by Antal Szerb
Even so, the Norlandian government still felt it necessary to make sure that the King did not change his mind with the passing of time, and that he would continue to believe in the plan and support it. The best way to ensure that, it seemed to them, as a nation deeply committed to family life, would be to bind the King to their own ruling house by personal ties. They proposed that Oliver should take Princess Ortrud, daughter of the Emperor of Norlandia, as his wife.
Oliver had not the slightest objection to this idea. He had known Ortrud since childhood, when they had played together in the dust of the Imperial Palace gardens. She was a handsome, cultivated young woman, and they had always been the very best of friends.
However, when the news was given to the citizens of Alturia that they would soon acquire a queen in the person of Ortrud, a difficulty began to emerge. Normally they were as enthusiastic about such royal goings-on as the citizens of any other country, and their government had counted on this feeling. But it did not materialise. The press made great play of the fact that never before in the history of their Catholic nation had the king married a Protestant. One way and another, all sorts of absurd rumours began to circulate, most notably that the male members of the Norlandian royal family had been, for over a hundred years and without a single exception, drunkards, philanderers or halfwits. Some of the dailies went so far as to issue lurid pamphlets alleging that Emperor Eustace IV had stolen one of the smaller state crowns as a pledge for a Greek pawnbroker, and that Prince Simiskes had drowned in a barrel of rainwater when inebriated.
Then one day the real scandal broke.
The opposition press got wind of the Coltor Plan and announced the news with the full panoply of suitably outraged comment. What was particularly strange about all this was that only the King and his ministers—none of whom had anything to gain from a premature disclosure—had been party to the information. From that point onwards they viewed each other with even greater distrust, double-checking their wallets as they went into cabinet meetings, and burning their account books before leaving home. But for all their vigilance, they never discovered who the traitor was.
This marked the start of the role played by the fire-eating Dr Delorme. Here was a treasonous plan, which would bring total destruction on the state of Alturia! Day after day his ranting editorials poured out molten lava against it—it was scarcely credible that one man could carry so much lava inside himself. And these daily outpourings were devoured with ever greater eagerness by the population. The government made one or two clumsy attempts to silence the press, but in that archaic world the techniques for doing so were still remarkably undeveloped.
The young King became more and more personally unpopular. Prior to this, the good-hearted Alturian people had always taken a misty-eyed delight in his youthfulness. Now, when he appeared in public, he was met by sullen, hostile looks. His oleograph portraits were stripped from the walls of public houses, and the popular baby soap, cider and travelling basket that carried his image became unsellable, however great the discount offered by their horrified vendors. The Alturian people, like southern races everywhere, loved to express their political opinions in the form of slogans daubed on walls. Now, instead of the universal “Long live the King!” and “Oliver our pride and joy!” there was a steady shift to such sentiments as: “Foreigners out!” “Death to Coltor!” and “Keep our sardines free!”
The unrest was quietly fomented by underground organisations. The Alturians, although gentle and dreamy by nature, were born conspirators. For decades they had channelled all their sporting inclinations in this direction, and the plotters, as we noted earlier, came from every level of society. Following ancient tradition, they swore an oath of loyalty to the ‘Nameless Captain’. There were those who thought that this being was a mere mythical notion, but others, the majority, were convinced he was a real person, who would come forward and declare himself at the critical moment.
The conspirators’ stated aim was to force the abdication of Oliver VII and replace him with the country’s grand old man, Geront, Duke of Algarthe—the person on whom Sandoval was to call the following day.
The one-hour taxi ride from Lara to Algarthe was not cheap, but that too was added to Sandoval’s expense account with the Revolutionary Committee. A man on a mission for important conspirators can hardly take the suburban train.
Some ten minutes before they reached the mansion, the car was stopped.
“Excuse me, sir—customs check,” said the military officer, whose appearance was so aristocratic Sandoval found it hard to believe that this was a matter of routine customs harassment. There was no inspection process, only questions about his name and the purpose of his journey. When he explained who he was, and that he was painting the Duke’s portrait, the officer saluted politely and waved him on.
The taxi turned into the park and proceeded up the broad yellow driveway. Two astonishingly ancient footmen stepped forward, opened the door and greeted him affably.
“His Highness will be delighted to see you,” they assured him. “So few people have come this way recently … ”
Sandoval made his way through the foyer, whose walls were hung with vast historic canvasses in the somewhat rhetorical style of the mid-nineteenth century. The Duke’s taste was for delicate miniatures, and these hereditary daubings had been banished to the entrance. In the second room stood some small earthenware statues; in the third, cupboards filled with kamea—little square objects engraved with kabbalistic symbols; in the fourth the Duke’s renowned collection of keys. Everything was in exemplary order.
He moved quickly on, up the inner stairway, to the Duke’s private apartments. In a room packed with Japanese watercolours another praeternaturally ancient footman received him and offered him a chair.
In no time at all Duke Geront appeared, supported by a young woman. The claimant to the throne was seventy-five years old and in rather poor condition for his years. He wore extremely thick spectacles, groping his way ahead as he walked, and his voice wavered into a sort of bleat; but his manner was decisive and intelligent. There was much more life in the girl, Princess Clodia. She was about thirty years of age, energetic and rather stern of feature: handsome enough, but as an old woman, Sandoval thought to himself, she would be really formidable.
“Ah, Sandoval,” the Princess cried, “so they let you through the cordon? How did you manage it? They have practically sealed us off from the outside world. Our mail is opened, they listen in on our telephone calls … ”
“You must remember, your Highness, that you are a claimant to the throne. There is a price to pay for that.”
“Have you brought news from the Committee?”
“Yes. Here, in my pocket.”
He handed over a thick envelope.
“Thank you, Sandoval. I’ll go and read it up in my room. Meanwhile you may entertain my father.”
After a long search the Duke produced a netsuke from his pocket—a little button carved from stone and used for clasping the kimono at the shoulder.
“Marvellous,” he commented. “Fifteenth century.”
They talked at length about the netsuke and other things Japanese, the Duke leading him with uncertain steps through room after room, bringing out his treasures to show them off. Sandoval made tactful but persistent attempts to introduce the subject of what was to happen the following day, but even the most oblique mention of any such topic produced a display of violent irritation.
“All these stupid claims to the throne,” he muttered. “Don’t say one word about any of that. Nothing will come of it, I’m quite sure. In my late brother Simon’s reign I was next in line three times … or was it just twice? … and nothing ever came of it. All the better for it, too.”
A full half-hour or more passed in this manner, before signs of fatigue began to show on the Duke’s face. Princess Clodia and a footman came for him soon after, and made him lie down on a divan.
Clodia and Sandoval went through into another room.
/>
“He’s interested in nothing but his collections,” she complained. “But he always was like that. He’s spent his entire fortune on them, and he’s run up so many debts he won’t be able to pay them even if he does become king. Oh well, never mind. It’s lucky I’m here. It’s not that I have an especially high opinion of myself, but I could run this country every bit as well as that daft cousin of mine, Oliver. Even when we were children he was completely useless. He used to write poetry … ”
“Your Highness, the people are always happy to be ruled over by a woman. Because the male monarchs are always swayed by their women, and the women by their men.”
For a moment the Princess frowned at this extreme impertinence, then she smiled. She thought of those exemplary women whose lives she had studied with such care: Elizabeth of England, Catherine the Great … Yes, Sandoval was right.
“The Duke will have to be shaken out of his apathy,” Sandoval continued. “Tomorrow is the day we’ve all been waiting for. For a little while at least, he ought to show some enthusiasm and appetite for the job in hand. By this time the day after tomorrow, assuming all goes well, he’ll be king—and he still won’t let us mention it in his presence.”
“You are quite right. His lack of interest could be very damaging when he comes face to face with his supporters. It might even turn the Nameless Captain against him.”
“The Nameless Captain? Does Your Highness believe in such a being?”
“Of course. I don’t understand how you could think otherwise. Who do you imagine is funding the revolution? You don’t think it’s us, in Algarthe? We haven’t a penny to our name … ”
“True, true. But then who could this Nameless Captain be? Who in Alturia has that sort of money? And is it possible that Your Highness really doesn’t know?”
“Well, that’s how it is: even I don’t know. I have speculated about various foreign powers and interests, but none of them seems very probable. I simply cannot imagine who would have anything to gain from my father’s taking the throne.”
“Delorme insists that the Nameless Captain will declare himself at the critical moment. Perhaps we’ll see him tomorrow. Meanwhile I must speak to the Duke and have one last try. Does Your Highness think he might be fully rested by now?”
“Yes, I should think so. Shall we go and see?”
The Duke was completely his old self again. He greeted Sandoval with delight, having forgotten that he had met him earlier.
“What news, Sandoval? Would you like to see something really special?” And he produced the netsuke again. “Marvellous, eh? Fifteenth century.”
Sandoval expressed proper admiration for the carving, then said:
“And I’ve brought you something rather fine.”
“What’s that? One of your own paintings?” the Duke began, rather anxiously, as Sandoval produced a lengthy scroll.
“No, no. Here you are. How do you like this etching?”
The Duke peered at it, initially rather unsure, then his face lit up, and he immersed himself with increasing delight in contemplation of the picture.
“But it’s a Piranesi! Why didn’t you say so at the start? It’s wonderful! From his best period! How in the devil’s name did you come by this? If it’s for sale I’ll buy it immediately.”
“But Father … !” Princess Clodia broke in, clearly exasperated. “You know how … And you, Sandoval, why are you teasing him like this?”
“It’s not for sale,” Sandoval hastened to reassure her. “It belongs to the National Gallery in Lara—the Director is a close friend. He lent it to me, on the side.”
“Would you let me have it on loan, then? Or as a present?” the Duke began. And his face filled with a child-like yearning. “I’ve always longed for a Piranesi like this. Only this sort, mind you; none of the others.”
“I’m sorry, but the Director has no power to give the gallery’s treasures away. That would require an order from the highest level.”
“The devil with all that. You know perfectly well that I give orders to no one in this country. Take your picture away. Take it away!”
Petulantly, he turned his face to the wall.
“But Your Highness, the day after tomorrow … ”
“What about the day after tomorrow? Are you insane?”
“Your Highness, you must remember that, very soon, you will be the highest authority in the land, and it will be yours to command.”
“Yes, I know. I’ve heard that so often. And as soon as I wanted to buy that tiny little Ostade, all hell broke loose … ”
“But when Your Highness is King of Alturia, it will be an entirely different matter.”
“What do you mean? You know Alturia. Do you think kings here have money for paintings? All they can afford is their own portraits. Or … will I really be able to have them for nothing?”
“Your Highness simply instructs the Minister of Culture that such and such a picture is to be transferred from the National Gallery to the Royal Palace, or, if you like, here to Algarthe.”
“Is that right? Can I really do that? I’d never thought of that.”
He pondered the idea.
“That changes everything,” he said, after a pause. His voice was fresh, almost youthful. “That makes the whole thing much more interesting. Why didn’t you say so at the start? So, where are these revolutionaries? Let’s see them; let’s have a look at them. I want action, not empty words! Clodia, I hope you’ve made all the necessary arrangements. I’ll keep the Piranesi here anyway.”
He plucked the picture out of Sandoval’s hands and disappeared with astonishing speed into the next room.
“That was an excellent idea,” said Clodia. “Let’s hope he hasn’t forgotten it by the morning.”
“Your Highness, I shall leave you the National Gallery catalogue. Please study it carefully. If the Duke seems to be losing interest, just repeat one or two little propositions: Fouquet … Boltraffio. And a genuine Van Eyck.”
He left the mansion soon after. Once inside the taxi, he sank into a pleasant daydream.
The calendar pursued its relentless course, and the next day was indeed the eighth of April. In the morning Sandoval reported to the revolutionary committee in the Barrel-Makers Joint Stock Trading Company building, and learnt that the whole plan was moving punctually towards its goal. On early morning trains, on foot, in hay-wagons and specially hired coaches, a mighty throng of aggrieved fishermen and winegrowers had arrived in the capital and been lodged in garages, cellars and attics, to keep them out-of-sight until the moment of action arrived. Meanwhile the Twelfth Regiment was on duty at the palace.
Even the streets had taken on an unusual appearance. The presence of flags flying to mark the next day’s royal wedding lent them a festive air. Everywhere banners, garlands of flowers and other insignia lauded King Oliver VII and his bride-to-be, Princess Ortrud. Sandoval was visited by the strange, oddly perverse feeling that this carnival atmosphere, created ostensibly to honour the King, would in fact prepare the way for his dethronement. Inside the great Westros department store he noted the huge portraits, seemingly made from entire rolls of silk and broadcloth, of the King and Princess, and he shuddered to think of the ironic workings of destiny. A great many shops and businesses were closed—officially for the approaching celebration, but actually because the owners feared for the safety of their windows and warehouses in the events that were about to unfold.
On the afternoon of that memorable day a ministerial council of the highest importance was taking place in the royal palace. The moment had arrived for the signing of Finance Minister Pritanez’s great work, the Coltor Treaty.
They had been in session for quite some time, deliberating every detail before the arrival of the King. The Minister for Internal Affairs was concerned about reports he was receiving of serious unrest across the country. The Prime Minister remained optimistic:
“Nonsense; this is Alturia, remember. Our people are always hatching plots and conspi
racies, and in the end everything stays exactly as it was. Think of the time when Balázs II or the Unfortunate was strung up by the heels. They took him down five minutes later, and he continued to rule to general acclaim.”
At that moment King Oliver entered the chamber, accompanied by his aide-de-camp, Major Mawiras-Tendal. The King, who is in fact the hero of our history, is a young man of twenty-four, with a handsome, rather dreamy face, one that might seem perfectly at home on an athletics track or in a nightclub, or, come to that, since its finely formed brow betrays an unusual intelligence, in the comfortable room of a library hung with portraits. Here, among the stern and generally rather misshapen features of his fellow countrymen, he seems somehow out of place. The incongruity of his appearance is intensified by the uniform he is wearing. It is a field marshal’s greatcoat, magnificent, severe and severely old-fashioned, with high-winged collars. It visibly restricts his every movement, and weighs no less heavily on his mind. He is forever complaining about having to wear it: “I can’t get comfortable in it,” he insists. “It’s like sitting on a cactus, or as if I’d become a cactus myself.” But tradition decrees that he can never take it off. The kings of Alturia have gone about in full field marshal regalia ever since one of their ancestors, Philip II or the One-Eared, suffered the indignity of having his enemies burst in upon him while he was wandering down a palace corridor in his nightshirt.
The King greeted each of his ministers in turn, then withdrew with his Prime Minister and Minister of the Interior for a private discussion.
