Without a Hero

by T. C. Boyle

  His face shining with drink, his ragged arms flailing at the air, the young man howled with manic glee, kicked at the newspapers heaped up round him and finally had to clutch his ribs tight to stop the laughter. He laughed till he began to cough, and he coughed till he brought something up and spat it on the floor. “You are out there, Bird,” he said, straining at each word, and the laughter seized him again. “You are really out there.”

  So: he was lost. It had happened to him before, two or three times at least. A trick of the mind, that was all, one little mistake—getting off at the wrong stop, turning right instead of left—and the world became a strange and unfathomable place, terrain to explore all over again. He didn’t mind. They’d come for him, Leverett and his wife, sweet girl, really, and the grandchildren, they’d find him. But then a little wedge of concern inserted itself along the fracture lines of his psyche, and it became a worry. Who was this man if he wasn’t from the Geographic Society, and what did he want? And what was this place? Newspapers. Drifts of them, mountains, a whole continent, and all it was was newsprint.

  He took the bottle when it came to him and he took a drink and passed it back, and there was a third member of their party now, another hand interposed between him and the young man who wasn’t from the Geographic Society. Matted beard, nose like a bird of prey, eyes frozen into his head, and he didn’t know him, not at all, but why did he look so familiar? He felt himself drifting. It was cold, damnably cold, for what—October, wasn’t it? “Early winter this year,” he murmured, but no one uttered a word in response.

  The next time he noticed anything, it was the candle. He must have dozed. But there it was, the candle. A light in the wilderness. The bottle came back to him and the feeble light leapt out suddenly to illuminate the new man’s face, and he knew him, knew him as well as he knew his own son and his own father. “You,” he said out of the void, “I know you.”

  There was a low cackle, a dribble of hard-edged laughter from two ravaged throats. “Yeah, we know you too, Bird the Third,” the young man said, and his voice had changed, the tone of it, till everything he said sounded like a school-yard taunt.

  “No,” the old man insisted, “not you…I mean”—and he looked the newcomer full in the face—“I mean you.” The inspiration had flared in his brain, and he knew the man even after all these years, a great man, his father’s equal almost, the only other man in the world who’d been to both poles and back again. “You’re Roald Amundsen.”

  The laugh was ugly, almost a bark. The man showed the stubs of his teeth. He took his time, drinking, wiping his mouth with the back of his sleeve. “Shit, man, sure I am,” he said, and the other one was laughing again, “and this here, your friend with the bottle, this guy’s Santy Claus.”

  · · ·

  Roger was on a tear. For a full week, seven whole days and maybe more, he didn’t know where he was. He hadn’t had this much money, all at once, since he’d left New Jersey, when he was a kid living in that lopsided trailer with his mother and stocking the shelves at Waldbaum’s. The whole thing with the old man had been unreal, the sort of score everybody dreams about but never makes, never. Oh, sure, zombies like Rohlich would tell you they were hitchhiking once and Madonna gave them a lift or some high roller in Atlantic City handed them a C-note when all they asked for was a quarter, but this was unreal, this happened. Those five twenties alone could have kept him flying for a month or more, but of course they’d disappeared, dropped down the hole where all of it went sooner or later—usually sooner. He didn’t know where he’d been or what he’d done, but he ached all over, so it must have been good, and he needed a drink so bad he could taste it. Or couldn’t taste it. Or whatever.

  And shit, it was cold. Too cold for this time of year. Cold and drizzling. When he woke up an hour or so ago he’d found himself on a wet slab of cardboard out back of the fish restaurant the yuppies flocked to—Cicero’s—and he didn’t know how he’d got there or what he’d done the night before, and his pockets were empty. No loose change. No nothing. He’d wandered over to the mission and passed a short dog around with the black guy they called Hoops, and now he was wet through to the skin and shivering and looking for a benefactor so he could invest in the Gallo Company and warm up where it counted most. He remembered the old guy’s watch then, the black Movado, and felt around in his pockets for it. It was gone. He had a further—and dimmer—recollection of pawning it and getting ten bucks for the thing and being all pissed off about it, but then he wasn’t so sure—it might have been another watch and another time.

  He stayed on the street for a couple hours, it got a whole lot colder, and all he came up with was ninety-two cents. By then, his thirst was driving him crazy, so he bought a can of beer and went over to the warehouse to see who was around and maybe trade up for a hit or two of wine. He saw that somebody had tried to hammer the crease out of the door and that they’d moved a whole shitload of papers out and a whole new shitload in, but other than that nothing had changed. There was nobody around, so he made himself a little igloo out of bundled newspaper, drank his beer in two swallows and tried to stop shivering for a minute at a time.

  At first he didn’t hear it—or it didn’t register. The place was cavernous, with a ceiling you could fly planes under and walls that went on for a block, and it was noisy, middle of the day, trucks rumbling in and out of the South Street entrance with cans and bottles, and Mr. and Mrs. Nice driving up with Sis and Bud to deliver their neat foursquare string-tied bundles of newspaper. It was noisy and he didn’t hear a thing but the muted rumble of all that activity, and he wished five o’clock would come and they’d shut the place down and go home and leave him in peace, but after a while he became aware that somebody was there with him, just up the next aisle, muttering to himself in the low sweet singsong tones of the crackbrained and hopeless. Another bum. Somebody he knew maybe. A man with a short dog and maybe a bite of something scavenged from the top of the bin out back of the supermarket. He felt his spirits lift.

  He pushed himself up, keeping an eye out for the watchman, and slipped up the next aisle. The papers had fallen in drifts here, sloppily stacked, and he fought his way through them in the direction of the voice, his harsh ragged breath crystallizing before him. There was a nook carved out of the wall, and he saw the back of a white head, the old withered stalk of a neck, and there he was: Bird the Third.

  He was amazed. He would have thought the guy would be long gone, would have found his people, his keeper, whatever. But still, there he was, and for a moment Roger felt a surge of hope. Maybe he had something on him still, something he’d overlooked, some piece of jewelry, a pair of glasses—hell, his clothes even. But then he saw that they’d already got to him. The old retard’s suit was gone, and his socks and shoes too. Somebody’d switched on him, and he was dressed in a puke-green janitor’s jumpsuit and was missing a shoe—or he’d found a shoe somewhere, a torn greasy old Nike sneaker with the toes ripped out. He was pathetic. A mess. And he wasn’t worth anything to anybody.

  For a long while, Roger just stood there watching him. The old man was shivering, his arms wrapped around himself like coils, the bare foot discolored and bad-looking. He had that thousand-mile stare on his face, the same one you saw on some of the older guys, the Vietnam vets and whatnot. Roger’s brain was working hard, and for a moment he saw himself taking the guy along to the police station and turning him in like a hero and maybe getting a reward from the guy’s family or whoever. They had to be looking for him. You don’t come from that world, with your haircut and your suitcase and your Movado watch, without somebody looking for you, especially if you’re a little soft in the head to begin with.

  It was a good idea for about eight seconds, and then it became a whole lot less good, and ten seconds further on it just plain stank. There wouldn’t be any reward—maybe for Joe Average and Mr. and Mrs. Nice, maybe for them, but not for the likes of Roger. That’s how things worked. There were two worlds operating here, the one
where Bird the Third and all the rest of them lived, and this one, the real one, where you slept under things at ankle level and ate the crumbs they gave you. Well, fuck that. Fuck it. It was just like the credit card. He’d tried it on maybe twenty liquor stores, the ones he knew and the ones he didn’t, and nobody took him for Bird the Third, no matter how much ID he showed or how hard he tried. Not the way he looked, no way. He was going to trade the thing for a bottle at this one place—Here, you want the card, Visa Gold? Keep it—but then the jerk behind the counter got nasty, real nasty, and confiscated the whole business, plastic, ID and all. That’s how it was.

  He was going to say something, goodbye or thanks for the ride or whatever, but in the end he decided against it. Somewhere, in some deep tunnel of what used to be his reality and was now somebody else’s, he even felt a stab of pity and, worse, guilt. But he comforted himself with the thought that if he hadn’t been there at the station, somebody else would have, and any way you looked at it Bird the Third would have wound up plucked. In the end, he just shrugged. Then he made his way off through the drifts, thinking maybe he’d just go on down to the station and check out the trains.

  Oh, but it was cold. Cold to the bone. And dry. He knew the irony of it all too well—a shelf made of water, frozen and compacted over the howling eons, and not a drop to drink. It was locked in, unavailable, dry as paper. He shifted position and winced. It was his foot. He’d lost all feeling in it there for a while, but now it came back with a vengeance, a thousand hot needles radiating all the way up his leg to the thigh. That’s how it was with frostbite. He’d lose his toes, he knew that, but they’d all lost toes, fingers—the great ones—even the tips of their noses. There were continents to explore, unknown corners to make known, and what was a little discomfort compared to the greatness of that?

  He thought of his father in the weather shack where he’d wintered alone, the fear of that eternal blackness closing in on him like a fist, alternately freezing and asphyxiating himself on the fumes from the kerosene stove. That was greatness. That was will. That was the indomitable spirit he’d inherited. But still, it was cold, terribly, implacably, unrelentingly cold, and his foot hurt him and he felt himself drifting off to sleep. That was how it happened, that was how they died out here, numbed by the cold, seduced into sleep and forgetfulness.

  He stirred, and he fought it. He beat at his thighs, hammered his hands against the meat of his arms, but he couldn’t keep it up, and before long he subsided. He tried to call out, but his voice was gone, and besides, it was the coward’s way—his father would never have called out. Never. No, he would have gone on into the grip of that polar night, never wavering, never halting, on and on, into the dream.

  BEAT

  YEAH, I WAS BEAT. We were all Beat. Hell, I’m Beat now—is, was and always will be. I mean, how do you stop? But this isn’t about me—I’m nobody, really, just window-dressing on the whole mother of Bop freight-train-hopping holy higher than Tokay Beat trip into the heart of the American night. No, what I wanted to tell you about is Jack. And Neal and Allen and Bill and all the rest, too, and how it all went down, because I was there, I was on the scene, and there was nobody Beater than me.

  Picture this: seventeen years old, hair an unholy mess and a little loden-green beret perched up on top to keep it in place, eighty-three cents in my pocket and a finger-greased copy of The Subterraneans in my rucksack along with a Charlie Parker disc with enough pops, scratches and white noise worked into the grooves to fill out the soundtrack of a sci-fi flick, hitched all the way from Oxnard, California, and there I am on Jack’s front porch in Northport, Long Island, December twenty-three, nineteen fifty-eight. It’s cold. Bleak. The town full of paint-peeling old monster houses, gray and worn and just plain old, like the whole horse-blindered tired-out East Coast locked in its gloom from October to April with no time off for good behavior. I’m wearing three sweaters under my Levi’s jacket and still I’m holding on to my ribs and I can feel the snot crusting round my nostrils and these mittens I bummed from an old lady at the Omaha bus station are stiff with it, and I knock, wondering if there’s an officially cool way to knock, a hipster’s way, a kind of secret Dharma Bums code-knock I don’t know about.

  Knock-knock. Knockata-knockata, knock-knock-knock.

  My first surprise was in store: it wasn’t Jack, the gone hep satori-seeking poet god of the rails and two-lane blacktop, who answered the door, but a big blocky old lady with a face like the bottom of a hiking boot. She was wearing a dress the size of something you’d drape over a car to keep the dust off it, and it was composed of a thousand little red and green triangles with gold trumpets and silver angels squeezed inside of them. She gave me the kind of look that could peel the tread off a recapped tire, the door held just ajar. I shuddered: she looked like somebody’s mother.

  My own mother was three thousand miles away and so square she was cubed; my dog, the one I’d had since childhood, was dead, flattened out by a big rig the week earlier; and I’d flunked English, History, Calculus, Art, Phys. Ed., Music and Lunch. I wanted adventure, the life of the road, freewheeling chicks in berets and tea and bongos and long Benzedrine-inflected bullshit sessions that ran on into morning, I wanted Jack and everything he stood for, and here was this old lady. “Uh,” I stammered, fighting to control my voice, which was just then deepening from the adolescent squeak I’d had to live with since consciousness had hit, “does, uh, Jack Kerouac live here, I mean, by any chance?”

  “Go back where you came from,” the old lady said. “My Jacky don’t have time for no more of this nonsense.” And that was it: she shut the door in my face.

  My Jacky!

  It came to me then: this was none other than Jack’s mother, the Bop-nurturing freewheeling wild Madonna herself, the woman who’d raised up the guru and given him form, mother of us all. And she’d locked me out. I’d come three thousand miles, her Jacky was my Jack, and I was cold through to the bone, stone broke, scared, heartsick and just about a lungful of O2 away from throwing myself down in the slush and sobbing till somebody came out and shot me. I knocked again.

  “Hey, Ma,” I heard from somewhere deep inside the house, and it was like the rutting call of some dangerous beast, a muted angry threatening Bop-benny-and-jug-wine roar, the voice of the man himself, “what the hell is this, I’m trying to concentrate in here.”

  And then the old lady: “It ain’t nothing, Jacky.”

  Knock-knock. Knockata-knockata, knock-knock-knock. I para-diddled that door, knocked it and socked it, beat on it like it was the bald flat-topped dome of my uptight pencil-pushing drudge of a bourgeois father himself, or maybe Mr. Detwinder, the principal at Oxnard High. I knocked till my knuckles bled, a virtuoso of knocking, so caught up in the rhythm and energy of it that it took me a minute to realize the door was open and Jack himself standing there in the doorway. He looked the way Belmondo tried to look in Breathless, loose and cool in a rumpled T-shirt and jeans, with a smoke in one hand, a bottle of muscatel in the other.

  I stopped knocking. My mouth fell open and the snot froze in my nostrils. “Jack Kerouac,” I said.

  He let a grin slide down one side of his mouth and back up the other. “Nobody else,” he said.

  The wind shot down my collar, I caught a glimpse of colored lights blinking on and off in the room behind him, and suddenly it was all gushing out of me like something I’d been chewing over and digesting all my life: “I hitched all the way from Oxnard and my name’s Wallace Pinto but you can call me Buzz and I just wanted to say, I just wanted to tell you—”

  “Yeah, yeah, I know,” he said, waving a hand in dismissal, and he seemed unsteady on his muscatel-impaired feet, the smoke curling up to snatch at his cracked blue squinting eyes, the words slow on his lips, heavy, weighted and freighted with the deep everlasting bardic wisdom of the road, the cathouse and the seaman’s bar, “but I tell you, kid, you keep drumming on the door like that you’re going to end up in the hospital”—a pause—“or m
aybe a jazz combo.” I just stood there in a kind of trance until I felt his hand—his Dharma Bum Subterranean On the Road Bop-master’s gone Mexican-chick-digging hand—take hold of my shoulder and tug me forward, over the threshold and into the house. “You ever been introduced to a true and veritable set of tight-skinned bongos?” he asked, throwing an arm over my shoulder as the door slammed behind us.