Hundreds of streets in London were uninhabited during much of the six years of war, the houses shuttered and fireless. In the damp winters the fungoid condition, the dry rot, developed in the beams, joists, architraves, jambs, window-frames, floorboards of these unlived-in places. As it is, when decomposition has gone so far that you can poke your finger into the wood of a mantelpiece as if it were made of cheese, an order may be obtained for a few slices of timber out of government stock. The condition of flagrant rot is checked by a sceptical inspector.
Compared with Hamburg, or Dresden, London is unmarked. Then the Nazis were such great gentlemen they mostly bombed the poor. Yet every district has its quota of gaps or of ruins, and these wet draughty weed-gardens—rain-filled cavities of cellars that have lost their houses—serve I think to prolong the rot. Many of the gaps and ruins we know will remain. The present rulers are in no hurry to reconstitute London as it was: they have not much love, in fact, for Dick Whittington’s city. If actually it did drop to pieces it would not break their hearts. So there it is, a monstrous derelict of a city—always the first to be bombed, the last to receive its allotment of bananas when a shipment of them docks at Bristol (the manufacturing North because of the big labour towns is favoured) and so it is with all unrationed delicacies: unpopular as a capital with the ruling intellectuals as the traditional headquarters of the Court, too redolent as well of history—womb of the Mother of Parliaments in an age impatient of parliaments; haunted by the stout shades of those parliament men Hampden, Eliot, and Pym—reeking in their nostrils of freedom: London, built upon a bog and cursed with world-famous fogs: every house in it that has a crack from the blast of a bomb and dies at last of chronic dry rot, and is carted off to the potter’s field for decayed old buildings, is to be congratulated.
Like Vienna, this city has no meaning henceforward. It is too vast a head for so puny a body—since most of the gargantuan colonial padding that made Britain (Great Britain!) look so enormous has been shed—as an actor playing Falstaff, the play done, unhooks his make-believe belly and unpacks his bloated limbs. So we get down to the actual modest dimensions. True, we still swell airily in vacuo, an immense bubble of 50 million souls, blown out with American dollars. But that will burst. It cannot do otherwise—when the next war comes, or the next American slump, or even without them—than explode with a sickening roar.
Up on Rotting Hill, beamed on by Negroes, shadowed by Afrikanders, displaced in queues by displaced persons, ignored by Brahmins, run over by hasty “fiddlers” of various extraction, we are foreign (or like a town in the U.S.) and people come and go. The shops are full of xenophobic growlings but there are no bitings. The houses are camps, towering brick camps, with gouged out clammy basements, packed with transients. We are famous for our spivs. But that is a disreputable élite, and there is the rank and file. A newsagent where I deal divides our co-citizens into two main groups: (1) Those who bet; and (2) Those addicted to spiritualism. This he bases upon the papers and magazines most in demand, and of which he stocks and sells fantastic numbers. The second of these passions, the occultist, finds its votaries mainly among the English. But with those who play the horses there is nothing so narrowly national.
Better lose your money on a horse or a dog than be fooled out of it! They speak like that. As to mysticism, and its big vogue (five “lodges” in Rotting Hill): people troop as they are now doing to sit entranced before pythonesses who bring tidings from the other side of death to enable them to turn their backs if only for a while upon life—more vile and ill-smelling daily. Not the stench of power-politics alone, of which the press is full, but the decomposition of the public will is perhaps the worst wretchedness of all, Aneurin B.’s version of a will-less society being too exclusive. Though the occultist fans do not proceed to analysis, anything but—they merely feel that “nothing is worth while”.
On Rotting Hill the rubbish is still collected Saturdays, but nevertheless the pavements are littered—with Rotting-hillers. Some get stuck in doorways. I picked one up under a lamp-post the other day and took him up to draw. He sat well, staring blankly at the blankness of my walls. He had practically no will left. Had I boxed his ears—instead of giving him half a crown—he would have wobbled about a little but that is all. The public’s reactions are so jaded that it has sunk almost to coolie levels. The English had a public conscience as big as a house. But its fibre is devoured. It is completely rotted. Sanctimonious busy-bodies no longer, they are very callous, their own lot exciting them as little as that of others. If you informed the public that fifty thousand Finns or Italians had been massacred—by anybody—it would have as much effect as if you informed it that fifty thousand mackerel had been caught. Take away tomorrow all its sugar, for instance, and all butcher’s meat (without replacing the latter by anything, except what only the richest can buy). Nothing would happen, except that people would develop complaints for which a sugarless and proteinless diet is responsible. And of course there is no tax you cannot impose upon the English. They expect it.
This picture is only overpainted if you wish for an under-painting of it. For there is no moderate image of atomic politics, national bankruptcy, murderous taxation, black-market immunity, jobbery, world-inflation, populations drained of hope. But no picture at all exists in the case of massive sections of our society. These reactions—even largely it might be said these conditions—do not apply to a massive minority of our people. For of course there are those who have so little they are hardly taxable: even some who—talking of meat—never had much meat. (Their wives might beg a scrap off the fat butcher. But there were no ration-books as today, conferring a right to the best meats in the shop. The slum butcher too is officially allotted under rationing the same quality meat as the butcher for the Ritz or for the King and he gets it.) If the untaxables, and lower than them the obligatory vegetarians under Victoria, got to themselves a picture, it would be starry-bright in 1948. The ration-book is their charter. Supertax is a tax levied for their beautiful eyes. But at all levels the working class, even the quite taxable, is elated: the source of the elation being even more sentimental than economic.
I find I have been providing with a deeper perspective than I had intended my narrative of the rot. One rot truly is involved in another rot. From the epidemic ravaging “better-class” houses to the decay of the classes for which they were built is a logical transition. Returning, finally, to the immediate business of the rot in our apartment: up to the time that one of the windows began to leave its socket and the wind to rush in I made no move. Then of course I did. Upon the telephone the landlord, or more exactly his deputy, informed me sighing that he knew what it was. Oh he did! I remarked disagreeably. But he answered gruffly that in other parts of the building—comprising a number of shops and apartments—there were very bad cases. I was not unfortunately the only one—he wished I was.
His builder’s specialist, a cockney carpenter, was at hand; in fact he was at work upon a rapidly rotting off-licence. He presented himself at once, and flung himself into the tracking of the rot with the avidity of a ferret. Upstairs and downstairs, in this “maisonette”, he tracked it down, charting his progress upon a piece of soiled paper.
The carpenter looked me over this first time—I had answered his off-hand knocks—as if probing for symptoms of the malignant fungus which was disintegrating our premises. Evidently he found me built of some substance inhospitable to the rot. He lost interest. The little fires went out in his eyes. But the fact that I was uninteresting because unpleasantly free of dry rot did not endear me to him, or cause him to forget that with a fraction of the money I squandered on my books, he could build an A One rabbit hutch and get Minnie (daughter) the openings to make her a Screen Star. Young Fred (son) might shine too, in some capacity, if less glamorously. Now, to indulge this urgent son of toil, Fred (the carpenter’s name as well as that of his son) had been led to understand—not by me—that yes, in forty-eight hours, work on part of the nether premises could
begin. I now said No. He evinced no surprise. It is only nice people with dry rot in them somewhere (as in one mood he would feel and from one angle) who can be depended on to say yes all the time. The rot softens the fibres of the will. Dry rotted yes-people are as clay in the hands of carpenters.
As I listened subsequently to this man amok in the bedroom underneath, I recalled the humped humanity that shuffled off, cool and relaxed, when he found I was a no-person. He had shrugged his humped shoulders and snarled a cockney half-smile at me, with one evil tooth, saying, “Very good, sir. It’s as you wish.” Actually I was worse as he saw it than the rotten, in and out of whose residences he moved with such dark satisfaction. I belonged to the rot—to a rotted social class: was tenant in a building rotted down to its cellars, lived after an outmoded pattern (a “blooming artist”)—rotted and was answerable for rot—rot which began to hem me in, madly nourished by my antediluvian life-habits. That the dry rot was the landlord’s affair was, of course, a major factor. I did not pay. Not paying, I was at most an obstruction, not a source of authority.
The carpenter stood out from the rest of the workmen by reason of the fact that he worked. He must have had a big crack in his palate which he had cemented up, he spoke stiffly, where his mouth writhed up on to his cheek, out of a bitter hole. He had dirty eyes—the face was so untidy no eyes could have looked otherwise, to be sure, but they were bloodshot themselves, and of tobacco-colour green, with embers of hot red. The public house and the blow-lamp between them had perpetuated facial eruptions. An uncut moustache served as a disreputable valance for the mouth. The chin in its cockney droop marked him as a spectator of his own aggressions.
As it was very difficult for me to leave London at that time, the arrangement was that while the builders were downstairs we should live upstairs. The downstairs finished, we should change places, they coming up to the studio floor. And such was the order followed. When the carpenter began work it was in the nether premises, in some respects the more rotten of the two. We had, according to plan, gone to live on the upper floor.
When first we were informed that our apartment must be derotted, we had not the remotest idea of what awaited us. It only slowly dawned on us that this was a major operation, at which we were to assist. But we did not have to wait long for enlightenment. As a fact, the carpenter moved in to pull down, weeks before the building-up again could start, the order not having come through from the Town Hall releasing the necessary material. Neurotic as this man was, he could not keep his hands off it. He would have demolished the entire building had it lain in his power to do so—the entire quarter, too: and, on a particularly good day, all of Greater London.
The realization of what we had let ourselves in for involved a dual shock. First we saw that we were to cohabit with earthquake. Secondly came understanding of the time factor; in other words, the immense mouthfuls of time demanded by this inane operation, because—oh, because of the same crass agency that eats up all the rest of our time, in wars, in queues, in rot, in all the subsidiaries of the central inhumanity of man. We had some such figure as three weeks in our minds at the beginning, or a little over. But a sleepy lazy gang (living in a Dalton daydream of booming wages, cheap money, short hours) could make such short work in every sense of three weeks that if you told the time by their handiwork it would seem to be three days that had passed, not three weeks.
The preliminary stripping of the place, parking of furniture in a grey mass, was unexpectedly disagreeable. There are different ways of stripping a life, of disintegrating a domestic organism. There are seemly, even ceremonious, undressings. There is everything, between an invitation to a pleasing déshabillé, and a brutal debagging. There is a way of turning a chair upside down (if that chair has known all its life the pressure of your bottom) that is an affront, or of handing down an oil-painting of a Buckinghamshire backyard from its nail that is an outrage.
The invasion actually began—with the stripping and stacking for its breathless overture—when we were only half awake. The carpenter and his mates, this first time, were shuffling about outside the front door long before 8 a.m. At 9 we left them, Mrs. Clark having set out our breakfast of “hot roll mix” (from a friend in Baton Rouge), Cuban Honey (a friend in New York), fried eggs (from another friend, in Montreal), and tea on the ration; expressive of what the tea-merchants of Colombo think of their ex-lords and masters. At ten we sat in our vast roof-room, digesting the disagreeable reality downstairs. “I feel like a bruised grape in a basketful of glass marbles,” observed my wan wife, quoting a Canadian tulip.
Then—preceded by a brief silence, upstairs and downstairs, and as it seemed outside as well—the first blow fell. “Ye olde Cottage” effect, produced we discovered partly by authentic wooden beams (now turning, of course, into mushrooms), in part plaster boxes masquerading as beams—all that went first. This we divined at the time, and afterwards inspection confirmed, since the ceiling eight or nine inches under the soles of our shoes jumped violently. We were glad the rot had found out so palpable a fake as the archaic rafters, of which we were ashamed if anything: but the carpenter thought his blows fell upon our hearts. The plaster boxes, beneath repeated blows from his axe, and the hammers of his men, came crashing down. We recognized immediately that we, and not the plaster, were the true target of the assault.
With what frenzy of accumulated resentment this stunted man, deformed with toil, flung himself upon us. The rot was, no one could doubt it, his master passion. But he was socially minded—he knew how to give his rot an historico-economic perspective too, being no fool like the painters (without exceptions) and deeper than the plasterer. We and the rot were one, we were involved as if we had been wood. Was it not our rot? The rot existed for us. If there was a fungus here instead of the wood which honest workmen forty years before had lifted into place, we had produced the fungus—an emanation of social decay. Were it eventually necessary to pull down the house, we ought to be demolished with it. Such was the line of feeling at least of the mastermind among what eventually became an army of invaders.
The token liquidation was taking place in the room in which we slept, so we congratulated ourselves upon having so thoroughly emptied it beforehand. A shambles of plaster and wood must suddenly be there—though when later we actually saw the rugged landscape of piled-up débris we were astonished: and now it sounded as if the carpenter were savaging the walls. But almost buckling the floor, the timber of the chairs in which we sat recording a maximal shock, they burst out into a short passage, and, in an exceptionally paranoiac rush of the carpenter’s a cataract of plaster which must have shaken Marble Arch smote the floor of our nether premises.
“Is this in fact token class-war?” was my question: and my life-mate answered and laughed: “It is so to speak token class-war.” “Is it not getting out of hand?” I pondered aloud. “There is, in effect, a sensible deterioration,” came the response, “in the situation, as that regards the workmen in our nether premises.” I recommenced: “Is this in fact hatred for those who dwell in posh dry-rotted flats…?” “Not posh. Dry-rotted.” But I resumed: “Of relative magnificence, in select neighbourhood—yes, in this fringe of Rotting Hill we rub up against admirals and generals and tread on brigadiers—in their turn they bathe across the mews from Millionaires. Comparatively modest as our abode may be, it exceeds the limits of his dwarf exchequer.” (I cast my eye down through the ceiling at the carpenter.) “We are economic giants to his pigmy purse. If men were their money he would reach to my knees.”
So, thinly disguised as care for the health of buildings, it was reaching the point of open confessions—when, axe in hand, the carpenter would appear at the head of the stairs and snarl:
“You can keep your plaster and your rotten wood, Mr. Lewis! You are the dry rot I’m after!” At the latest mountainous fall of plaster underneath, I allowed my eyes to rest upon a drawer where an old, rusted, practically token, revolver probably was.
Having engaged for some days i
n unrestrained and wholesale destruction, the carpenter and his mates melted away. They left behind them exposed and mutilated ceilings, gaping floors, bald patches, gashes, rents, and holes everywhere; tottering doors, unframed windows. I had not had much contact with the carpenter. So far as I was concerned one day he and the others failed to appear, that was all. The usual noises failed to occur. There was peace. And so day after day, peace. Still this peace of course was outrageous too, because we wanted to occupy our apartment, not remain camped in a corner of it. On the telephone the builder acquainted me with the true position. Nothing could be done until the order came through.
For the rest, the carpenter had done just as he pleased. Provided he did not injure my goods I could not—as he knew—stop him from knocking the walls down if he liked. There was no supervision. No one in Rotting Hill in 1947—landlord or builder or anybody—cared enough about what happened to climb a flight of forty stairs, or for that matter to cross the street. My own outburst was awaited. With sultry anticipatory glee the carpenter slogged unnecessary objects unnecessarily hard at inconvenient times. Apart from clearing him unceremoniously out of the toilet where invariably he took up his stand, blow-lamp at full blast, around the time he knew access would, to late breakfasters, be imperative, no scintilla of criticism could he carry off to magnify for the purpose of complaints-about-complaints: “As usual, interference on part of tenant with work of man doing his job!” He interested me too much for me to feel anger. Still I was in no mood to furnish amusement. Otherwise I might have cursed him for making an uncalled-for noise, or ignoring the little fact that I after all paid the rent. That was what he wanted.
Rotting Hill Page 10
