by T. C. Boyle
I was worried. Worried about everything, from some half-crazed farmer with a shotgun or AK 47 or whatever they carried these days, to losing Alena in the fog, to the turkeys themselves: How big were they? Were they violent? They had claws and beaks, didn’t they? And how were they going to feel about me bursting into their bedroom in the middle of the night?
“And when the gas cans go up, you hightail it back to the car, got it?”
I could hear the turkeys tossing in their sleep. A truck shifted gears out on the highway. “I think so,” I whispered.
“And one more thing—be sure to leave the keys in the ignition.”
This gave me pause. “But—”
“The getaway.” Alena was so close I could feel her breath on my ear. “I mean, we don’t want to be fumbling around for the keys when all hell is breaking loose out there, do we?”
I eased open the door and reinserted the keys in the ignition, even though the automatic buzzer warned me against it. “Okay,” I murmured, but they were already gone, soaked up in the shadows and the mist. At this point my heart was hammering so loudly I could barely hear the rustling of the turkeys—this is crazy, I told myself, it’s hurtful and wrong, not to mention illegal. Spray-painting slogans was one thing, but this was something else altogether. I thought of the turkey farmer asleep in his bed, an entrepreneur working to make America strong, a man with a wife and kids and a mortgage…but then I thought of all those innocent turkeys consigned to death, and finally I thought of Alena, long-legged and loving, and the way she came to me out of the darkness of the bathroom and the boom of the surf. I took the tin snips to the wire.
I must have been at it half an hour, forty-five minutes, gradually working my way toward the big white sheds that had begun to emerge from the gloom up ahead, when I saw Rolfe’s flashlight blinking off to my left. This was my signal to head to the nearest shed, snap off the padlock with my crowbar, fling open the doors and herd a bunch of cranky suspicious gobblers out into the night. It was now or never. I looked twice round me and then broke for the near shed in an awkward crouching gait. The turkeys must have sensed that something was up—from behind the long white windowless wall there arose a watchful gabbling, a soughing of feathers that fanned up like a breeze in the treetops. Hold on, you toms and hens, I thought, freedom is at hand. A jerk of the wrist, and the padlock fell to the ground. Blood pounding in my ears, I took hold of the sliding door and jerked it open with a great dull booming reverberation—and suddenly, there they were, turkeys, thousands upon thousands of them, cloaked in white feathers under a string of dim yellow bulbs. The light glinted in their reptilian eyes. Somewhere a dog began to bark.
I steeled myself and sprang through the door with a shout, whirling the crowbar over my head. “All right!” I boomed, and the echo gave it back to me a hundred times over, “this is it! Turkeys, on your feet!” Nothing. No response. But for the whisper of rustling feathers and the alertly cocked heads, they might have been sculptures, throw pillows, they might as well have been dead and butchered and served up with yams and onions and all the trimmings. The barking of the dog went up a notch. I thought I heard voices.
The turkeys crouched on the concrete floor, wave upon wave of them, stupid and immovable; they perched in the rafters, on shelves and platforms, huddled in wooden stalls. Desperate, I rushed into the front rank of them, swinging my crowbar, stamping my feet and howling like the wishbone plucker I once was. That did it. There was a shriek from the nearest bird and the others took it up till an unholy racket filled the place, and now they were moving, tumbling down from their perches, flapping their wings in a storm of dried excrement and pecked-over grain, pouring across the concrete floor till it vanished beneath them. Encouraged, I screamed again—“Yeeee-ha-ha-ha-ha!”—and beat at the aluminum walls with the crowbar as the turkeys shot through the doorway and out into the night.
It was then that the black mouth of the doorway erupted with light and the ka-boom! of the gas cans sent a tremor through the earth. Run! a voice screamed in my head, and the adrenaline kicked in and all of a sudden I was scrambling for the door in a hurricane of turkeys. They were everywhere, flapping their wings, gobbling and screeching, loosing their bowels in panic. Something hit the back of my legs and all at once I was down amongst them, on the floor, in the dirt and feathers and wet turkey shit. I was a roadbed, a turkey expressway. Their claws dug at my back, my shoulders, the crown of my head. Panicked now, choking on feathers and dust and worse, I fought to my feet as the big screeching birds launched themselves round me, and staggered out into the barnyard. “There! Who’s that there?” a voice roared, and I was off and running.
What can I say? I vaulted turkeys, kicked them aside like so many footballs, slashed and tore at them as they sailed through the air. I ran till my lungs felt as if they were burning right through my chest, disoriented, bewildered, terrified of the shotgun blast I was sure would cut me down at any moment. Behind me the fire raged and lit the fog till it glowed blood-red and hellish. But where was the fence? And where the car?
I got control of my feet then and stood stock-still in a flurry of turkeys, squinting into the wall of fog. Was that it? Was that the car over there? At that moment I heard an engine start up somewhere behind me—a familiar engine with a familiar coughing gurgle in the throat of the carburetor—and then the lights blinked on briefly three hundred yards away. I heard the engine race and listened, helpless, as the car roared off in the opposite direction. I stood there a moment longer, forlorn and forsaken, and then I ran blindly off into the night, putting the fire and the shouts and the barking and the incessant mindless squawking of the turkeys as far behind me as I could.
When dawn finally broke, it was only just perceptibly, so thick was the fog. I’d made my way to a blacktop road—which road and where it led I didn’t know—and sat crouched and shivering in a clump of weed just off the shoulder. Alena wouldn’t desert me, I was sure of that—she loved me, as I loved her; needed me, as I needed her—and I was sure she’d be cruising along the back roads looking for me. My pride was wounded, of course, and if I never laid eyes on Rolfe again I felt I wouldn’t be missing much, but at least I hadn’t been drilled full of shot, savaged by farm dogs or pecked to death by irate turkeys. I was sore all over, my shin throbbed where I’d slammed into something substantial while vaulting through the night, there were feathers in my hair and my face and arms were a mosaic of cuts and scratches and long trailing fissures of dirt. I’d been sitting there for what seemed like hours, cursing Rolfe, developing suspicions about Alena and unflattering theories about environmentalists in general, when finally I heard the familiar slurp and roar of my Chevy Citation cutting through the mist ahead of me.
Rolfe was driving, his face impassive. I flung myself into the road like a tattered beggar, waving my arms over my head and giving vent to my joy, and he very nearly ran me down. Alena was out of the car before it stopped, wrapping me up in her arms, and then she was bundling me into the rear seat with Alf and we were on our way back to the hideaway. “What happened?” she cried, as if she couldn’t have guessed. “Where were you? We waited as long as we could.”
I was feeling sulky, betrayed, feeling as if I was owed a whole lot more than a perfunctory hug and a string of insipid questions. Still, as I told my tale I began to warm to it—they’d got away in the car with the heater going, and I’d stayed behind to fight the turkeys, the farmers and the elements, too, and if that wasn’t heroic, I’d like to know what was. I looked into Alena’s admiring eyes and pictured Rolfe’s shack, a nip or two from the bottle of Jack Daniel’s, maybe a peanut-butter-and-tofu sandwich and then the bed, with Alena in it. Rolfe said nothing.
Back at Rolfe’s, I took a shower and scrubbed the turkey droppings from my pores, then helped myself to the bourbon. It was ten in the morning and the house was dark—if the world had ever been without fog, there was no sign of it here. When Rolfe stepped out on the porch to fetch an armload of firewood, I pulled Alena dow
n into my lap. “Hey,” she murmured, “I thought you were an invalid.”
She was wearing a pair of too-tight jeans and an oversize sweater with nothing underneath it. I slipped my hand inside the sweater and found something to hold on to. “Invalid?” I said, nuzzling at her sleeve. “Hell, I’m a turkey liberator, an ecoguerrilla, a friend of the animals and the environment, too.”
She laughed, but she pushed herself up and crossed the room to stare out the occluded window. “Listen, Jim,” she said, “what we did last night was great, really great, but it’s just the beginning.” Alf looked up at her expectantly. I heard Rolfe fumbling around on the porch, the thump of wood on wood. She turned round to face me now. “What I mean is, Rolfe wants me to go up to Wyoming for a little bit, just outside of Yellowstone—”
Me? Rolfe wants me? There was no invitation in that, no plurality, no acknowledgment of all we’d done and meant to each other. “For what?” I said. “What do you mean?”
“There’s this grizzly—a pair of them, actually—and they’ve been raiding places outside the park. One of them made off with the mayor’s Doberman the other night and the people are up in arms. We—I mean Rolfe and me and some other people from the old Bolt Weevils in Minnesota?—we’re going to go up there and make sure the Park Service—or the local yahoos—don’t eliminate them. The bears, I mean.”
My tone was corrosive. “You and Rolfe?”
“There’s nothing between us, if that’s what you’re thinking. This has to do with animals, that’s all.”
“Like us?”
She shook her head slowly. “Not like us, no. We’re the plague on this planet, don’t you know that?”
Suddenly I was angry. Seething. Here I’d crouched in the bushes all night, covered in turkey crap, and now I was part of a plague. I was on my feet. “No, I don’t know that.”
She gave me a look that let me know it didn’t matter, that she was already gone, that her agenda, at least for the moment, didn’t include me and there was no use arguing about it. “Look,” she said, her voice dropping as Rolfe slammed back through the door with a load of wood, “I’ll see you in L.A. in a month or so, okay?” She gave me an apologetic smile. “Water the plants for me?”
An hour later I was on the road again. I’d helped Rolfe stack the wood beside the fireplace, allowed Alena to brush my lips with a goodbye kiss, and then stood there on the porch while Rolfe locked up, lifted Alf into the bed of his pickup and rumbled down the rutted dirt road with Alena at his side. I watched till their brake lights dissolved in the drifting gray mist, then fired up the Citation and lurched down the road behind them. A month or so: I felt hollow inside. I pictured her with Rolfe, eating yogurt and wheat germ, stopping at motels, wrestling grizzlies and spiking trees. The hollowness opened up, cored me out till I felt as if I’d been plucked and gutted and served up on a platter myself.
I found my way back through Calpurnia Springs without incident—there were no roadblocks, no flashing lights and grim-looking troopers searching trunks and back seats for a tallish thirty-year-old ecoterrorist with turkey tracks down his back—but after I turned onto the highway for Los Angeles, I had a shock. Ten miles up the road my nightmare materialized out of the gloom: red lights everywhere, signal flares and police cars lined up on the shoulder. I was on the very edge of panicking, a beat away from cutting across the meridian and giving them a run for it, when I saw the truck jackknifed up ahead. I slowed to forty, thirty, and then hit the brakes again. In a moment I was stalled in a line of cars and there was something all over the road, ghostly and white in the fog. At first I thought it must have been flung from the truck, rolls of toilet paper or crates of soap powder ruptured on the pavement. It was neither. As I inched closer, the tires creeping now, the pulse of the lights in my face, I saw that the road was coated in feathers, turkey feathers. A storm of them. A blizzard. And more: there was flesh there too, slick and greasy, a red pulp ground into the surface of the road, thrown up like slush from the tires of the car ahead of me, ground beneath the massive wheels of the truck. Turkeys. Turkeys everywhere.
The car crept forward. I flicked on the windshield wipers, hit the washer button, and for a moment a scrim of diluted blood obscured the windows and the hollowness opened up inside of me till I thought it would suck me inside out. Behind me, someone was leaning on his horn. A trooper loomed up out of the gloom, waving me on with the dead yellow eye of his flashlight. I thought of Alena and felt sick. All there was between us had come to this, expectations gone sour, a smear on the road. I wanted to get out and shoot myself, turn myself in, close my eyes and wake up in jail, in a hair shirt, in a straitjacket, anything. It went on. Time passed. Nothing moved. And then, miraculously, a vision began to emerge from behind the smeared glass and the gray belly of the fog, lights glowing golden in the waste. I saw the sign, Gas/Food/Lodging, and my hand was on the blinker.
It took me a moment, picturing the place, the generic tile, the false cheer of the lights, the odor of charred flesh hanging heavy on the air, Big Mac, three-piece dark meat, carne asada, cheeseburger. The engine coughed. The lights glowed. I didn’t think of Alena then, didn’t think of Rolfe or grizzlies or the doomed bleating flocks and herds, or of the blind bunnies and cancerous mice—I thought only of the cavern opening inside me and how to fill it. “Meat,” and I spoke the word aloud, talking to calm myself as if I’d awakened from a bad dream, “it’s only meat.”
THE 100
FACES OF DEATH,
VOLUME IV
HE KNEW HE’D REALLY SCREWED UP. Screwed up in a major and unforgiving way. You could see the perception solidifying in his eyes—eyes that seemed to swell out of his head like hard-cooked eggs extruded through the sockets, and the camera held steady. He was on a stage, faultlessly lit, and a banner proclaimed him RENALDO THE GREAT ESCAPE ARTIST. He was running sweat. Oozing it. His pores were huge, saturated, craters trenching his face like running sores. Suspended six feet above his head, held aloft by block and tackle, was a fused meteorite of junkyard metal the size of a truck engine, its lower surface bristling with the gleaming jagged teeth of a hundred kitchen knives annealed in the forges of Guadalajara. Renaldo’s hands were cuffed to his ankles, and what looked like a tugboat anchor chain was wound round his body six or eight times and bolted to the concrete floor. His lovely assistant, a heavily made-up woman whose thighs ballooned from her lacy tutu like great coppery slabs of meat, looked as if her every tremor and waking nightmare had been distilled in the bitter secretions of that moment. This was definitely not part of the act.
“Watch this,” Jamie said. “Watch this.”
Janine tightened her grip on my hand. The room shrank in on us. The beer in my free hand had gone warm, and when I lifted it to my lips it tasted of yeast and aluminum. And what did I feel? I felt the way the lovely assistant looked, felt the cold charge of revulsion and exhilaration that had come over me when I’d seen my first porno movie at the age of fourteen, felt a hairy-knuckled hand slide up my throat and jerk at a little lever there.
When the video opened, over the credits, Renaldo was clenching a straw between his teeth—a straw, a single straw, yellow and stiff, the smallest part of a broom. He was leaning forward, working the straw in the tiny aperture that controlled the release mechanism of the handcuffs. But now, because he’d begun to appreciate that this wasn’t his day, and that the consequences of that fact were irrevocable, his lips began to tremble and he lost his grip on the straw. The lovely assistant gave the camera a wild strained look and then made as if to dash forward and restore that essential wisp of vegetation to the artist’s mouth, but it was too late. With a thick slushing sound, the sound of tires moving through wet snow, the timer released the mechanism that restrained the iron monolith, and Renaldo was no more.
Jamie said something like, “Dude really bought it,” and then, “Anybody ready for a beer?”
I sat through another ninety-nine permutations of the final moment, variously lit and passionately or i
ndifferently performed, watched the ski-masked bank robber pop his hostage’s head like a grape with the aid of a .44 Magnum and then pop his own, saw the fire-eater immolate herself and the lumberjack make his final cut. Jamie, who’d seen the video half-a-dozen times, couldn’t stop laughing. Janine said nothing, but her grip on my hand was unyielding. For my part, I remember going numb after the third or fourth death, but I sat there all the same, though there were ninety-six to go.
But then, who was counting?
The following weekend, my Aunt Marion died. Or “passed on,” as my mother put it, a delicate euphemistic phrase that conjured up ethereal realms rather than the stark black-and-white image of damp soil and burrowing insects. My mother was in New York, I was in Los Angeles. And no, I wasn’t flying in for the funeral. She cried briefly, dryly, and then hung up.
I was twenty-five at the time, a graduate of an indifferent university, a young man who went to work and made money, sought the company of young women and was perhaps too attached to the friends of his youth, Jamie in particular. I listened to the silence a moment, then phoned Janine and asked her to dinner. She was busy. What about tomorrow, then? I said. She planned to be busy then, too.
I hadn’t laid eyes on my Aunt Marion in ten years. I remembered her as a sticklike woman in a wheelchair with an unsteady lip and a nose that overhung it like a cutbank, a nose that wasn’t qualitatively different from my mother’s and, in the fullness of generation, my own. Her death was the result of an accident—negligence, my mother insisted—and already, less than twenty-four hours after the fact, there was an attorney involved.
It seemed that Aunt Marion had been on an outing to the art museum with several other inmates of the nursing home where she’d been in residence since Nixon’s presidency, and the attendant, in placing her at the head of the ramp out back of the museum dining hall, had failed to properly set the brake on the back wheels of her chair. Aunt Marion suffered from some progressive nervous disorder that had rendered her limbs useless—she was able to control her motorized chair only through the use of a joystick which she gripped between her teeth, and even then only at the best of times. Left alone at the summit of the ramp while the attendant went off to fetch another patient, Aunt Marion felt her chair begin to slip inexorably forward. The chair picked up speed, and one of the two witnesses to the accident claimed that she’d bent her face to the controls to arrest it, while the other insisted she’d done nothing at all to save herself, but had simply glided on down the ramp and into eternity with a tight little smile frozen to her face. In any case, there was blame to be assigned, very specific and undeniable blame, and a cause-and-effect reaction to explain Aunt Marion’s removal from this sphere of being, and, in the end, it seemed to give my mother some measure of comfort.
