by Various
Once in the late autumn Siena sat brooding in the twilight by Ema's tepee. That night all who came near him were silent. Again Siena was listening to voices on the wind, voices that had been still for long, which he had tried to forget.
In the darkness when the camp slumbered, Siena faced the steely north. As he looked a golden shaft, arrow-shaped and arrow-swift, shot to the zenith.
"Naza!" he whispered to the wind. "Siena watches."
Then the gleaming, changing Northern Lights painted a picture of gold and silver bars, of flushes pink as shell, of opal fire and sunset red; and it was a picture of Siena's life from the moment the rushing Athabasca rumbled his name, to the far distant time when he would say farewell to his great nation and pass forever to the retreat of the winds. God-chosen he was, and had power to read the story in the sky.
Seven nights Siena watched in the darkness; and on the seventh night, when the golden flare and silver shafts faded in the north, he passed from tepee to tepee, awakening his people. "When Siena's people hear the sound of the shooting stick let them cry greatly: 'Siena kills Baroma! Siena kills Baroma!'"
With noiseless stride Siena went among the wigwams and along the lanes until he reached Baroma's lodge. Entering in the dark he groped with his hands upward to a moose's antlers and found the shooting stick. Outside he fired it into the air.
Like a lightning bolt the report ripped asunder the silence, and the echoes clapped and reclapped from the cliffs. Sharp on the dying echoes Siena bellowed his war whoop, and it was the second time in a hundred years for foes to hear that terrible, long-drawn cry.
Then followed the shrill yells of Siena's people: "Siena kills Baroma . . . Siena kills Baroma!"
In the din of confusion and terror when the Crees were lamenting the supposed death of Baroma and screaming in each other's ears, "The Great Slave takes his freedom!" Siena ran to his people and, pointing to the north, drove them before him.
Single file, like a long line of flitting specters, they passed out of the fields into the forest. Siena kept close on their trail, ever looking backward, and ready with the shooting stick.
The roar of the stricken Crees softened in his ears and at last died away.
All night Siena hurried them northward and with every stride his heart beat higher. Only he was troubled by a sound like the voice that came to him on the wind.
But the wind was now blowing in his face, and the sound appeared to be at his back. It followed on his trail as had the step of destiny. When he strained his ears he could not hear it, yet when he had gone on swiftly, persuaded it was only fancy, then the voice that was not a voice came haunting him.
In the gray dawn Siena halted on the far side of a gray flat and peered through the mists on his back trail. Something moved out among the shadows, a gray shape that crept slowly, uttering a mournful cry.
"Siena is trailed by a wolf," muttered the chief.
Yet he waited, and saw that the wolf was an Indian. He raised the fatal shooting stick.
As the Indian staggered forward, Siena recognized the robe of silver fox and marten, his gift to Emihiyah. He laughed in mockery. It was a Cree trick. Tillimanqua had led the pursuit disguised in his sister's robe. Baroma would find his son dead on the Great Slave's trail.
"Siena!" came the strange, low cry.
It was the cry that had haunted him like the voice on the wind. He leaped as a bounding deer.
Out of the gray fog burned dusky eyes half-veiled by dusky hair, and little hands that he knew wavered as fluttering leaves. "Emihiyah comes," she said.
"Siena waits," he replied.
Far to the northward he led his bride and his people, far beyond the old home on the green-white, thundering Athabasca, god-forsaken river; and there, on the lonely shores of an inland sea, he fathered the Great Slave Tribe.
Contents
AN ESMERALDA OF ROCKY CANYON
By Bret Harte
It is to be feared that the hero of this chronicle began life as an impostor. He was offered to the credulous and sympathetic family of a San Francisco citizen as a lamb, who, unless bought as a playmate for the children, would inevitably pass into the butcher's hands. A combination of refined sensibility and urban ignorance of nature prevented them from discerning certain glaring facts that betrayed his caprid origin. So a ribbon was duly tied round his neck, and in pleasing emulation of the legendary "Mary," he was taken to school by the confiding children. Here, alas the fraud was discovered, and history was reversed by his being turned out by the teacher, because he was NOT "a lamb at school." Nevertheless, the kind-hearted mother of the family persisted in retaining him, on the plea that he might yet become "useful." To her husband's feeble suggestion of "gloves," she returned a scornful negative, and spoke of the weakly infant of a neighbor, who might later receive nourishment from this providential animal. But even this hope was destroyed by the eventual discovery of his sex. Nothing remained now but to accept him as an ordinary kid, and to find amusement in his accomplishments,--eating, climbing, and butting. It must be confessed that these were of a superior quality; a capacity to eat everything from a cambric handkerchief to an election poster, an agility which brought him even to the roofs of houses, and a power of overturning by a single push the chubbiest child who opposed him, made him a fearful joy to the nursery. This last quality was incautiously developed in him by a negro boy- servant, who, later, was hurriedly propelled down a flight of stairs by his too proficient scholar. Having once tasted victory, "Billy" needed no further incitement to his performances. The small wagon which he sometimes consented to draw for the benefit of the children never hindered his attempts to butt the passer-by. On the contrary, on well-known scientific principles he added the impact of the bodies of the children projected over his head in his charge, and the infelicitous pedestrian found himself not only knocked off his legs by Billy, but bombarded by the whole nursery.
Delightful as was this recreation to juvenile limbs, it was felt to be dangerous to the adult public. Indignant protestations were made, and as Billy could not be kept in the house, he may be said to have at last butted himself out of that sympathetic family and into a hard and unfeeling world. One morning he broke his tether in the small back yard. For several days thereafter he displayed himself in guilty freedom on the tops of adjacent walls and outhouses. The San Francisco suburb where his credulous protectors lived was still in a volcanic state of disruption, caused by the grading of new streets through rocks and sandhills. In consequence the roofs of some houses were on the level of the doorsteps of others, and were especially adapted to Billy's performances. One afternoon, to the admiring and perplexed eyes of the nursery, he was discovered standing on the apex of a neighbor's new Elizabethan chimney, on a space scarcely larger than the crown of a hat, calmly surveying the world beneath him. High infantile voices appealed to him in vain; baby arms were outstretched to him in hopeless invitation; he remained exalted and obdurate, like Milton's hero, probably by his own merit "raised to that bad eminence." Indeed, there was already something Satanic in his budding horns and pointed mask as the smoke curled softly around him. Then he appropriately vanished, and San Francisco knew him no more. At the same time, however, one Owen M'Ginnis, a neighboring sandhill squatter, also disappeared, leaving San Francisco for the southern mines, and he was said to have taken Billy with him,--for no conceivable reason except for companionship. Howbeit, it was the turning-point of Billy's career; such restraint as kindness, civilization, or even policemen had exercised upon his nature was gone. He retained, I fear, a certain wicked intelligence, picked up in San Francisco with the newspapers and theatrical and election posters he had consumed. He reappeared at Rocky Canyon among the miners as an exceedingly agile chamois, with the low cunning of a satyr. That was all that civilization had done for him!
If Mr. M'Ginnis had fondly conceived that he would make Billy "useful," as well as companionable, he was singularly mistaken. Horses and mules were scarce in Rocky Canyon, and he attempted to
utilize Billy by making him draw a small cart, laden with auriferous earth, from his claim to the river. Billy, rapidly gaining strength, was quite equal to the task, but alas! not his inborn propensity. An incautious gesture from the first passing miner Billy chose to construe into the usual challenge. Lowering his head, from which his budding horns had been already pruned by his master, he instantly went for his challenger, cart and all. Again the scientific law already pointed out prevailed. With the shock of the onset the entire contents of the cart arose and poured over the astonished miner, burying him from sight. In any other but a Californian mining-camp such a propensity in a draught animal would have been condemned, on account of the damage and suffering it entailed, but in Rocky Canyon it proved unprofitable to the owner from the very amusement and interest it excited. Miners lay in wait for Billy with a "greenhorn," or new-comer, whom they would put up to challenge the animal by some indiscreet gesture. In this way hardly a cartload of "pay-gravel" ever arrived safely at its destination, and the unfortunate M'Ginnis was compelled to withdraw Billy as a beast of burden. It was whispered that so great had his propensity become, under repeated provocation, that M'Ginnis himself was no longer safe. Going ahead of his cart one day to remove a fallen bough from the trail, Billy construed the act of stooping into a playful challenge from his master,--with the inevitable result.
The next day M'Ginnis appeared with a wheelbarrow, but without Billy. From that day he was relegated to the rocky crags above the camp, from whence he was only lured occasionally by the mischievous miners, who wished to exhibit his peculiar performances. For although Billy had ample food and sustenance among the crags, he had still a civilized longing for posters; and whenever a circus, a concert, or a political meeting was "billed" in the settlement, he was on hand while the paste was yet fresh and succulent. In this way it was averred that he once removed a gigantic theatre bill setting forth the charms of the "Sacramento Pet," and being caught in the act by the advance agent, was pursued through the main street, carrying the damp bill on his horns, eventually affixing it, after his own peculiar fashion, on the back of Judge Boompointer, who was standing in front of his own court-house.
In connection with the visits of this young lady another story concerning Billy survives in the legends of Rocky Canyon. Colonel Starbottle was at that time passing through the settlement on election business, and it was part of his chivalrous admiration for the sex to pay a visit to the pretty actress. The single waiting- room of the little hotel gave upon the veranda, which was also level with the street. After a brief yet gallant interview, in which he oratorically expressed the gratitude of the settlement with old-fashioned Southern courtesy, Colonel Starbottle lifted the chubby little hand of the "Pet" to his lips, and, with a low bow, backed out upon the veranda. But the Pet was astounded by his instant reappearance, and by his apparently casting himself passionately and hurriedly at her feet! It is needless to say that he was followed closely by Billy, who from the street had casually noticed him, and construed his novel exit into an ungentlemanly challenge.
Billy's visits, however, became less frequent, and as Rocky Canyon underwent the changes incidental to mining settlements, he was presently forgotten in the invasion of a few Southwestern families, and the adoption of amusements less practical and turbulent than he had afforded. It was alleged that he was still seen in the more secluded fastnesses of the mountains, having reverted to a wild state, and it was suggested by one or two of the more adventurous that he might yet become edible, and a fair object of chase. A traveler through the Upper Pass of the canyon related how he had seen a savage-looking, hairy animal like a small elk perched upon inaccessible rocks, but always out of gunshot. But these and other legends were set at naught and overthrown by an unexpected incident.
The Pioneer Coach was toiling up the long grade towards Skinners Pass when Yuba Bill suddenly pulled up, with his feet on the brake.
"Jimminy!" he ejaculated, drawing a deep breath.
The startled passenger beside him on the box followed the direction of his eyes. Through an opening in the wayside pines he could see, a few hundred yards away, a cuplike hollow in the hillside of the vividest green. In the centre a young girl of fifteen or sixteen was dancing and keeping step to the castanet "click" of a pair of "bones," such as negro minstrels use, held in her hands above her head. But, more singular still, a few paces before her a large goat, with its neck roughly wreathed with flowers and vines, was taking ungainly bounds and leaps in imitation of its companion. The wild background of the Sierras, the pastoral hollow, the incongruousness of the figures, and the vivid color of the girl's red flannel petticoat showing beneath her calico skirt, that had been pinned around her waist, made a striking picture, which by this time had attracted all eyes. Perhaps the dancing of the girl suggested a negro "break-down" rather than any known sylvan measure; but all this, and even the clatter of the bones, was made gracious by the distance.
"Esmeralda! by the living Harry!" shouted the excited passenger on the box.
Yuba Bill took his feet off the brake, and turned a look of deep scorn upon his companion as he gathered the reins again.
"It's that blanked goat, outer Rocky Canyon beyond, and Polly Harkness! How did she ever come to take up with HIM?"
Nevertheless, as soon as the coach reached Rocky Canyon, the story was quickly told by the passengers, corroborated by Yuba Bill, and highly colored by the observer on the box-seat. Harkness was known to be a new-comer who lived with his wife and only daughter on the other side of Skinners Pass. He was a "logger" and charcoal- burner, who had eaten his way into the serried ranks of pines below the pass, and established in these efforts an almost insurmountable cordon of fallen trees, stripped bark, and charcoal pits around the clearing where his rude log hut stood,--which kept his seclusion unbroken. He was said to be a half-savage mountaineer from Georgia, in whose rude fastnesses he had distilled unlawful whiskey, and that his tastes and habits unfitted him for civilization. His wife chewed and smoked; he was believed to make a fiery brew of his own from acorns and pine nuts; he seldom came to Rocky Canyon except for provisions; his logs were slipped down a "shoot" or slide to the river, where they voyaged once a month to a distant mill, but HE did not accompany them. The daughter, seldom seen at Rocky Canyon, was a half-grown girl, brown as autumn fern, wild-eyed, disheveled, in a homespun skirt, sunbonnet, and boy's brogans. Such were the plain facts which skeptical Rocky Canyon opposed to the passengers' legends. Nevertheless, some of the younger miners found it not out of their way to go over Skinners Pass on the journey to the river, but with what success was not told. It was said, however, that a celebrated New York artist, making a tour of California, was on the coach one day going through the pass, and preserved the memory of what he saw there in a well-known picture entitled "Dancing Nymph and Satyr," said by competent critics to be "replete with the study of Greek life." This did not affect Rocky Canyon, where the study of mythology was presumably displaced by an experience of more wonderful flesh-and-blood people, but later it was remembered with some significance.
Among the improvements already noted, a zinc and wooden chapel had been erected in the main street, where a certain popular revivalist preacher of a peculiar Southwestern sect regularly held exhortatory services. His rude emotional power over his ignorant fellow- sectarians was well known, while curiosity drew others. His effect upon the females of his flock was hysterical and sensational. Women prematurely aged by frontier drudgery and child-bearing, girls who had known only the rigors and pains of a half-equipped, ill-nourished youth in their battling with the hard realities of nature around them, all found a strange fascination in the extravagant glories and privileges of the unseen world he pictured to them, which they might have found in the fairy tales and nursery legends of civilized children, had they known them. Personally he was not attractive; his thin pointed face, and bushy hair rising on either side of his square forehead in two rounded knots, and his long, straggling, wiry beard dropping from a strong neck
and shoulders, were indeed of a common Southwestern type; yet in him they suggested something more. This was voiced by a miner who attended his first service, and as the Reverend Mr. Withholder rose in the pulpit, the former was heard to audibly ejaculate, "Dod blasted!--if it ain't Billy!" But when on the following Sunday, to everybody's astonishment, Polly Harkness, in a new white muslin frock and broad-brimmed Leghorn hat, appeared before the church door with the real Billy, and exchanged conversation with the preacher, the likeness was appalling.
I grieve to say that the goat was at once christened by Rocky Canyon as "The Reverend Billy," and the minister himself was Billy's "brother." More than that, when an attempt was made by outsiders, during the service, to inveigle the tethered goat into his old butting performances, and he took not the least notice of their insults and challenges, the epithet "blanked hypocrite" was added to his title.
Had he really reformed? Had his pastoral life with his nymph-like mistress completely cured him of his pugnacious propensity, or had he simply found it was inconsistent with his dancing, and seriously interfered with his "fancy steps"? Had he found tracts and hymn- books were as edible as theatre posters? These were questions that Rocky canyon discussed lightly, although there was always the more serious mystery of the relations of the Reverend Mr. Withholder, Polly Harkness, and the goat towards each other. The appearance of Polly at church was no doubt due to the minister's active canvass of the districts. But had he ever heard of Polly's dancing with the goat? And where in this plain, angular, badly dressed Polly was hidden that beautiful vision of the dancing nymph which had enthralled so many? And when had Billy ever given any suggestion of his Terpsichorean abilities--before or since? Were there any "points" of the kind to be discerned in him now? None! Was it not more probable that the Reverend Mr. Withholder had himself been dancing with Polly, and been mistaken for the goat? Passengers who could have been so deceived with regard to Polly's beauty might have as easily mistaken the minister for Billy. About this time another incident occurred which increased the mystery.
