At this second knock, he heard a shuffling sound inside, and presently the door was opened cautiously half an inch and a bent figure peered out.
Suddenly the woman, for it was a woman, gave a chuckle and opened the door wider.
"So it's you, dearie," she said, in a wheezy voice. "Nobody with you, is there? No playing tricks? That's right. You can come in - you can come in."
With some reluctance the lawyer stepped across the threshold into the small dirty room, with its flickering gas jet. There was an untidy unmade bed in a corner, a plain deal table and two rickety chairs. For the first time Mr Mayherne had a full view of the tenant of this unsavory apartment. She was a woman of middle age, bent in figure, with a mass of untidy gray hair and a scarf wound tightly round her face.
She saw him looking at this and laughed again, the same curious, toneless chuckle.
"Wondering why I hide my beauty, dear? He, he, he. Afraid it may tempt you, eh? But you shall see - you shall see."
She drew aside the scarf and the lawyer recoiled involuntarily before the almost formless blur of scarlet. She replaced the scarf again.
"So you're not wanting to kiss me, dearie? He, he, I don't wonder. And yet I was a pretty girl once - not so long ago as you'd think, either.
Vitriol, dearie, vitriol - that's what did that. Ah! but I'll be even with 'em'
She burst into a hideous torrent of profanity which Mr Mayherne tried vainly to quell. She fell silent at last, her hands clenching and unclenching themselves nervously.
"Enough of that," said the lawyer sternly. "I've come here because I have reason to believe you can give me information which will clear my client, Leonard Vole. Is that the case?"
Her eyes leered at him cunningly.
"What about the money, dearie?" she wheezed. "Two hundred quid, you remember."
"It is your duty to give evidence, and you can be called upon to do so."
"That won't do, dearie. I'm an old woman, and I know nothing. But you give me two hundred quid, and perhaps I can give you a hint or two. See?"
"What kind of hint?"
"What should you say to a letter? A letter from her. Never mind how I got hold of it. That's my business. It'll do the trick. But I want my two hundred quid."
Mr Mayherne looked at her coldly, and made up his mind.
"I'll give you ten pounds, nothing more. And only that if this letter is what you say it is."
"Ten pounds?" She screamed and raved at him.
"Twenty," said Mr Mayherne, "and that's my last word."
He rose as if to go. Then, watching her closely, he drew out a pocketbook, and counted out twenty one-pound notes.
"You see," he said. "That is all I have with me. You can take it or leave it."
But already he knew that the sight of the money was too much for her.
She cursed and raved impotently, but at last she gave in. Going over to the bed, she drew something out from beneath the tattered mattress.
"Here you are, damn you!" she snarled. "It's the top one you want."
It was a bundle of letters that she threw to him, and Mr Mayherne untied them and scanned them in his usual cool, methodical manner. The woman, watching him eagerly, could gain no clue from his impassive face.
He read each letter through, then returned again to the top one and read it a second time. Then he tied the whole bundle up again carefully.
They were love letters, written by Romaine Heilger, and the man they were written to was not Leonard Vole. The top letter was dated the day of the latter's arrest.
"I spoke true, dearie, didn't I?" whined the woman. "It'll do for her, that letter?"
Mr Mayherne put the letters in his pocket, then he asked a question.
"How did you get hold of this correspondence?"
"That's telling," she said with a leer. "But I know something more. I heard in court what that hussy said. Find out where she was at twenty past ten, the time she says she was at home. Ask at the Lion Road Cinema. They'll remember - a fine upstanding girl like that - curse her!"
"Who is the man?" asked Mr Mayherne. "There's only a Christian name here."
The other's voice grew thick and hoarse, her hands clenched and unclenched. Finally she lifted one to her face.
"He's the man that did this to me. Many years ago now. She took him away from me - a chit of a girl she was then. And when I went after him and went for him too - he threw the cursed stuff at me! And she laughed - damn her! I've had it in for her for years. Followed her, I have, spied upon her. And now I've got her! She'll suffer for this, won't she, Mr Lawyer? She'll suffer?"
"She will probably be sentenced to a term of imprisonment for perjury," said Mr Mayherne quietly.
"Shut away - that's what I want. You're going, are you? Where's my money? Where's that good money?"
Without a word, Mr Mayherne put down the notes on the table. Then, drawing a deep breath, he turned and left the squalid room. Looking back, he saw the old woman crooning over the money.
He wasted no time. He found the cinema in Lion Road easily enough, and, shown a photograph of Romaine Heilger, the commissionaire recognized her at once. She had arrived at the cinema with a man some time after ten o'clock on the evening in question. He had not noticed her escort particularly, but he remembered the lady who had spoken to him about the picture that was showing. They stayed until the end, about an hour later.
Mr Mayherne was satisfied. Romaine Heilger's evidence was a tissue of lies from beginning to end. She had evolved it out of her passionate hatred. The lawyer wondered whether he would ever know what lay behind that hatred. What had Leonard Vole done to her? He had seemed dumbfounded when the solicitor had reported her attitude to him. He had declared earnestly that such a thing was incredible - yet it had seemed to Mr Mayherne that after the first astonishment his protests had lacked sincerity.
He did know. Mr Mayherne was convinced of it. He knew, but he had no intention of revealing the fact. The secret between those two remained a secret. Mr Mayherne wondered if some day he should come to learn what it was.
The solicitor glanced at his watch. It was late, but time was everything.
He hailed a taxi and gave an address.
"Sir Charles must know of this at once," he murmured to himself as he got in.
The trial of Leonard Vole for the murder of Emily French aroused widespread interest. In the first place the prisoner was young and good-looking, then he was accused of a particularly dastardly crime, and there was the further interest of Romaine Heilger, the principal witness for the prosecution. There had been pictures of her in many papers, and several fictitious stories as to her origin and history.
The proceedings opened quietly enough. Various technical evidence came first. Then Janet Mackenzie was called. She told substantially the same story as before. In cross-examination counsel for the defense succeeded in getting her to contradict herself once or twice over her account of Vole's association with Miss French; he emphasized the fact that though she had heard a man's voice in the sitting-room that night, there was nothing to show that it was Vole who was there, and he managed to drive home a feeling that jealousy and dislike of the prisoner were at the bottom of a good deal of her evidence.
Then the next witness was called.
"Your name is Romaine Heilger?"
"Yes."
"You are an Austrian subject?"
"Yes."
"For the last three years you have lived with the prisoner and passed yourself off as his wife?"
Just for a moment Romaine Heilger's eyes met those of the man in the dock. Her expression held something curious and unfathomable.
"Yes."
The questions went on. Word by word the damning facts came out. On the night in question the prisoner had taken out a crowbar with him. He had returned at twenty minutes past ten, and had confessed to having killed the old lady. His cuffs had been stained with blood, and he had burned them in the kitchen stove. He had terrorized her into silence by means
of threats.
As the story proceeded, the feeling of the court which had, to begin with, been slightly favorable to the prisoner, now set dead against him.
He himself sat with downcast head and moody air, as though he knew he were doomed.
Yet it might have been noted that her own counsel sought to restrain Romaine's animosity. He would have preferred her to be more unbiased.
Formidable and ponderous, counsel for the defense arose.
He put it to her that her story was a malicious fabrication from start to finish, that she had not even been in her own house at the time in question, that she was in love with another man and was deliberately seeking to send Vole to his death for a crime he did not commit.
Romaine denied these allegations with superb insolence.
Then came the surprising denouement, the production of the letter. It was read aloud in court in the midst of a breathless stillness.
Max, beloved, the Fates have delivered him into our hands! He has been arrested for murder - but, yes, the murder of an old lady! Leonard, who would not hurt a fly! At last I shall have my revenge. The poor chicken! I shall say that he came in that night with blood upon him - that he confessed to me. I shall hang him, Max - and when he hangs he will know and realize that it was Romaine who sent him to his death. And then - happiness, Beloved! Happiness at last!
There were experts present ready to swear that the handwriting was that of Romaine Heilger, but they were not needed. Confronted with the letter, Romaine broke down utterly and confessed everything. Leonard Vole had returned to the house at the time he said, twenty past nine.
She had invented the whole story to ruin him.
With the collapse of Romaine Heilger, the case for the Crown collapsed also. Sir Charles called his few witnesses, the prisoner himself went into the box and told his story in a manly straightforward manner, unshaken by cross-examination.
The prosecution endeavored to rally, but without great success. The judge's summing up was not wholly favorable to the prisoner, but a reaction had set in and the jury needed little time to consider their verdict.
"We find the prisoner not guilty."
Leonard Vole was free!
Little Mr Mayherne hurried from his seat. He must congratulate his client.
He found himself polishing his pince-nez vigorously, and checked himself. His wife had told him only the night before that he was getting a habit of it. Curious things, habits. People themselves never knew they had them.
An interesting case - a very interesting case. That woman, now, Romaine Heilger.
The case was dominated for him still by the exotic figure of Romaine Heilger. She had seemed a pale, quiet woman in the house at Paddington, but in court she had flamed out against the sober background, flaunting herself like a tropical flower.
If he closed his eyes he could see her now, tall and vehement, her exquisite body bent forward a little, her right hand clenching and unclenching itself unconsciously all the time.
Curious things, habits. That gesture of hers with the hand was her habit, he supposed. Yet he had seen someone else do it quite lately. Who was it now? Quite lately -
He drew in his breath with a gasp as it came back to him. The woman in Shaw's Rents...
He stood still, his head whirling. It was impossible - impossible - Yet, Romaine Heilger was an actress.
The K.C. came up behind him and clapped him on the shoulder.
"Congratulated our man yet? He's had a narrow shave, you know.
Come along and see him."
But the little lawyer shook off the other's hand.
He wanted one thing only - to see Romaine Heilger face to face.
He did not see her until some time later, and the place of their meeting is not relevant.
"So you guessed," she said, when he had told her all that was in his mind. "The face? Oh! that was easy enough, and the light of that gas jet was too bad for you to see the makeup."
"But why - why -"
"Why did I play a lone hand?" She smiled a little, remembering the last time she had used the words.
"Such an elaborate comedy!"
"My friend - I had to save him. The evidence of a woman devoted to him would not have been enough - you hinted as much yourself. But I know something of the psychology of crowds. Let my evidence be wrung from me, as an admission, damning me in the eyes of the law, and a reaction in favor of the prisoner would immediately set in."
"And the bundle of letters?"
"One alone, the vital one, might have seemed like a - what do you call it? - put-up job."
"Then the man called Max?"
"Never existed, my friend."
"I still think," said little Mr Mayherne, in an aggrieved manner, "that we could have got him off by the - er - normal procedure."
"I dared not risk it. You see you thought he was innocent -"
"And you knew it? I see," said little Mr Mayherne.
"My dear Mr Mayherne," said Romaine, "you do not see at all. I knew he was guilty!"
Parker Pyne Investigates (Mr. Parker Pyne, Detective) *1934 *
THE CASE OF THE MIDDLE-AGED WIFE
Four grunts, an indignant voice asking why nobody could leave a hat alone, a slammed door, and Mr Packington had departed to catch the eight-forty-five to the City. Mrs Packington sat on at the breakfast table. Her face was flushed, her lips were pursed, and the only reason she was not crying was that at the last minute anger had taken the place of grief.
"I won't stand it," said Mrs Packington. "I won't stand it!" She remained for some moments brooding, and then murmured: "The minx. Nasty sly little cat! How George can be such a fool!"
Anger faded; grief came back. Tears came into Mrs Packington's eyes and rolled slowly down her middle-aged cheeks.
"It's all very well to say I won't stand it, but what can I do?"
Suddenly she felt alone, helpless, utterly forlorn. Slowly she took up the morning paper and read, not for the first time, an advertisement on the front page.
"Absurd!" said Mrs Packington. "Utterly absurd." Then: "After all, I might just see..."
Which explains why at eleven o'clock Mrs Packington, a little nervous, was being shown into Mr Parker Pyne's private office.
As has been said, Mrs Packington was nervous, but somehow or other, the mere sight of Mr Parker Pyne brought a feeling of reassurance. He was large, not to say fat; he had a bald head of noble proportions, strong glasses and little twinkling eyes.
"Pray sit down," said Mr Parker Pyne. "You have come in answer to my advertisement?" he added helpfully.
"Yes," said Mrs Packington, and stopped there.
"And you are not happy," said Mr Parker Pyne in a cheerful, matterof-fact voice. "Very few people are. You would really be surprised if you knew how few people are happy."
"Indeed?" said Mrs Packington, not feeling, however, that it mattered whether other people were unhappy or not.
"Not interesting to you, I know," said Mr Parker Pyne, "but very interesting to me. You see, for thirty-five years of my life I have been engaged in the compiling of statistics in a government office. Now I have retired, and it has occurred to me to use the experience I have gained in a novel fashion. It is all so simple. Unhappiness can be classified under five main heads - no more, I assure you. Once you know the cause of a malady, the remedy should not be impossible.
"I stand in the place of the doctor. The doctor first diagnoses the patient's disorder, then he proceeds to recommend a course of treatment. There are cases where no treatment can be of any avail.
If that is so, I say frankly that I can do nothing. But I assure you, Mrs Packington, that if I undertake a case, the cure is practically guaranteed."
Could it be so? Was this nonsense, or could it, perhaps, be true?
Mrs Packington gazed at him hopefully.
"Shall we diagnose your case?" said Mr Parker Pyne, smiling. He leaned back in his chair and brought the tips of his fingers together.
"The troub
le concerns your husband. You have had, on the whole, a happy married life. Your husband has, I think, prospered. I think there is a young lady concerned in the case - perhaps a young lady in your husband's office."
"A typist," said Mrs Packington. "A nasty made-up little minx, all lipstick and silk stockings and curls."
The words rushed from her.
Mr Parker Pyne nodded in a soothing manner.
"There is no real harm in it - that is your husband's phrase, I have no doubt."
"His very words."
"Why, therefore, should he not enjoy a pure friendship with this young lady, and be able to bring a little brightness, a little pleasure, into her dull existence? Poor child, she has so little fun. Those, I imagine, are his sentiments."
Mrs Packington nodded with vigor. "Humbug - all humbug! He takes her on the river - I'm fond of going on the river myself, but five or six years ago he said it interfered with his golf. But he can give up golf for her. I like the theater - George has always said he's too tired to go out at night. Now he takes her out to dance - dance! And comes back at three in the morning. I - I -"
"And doubtless he deplores the fact that women are so jealous, so unreasonably jealous when there is absolutely no cause for jealousy?"
Again Mrs Packington nodded. "That's it." She asked sharply: "How do you know all this?"
"Statistics," Mr Parker Pyne said simply.
"I'm so miserable," said Mrs Packington. "I've always been a good wife to George. I worked my fingers to the bone in our early days. I helped him to get on. I've never looked at any other man. His things are always mended, he gets good meals, and the house is well and economically run. And now that we've got on in the world and could enjoy ourselves and go about a bit and do all the things I've looked forward to doing some day - well, this!" She swallowed hard.
Mr Parker Pyne nodded gravely. "I assure you I understand your case perfectly."
"And - can you do anything?" She asked it almost in whisper.
"Certainly, my dear lady. There is a cure. Oh, yes, there is a cure."
"What is it?" She waited, round-eyed, and expectant.
Mr Parker Pyne spoke quietly and firmly. "You will place yourself in my hands, and the fee will be two hundred guineas."
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