by Sam Wiebe
My own interest in noir fiction grew from my early exposure to urban crime, which I absorbed from various perspectives. I was born and raised in Washington, DC, and have lived in Brooklyn since 1990. In the 1970s and ’80s, when violent, drug-fueled crime in DC was rampant, my mother hung out with cops she’d befriended through her work as a nearly unbeatable public defender. She also grew close to some of her clients, most notably legendary DC bank robber Lester “LT” Irby (a contributor to DC Noir), who has been one of my closest friends since I was fifteen, though he was incarcerated from the early 1970s until just recently. Complicating my family’s relationship with the criminal justice system, my dad sued the police stridently in his work as legal director of DC’s American Civil Liberties Union.
Both of my parents worked overtime. By the time my sister Kathy was nine and I was seven, we were latchkey kids prone to roam, explore, and occasionally break laws. Though an arrest for shoplifting helped curb my delinquent tendencies, the interest in crime remained. After college I worked with adolescents and completed a master’s degree in social work; my focus was on teen delinquency.
Throughout the 1990s, my relationship with the urban underbelly expanded as I spent a great deal of time in dank nightclubs populated by degenerates and outcasts. I played bass guitar in Girls Against Boys, a rock and roll group that toured extensively in the US and Europe. The long hours on the road not spent on stage gave way to book publishing, which began as a hobby in 1996 with my friends Bobby and Mark Sullivan.
The first book we published was The Fuck-Up, by Arthur Nersesian—a dark, provocative, well-crafted tale from the disenfranchised. A few years later Heart of the Old Country by Tim McLoughlin became one of our early commercial successes. The book was widely praised both for its classic noir voice and its homage to the people of South Brooklyn. While Brooklyn is chock-full of published authors these days, Tim is one of the few who was actually born and bred here. In his five decades, Tim has never left the borough for more than five weeks at a stretch and he knows the place, through and through, better than anyone I’ve met.
In 2003, inspired by Brooklyn’s unique and glorious mix of cultures, Tim and I set out to explore New York City’s largest borough in book form, in a way that would ring true to local residents. Tim loves his home borough despite its flagrant flaws, and was easily seduced by the concept of working with Akashic to try and portray its full human breadth.
He first proposed a series of books, each one set in a different neighborhood, whether it be Bay Ridge, Williamsburg, Park Slope, Fort Greene, Bed-Stuy, or Canarsie. It was an exciting idea, but it’s hard enough to publish a single book, let alone commit to a full series. After we considered various other possibilities, Tim came upon the idea of a fiction anthology organized by neighborhood, each one represented by a different author. We were looking for stylistic diversity, so we focused on “noir,” and defined it in the broadest sense: we wanted stories of tragic, soulful struggle against all odds, characters slipping, no redemption in sight.
Conventional wisdom dictates that literary anthologies don’t sell well, but this idea was too good to resist—it seemed the perfect form for exploring the whole borough, and we got to work soliciting stories. We batted around book titles, including Under the Hood, before settling on Brooklyn Noir. The volume came together beautifully and was a surprise hit for Akashic, quickly selling through multiple printings and winning awards. (See pages 548–550 for a full list of prizes garnered by stories originally published in the Noir Series.)
Having seen nearly every American city, large and small, through the windows of a van or tour bus, I have developed a deep fondness for their idiosyncrasies. So for me it was easy logic to take the model of Brooklyn Noir—sketching out dark urban corners through neighborhood-based short fiction—and extend it to other cities. Soon came Chicago Noir, San Francisco Noir, and London Noir (our first of many overseas locations). Selecting the right editor to curate each book has been the most important decision we make before assembling it. It’s a welcome challenge because writers are often enamored of their hometowns, and many are seduced by the urban landscape’s rough edges. The generous support of literary superheroes like George Pelecanos, Laura Lippman, Dennis Lehane, and Joyce Carol Oates, all of whom have edited series volumes, has been critical.
There are now fifty-nine books in the Noir Series. Forty of them are from American locales. As of this writing, a total of 787 authors have contributed 917 stories to the series and helped Akashic to stay afloat during perilous economic times. By publishing six to eight new volumes in the Noir Series every year, we have provided a steady venue for short stories, which have in recent times struggled with diminishing popularity. Akashic’s commitment to the short story has been rewarded by the many authors—of both great stature and great obscurity—who have allowed us to publish their work in the series for a nominal fee.
I am particularly indebted to all sixty-seven editors who have cumulatively upheld a high editorial standard across the series. The series would never have gotten this far without rigorous quality control. There also couldn’t be a Noir Series without my devoted and tireless (if occasionally irreverent) staff led by Johanna Ingalls, Ibrahim Ahmad, and Aaron Petrovich.
* * *
This volume serves up a top-shelf selection of stories from the series set in the United States. USA Noir only scratches the surface, however, and every single volume has more gems on offer.
When I set out to compile USA Noir, I was delighted by the immediate positive responses from nearly every author I contacted. The only author on my initial invitation list who isn’t included here is one I couldn’t track down: the publisher explained to me that the writer was “literally on the run.” While I’m disappointed that we can’t include the story, the circumstance is true to the Noir Series spirit.
And part of me—the noir part—is expecting a phone call from the writer, inviting me over for a smoke.
Johnny Temple
Brooklyn, NY
July 2013
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More about USA Noir
The best USA-based stories in the Akashic Noir Series, compiled into one volume and edited by Johnny Temple!
“All the heavy hitters . . . came out for USA Noir . . . an important anthology of stories shrewdly culled by Johnny Temple.” —New York Times Book Review, Editors’ Choice
“Readers will be hard put to find a better collection of short stories in any genre.” —Publishers Weekly (starred review)
“A must read for mystery fans, not just devotees of Akashic’s ‘Noir’ series, this anthology serves as both an introduction for newcomers and a greatest-hits package for regular readers of the series . . . There isn’t a weak story in the collection . . . Strongly recommended for readers who enjoy mysteries published by Hard Case Crime, as well as for fans of police procedurals.” —Library Journal (starred review)
“The 37 stories in this collection represent the best of the U.S.-based anthologies, and the list of contributors include virtually anyone who’s made the best-seller list with a work of crime fiction in the last decade . . . a must-have anthology.” —Booklist (starred review)
“It’s hard to imagine how the present anthology could be topped for sheer marquee appeal . . . Perhaps the single most impressive feature of the collection is its range of voices, from Joyce Carol Oates’ faux innocent young family to Megan Abbott’s impressionable high school kids to the chorus of peremptory voices S.J. Rozan plants in a haunted thief’s head. Eat your heart out, Walt Whitman: These are the folks who hear America singing, and moaning and screaming.” —Kirkus Reviews
“A less enlightened Temple cover collection of crime and mystery stories could easily reduce itself to stereotypical cartoons about white detectives with a whiskey bottle and a gun in the drawer but Akashic’s series takes itself very seriously in its mission to represent all aspects of a city’s dark side.” —Kirkus Reviews, Feature Story/Interview with Johnny Tem
ple
“For those who prefer their crime closer to home, there is USA Noir, a veritable greatest hits of Akashic’s long-running, acclaimed noir anthology series, rounding up solid gold blackness of the bleakest and darkest kind . . . Like Chuck Berry sang, ‘Anything you want, we got right here in the USA.’” —Mystery Scene Magazine
Launched with the summer ’04 award-winning best seller Brooklyn Noir, Akashic Books has published over sixty volumes in its groundbreaking series of original noir anthologies. Each book is comprised of all-new stories, each one set in a distinct neighborhood or location within the city of the book.
Featuring Noir Series stories from: Dennis Lehane, Don Winslow, Michael Connelly, George Pelecanos, Susan Straight, Jonathan Safran Foer, Laura Lippman, Pete Hamill, Joyce Carol Oates, Lee Child, T. Jefferson Parker, Lawrence Block, Terrance Hayes, Jerome Charyn, Jeffery Deaver, Maggie Estep, Bayo Ojikutu, Tim McLoughlin, Barbara DeMarco-Barrett, Reed Farrel Coleman, Megan Abbott, Elyssa East, James W. Hall, J. Malcolm Garcia, Julie Smith, Joseph Bruchac, Pir Rothenberg, Luis Alberto Urrea, Domenic Stansberry, John O’Brien, S.J. Rozan, Asali Solomon, William Kent Krueger, Tim Broderick, Bharti Kirchner, Karen Karbo, and Lisa Sandlin.
JOHNNY TEMPLE is the publisher and editor in chief of Akashic Books, an award-winning Brooklyn-based independent company dedicated to publishing urban literary fiction and political nonfiction. Temple won the 2013 Ellery Queen Award; the American Association of Publishers’ 2005 Miriam Bass Award for Creativity in Independent Publishing; and the 2010 Jay and Deen Kogan Award for Excellence in Noir Literature. Temple plays bass guitar in the band Girls Against Boys, which has toured extensively across the globe and released numerous albums on independent and major record companies. He has contributed articles and political essays to various publications, including the Nation, Publishers Weekly, AlterNet, Poets & Writers, and BookForum. He is also the chair of the Brooklyn Literary Council, which works with Brooklyn’s borough president to plan the annual Brooklyn Book Festival in September.
USA Noir is available in paperback from our website and in bookstores everywhere. The e-book edition is available wherever e-books are sold.
ABOUT THE AKASHIC NOIR SERIES
The Akashic Books Noir series was launched in 2004 with the award-winning anthology, Brooklyn Noir. Each book is comprised of all new stories, each taking place within a distinct location within the city of the book. Stories in the series have won multiple Edgar, Shamus, and Hammett awards and the volumes have been translated into 10 languages. Every book is available on our website, as eBooks from your favorite vendor, and in print at online and brick & mortar bookstores everywhere. For more information on the series, including an up-to-date list of available titles, please visit www.akashicbooks.com/noirseries.htm.
NOW AVAILABLE IN THE AKASHIC NOIR SERIES
ATlANTA NOIR, edited by TAYARI JONES
BAGHDAD NOIR, edited by SAMUEL SHIMON
BALTIMORE NOIR, edited by LAURA LIPPMAN
BARCELONA NOIR (SPAIN), edited by ADRIANA V. LÓPEZ & CARMEN OSPINA
BEIRUT NOIR (LEBANON), edited by IMAN HUMAYDAN
BELFAST NOIR (NORTHERN IRELAND), edited by ADRIAN MCKINTY & STUART NEVILLE
BOSTON NOIR, edited by DENNIS LEHANE
BOSTON NOIR 2: THE CLASSICS, edited by DENNIS LEHANE, JAIME CLARKE & MARY COTTON
BRONX NOIR, edited by S.J. ROZAN
BROOKLYN NOIR, edited by TIM MCLOUGHLIN
BROOKLYN NOIR 2: THE CLASSICS, edited by TIM MCLOUGHLIN
BROOKLYN NOIR 3: NOTHING BUT THE TRUTH, edited by TIM MCLOUGHLIN & THOMAS ADCOCK
BUFFALO NOIR, edited by BRIGID HUGHES & ED PARK
CAPE COD NOIR, edited by DAVID L. ULIN
CHICAGO NOIR, edited by NEAL POLLACK
CHICAGO NOIR: THE CLASSICS, edited by JOE MENO
COPENHAGEN NOIR (DENMARK), edited by BO TAO MICHAËLIS
DALLAS NOIR, edited by DAVID HALE SMITH
D.C. NOIR, edited by GEORGE PELECANOS
D.C. NOIR 2: THE CLASSICS, edited by GEORGE PELECANOS
DELHI NOIR (INDIA), edited by HIRSH SAWHNEY
DETROIT NOIR, edited by E.J. OLSEN & JOHN C. HOCKING
DUBLIN NOIR (IRELAND), edited by KEN BRUEN
HAITI NOIR, edited by EDWIDGE DANTICAT
HAITI NOIR 2: THE CLASSICS, edited by EDWIDGE DANTICAT
HAVANA NOIR (CUBA), edited by ACHY OBEJAS
HELSINKI NOIR (FINLAND), edited by JAMES THOMPSON
INDIAN COUNTRY NOIR, edited by SARAH CORTEZ & LIZ MARTÍNEZ
ISTANBUL NOIR (TURKEY), edited by MUSTAFA ZIYALAN & AMY SPANGLER
KANSAS CITY NOIR, edited by STEVE PAUL
KINGSTON NOIR (JAMAICA), edited by COLIN CHANNER
LAGOS NOIR (NIGERIA), edited by CHRIS ABANI
LAS VEGAS NOIR, edited by JARRET KEENE & TODD JAMES PIERCE
LONDON NOIR (ENGLAND), edited by CATHI UNSWORTH
LONE STAR NOIR, edited by BOBY BYRD & JOHNNY BYRD
LONG ISLAND NOIR, edited by KAYLIE JONES
LOS ANGELES NOIR, edited by DENISE HAMILTON
LOS ANGELES NOIR 2: THE CLASSICS, edited by DENISE HAMILTON
MANHATTAN NOIR, edited by LAWRENCE BLOCK
MANHATTAN NOIR 2: THE CLASSICS, edited by LAWRENCE BLOCK
MANILA NOIR, edited by JESSICA HAGEDORN
MARSEILLE NOIR, (FRANCE) edited by CEDRIC FABRE
MEMPHIS NOIR, edited by LAUREEN P. CANTWELL & LEONARD GILL
MEXICO CITY NOIR (MEXICO), edited by PACO I. TAIBO II
MIAMI NOIR, edited by LES STANDIFORD
MISSISSIPPI NOIR, edited by TOM FRANKLIN
MONTANA NOIR, edited by JAMES GRADY & KEIR GRAFF
MONTREAL NOIR (CANADA), edited by JOHN MCFETRIDGE & JACQUES FILIPPI
MOSCOW NOIR (RUSSIA), edited by NATALIA SMIRNOVA & JULIA GOUMEN
MUMBAI NOIR (INDIA), edited by ALTAF TYREWALA
NEW HAVEN NOIR, edited by AMY BLOOM
NEW JERSEY NOIR, edited by JOYCE CAROL OATES
NEW ORLEANS NOIR, edited by JULIE SMITH
NEW ORLEANS NOIR: THE CLASSICS, edited by JULIE SMITH
OAKLAND NOIR, edited by JERRY THOMPSON & EDDIE MULLER
ORANGE COUNTY NOIR, edited by GARY PHILLIPS
PARIS NOIR (FRANCE), edited by AURéLIEN MASSON
PHILADELPHIA NOIR, edited by CARLIN ROMANO
PHOENIX NOIR, edited by PATRICK MILLIKIN
PITTSBURGH NOIR, edited by KATHLEEN GEORGE
PORTLAND NOIR, edited by KEVIN SAMPSELL
PRISON NOIR, edited by JOYCE CAROL OATES
PROVIDENCE NOIR, edited by ANN HOOD
QUEENS NOIR, edited by ROBERT KNIGHTLY
RICHMOND NOIR, edited by ANDREW BLOSSOM, BRIAN CASTLEBERRY & TOM DE HAVEN
RIO NOIR (BRAZIL), edited by TONY BELLOTTO
ROME NOIR (ITALY), edited by CHIARA STANGALINO & MAXIM JAKUBOWSKI
SAN DIEGO NOIR, edited by MARYELIZABETH HART
SAN FRANCISCO NOIR, edited by PETER MARAVELIS
SAN FRANCISCO NOIR 2: THE CLASSICS, edited by PETER MARAVELIS
SAN JUAN NOIR (PUERTO RICO), edited by MAYRA SANTOS-FEBRES
SANTA CRUZ NOIR, edited by SUSIE BRIGHT
SÃO PAOLO NOIR (BRAZIL), edited by TONY BELLOTTO
SEATTLE NOIR, edited by CURT COLBERT
SINGAPORE NOIR, edited by CHERYL LU-LIEN TAN
STATEN ISLAND NOIR, edited by PATRICIA SMITH
ST. LOUIS NOIR, edited by SCOTT PHILLIPS
STOCKHOLM NOIR (SWEDEN), edited by NATHAN LARSON & CARL-MICHAEL EDENBORG
ST. PETERSBURG NOIR, edited by NATALIA SMIRNOVA & JULIA GOUMEN
TEHRAN NOIR (IRAN), edited by SALAR ABDOH
TEL AVIV NOIR (ISRAEL), edited by ETGAR KERET & ASSAF GAVRON
TORONTO NOIR (CANADA), edited by JANINE ARMIN & NATHANIEL G. MORE
TRINIDAD NOIR (TRINIDAD & TOBAGO), edited by LISA ALEN-AGOSTINI & JEANNE MASON
TWIN CITIES NOIR, edited by JULIE SCHAPER & STEVEN HORWITZ
USA NOIR: BEST OF THE A
KASHIC NOIR SERIES, edited by JOHNNY TEMPLE
VENICE NOIR (ITALY), edited by MAXIM JAKUBOWSKI
WALL STREET NOIR, edited by PETER SPIEGELMAN
ZAGREB NOIR (CROATIA), edited by IVAN SRSEN
FORTHCOMING
ACCRA NOIR (GHANA), edited by NANA-AMA DANQUAH
ADDIS ABABA NOIR (ETHIOPIA), edited by MAAZA MENGISTE
AMSTERDAM NOIR (NETHERLANDS), edited by RENÉ APPEL & JOSH PACHTER
BERKELEY NOIR, edited by JERRY THOMPSON & OWEN HILL
BERLIN NOIR (GERMANY), edited by THOMAS WÖRTCHE
BOGOTÁ NOIR (COLOMBIA), edited by ANDREA MONTEJO
COLUMBUS NOIR, edited by ANDREW WELSH-HUGGINS
HONG KONG NOIR, edited by JASON Y. NG & SUSAN BLUMBERG-KASON
HOUSTON NOIR, edited by GWENDOLYN ZEPEDA
JERUSALEM NOIR, edited by DROR MISHANI
MILWAUKEE NOIR, edited by TIM HENNESSY
NAIROBI NOIR (KENYA), edited by PETER KIMANI
SANTA FE NOIR, edited by ARIEL GORE
SYDNEY NOIR (AUSTRALIA), edited by JOHN DALE
VANCOUVER NOIR (CANADA), edited by SAM WIEBE
NOIR SERIES AWARDS, PRIZES & HONORS
Following is a list-in-progress of the various awards, prizes, and honors that Akashic Noir Series stories have either won or been short-listed for.
Boston Noir
Edgar Award Finalists 2010
Dennis Lehane, “Animal Rescue”
Dana Cameron, “Femme Sole”
Included in The Best American Mystery Stories 2010
John Dufresne, “The Cross-Eyed Bear”
Dennis Lehane, “Animal Rescue”
Shamus Award Finalist 2010
Brendan DuBois, “The Dark Island”
Anthony Award Finalists 2010
Dennis Lehane, “Animal Rescue”
