‘We dwell beyond the walls of a town, in an area full of cellars and blind alleys. It is the haunt of thieves and robbers who must conceal themselves. It is a place for those who dare not show their face by day. That is where we live.’
‘Tell me another thing,’ our Host asked him. ‘Why is your face so discoloured?’
‘God has not favoured it, I admit. I am so used to blowing into the fire that the flames have changed my colour, I suppose. I am not one to preen myself in front of a mirror. I get on with my work, and try my hand at alchemy. But we are always making mistakes. We miscalculate the amount of heat, for example. We can never get to the end of the experiment, and fail somewhere along the way. But that’s no problem. There are plenty of gullible people who will give us a pound of gold – or ten pounds, or twelve pounds – on the understanding that we will be able to double the amount. I know that this may be a false promise, but we still have faith in the technique. We still have hope. The trouble is that the science is so difficult to master. Although we have sworn the contrary to our customers – our patrons, I should say – we never get it quite right. I would not be at all surprised if we became beggars.’
While this young Yeoman was talking, his master came close and listened carefully to everything he said. This Canon, dressed in black, was wary and distrustful of others. Cato has taught us that the guilty man always believes that he is the object of suspicion. That is why the master drew so close to the servant. He wanted to hear everything. Then he interrupted the boy. ‘Shut your mouth,’ he said. ‘Don’t say another word. Otherwise, you will regret it. How dare you slander me in the company of these strangers, and blab all my secrets?’
‘Carry on, young man,’ Harry Bailey said. ‘Don’t pay any attention to him or his threats.’
‘Don’t worry,’ the boy replied, ‘I don’t intend to.’
When the Canon realized that all his threats were useless, he fled in sorrow and in shame.
‘Ah,’ his Yeoman said, ‘now we can have some fun. I will tell you everything I know. He has run away, has he? I hope he goes to the devil. I don’t want to have anything else to do with him, I can promise you that. Not for all the money in the world. He was the one who led me into the false game. Yet I never thought of it as a game. I was deadly serious, believe me, in its pursuit. I laboured. I sweated. I worried. I cried. Yet, for all that, I could never leave it alone. I wish to God that I had the brains to tell you everything there is to know about alchemy. I can only explain a small part of the art. Now that my master has gone, I will do my best. So…’
Heere endeth the Prologe of the Chanounes Yemannes Tale
The Canon’s Yeoman’s Tale
Heere bigynneth the Chanouns Yeman his Tale
PART ONE
I have lived with this Canon for seven years, but I am nowhere near to understanding the secret. I have lost everything I owned, as have many others. Once upon a time I was clean, cheerful and well dressed. Can you believe it? I now use an old sock as my hat! I used to be plump and ruddy-cheeked. Now I am thin and sallow. I am losing my eyesight through all the hard work. Stay away from alchemy at all costs. Where is the benefit in trying to transmute metals? The sliding science has left me penniless and in despair. Nothing good has come of it. I have borrowed so much gold that I will never be able to repay my debts. Let me stand as a warning to everyone else, like a wolf’s head. If anyone were foolish enough to practise alchemy, it will prove to be his undoing. He will not succeed. He will empty his purse. He will addle his wits. But there is worse. As soon as he has lost all of his money, through his stupidity, he will try to persuade others to follow his example and try their hand at the black art. ‘Misery loves company.’ That is the proverb, is it not? Well, enough said. Now I will tell you all about our work.
When we practise in our laboratory we look very wise and learned; we use high terms and rarefied phrases to explain our mysterious labours. Then I blow upon the coals until there is no breath left in my body. Is there any need to explain the exact proportions of the dark materials that we use? There is always the silver, of course. We would normally put in five or six ounces of it. We compound this with arsenic, with burned bones and iron filings. Then we grind the mixture to a powder, and put it in a little earthenware pot. Add a little salt, and some paper. Place a sheet of glass over the pot, sealing glass and vessel with some clay so that no air will escape from it. We can change and moderate the fire at will. Then begins the hard labour, the watching and the calculating. We are supposed to purify, to blend and to disperse all of the ingredients. We use quicksilver, too, which is the name for unrefined mercury. But for all our tricks and devices we never got anywhere. We used lead and arsenic, ground together with a marble pestle in a marble mortar. It made no difference. There was no result. We boiled volatile spirits – again to no effect. We experimented with the residue left at the bottom of the flask. But it did no good. Our labour was in vain. All the money we spent was lost, too.
There are many other aspects of the art of alchemy. I cannot tell you them in the correct order – I am not that learned – but I will mention them as they come to me. I will not be able to put them in their proper categories, of course. Let me see. There is red clay known as Armenian clay, although it does not come from Armenia. There are green verdigris and white borax. Then there are the various vessels that we use for our distillation and purification, some made of clay and some made of glass. We have flasks and retorts, phials and tubes, crucibles and alembics. There is no need to mention all of them. They were expensive enough, but they were all useless. Have I mentioned the red waters or the gallstones of a bull? Then there is sal ammoniac. And the arsenic. And the brimstone. Do you find it confusing? I could go on all day about the various herbs we use. There is agrimony, which smells so sweet; there is valerian, and there is moonwort.
So we toiled over the coals and crucibles all day and all night, with the lamps burning around us. The furnace was at full blast, and we heated the liquids to their various boiling points. We used unslaked lime as a caustic, as well as chalk and the whites of eggs; we had powder ground out of ashes and dog shit, piss and clay; we made fires out of wood and out of charcoal; we sprinkled purified salt and vitriol, and then mixed in alum and brewer’s yeast, the hairs of men and of horses, the grease of a sow and the sweat of a red-haired child. Sometimes the amalgam turned yellow, and sometimes silver white. We would fuse and ferment, diffuse and distil.
Let me explain to you the nature of the four spirits and the seven bodies, as my master taught them to me. The first spirit is mercury or quicksilver and the second is orpiment of golden hue; the third spirit is sal ammoniac, the moisture of volcanoes, and the fourth is brimstone. The seven bodies are as follows. The sun is gold, and silver is the moon; Mars is iron and Mercury, of course, is quicksilver; Saturn is lead and Jupiter is tin. The seventh, Venus herself, is copper.
Whoever practises this cursed art is doomed to failure and ruin. He will sell all his goods and come to no good. There can be no doubt that he will lose everything. So come forward, budding alchemists, and try your luck. If you have money to burn, then stoke up the chemical fires. Do you think that it is an easy craft to learn? Not so. You can be a priest or canon, monk or friar – I promise that you will not have scholarship enough. You can study all the texts, night and day, and still go nowhere. The mystery is too deep. For a layman, it is impossible to unravel. It makes no difference whether he is learned or not, he will fail in either case. Alchemy is too difficult.
Oh, I forgot to mention the acids we use, with the metals and oils. They help in the hardening or softening of the materials. They can also be used to cleanse and purify – you need more than a book to understand these things. No more words now. I have named things that should not be named. I have said enough to raise a fiend, the ugliest in hell.
The object of our quest is the philosopher’s stone, the magic elixir. If we possessed that, we would be safe from sorrow. But our labours have proved
worthless. I swear to God that, for all our craft and care, the stone will not come to us. The loss of time and money has brought us close to madness. But still there is that hope, that yearning, which keeps us searching for the key. If we have that, we have everything. So you see that the craving can never be satisfied. It is a sharp spur, always pressing us onward. We will never let go, we will never slacken. The quest is lifelong. In hope of future glory, we are willing to forsake everything else. We can never turn our backs on the metals and the crucibles. Although we may only have a torn sheet to cover us at night, and a rough coat to wear by day, we will still spend everything we have on the pursuit of the elixir.
These alchemists smell of sulphur and of brimstone. Wherever they go, they stink like goats. Their odour is so hot and rancid that you can spot them from a mile away. So you can always recognize them from their smell and from their threadbare clothes. If anyone asks them privately why they look so shabby, they have a simple reply. If anyone knew our identities, they say, we would be killed for our secrets. Hush hush. So they deceive the innocent.
Well, enough of this. I will get on with my story. Before we place the pot upon the fire, my master tempers the various metals. Only he can do this – now that he has gone, I can speak freely – and only he knows all the virtues of the lead and silver. He has a fine reputation among the cognoscenti, believe me, although there have been many times when he has come to grief. How does that happen? There are occasions, for example, when the pot explodes or falls to pieces. These metals are so volatile and violent that they can pierce the walls. We have to strengthen the stones with lime and mortar. They sink through the floorboards, or they fly up to the ceiling. Sometimes they just lie scattered on the floor. The expense is terrible. I have never seen the devil, but I am sure that he is somewhere in that room with us. There could not be more violence, or anger, or strife, or sorrow, in hell itself.
When the pot exploded everyone blamed everyone else. Everyone started to fight. Some said that the pot was left on the fire for too long. Some said that the bellows were not strong enough. Then everyone looked at me, because that is my department. ‘Not true,’ said a third. ‘The metals were not mixed correctly.’ ‘Bollocks,’ said a fourth. ‘Stop squabbling and listen to me. The fire should have been kindled from logs of beech, not logs of oak. That is the reason.’ I could never tell who was right or wrong. I only know that the argument went on and on.
‘Enough,’ said our master. ‘What is past cure is past care. I will be more vigilant next time. I am sure that the pot was cracked. That was the cause of the trouble. Well, let it go. Don’t get depressed about it. Cheer up. It’s not the end of the world, is it?’
Then all the debris was swept up in a heap. We put some canvas sheeting on the floor, and piled the debris on to it. Then we picked through the pieces of metal and chemicals, looking for anything we might retrieve. ‘Look,’ one of our number said, ‘there is some of the metal. It is not intact, but we can still use it again. Things may have turned out badly this time, but we will succeed in the end. We have to trust our luck. No merchant is prosperous all the time. There will be occasions when he loses his cargo at sea, and there will be occasions when he sees it safely landed.’
‘All right,’ our master said, ‘you have made your point. I will make sure that everything is done properly next time. If I am wrong, then lay the blame on me. There was something the matter, I know that much.’
Then the argument began again. One man said that the fire was too hot, for example. Hot or cold, it never worked. We never got the desired result, however hard we tried. Still we carried on with the madness. We were lunatic with greed and desire. When we were all together, we looked on one another as Solomon the Wise. Have you heard this proverb – ‘All that glisters is not gold’? Not every apple is good for eating, however sweet it looks. So it was with us. The greatest fool among us was deemed to be the wisest. The most honest and honoured was in fact the biggest thief. You will learn the truth of this before I leave your company. Just listen to my tale.
PART TWO
There is a canon – do you know the man I mean? – who would infect with his presence a town the size of Nineveh or Rome. No one would be able to describe his infinite tricks and subtleties. You could live a thousand years and not be able to fathom all of his craft. No one is his equal in falsehood. He is so sly in his use of words, so slippery in his language, that he can make a fool of anyone he talks to. He could beguile the devil, even though he is one himself. He has duped many people, and will carry on deceiving them as long as he lives. Yet this is the curious thing. Men travel for miles to consult and converse with him; little do they realize that he is a swindler in disguise. If you like, I can explain it to you.
My story is of a canon, as I said, but I beg other canons not to believe that I am slandering their brotherhood. There is a rotten apple in every barrel. God forbid that a whole order should be tarnished by one man’s sins. It is not my intention to defame you, good sirs, only to chastise one of your number. I address my story to everyone, not just to you. You remember well enough that among the twelve apostles there was only one traitor, Judas by name. Why should the other holy men have shared his guilt? Only he was culpable. But I will say this. If there is a Judas in your house, get rid of him at once. It will save you shame and embarrassment later. So do not be angry with me for telling my story. Just listen.
There had lived in London for many years a chantry priest, who earned his living by saying masses for the dead. He was so sweet and – how can I put it? – serviceable to his landlady that she would not hear of him paying anything for his board and lodging. She even bought his fine clothes for him. So he had plenty of ready money to spend. There was gold in his purse. Let me now explain to you how that gold fell into the hands of the malicious canon.
The canon came one day to the priest’s lodging, and asked to borrow some money. ‘Can you lend me a gold mark?’ he asked him. ‘I only need it for three days. Then I will repay you. If I let you down, I give you leave to hang me from the nearest tree!’
The priest took the coin from his purse straight away, and gave it to him; the canon pocketed it, thanked him, and went on his way. Three days later he promptly returned the money, much to the surprise and delight of the priest. ‘Well, really,’ the priest said to him, ‘I don’t mind lending you money, good sir, if you repay it so readily. You are true to your word. That is clear enough. How can I refuse you anything in the future?’
‘What? You never thought I would trick you, did you? Please. Honesty is my middle name. I will always keep my word, to the day I die. God forbid that I should ever lie to you or deceive you. It just won’t happen. Believe me when I say that I have always paid my debts. I have never let anyone down. There is not a false bone in my body.’ He lowered his voice a little. ‘Since you have been so good to me, I will let you in on a little secret. You have been kind to me, and I will be kind in return. I am willing to teach you, if you are willing to learn, the secrets of my work as an alchemist. If you watch carefully, I can assure you that you will see a wonder.’
‘Is that right?’ the priest replied. ‘Go ahead, for God’s sake.’
‘I will do it if you wish. For no other cause but to please you.’
‘Of course.’
Do you see how this villain lured his prey? He granted the priest a favour the priest had not asked for. That kind of favour bodes no good. I will prove that to you in a moment. And so this false canon, this root of iniquity, took great pleasure in betraying good Christian people. The devil planted wickedness in his heart. God give us the grace to withstand his wiles!
The poor priest had no idea, of course. He never saw the trap being laid for him. Oh silly innocent man! You will soon be blinded by avarice. Unfortunate priest, you have lost your way. All unawares, you are falling into the clutches of a fox who will trick you and deceive you. Let me hurry on now to the conclusion – and to your confusion. I will display your folly and stupidity
. And I will reveal, as far as I am able, the wickedness of the man who led you forward.
Do you think I am talking about my master? Not at all. I am talking about another canon, a hundred times more skilful than the man I serve. He has betrayed more people than you can imagine. It is impossible to describe all of his falsehoods. Whenever I talk about him, my cheeks grow red with shame. Well, they would grow red if they could. I know well enough that I have no colour left in my face. The glow left my cheeks when I first began working among the stinks and fumes. Anyway, listen to the false canon.
‘Sir,’ he said to the priest, ‘get your servant to buy some quicksilver. Tell him to hurry. Two or three ounces of the stuff will suffice. When he comes back with it, I will show you a miracle. Something you have never seen before.’
‘Of course,’ replied the priest. ‘Right away.’ So he ordered his servant to go to the apothecary, and purchase three ounces of quicksilver. The boy rushed off, and returned very quickly with the material. He gave it to the canon, who laid it down carefully. The canon then asked the servant to bring some coals, and to start a fire. This was promptly done.
Once the coals had started burning the canon took a crucible from the folds of his cloak. He showed it to the priest. ‘Take hold of it,’ he said. ‘I want you to do this for yourself. Pour into this crucible an ounce of the quicksilver. In the name of Christ, we will make an alchemist of you yet. There are very few people to whom I would confide my secrets. I will show you how to harden this quicksilver. In front of your eyes I will make it as fine and as durable as the silver in your purse. You can test it with your teeth, if you like. If you prove me wrong, then you can reveal me as a liar and a fraud to the whole world. I have a powder here, in my pocket, that will do all. It cost me a lot of money, but it is worth it. It is the agent of all my work, as you shall soon see. Tell your boy to leave the room, by the way, and shut the door behind him. No one else must learn our secrets.’
The Canterbury Tales – A Retelling Page 39
