There was for many years in the city a blind man with a dog, who was discovered to be a rank impostor. The boys found it out long before the police did. They used to try and take the money out of the little basket that the dog carried in his mouth, but they never succeeded. The moment a boy approached the basket the blind man ran at him with his stick, which proved, of course, that the fellow could see. Some of my readers may recollect seeing in the papers an account of a respectable young girl who ran away from her home and took up with this blind man. She cohabited with him, in fact, and it was found that they lived in extravagance and luxury on the blind beggar’s daily takings.
Beggars subject to Fits
are impostors, I may say, wholly without exception. Some of them are the associates and agents of thieves, and fall down in the street in assumed fits in order to collect a crowd and afford a favourable opportunity to the pickpockets, with whom they are in league. The simulation of fits is no mean branch of the beggar’s art of deception. The various symptoms—the agitation of the muscles, the turning up of the whites of the eyes, the pallor of the face and the rigidity of the mouth and jaw—are imitated to a nicety; and these symptoms are sometimes accompanied by copious frothing at the mouth. I asked Mr. Horsford, of the Mendicity Society, how this was done, and received the laconic answer—“Soap.” And this brought to my memory that I had once seen an actor charge his mouth with a small piece of soap to give due vraissemblance to the last scene of Sir Giles Overreach. I was shown an old woman who was in the habit of falling down in assumed fits simply to get brandy. She looked very aged and poor, and I was told she generally had her fits when some well-dressed gentleman was passing with a lady on his arm. She generally chose the scene of her performance close to the door of a public-house, into which some compassionate person might conveniently carry her. She was never heard to speak in her fits except to groan and mutter “brandy,” when that remedy did not appear to suggest itself to those who came to her aid. An officer said to me, “I have known that old woman have so many fits in the course of the day that she has been found lying in the gutter dead drunk from the effect of repeated restoratives. She has been apprehended and punished over and over again, but she returns to the old dodge the minute she gets out. She is on the parish; but she gets money as well as brandy by her shamming.”
I have heard that there are persons who purposely fall into the Serpentine in order to be taken to the receiving-house of the Humane Society, and recovered with brandy. One man repeated the trick so often that at last the Society’s men refused to go to his aid. It is needless to say that he soon found his way out of the water unaided, when he saw that his dodge was detected.
Being in a Decline.
No form of poverty and misfortune is better calculated to move the hearts of the compassionate than this. You see crouching in a corner, a pale-faced, wan young man, apparently in the very last stage of consumption. His eyes are sunk in his head, his jaw drops, and you can almost see his bones through his pallid skin. He appears too exhausted to speak; he coughs at intervals, and places his hand on his chest as if in extreme pain. After a fit of coughing he pants pitifully, and bows his head feebly as if he were about to die on the spot. It will be noticed, however, as a peculiarity distinguishing nearly all these beggars, that the sufferers wear a white cloth bound round their heads overtopped by a black cap. It is this white cloth, coupled with a few slight artistic touches of colour to the face, that produces the interesting look of decline. Any person who is thin and of sallow complexion may produce the same effect by putting on a white night-cap, and applying a little pink colour round the eyes. It is the simple rule observed by comedians, when they make up for a sick man or a ghost. These beggars are all impostors; and they are now so well known to the police that they never venture to take up a fixed position during the day, but pursue their nefarious calling at night at public-houses and other resorts where they can readily make themselves scarce should an officer happen to spy them out.
“Shallow Coves.”
This is the slang name given to beggars who exhibit themselves in the streets half clad, especially in cold weather. There are a great many of these beggars in London, and they are enabled to ply their trade upon the sympathies of the public with very little check, owing to the fact that they mostly frequent quiet streets, and make a point of moving on whenever they see a policeman approaching. A notorious “shallow cove,” who frequents the neighbourhood of the Strand and St. Martin’s Lane, must be well known to many of my readers. His practice is to stand at the windows of bakers and confectioners, and gaze with an eager famished look at the bread and other eatables. His almost naked state, his hollow, glaring eye, like that of a famished dog, his long thin cheek, his matted hair, his repeated shrugs of uneasiness as if he were suffering from cold or vermin, present such a spectacle of wretchedness as the imagination could never conceive. He has no shirt, as you can see by his open breast; his coat is a thing of mere shreds; his trousers, torn away in picturesque jags at the knees, are his only other covering, except a dirty sodden-looking round-crowned brown felt hat, which he slouches over his forehead in a manner which greatly heightens his aspect of misery. I was completely taken in when I first saw this man greedily glaring in at a baker’s window in St. Martin’s Lane. I gave him twopence to procure a loaf, and waited to see him buy it, anxious to have the satisfaction of seeing him appease such extreme hunger as I had never—I thought—witnessed before. He did not enter the shop with the alacrity I expected. He seemed to hesitate, and presently I could see that he was casting stealthy glances at me. I remained where I was, watching him; and at last when he saw I was determined to wait, he entered the shop. I saw him speak to the woman at the counter and point at something; but he made no purchase, and came out without the bread, which I thought he would have devoured like a wolf, when he obtained the money to procure it. Seeing me still watching him, he moved away rapidly. I entered the shop, and asked if he had bought anything. “Not he, he don’t want any bread,” said the mistress of the shop, “I wish the police would lock him up, or drive him away from here, for he’s a regular nuisance. He pretends to be hungry, and then when people give him anything, he comes in here and asks if I can sell him any bits. He knows I won’t, and he don’t want ’em. He is a regular old soldier, he is, sir.”
I received confirmation of this account from Mr. Horsford, who said that the fellow had been sent to prison at least thirty times. The moment he gets out he resorts to his old practices. On one occasion, when he was taken, he had thirteen shillings in his pocket,—in coppers, sixpences and threepenny and fourpenny bits. Softhearted old ladies who frequent the pastry-cooks are his chief victims.
“Shallow coves” have recently taken to Sunday begging. They go round the quiet streets in pairs, and sing psalm tunes during church hours. They walk barefooted, without hats, and expose their breasts to show that they have no under clothing.
The “shallow cove” is a very pitiable sight in winter, standing half naked, with his bare feet on the cold stones. But give him a suit of clothes and shoes and stockings, and the next day he will be as naked and as wretched-looking as he is to-day. Nakedness and shivers are his stock in trade.
Famished Beggars.
The famished beggars, that is, those who “make up” to look as if they were starving, pursue an infinite variety of dodges. The most common of all is to stand in some prominent place with a placard on the breast, bearing an inscription to the effect that the beggar is “starving,” or that he has “a large family entirely dependent upon him.” The appeal is sometimes made more forcible by its brevity, and the card bears the single word, “Destitute.” In every case where the beggar endeavours to convey starvation by his looks and dress it may be relied upon that he is an impostor, a lazy fellow, who prefers begging to work, because it requires less exertion and brings him more money. There are some, however,—blind men and old persons—who “stand pad,” that is to say, beg by the exhibition of a written
or printed paper, who are not impostors; they are really poor persons who are incapacitated from work, and who beg from day to day to earn a living. But these beggars do not get up an appearance of being starved, and indeed some of them look very fat and comfortable.
The beggars who chalk on the pavement “I am starving,” in a round scholastic hand, are not of this class. It does not require much reflection to discern the true character of such mendicants. As I have frequently had occasion to observe, the man who begs day after day, and counts his gains at the rate of from twelve to twenty shillings a week, cannot be starving. You pass one of these beggars in the morning, and you hear the coppers chinking on the pavement as they are thrown to him by the thoughtless or the credulous; you pass him again in the evening, and there is still the inscription “I am starving.” This beggar adds hypocrisy to his other vices. By his writing on the pavement he would give you to understand that he is too much ashamed to beg by word of mouth. As he crouches beside his inscription he hides his head. The writing, too, is a false pretence. “I am starving” is written in so good a hand that you are led to believe that the wretch before you has had a good education, that he has seen better days, and is now the victim of misfortune, perhaps wholly undeserved. It should be known, however, that many of these beggars cannot write at all; they could not write another sentence except “I am starving” if it were to save their lives. There are persons who teach the art of writing certain sentences to beggars, but their pupils learn to trace the letters mechanically. This is the case with the persons who draw in coloured chalk on the pavement. They can draw a mackerel, a broken plate, a head of Christ, and a certain stereotyped sea-view with a setting sun, but they cannot draw anything else, and these they trace upon a principle utterly unknown to art. There is one beggar of this class who frequents the King’s-Cross end of the New Road, who writes his specimens backwards, and who cannot do it any other way. He covers a large flagstone with “copies” in various hands, and they are all executed in the true “copperplate” style. They are all, however, written backwards.
The distinction made by the magistrates and the police between those who draw coloured views and those who merely write “I am starving” in white chalk, exhibits a nicety of discrimination which is not a little amusing. When the officers of the Mendicity Society first began to enforce their powers with rigour (in consequence of the alarming increase of mendicancy) they arrested these flag-stone artists with others. The magistrates, however, showed an unwillingness to commit them, and at length it was laid down as a rule that these men should not be molested unless they obstructed a thoroughfare or created a disturbance. This decision was grounded upon the consideration that these street artists did some actual work for the money they received from the public; they drew a picture and exhibited it, and might therefore be fairly regarded as pursuing an art. So the chalkers of mackerel were placed in the category of privileged street exhibitors. The “I am starving” dodge, however, has been almost entirely suppressed by the persevering activity of Mr. Horsford and his brother officers of the Mendicity Society.
One of the latest devices of famished beggars which has come under my notice I shall denominate
The Choking Dodge.
A wretched-looking man, in a state of semi-nudity, having the appearance of being half starved and exhausted, either from want of food or from having walked a long way, sat down one day on the doorstep of the house opposite mine. I was struck by his wretched and forlorn appearance, and particularly by his downcast looks. It seemed as if misery had not only worn him to the bone, but had crushed all his humanity out of him. He was more like a feeble beast, dying of exhaustion and grovelling in the dust, than a man. Presently he took out a crust of dry bread and attempted to eat it. It was easy to see that it was a hard crust, as hard as stone, and dirty, as if it had lain for some days in the street. The wretch gnawed at it as a starved dog gnaws at a bone. The crust was not only hard, but the beggar’s jaws seemed to want the power of mastication. It seemed as if he had hungered so long that food was now too late. At length he managed to bite off a piece; but now another phase of his feebleness was manifested—he could not swallow it. He tried to get it down, and it stuck in his throat. You have seen a dog with a bone in his throat, jerking his head up and down in his effort to swallow: that was the action of this poor wretch on the door-step. I could not but be moved by this spectacle, and I opened the window and called to the man. He took no heed of me. I called again. Still no heed; misery had blunted all his faculties. He seemed to desire nothing but to sit there and choke. I went over to him, and, tapping him on the shoulder, gave him twopence, and told him to go to the public house and get some beer to wash down his hard meal. He rose slowly, gave me a look of thanks, and went away in the direction of the tavern. He walked more briskly than I could have conceived possible in his case, and something prompted me to watch him. I stood at my door looking after him, and when he got near the public-house he turned round. I knew at once that he was looking to see if I were watching him. The next minute he turned aside as if to enter the public-house. The entrance stood back from the frontage of the street, and I could not tell, from where I stood, whether he had gone into the house or not. I crossed to the other side, where I could see him without being noticed. He had not entered the house, but was standing by the door. When he had stood there for a few minutes he peeped out cautiously, and looked down the street towards the place where he had left me. Being apparently satisfied that all was right, he emerged from the recess and walked on. I was now determined to watch him further. I had not long to wait for conclusive evidence of the imposture which I now more than suspected. The man walked slowly along until he saw some persons at a first-floor window, when he immediately sat down on a door-step opposite and repeated the elaborate performance with the hard crust which I have already described. This I saw him do four times before he left the street, in each case getting money. It is needless to say that this fellow was a rank impostor. One of his class was apprehended some time ago—it might have been this very man—and no less than seven shillings were found upon him. These men frequent quiet bye-streets, and never, or rarely, beg in the busy thoroughfares. I will give another case, which I shall call
The Offal-Eater.
The most notable instance of this variety of the famished beggars which has come under my notice is that of a little old man who frequents the neighbourhood of Russell-square. I have known him now for two years, and I have seen him repeat his performance at least a score of times. The man has the appearance of a cutler. He wears a very old and worn, but not ragged, velveteen coat with large side pockets, a pair of sailor’s blue trousers a good deal patched, a very, very bad pair of shoes, and a chimney-pot hat, which seems to have braved the wind and rain for many years, been consigned to a dust-bin, and then recovered for wear. He is below the average height, and appears to be about seventy years of age. This little old man makes his appearance in my street about eleven o’clock in the forenoon. He walks down the pavement listlessly, rubbing his hands and looking about him on every side in a vacant bewildered manner, as if all the world were strange to him, and he had no home, no friend, and no purpose on the face of the earth. Every now and then he stops and turns his face towards the street, moving himself uneasily in his clothes, as as if he were troubled with vermin. All this time he is munching and mumbling some food in a manner suggestive of a total want of teeth. As he pauses he looks about as if in search of something. Presently you see him pick up a small piece of bread which has been thrown out to the sparrows. He wipes it upon his velveteen coat and begins to eat it. It is a long process. He will stand opposite your window for full ten minutes mumbling that small piece of bread, but he never looks up to inspire compassion or charity; he trusts to his pitiful mumblings to produce the desired effect, and he is not disappointed. Coppers are flung to him from every window, and he picks them up slowly and listlessly, as if he did not expect such aid, and scarcely knew how to apply it. I have gi
ven him money several times, but that does not prevent him from returning again and again to stand opposite my windows and mumble crusts picked out of the mud in the streets. One day I gave him a lump of good bread, but in an hour after I found him in an adjacent street exciting charity in the usual way. This convinced me that he was an artful systematic beggar, and this impression was fully confirmed on my following him into a low beer-shop in St. Giles’s and finding him comfortably seated with his feet up in a chair, smoking a long pipe, and discussing a pot of ale. He knew me in a moment, dropped his feet from the chair, and tried to hide his pipe. Since that occasion he has never come my way.
The London Underworld in the Victorian Period: Authentic First-Person Accounts by Beggars, Thieves and Prostitutes: v. 1 Page 56
