"That's a lie!"
They had been so absorbed in their duel of words that they had not heard approaching footsteps. Roger Graham had come up behind them unperceived by either.
"It's all right, Mother. Don't worry. Come into my room, Mr Satterthwaite."
Mr Satterthwaite followed him into his room. Mrs Graham had turned away and did not attempt to follow them. Roger Graham shut the door.
"Listen, Mr Satterthwaite, you think I killed Mabelle. You think I strangled her - here - and took her along and hung her up on that door - later - when everyone was asleep?"
Mr Satterthwaite stared at him. Then he said surprisingly, "No, I do not think so."
"Thank God for that. I couldn't have killed Mabelle. I - I loved her. Or didn't I? I don't know. It's a tangle that I can't explain. I'm fond of Madge - I always have been. And she's such a good sort. We suit each other. But Mabelle was different. It was - I can't explain it - a sort of enchantment. I was, I think - afraid of her."
Mr Satterthwaite nodded.
"It was madness - a kind of bewildering ecstasy... But it was impossible. It wouldn't have worked. That sort of thing doesn't last. I know what it means now to have a spell cast over you."
"Yes, it must have been like that," said Mr Satterthwaite thoughtfully.
"I - I wanted to get out of it all. I was going to tell Mabelle - last night."
"But you didn't?"
"No, I didn't," said Graham slowly. "I swear to you, Mr Satterthwaite, that I never saw her after I said good-night downstairs."
"I believe you," said Mr Satterthwaite.
He got up. It was not Roger Graham who had killed Mabelle Annesley. He could have fled from her, but he could not have killed her. He had been afraid of her, afraid of that wild intangible fairy-like quality of hers. He had known enchantment - and turned his back on it. He had gone for the safe sensible thing that he had known "would work" and had relinquished the intangible dream that might lead him he knew not where.
He was a sensible young man, and, as such, uninteresting to Mr Satterthwaite, who was an artist and a connoisseur in life.
He left Roger Graham in his room and went downstairs. The drawingroom was empty. Mabelle's ukelele lay on a stool by the window. He took it up and twanged it absent-mindedly. He knew nothing of the instrument, but his ear told him that it was abominably out of tune.
He turned a key experimentally.
Doris Coles came into the room. She looked at him reproachfully.
"Poor Mabelle's uke," she said.
Her clear condemnation made Mr Satterthwaite feel obstinate.
"Tune it for me," he said, and added - "If you can."
"Of course I can," said Doris, wounded at the suggestion of incompetence in any direction.
She took it from him, twanged a string, turned a key briskly - and the string snapped.
"Well, I never. Oh! I see - but how extraordinary! It's the wrong string - a size too big. It's an A string. How stupid to put that on. Of course it snaps when you try to tune it up. How stupid people are."
"Yes," said Mr Satterthwaite. "They are - even when they try to be clever..."
His tone was so odd that she stared at him. He took the ukelele from her and removed the broken string. He went out of the room holding it in his hand. In the library he found David Keeley.
"Here," he said. He held out the string. Keeley took it.
"What's this?"
"A broken ukelele string." He paused and then went on - "What did you do with the other one?"
"The other one?"
"The one you strangled her with. You were very clever, weren't you?
It was done very quickly - just in that moment we were all laughing and talking in the hall.
"Mabelle came back into this room for her ukelele. You had taken the string off as you fiddled with it just before. You caught her round the throat with it and strangled her. Then you came out and locked the door and joined us. Later, in the dead of night, you came down and and disposed of the body by hanging it on the door of her room. And you put another string on the ukelele - but it was the wrong string, that's why you were stupid." There was a pause.
"But why did you do it?" said Mr Satterthwaite. "In God's name, why?"
Mr Keeley laughed, a funny giggling little laugh that made Mr Satterthwaite feel rather sick.
"It was so very simple," he said. "That's why! And then - nobody ever noticed me. Nobody ever noticed what I was doing. I thought - I thought I'd have the laugh of them..."
And again he gave that furtive little giggle and looked at Mr Satterthwaite with mad eyes.
Mr Satterthwaite was glad that at that moment Inspector Winkfield came into the room.
It was twenty-four hours later, on his way to London, that Mr Satterthwaite awoke from a doze to find a tall dark man sitting opposite to him in the railway carriage. He was not altogether surprised.
"My dear Mr Quin!"
"Yes - I am here."
Mr Satterthwaite said slowly, "I can hardly face you. I am ashamed - I failed."
"Are you so sure of that?"
"I did not save her."
"But you discovered the truth?"
"Yes - that is true. One or other of those young men might have been accused - might even have been found guilty. So, at any rate, I saved a man's life. But, she - she - that strange enchanting creature..." His voice broke off.
Mr Quin looked at him.
"Is death the greatest evil that can happen to anyone?"
"I - well - perhaps - no -"
Mr Satterthwaite remembered... Madge and Roger Graham...
Mabelle's face in the moonlight - its serene unearthly happiness..."
"No," he admitted. "No - perhaps death is not the greatest evil..."
He remembered the ruffled blue chiffon of her dress that had seemed to him like the plumage of a bird... A bird with a broken wing...
When he looked up, he found himself alone. Mr Quin was no longer there.
But he had left something behind.
On the seat was a roughly carved bird fashioned out of some dim blue stone. It had, possibly, no great artistic merit. But it had something else.
It had the vague quality of enchantment.
So said Mr Satterthwaite - and Mr Satterthwaite was a connoisseur.
Chapter 11
THE WORLD'S END
Mr Satterthwaite had come to Corsica because of the Duchess. It was out of his beat. On the Riviera he was sure of his comforts, and to be comfortable meant a lot to Mr Satterthwaite. But though he liked his comfort, he also liked a Duchess. In his way, a harmless, gentlemanly, old-fashioned way, Mr Satterthwaite was a snob. He liked the best people. And the Duchess of Leith was a very authentic
Duchess. There were no Chicago pork butchers in her ancestry. She was the daughter of a Duke as well as the wife of one.
For the rest, she was rather a shabby-looking old lady, a good deal given to black bead trimmings on her clothes. She had quantities of diamonds in old-fashioned settings, and she wore them as her mother before her had worn them - pinned all over her indiscriminately. Someone had suggested once that the Duchess stood in the middle of the room whilst her maid flung brooches at her haphazard. She subscribed generously to charities, and looked well after her tenants and dependents, but was extremely mean over small sums. She cadged lifts from her friends, and did her shopping in bargain basements.
The Duchess was seized with a whim for Corsica. Cannes bored her and she had a bitter argument with the hotel proprietor over the price of her rooms.
"And you shall go with me, Satterthwaite," she said firmly. "We needn't be afraid of scandal at our time of life."
Mr Satterthwaite was delicately flattered. No one had ever mentioned scandal in connection with him before. He was far too insignificant. Scandal - and a Duchess - delicious!
"Picturesque you know," said the Duchess. "Brigands - all that sort of thing. And extremely cheap, so I've heard. Manuel was positively impu
dent this morning. These hotel proprietors need putting in their place. They can't expect to get the best people if they go on like this.
I told him so plainly."
"I believe," said Mr Satterthwaite, "that one can fly over quite comfortably. From Antibes."
"They probably charge you a pretty penny for it," said the Duchess sharply. "Find out, will you?"
"Certainly, Duchess."
Mr Satterthwaite was still in a flutter of gratification despite the fact that his ræle was clearly to be that of a glorified courier.
When she learned the price of a passage by Avion, the Duchess turned it down promptly.
"They needn't think I'm going to pay a ridiculous sum like that to go in one of their nasty dangerous things."
So they went by boat, and Mr Satterthwaite endured ten hours of acute discomfort. To begin with, as the boat sailed at seven, he took it for granted that there would be dinner on board. But there was no dinner. The boat was small and the sea was rough. Mr Satterthwaite was decanted at Ajaccio in the early hours of the morning more dead than alive.
The Duchess, on the contrary, was perfectly fresh. She never minded discomfort if she could feel she was saving money. She looked enthusiastic over the scene on the quay, with the palm trees and the rising sun. The whole population seemed to have turned out to watch the arrival of the boat, and the launching of the gangway was attended with excited cries and directions.
"On dirait," said a stout Frenchman who stood beside them, "que jamais avant on a fait cette manoeuvre lð!"
"That maid of mine has been sick all night," said the Duchess. "The girl's a perfect fool."
Mr Satterthwaite smiled in a pallid fashion.
"A waste of good food, I call it," continued the Duchess robustly.
"Did she get any food?" asked Mr Satterthwaite enviously.
"I happened to bring some biscuits and a stick of chocolate on board with me," said the Duchess. "When I found there was no dinner to be got, I gave the lot to her. The lower classes always make such a fuss about going without their meals."
With a cry of triumph the launching of the gangway was accomplished. A Musical Comedy chorus of brigands rushed aboard and wrested hand-luggage from the passengers by main force.
"Come on, Satterthwaite," said the Duchess. "I want a hot bath and some coffee."
So did Mr Satterthwaite. He was not wholly successful, however.
They were received at the hotel by a bowing manager and were shown to their rooms. The Duchess's had a bathroom attached. Mr Satterthwaite, however, was directed to a bath that appeared to be situated in somebody else's bedroom. To expect the water to be hot at that hour in the morning was, perhaps, unreasonable. Later he drank intensely black coffee, served in a pot without a lid. The shutters and the window of his room had been flung open, and the crisp morning air came in fragrantly. A day of dazzling blue and green.
The waiter waved his hand with a flourish to call attention to the view.
"Ajaccio," he said solemnly. "Le plus beau port du monde!"
And he departed abruptly.
Looking out over the deep blue of the bay, with the snow mountains beyond, Mr Satterthwaite was almost inclined to agree with him. He finished his coffee, and lying down on the bed, fell fast asleep.
At dejeuner the Duchess was in great spirits.
"This is just what will be good for you, Satterthwaite," she said. "Get you out of all those dusty little old-maidish ways of yours."
She swept a lorgnette round the room. "Upon my word, there's Naomi Carlton Smith."
She indicated a girl sitting by herself at a table in the window. A round-shouldered girl, who slouched as she sat. Her dress appeared to be made of some kind of brown sacking. She had black hair, untidily bobbed.
"An artist?" asked Mr Satterthwaite.
He was always good at placing people.
"Quite right," said the Duchess. "Calls herself one anyway. I knew she was mooching around in some queer quarter of the globe. Poor as a church mouse, proud as Lucifer, and a bee in her bonnet like all the Carlton Smiths. Her mother was my first cousin."
"She's one of the Knowlton lot then?"
The Duchess nodded.
"Been her own worst enemy," she volunteered. "Clever girl too.
Mixed herself up with a most undesirable young man. One of that Chelsea crowd. Wrote plays or poems or something unhealthy.
Nobody took 'em, of course. Then he stole somebody's jewels and got caught out. I forget what they gave him. Five years, I think. But you must remember? It was last winter."
"Last winter I was in Egypt," explained Mr Satterthwaite. "I had flu very badly the end of January, and the doctors insisted on Egypt afterwards. I missed a lot."
His voice rang with a note of real regret.
"That girl seems to me to be moping," said the Duchess, raising her lorgnette once more. "I can't allow that."
On her way out, she stopped by Miss Carlton Smith's table and tapped the girl on the shoulder.
"Well, Naomi, you don't seem to remember me?"
Naomi rose rather unwillingly to her feet.
"Yes, I do, Duchess. I saw you come in. I thought it was quite likely you mightn't recognise me."
She drawled the words lazily, with a complete indifference of manner.
"When you've finished your lunch, come and talk to me on the terrace," ordered the Duchess.
"Very well." Naomi yawned.
"Shocking manners," said the Duchess, to Mr Satterthwaite, as she resumed her progress. "All the Carlton Smiths have."
They had their coffee outside in the sunshine. They had been there about six minutes when Naomi Carlton Smith lounged out from the hotel and joined them. She let herself fall slackly on to a chair with her legs stretched out ungracefully in front of her.
An odd face, with its jutting chin and deep-set grey eyes. A clever, unhappy face - a face that only just missed being beautiful.
"Well, Naomi," said the Duchess briskly. "And what are you doing with yourself?"
"Oh, I dunno. Just marking time."
"Been painting?"
"A bit."
"Show me your things."
Naomi grinned. She was not cowed by the autocrat. She was amused. She went into the hotel and came out again with a portfolio.
"You won't like 'em, Duchess," she said warningly. "Say what you like. You won't hurt my feelings."
Mr Satterthwaite moved his chair a little nearer. He was interested.
In another minute he was more interested still. The Duchess was frankly unsympathetic.
"I can't even see which way the things ought to be," she complained.
"Good gracious, child, there was never a sky that colour - or a sea either."
"That's the way I see 'em," said Naomi placidly.
"Ugh!" said the Duchess, inspecting another. "This gives me the creeps."
"It's meant to," said Naomi. "You're paying me a compliment without knowing it."
It was a queer vorticist study of a prickly pear - just recognisable as such. Grey-green with slodges of violent colour where the fruit glittered like jewels. A swirling mass of evil, fleshy - festering. Mr Satterthwaite shuddered and turned his head aside.
He found Naomi looking at him and nodding her head in comprehension.
"I know," she said. "But it is beastly."
The Duchess cleared her throat.
"It seems quite easy to be an artist nowadays," she observed witheringly. "There's no attempt to copy things. You just shovel on some paint - I don't know what with, not a brush, I'm sure -"
"Palette knife," interposed Naomi, smiling broadly once more.
"A good deal at a time," continued the Duchess, "in lumps. And there you are! Everyone says, 'How clever.' Well, I've no patience with that sort of thing. Give me a nice picture of a dog or a horse, by Edwin Landseer.
"And why not?" demanded the Duchess. "What's wrong with Landseer?"
"Nothing," said Naomi. "He's all right. And you
're all right. The tops of things are always nice and shiny and smooth. I respect you, Duchess, you've got force. You've met life fair and square and you've come out on top. But the people who are underneath see the under side of things. And that's interesting in a way."
The Duchess stared at her.
"I haven't the faintest idea what you're talking about," she declared.
Mr Satterthwaite was still examining the sketches. He realised, as the Duchess could not, the perfection of technique behind them. He was startled and delighted. He looked up at the girl.
"Will you sell me one of these, Miss Carlton Smith?" he asked.
"You can have any one you like for five guineas," said the girl indifferently.
Mr Satterthwaite hesitated a minute or two and then he selected a study of prickly pear and aloe. In the foreground was a vivid blur of yellow mimosa, the scarlet of the aloe flower danced in and out of the picture, and inexorable, mathematically underlying the whole, was the oblong pattern of the prickly pear and the sword motif of the aloe.
He made a little bow to the girl.
"I am very happy to have secured this, and I think I have made a bargain. Some day Miss Carlton Smith, I shall be able to sell this sketch at a very good profit - if I want to!"
The girl leant forward to see which one he had taken. He saw a new look come into her eyes. For the first time she was really aware of his existence, and there was respect in the quick glance she gave him.
"You have chosen the best," she said. "I - I am glad."
"Well, I suppose you know what you're doing," said the Duchess.
"And I daresay you're right. I've heard that you are quite a connoisseur. But you can't tell me that all this new stuff is art, because it isn't. Still, we needn't go into that. Now I'm only going to be here a few days and I want to see something of the island. You've got a car, I suppose, Naomi?"
The girl nodded.
"Excellent," said the Duchess. "We'll make a trip somewhere tomorrow."
"It's only a two-seater."
"Nonsense, there's a dickey, I suppose, that will do for Mr Satterthwaite?"
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