New and Selected Poems

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New and Selected Poems Page 3

by Hughes, Ted


  In their eyes, as if such could have cauterized

  The trust they turned towards him, and branded on

  Its stump her claim, to outlaw question.

  So it might have been: seeing their exemplar

  And teacher burned for his lessons to black bits,

  Their silence might have disowned him to her,

  And hung up what he had taught with their Welsh hats:

  Who sees his blasphemous father struck by fire

  From heaven, might well be heard to speak no oaths.

  But the fire that struck here, come from Hell even,

  Kindled little heavens in his words

  As he fed his body to the flame alive.

  Words which, before they will be dumbly spared,

  Will burn their body and be tongued with fire

  Make paltry folly of flesh and this world’s air.

  When they saw what annuities of hours

  And comfortable blood he burned to get

  His words a bare honouring in their ears,

  The shrewd townsfolk pocketed them hot:

  Stamp was not current but they rang and shone

  As good gold as any queen’s crown.

  Gave all he had, and yet the bargain struck

  To a merest farthing his whole agony,

  His body’s cold-kept miserdom of shrieks

  He gave uncounted, while out of his eyes,

  Out of his mouth, fire like a glory broke,

  And smoke burned his sermon into the skies.

  Song from Bawdry Embraced

  From what dog’s dish or crocodile’s rotten

  Larder she had come

  He questioned none: ‘It is enough

  That she is and I am.’

  They caught each other by the body

  And fell in a heap:

  A cockerel there struck up a tread

  Like a cabman’s whip.

  And so they knit, knotted and wrought

  Braiding their ends in;

  So fed their radiance to themselves

  They could not be seen.

  And thereupon – a miracle!

  Each became, a lens

  So focussing creation’s heat

  The other burst in flames.

  Bawdry! Bawdry! Steadfastly

  Thy great protagonists

  Died face to face, with bellies full,

  In the solar waste

  Where there is neither skirt nor coat,

  And every ogling eye

  Is a cold star to measure

  Their solitude by.

  from LUPERCAL

  Mayday on Holderness

  This evening, motherly summer moves in the pond.

  I look down into the decomposition of leaves –

  The furnace door whirling with larvae.

  From Hull’s sunset smudge

  Humber is melting eastward, my south skyline:

  A loaded single vein, it drains

  The effort of the inert North – Sheffield’s ores.

  Bog pools, dregs of toadstools, tributary

  Graves, dunghills, kitchens, hospitals.

  The unkillable North Sea swallows it all.

  Insects, drunken, drop out of the air.

  Birth-soils,

  The sea-salts, scoured me, cortex and intestine,

  To receive these remains.

  As the incinerator, as the sun,

  As the spider, I had a whole world in my hands.

  Flowerlike, I loved nothing.

  Dead and unborn are in God comfortable.

  What a length of gut is growing and breathing –

  This mute eater, biting through the mind’s

  Nursery floor, with eel and hyena and vulture,

  With creepy-crawly and the root,

  With the sea-worm, entering its birthright.

  The stars make pietas. The owl announces its sanity.

  The crow sleeps glutted and the stoat begins.

  There are eye-guarded eggs in these hedgerows,

  Hot haynests under the roots in burrows.

  Couples at their pursuits are laughing in the lanes.

  The North Sea lies soundless. Beneath it

  Smoulder the wars: to heart-beats, bomb, bayonet.

  ‘Mother, Mother!’ cries the pierced helmet.

  Cordite oozings of Gallipoli,

  Curded to beastings, broached my palate,

  The expressionless gaze of the leopard,

  The coils of the sleeping anaconda,

  The nightlong frenzy of shrews.

  February

  The wolf with its belly stitched full of big pebbles;

  Nibelung wolves barbed like black pineforest

  Against a red sky, over blue snow; or that long grin

  Above the tucked coverlet – none suffice.

  A photograph: the hairless, knuckled feet

  Of the last wolf killed in Britain spoiled him for wolves:

  The worst since has been so much mere Alsatian.

  Now it is the dream cries ‘Wolf!’ where these feet

  Print the moonlit doorstep, or run and run

  Through the hush of parkland, bodiless, headless;

  With small seeming of inconvenience

  By day, too, pursue, siege all thought;

  Bring him to an abrupt poring stop

  Over engravings of gibbet-hung wolves,

  As at a cage where the scraggy Spanish wolf

  Danced, smiling, brown eyes doggily begging

  A ball to be thrown. These feet, deprived,

  Disdaining all that are caged, or storied, or pictured,

  Through and throughout the true world search

  For their vanished head, for the world

  Vanished with the head, the teeth, the quick eyes –

  Now, lest they choose his head,

  Under severe moons he sits making

  Wolf-masks, mouths clamped well onto the world.

  Crow Hill

  The farms are oozing craters in

  Sheer sides under the sodden moors:

  When it is not wind it is rain,

  Neither of which will stop at doors:

  One will damp beds and the other shake

  Dreams beneath sleep it cannot break.

  Between the weather and the rock

  Farmers make a little heat;

  Cows that sway a bony back,

  Pigs upon delicate feet

  Hold off the sky, trample the strength

  That shall level these hills at length.

  Buttoned from the blowing mist

  Walk the ridges of ruined stone.

  What humbles these hills has raised

  The arrogance of blood and bone,

  And thrown the hawk upon the wind,

  And lit the fox in the dripping ground.

  A Woman Unconscious

  Russia and America circle each other;

  Threats nudge an act that were without doubt

  A melting of the mould in the mother,

  Stones melting about the root,

  The quick of the earth burned out:

  The toil of all our ages a loss

  With leaf and insect. Yet flitting thought

  (Not to be thought ridiculous)

  Shies from the world-cancelling black

  Of its playing shadow: it has learned

  That there’s no trusting (trusting to luck)

  Dates when the world’s due to be burned;

  That the future’s no calamitous change

  But a malingering of now,

  Histories, towns, faces that no

  Malice or accident much derange.

  And though bomb be matched against bomb,

  Though all mankind wince out and nothing endure –

  Earth gone in an instant flare –

  Did a lesser death come

  Onto the white hospital bed

  Where one, numb beyond her last of sense,

  Closed her eyes on the world�
�s evidence

  And into pillows sunk her head?

  Strawberry Hill

  A stoat danced on the lawns here

  To the music of the maskers;

  Drinking the staring hare dry, bit

  Through grammar and corset. They nailed to a door

  The stoat with the sun in its belly,

  But its red unmanageable life

  Has licked the stylist out of their skulls

  Has sucked that age like an egg and gone off

  Along ditches where flies and leaves

  Overpower our tongues, got into some grave –

  Not a dog to follow it down –

  Emerges, thirsting, in far Asia, in Brixton.

  Fourth of July

  The hot shallows and seas we bring our blood from

  Slowly dwindled; cooled

  To sewage estuary, to trout-stocked tarn.

  Even the Amazon’s taxed and patrolled

  To set laws by the few jaws –

  Piranha and jaguar.

  Columbus’ huckstering breath

  Blew inland through North America

  Killing the last of the mammoths.

  The right maps have no monsters.

  Now the mind’s wandering elementals,

  Ousted from their traveller-told

  Unapproachable islands,

  From their heavens and their burning underworld,

  Wait dully at the traffic crossing,

  Or lean over headlines, taking nothing in.

  Esther’s Tomcat

  Daylong this tomcat lies stretched flat

  As an old rough mat, no mouth and no eyes,

  Continual wars and wives are what

  Have tattered his ears and battered his head.

  Like a bundle of old rope and iron

  Sleeps till blue dusk. Then reappear

  His eyes, green as ringstones: he yawns wide red,

  Fangs fine as a lady’s needle and bright.

  A tomcat sprang at a mounted knight,

  Locked round his neck like a trap of hooks

  While the knight rode fighting its clawing and bite.

  After hundreds of years the stain’s there

  On the stone where he fell, dead of the tom:

  That was at Barnborough. The tomcat still

  Grallochs odd dogs on the quiet,

  Will take the head clean off your simple pullet,

  Is unkillable. From the dog’s fury,

  From gunshot fired point-blank he brings

  His skin whole, and whole

  From owlish moons of bekittenings

  Among ashcans. He leaps and lightly

  Walks upon sleep, his mind on the moon.

  Nightly over the round world of men,

  Over the roofs go his eyes and outcry.

  Wilfred Owen’s Photographs

  When Parnell’s Irish in the House

  Pressed that the British Navy’s cat-

  O-nine-tails be abolished, what

  Shut against them? It was

  Neither Irish nor English nor of that

  Decade, but of the species.

  Predictably, Parliament

  Squared against the motion. As soon

  Let the old school tie be rent

  Off their necks, and give thanks, as see gone

  No shame but a monument –

  Trafalgar not better known.

  ‘To discontinue it were as much

  As ship not powder and cannonballs

  But brandy and women’ (Laughter). Hearing which

  A witty profound Irishman calls

  For a ‘cat’ into the House, and sits to watch

  The gentry fingering its stained tails.

  Whereupon …

  quietly, unopposed,

  The motion was passed.

  Relic

  I found this jawbone at the sea’s edge:

  There, crabs, dogfish, broken by the breakers or tossed

  To flap for half an hour and turn to a crust

  Continue the beginning. The deeps are cold:

  In that darkness camaraderie does not hold:

  Nothing touches but, clutching, devours. And the jaws,

  Before they are satisfied or their stretched purpose

  Slacken, go down jaws; go gnawn bare. Jaws

  Eat and are finished and the jawbone comes to the beach:

  This is the sea’s achievement; with shells,

  Vertebrae, claws, carapaces, skulls.

  Time in the sea eats its tail, thrives, casts these

  Indigestibles, the spars of purposes

  That failed far from the surface. None grow rich

  In the sea. This curved jawbone did not laugh

  But gripped, gripped and is now a cenotaph.

  Hawk Roosting

  I sit in the top of the wood, my eyes closed.

  Inaction, no falsifying dream

  Between my hooked head and hooked feet:

  Or in sleep rehearse perfect kills and eat.

  The convenience of the high trees!

  The air’s buoyancy and the sun’s ray

  Are of advantage to me;

  And the earth’s face upward for my inspection.

  My feet are locked upon the rough bark.

  It took the whole of Creation

  To produce my foot, my each feather:

  Now I hold Creation in my foot

  Or fly up, and revolve it all slowly –

  I kill where I please because it is all mine.

  There is no sophistry in my body:

  My manners are tearing off heads –

  The allotment of death.

  For the one path of my flight is direct

  Through the bones of the living.

  No arguments assert my right:

  The sun is behind me.

  Nothing has changed since I began.

  My eye has permitted no change.

  I am going to keep things like this.

  Fire-Eater

  Those stars are the fleshed forebears

  Of these dark hills, bowed like labourers,

  And of my blood.

  The death of a gnat is a star’s mouth: its skin,

  Like Mary’s or Semele’s, thin

  As the skin of fire:

  A star fell on her, a sun devoured her.

  My appetite is good

  Now to manage both Orion and Dog

  With a mouthful of earth, my staple.

  Worm-sort, root-sort, going where it is profitable.

  A star pierces the slug,

  The tree is caught up in the constellations.

  My skull burrows among antennae and fronds.

  To Paint a Water Lily

  A green level of lily leaves

  Roofs the pond’s chamber and paves

  The flies’ furious arena: study

  These, the two minds of this lady.

  First observe the air’s dragonfly

  That eats meat, that bullets by

  Or stands in space to take aim;

  Others as dangerous comb the hum

  Under the trees. There are battle-shouts

  And death-cries everywhere hereabouts

  But inaudible, so the eyes praise

  To see the colours of these flies

  Rainbow their arcs, spark, or settle

  Cooling like beads of molten metal

  Through the spectrum. Think what worse

  Is the pond-bed’s matter of course;

  Prehistorie bedragonned times

  Crawl that darkness with Latin names,

  Have evolved no improvements there,

  Jaws for heads, the set stare,

  Ignorant of age as of hour –

  Now paint the long-necked lily-flower

  Which, deep in both worlds, can be still

  As a painting, trembling hardly at all

  Though the dragonfly alight,

  Whatever horror nudge her root.

  The Bull Moses

&
nbsp; A hoist up and I could lean over

  The upper edge of the high half-door,

  My left foot ledged on the hinge, and look in at the byre’s

  Blaze of darkness: a sudden shut-eyed look

 

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