series with two entries of his own.

  Margery Allingham was particularly inspired by the combination of crime and Christmas for she left four remarkable stories, all with Albert Campion: “On Christmas Day in the Morning,” “Murder Under the Mistletoe,” “The Man With the Sack,” and the following tale, which has been out of print in this country for over thirty years. Among its delights are some moments aboard a train speeding away from wartime London. It is Allingham at her best—and that you shall find is very good indeed.

  Mr. Albert Campion, sitting in a first-class smoking compartment, was just reflecting sadly that an atmosphere of stultifying decency could make even Christmas something of a stuffed-owl occasion, when a new hogskin suitcase of distinctive design hit him on the knees. At the same moment a golf bag bruised the shins of the shy young man opposite, an armful of assorted magazines burst over the pretty girl in the far corner, and a blast of icy air swept round the carriage. There was the familiar rattle and lurch which indicates that the train has started at last, a squawk from a receding porter, and Lance Feering arrived before him apparently by rocket.

  “Caught it,” said the newcomer with the air of one confidently expecting congratulations, but as the train bumped jerkily he teetered back on his heels and collapsed between the two young people on the opposite seat.

  “My dear chap, so we noticed.” murmured Campion, and he smiled apologetically at the girl, now disentangling herself from the shellburst of newsprint. It was his own disarming my-poor-friend-is-afflicted variety of smile that he privately considered infallible, but on this occasion it let him down.

  The girl, who was in the early twenties and was slim and fair, with eyes like licked brandy-balls, as Lance Feering inelegantly put it afterward, regarded him with grave interest. She stacked the magazines into a neat bundle and placed them on the seat opposite before returning to her own book. Even Mr. Feering, who was in one of his more exuberant moods, was aware of that chilly protest. He began to apologize.

  Campion had known Feering in his student days, long before he had become one of the foremost designers of stage décors in Europe, and was used to him, but now even he was impressed. Lance’s apologies were easy but also abject. He collected his bag, stowed it on a clear space on the rack above the shy young man’s head, thrust his golf things under the seat, positively blushed when he claimed his magazines, and regarded the girl with pathetic humility. She glanced at him when he spoke, nodded coolly with just enough graciousness not to be gauche, and turned over a page.

  Campion was secretly amused. At the top of his form Lance was reputed to be irresistible. His dark face with the long mournful nose and bright eyes were unhandsome enough to be interesting, and the quick gestures of his short painter’s hands made his conversation picturesque. His singular lack of success on this occasion clearly astonished him and he sat back in his corner eyeing the young woman with covert mistrust.

  Campion resettled himself to the two hours’ rigid silence which etiquette demands from firstclass travelers who, although they are more than probably going to be asked to dance a reel together if not to share a bathroom only a few hours hence, have not yet been introduced.

  There was no way of telling if the shy young man and the girl with the brandy-ball eyes knew each other, and whether they too were en route for Underhill. Sir Philip Cookham’s Norfolk place. Campion was inclined to regard the coming festivities with a certain amount of lugubrious curiosity. Cookham himself was a magnificent old boy, of course, “one of the more valuable pieces in the Cabinet,” as someone had once said of him, but Florence was a different kettle of fish. Born to wealth and breeding, she had grown blasé towards both of them and now took her delight in notabilities, a dangerous affectation in Campion’s experience. She was some sort of remote aunt of his.

  He glanced again at the young people, caught the boy unaware, and was immediately interested.

  The illustrated magazine had dropped from the young man’s hand and he was looking out of the window, his mouth drawn down at the corners and a narrow frown between his thick eyebrows. It was not an unattractive face, too young for strong character but decent and open enough in the ordinary way. At that particular moment, however, it wore a revealing expression. There was recklessness in the twist of the mouth and sullenness in the eyes, while the hand which lay upon the inside arm rest was clenched.

  Campion was curious. Young people do not usually go away for Christmas in this top-step-at-the-dentist’s frame of mind. The girl looked up from her book.

  “How far is Underhill from the station?” she inquired.

  “Five miles. They’ll meet us.” The shy young man turned to her so easily and with such obvious affection that any romantic theory Campion might have formed was knocked on the head instantly. The youngster’s troubles evidently had nothing to do with love.

  Lance had raised his head with bright-eyed interest at the gratuitous information and now a faintly sardonic expression appeared upon his lips. Campion sighed for him. For a man who fell in and out of love with the abandonment of a seal round a pool, Lance Feering was an impossible optimist. Already he was regarding the girl with that shy despair which so many ladies had found too piteous to be allowed to persist. Campion washed his hands of him and turned away just in time to notice a stranger glancing in at them from the corridor. It was a dark and arrogant young face and he recognized it instantly, feeli
ng at the same time a deep wave of sympathy for old Cookham. Florence, he gathered, had done it again.

  Young Victor Preen, son of old Preen of the Preen Aero Company, was certainly notable, not to say notorious. He had obtained much publicity in his short life for his sensational flights, but a great deal more for adventures less creditable; and when angry old gentlemen in the armchairs of exclusive clubs let themselves go about the blackguardliness of the younger generation, it was very often of Victor Preen that they were thinking.

  He stood now a little to the left of the compartment window, leaning idly against the wall, his chin up and his heavy lids drooping. At first sight he did not appear to be taking any interest in the occupants of the compartment, but when the shy young man looked up. Campion happened to see the swift glance of recognition, and of something else, which passed between them. Presently, still with the same elaborate casualness, the man in the corridor wandered away, leaving the other staring in front of him, the same sullen expression still in his eyes.

  The incident passed so quickly that it was impossible to define the exact nature of that second glance, but Campion was never a man to go imagining things, which was why he was surprised when they arrived at Minstree station to hear Henry Boule, Florence’s private secretary, introducing the two and to notice that they met as strangers.

  It was pouring with rain as they came out of the station, and Boule, who, like all Florence’s secretaries, appeared to be suffering from an advanced case of nerves, bundled them all into two big Daimlers, a smaller car, and a shooting-brake. Campion looked round him at Florence’s Christmas bag with some dismay. She had surpassed herself. Besides Lance there were at least half a dozen celebrities: a brace of political highlights, an angry looking lady novelist, Madja from the ballet, a startled R. A., and Victor Preen, as well as some twelve or thirteen unfamiliar faces who looked as if they might belong to Art, Money, or even mere Relations.

 

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