SM caterpillars x 5. That was all.
The clerk sat back and pondered for a moment, watching the hairy little creatures crawl over each other and the paper they sat in.
Caterpillars? he thought, and grinned fleetingly, anxiously. He kept glancing at the corridor before him.
Rare caterpillars . . . Some foreign breed, he thought.
He remembered the whispers in the pub, the winks and nods. He’d heard a chap at his local offering money for such creatures . . . The rarer the better, he’d said . . .
The clerk’s face wrinkled suddenly in avarice and fear. His hand hovered over the box, darting back and forth inconclusively. He got up and stalked over to his room’s entrance. He listened. There was no sound from the burnished corridor.
The clerk returned to his desk, calculating risk and benefit frantically. He looked closely at the invoice. It was stamped with an illegible crest, but the actual information was handwritten. He fumbled in his desk drawer without giving himself time to think, his eyes darting constantly back to the deserted passage outside his doorway, and brought out a paper-knife and a quill. He scratched with the sharp knife at the straight line on the top and the end of the curl on the bottom of the 5 on the invoice, gently, gently, shaving them away. He blew away paper- and ink-dust, smoothed the roughened paper carefully with the feathered end of his quill. Then he turned it around and dipped the fine point in his inkwell. Meticulously, he straightened the curling base of the digit, converting it into crossing lines.
Eventually, it was done. He straightened up and squinted critically down at his handiwork. It looked like a 4.
That’s the hard bit, he thought.
He felt about him for some container, turned his pockets inside out, scratched his head and thought. His face lit, and he pulled out his glasses case. He opened it and filled it with shredded paper. Then, his face wrinkling with anxious disgust, he pulled the edge of his sleeve down over his hand and reached into the box. He felt the soft edges of one of the big caterpillars between his fingers. As gently and quickly as he could, he plucked it squirming from its fellows and dropped it into his glasses case. Quickly, he closed the case around the frantically twitching little creature and fastened it.
He buried his glasses case at the bottom of his briefcase, behind mint-sweets and papers and pens and notebooks.
The clerk retied the string on the box, then sat back quickly and waited. His heart was very loud, he realized. He was sweating a little. He breathed deeply and squeezed his eyes closed.
Relax, now, he thought soothingly to himself. That’s your bit of excitement over.
Two or three minutes passed, and no one came. The clerk was still alone. His bizarre embezzlement had gone unnoticed. He breathed easier.
Eventually he looked again at his forged invoice. It was, he realized, very good. He opened the ledger and entered, in the section marked R&D, the date and the information: 27th Chet, Anno Urbis 1779: From merchant ship X. SM caterpillars: 4.
The last number seemed to glare at him as if it was written in red.
He typed the same information onto his day-sheet before picking up the resealed box and carrying it over to the wall. He opened the sliding doors and leaned into the little metal threshold, pushed the box of grubs into the waiting cage. Gusts of stale, dry air billowed onto his face from the dark cavity between the hide and guts of Parliament.
The clerk pulled the cage shut and closed the door before it. He fumbled for his programme cards, eventually pulling the one marked R&D from the little pack with fingers that still trembled, just a little. He slotted it into the information engine.
There was a juddering hiss and a ratcheting sound as the instructions fed along pistons and hammers and flywheels and the cage was pulled vertiginously up, away from the clerk’s office, beyond Parliament’s foothills, into the craggy peaks.
The box of caterpillars swung as it was tugged through the darkness. Oblivious to their journey, the grubs circumscribed their little prison with peristaltic motion.
Quiet engines transferred the cage from hook to hook, changing its direction and dropping it onto rusted conveyor-belts, retrieving it in another part of Parliament’s bowels. The box spiralled invisibly around the building, rising gradually and inexorably towards the high-security East Wing, passing through mechanized veins to those organic turrets and protuberances.
Finally the wire cage dropped with a muted chime onto a bed of springs. The vibrations of the bell ebbed into the silence. After a minute the door to the shaft snapped open and the box of larvae was yanked brusquely into a harsh light.
There were no windows in the long white room, only incandescent gasjets. Every cranny of the room was visible in its sterility. No dust, no dirt invaded here. The cleanliness was hard and aggressive.
All around the perimeter of the room, white-coated figures were huddled in obscure tasks.
It was one of those bright, hidden figures who untied the box’s string and read the invoice. She gently opened the box and peered inside.
She picked up the cardboard box and carried it at arms’ length through the room. At the far end one of her colleagues, a thin cactacae with his spines carefully secured beneath thick white coveralls, had opened the large bolted door for which she was heading. She showed him her security clearance and he stood aside to let her precede him.
They walked carefully down a corridor as white and sparse as the room from which they had come, with a large iron grille at the far end. The cactus saw that his colleague was carrying something gingerly in both hands, and he reached past her and fed a programme card into an input slot in the wall. The slatted gate slid open.
They entered a vast dark chamber.
Its ceiling and its walls were far enough away to be invisible. Weird wails and lowing sounded distantly from all sides. As their eyes adjusted, cages walled with dark wood or iron or reinforced glass loomed at them irregularly in the enormous hall. Some were huge, the size of rooms: others were no larger than a book. All were raised like cabinets in a museum, with charts and books of information slotted before them. White-clad scientists moved through the maze between the blocks of glass like spirits in a ruin, taking notes, observing, pacifying and tormenting the cages’ inhabitants.
Captive things sniffed and grunted and sang and shifted unreally in their dim prisons.
The cactus walked briskly off into the distance and disappeared. The woman carrying the grubs made her way carefully through the room.
Things lunged at her as she walked past and she shuddered with the glass. Something swirled oleaginously through a huge vat of liquid mud: she saw toothy tentacles slapping at her and scouring the tank. She was bathed in hypnotic organic lights. She passed a small cage smothered in black cloth, with warning signs plastered ostentatiously on all sides and instructions on how to deal with the contents. Her colleagues drifted up to her and away again with clipboards and children’s coloured bricks and slabs of putrefying meat.
Ahead, temporary black wooden walls twenty feet high had been thrown up, surrounding a floor-space forty feet square. Even a corrugated iron ceiling had been hammered over the top. At the padlocked entrance to the room-within-a-room stood a white-suited guard, his head braced to take the weight of a bizarre helmet. He carried a flintlock rifle and a back-slung scimitar. At his feet were several more helmets like his.
She nodded to the guard and indicated her desire to enter. He looked at the identification around her neck.
“You know what to do, then?” he asked quietly.
She nodded and put the box carefully on the floor for a moment, after testing that the string was still tight. Then she picked up one of the helmets by the guard’s feet and slipped the unwieldy thing over her head.
It was a cage of brass pipes and screws that slotted around her skull, with one small mirror suspended a foot and a half in front of each of her eyes. She adjusted the chinstrap to keep the heavy contraption steady, then turned her back on the guard and fiddl
ed with the mirrors. She angled them on their swivelling joints until she could see him clearly directly behind her. She switched focus from eye to eye, testing the visibility.
She nodded.
“All right, I’m ready,” she said, and picked up the box, untying it as she did so. She stared intently into the mirrors while the guard unlocked the door behind her. When he opened it he averted his eyes from the interior.
The scientist used her mirrors to walk backwards quickly into the dark room.
She was sweating as she saw the door close in front of her face. She switched her attention again to the mirrors, moved her head slowly from side to side to take in what was behind her.
There was a huge cage of thick black bars filling almost the whole space. From the dark brown light of burning oil and candles she could make out the desultory, dying vegetation and small trees that filled the cage. The gently rotting growth and the darkness in the room were thick enough that she could not see the far side of the room.
She scanned quickly in the mirrors. Nothing was moving.
She backed quickly up to the cage, to where a small tray slotted back and forth through the bars. She reached behind her and tilted her head up such that the mirrors angled down and she could see her hand groping. It was a difficult, inelegant manoeuvre, but she managed to grip the handle and tug the tray out towards her.
She heard a heavy beating in the corner of the cage, like thick rugs being slammed quickly together. Her breath came faster and she fumbled to pour the grubs onto the tray. The four little undulating lozenges slipped in a shower of paper debris onto the metal.
Immediately, something changed in the quality of the air. The caterpillars could smell the inhabitant of the cage, and they were crying out to it for succour.
The thing in the cage was answering.
These cries were not audible. They vibrated in wavelengths other than sonar. The scientist felt the hair all over her body bristle as the ghosts of emotions fleeted through her skull like half-heard rumours. Snippets of alien joy and inhuman terror wafted in her nostrils and ears and behind her eyes, synaesthetically.
With trembling fingers she pushed the tray into the cage.
As she stepped away from the bars, something stroked her leg with a lascivious flourish. She gave a moaning grunt of fear and yanked her trouser out of reach, clamped down on her terror, resisted the instinct to look behind her.
In her head-mounted mirrors, she glimpsed dark brown limbs uncurling in the rough undergrowth, the yellowing bone of teeth, black ocular pits. The ferns and scrub rustled and the thing was gone.
The scientist knocked brusquely on the door as she swallowed, holding her breath until it was opened and she stumbled out nearly into the arms of the guard. She snatched at the clasps under her head, pulling herself free of the helmet. She stared intently away from the guard while she heard him closing and locking the door.
“Is it done?” she whispered eventually.
“Yes.”
She turned back slowly. She could not look up, but kept her eyes firmly on the floor, checking that he told the truth by looking at the base of the door, then slowly and with a rush of relief raising her line of sight to eye-level.
She handed the helmet back to the guard.
“Thanks,” she murmured.
“Was it all right?” he asked.
“Never,” she snapped, and turned.
Behind her, she thought she heard a massive fluttering through the wooden walls.
She walked briskly back through the chamber of strange animals, realizing halfway through that she still clutched the now-empty box in which the grubs had come. She folded it and put it in her pocket.
She pulled the telescoping gate closed behind her on the massive chamber full of shadowy, violent shapes. She returned the length of the scrubbed white corridor and at last back into the Research & Development antechamber, through the first heavy door.
She pushed it closed and bolted it, before turning happily to join her white-suited fellows staring into femtoscopes or reading treatises or conferring quietly by the doors that led to other specialist departments. Each had a legend stencilled on it in red and black.
As Dr. Magesta Barbile walked back to her bench to make her report, she glanced briefly over her shoulder at the warnings printed on the door she had taken.
Biohazard. Danger. Extreme Caution Required.
CHAPTER TEN
“Are you a dabbler in drugs, Ms. Lin?”
Lin had told Mr. Motley many times that it was difficult for her to speak when she was working. He had affably informed her that he got bored when he was sitting for her, or for any portraits. She didn’t have to answer him, he had said. If anything he said really interested her, she could save it up for afterwards and discuss it with him at the end of the session. She really mustn’t mind him, he had said. He couldn’t possibly stay still for two, three, four hours at a time and say nothing. It would drive him mad. So she listened to what he said and tried to remember one or two remarks to bring up later. She was still very careful to keep him happy with her.
“You should give them a try. I’m sure you have, actually. Artist like you. Plumbing the depths of the psyche. Such-like.” She heard a smile in his voice.
Lin had persuaded Mr. Motley to let her work in the attic of his Bonetown base. It was the only place with natural light in the whole building, she had discovered. It was not only painters or heliotypists who needed light: the textures and tactility of surfaces that she evoked so assiduously in her gland-art was invisible by candlelight, and exaggerated in gasjets. So she had wrangled with him nervously until he had accepted her expertise. From then on, she was greeted at the door by the cactus valet and led to the top floor, where a wooden ladder dangled from a trapdoor in the ceiling.
She came and went into the attic alone. Whenever Lin arrived she would find Mr. Motley waiting. He would stand in the enormous space a few feet from where she pulled herself into his view. The triangular cavity seemed to stretch at least a third the length of the terrace, a study in perspective, with the chaotic agglutination of flesh that was Mr. Motley poised at its centre.
There were no furnishings. There was one door leading to some little corridor outside, but she never saw it open. The attic air was dry. Lin trod over loose boards, risking splinters with every step. But the dirt on the large dormer windows seemed translucent, admitting light and diffusing it. Lin would gently sign for Mr. Motley to position himself below the wash of sun, or cloudlight. Then she would pace around him, reorienting herself, before continuing with her sculpture.
Once she had asked him where he would put a life-size representation of himself.
“It’s nothing for you to worry about,” he had answered with a gentle smile.
She stood before him and watched the lukewarm grey light pick out his features. Every session before she started she would spend some minutes making herself familiar with him again.
The first couple of times she had come here, she had been sure that he changed overnight, that the shards of physiognomy that made up his whole reorganized when no one was looking. She became frightened of her commission. She wondered hysterically if it was like a task in a moral children’s tale, if she was to be punished for some nebulous sin by striving to freeze in time a body in flux, forever too afraid to say anything, starting each day from the beginning all over again.
But it was not long before she learnt to impose order on his chaos. It felt absurdly prosaic to count the razor-sharp shards of chitin that jutted from a scrap of pachyderm skin, just to make sure she had not missed one in her sculpture. It felt almost vulgar, as if his anarchic form should defy accounting. And yet, as soon as she looked at him with such an eye, the work of sculpture took shape.
Lin would stand and stare at him, switching focus rapidly from visual cell to cell, her concentration fleeting across her eyes, gauging the aggregate that was Mr. Motley through the minutely changing parts. She carried dense white stick
s of the organic paste she would metabolize to make her art. She had already eaten several before arriving, and as she took the visual measure of him, she would chew rapidly on another, stolidly ignoring the dull, unpleasant taste, and rapidly passing it through her headbody to the sac inside the hindpart of her headthorax. Her headbelly would swell visibly as she stored up her mulch.
She would turn and pick up the beginnings of the work, the three-toed reptile claw that was one of Mr. Motley’s feet, and she would tie it into place on a low bracket. Then she would turn back and kneel, facing her subject, opening the little chitin case protecting her gland and fastening the nether lips at the rear of her headbody with a gentle slup onto the edge of the sculpture behind her.
First, Lin would gently spit a little of the enzyme that broke down the integrity of the already hardened khepri-spit, returning the edge of her work-in-progress to a thick sticky mucus. Then she would focus hard on the section of the leg she was working on, taking in what she could see and remembering the features out of her sight, the exoskeletal jags, the muscular cavities; she would begin gently to squeeze the thick paste from her gland, her sphincter-lips dilating and contracting and extending, rolling and smoothing the sludge into shape.
She used the opalescent nacre of the khepri-spit to good effect. At certain places, though, the hues of Mr. Motley’s bizarre flesh were too spectacular, too arresting, not to be represented. Lin would glance down and grab a handful of the colourberries arrayed on her pallet before her. She would take them in subtle combinations and quickly eat them, a careful cocktail of redberries and cyanberries, say, yellowberries and purpleberries and blackberries.
The vivid juice would be spat through her headguts, down peculiar intestinal byways and into an adjunct of her main thoracic sac, and within four or five minutes she could push the mixed colour into the diluted khepri-spit. She would smear the liquid froth into careful position, slopping astonishing tones in suggestive patches and scabs, where it coagulated quickly into shape.
Perdido Street Station Page 11
