"He didn't exactly say cold," Meg said, coloring. "I think he said I was ‘guarded'."
"Well, that has been true since Paul killed himself," said Comfort naïvely. "He knew about Paul?"
"No ... I don't know. Paul did not kill himself, Comfort. Anyway, cold or hot was not the point," Meg said, exasperated. "Orel Tremblay wanted to show me the dollhouse; it was because of the dollhouse that he summoned me."
She went on to describe in great detail the exquisite miniature of the Eagle's Nest that was hidden away in Orel Tremblay's unassuming home. She avoided dwelling on the obvious — that the dollhouse was a replica of the tomb of Margaret Mary Atwells — and she made no mention at all of Orel Tremblay's scathing opinion of her grandfather.
She limped to the end of her story, which clearly had no conclusion, and waited, knowing that her family would jump all over her to provide one.
Uncle Bill weighed in first. "That's it? He had you over there to look at a dollhouse? What for?"
"I don't know."
"It must be worth a pile," said Lloyd. "How much, do you think?"
"I don't know."
"How come he has the dollhouse?" asked Terry suspiciously.
"I don't know."
"Probably he stole it," his twin brother said. "After he fixed it up he kept it for hisself. Brother. What a dumb thing to steal."
"It must be worth a pile," said Lloyd again. "How much did you say it was worth?"
"I don't know."
"This dollhouse — " Meg's father began.
"I never understood what they were doing at the Eagle's Nest in October, anyway," Allie said, interrupting him. "Okay, we know Gordon Camplin was staying on through the hunting season. Fine. But why keep his wife and two children and the whole staff there? Why not send them back to New York or Boston like everyone else? Did you ask Mr. Tremblay?"
Meg shook her head. "He threw me out."
Her family began hooting her off the stage with cries of "So you don't know beans!"
Meg wouldn't have cared, except for Tom Wyler. He was sitting there as calm as a clock while her family took turns beating her up. It bothered her that he was neither embarrassed nor amused by their antics. She had the sense that he was watching them the way a psychologist might watch a play group through a one-way mirror.
No doubt it was part of his job. She was struck by the way he held himself, so casually alert, so ready to spring. If a fire alarm went off, he'd be the first one into action. But whether it would be to help the women and children, or to step over them on his way out the door — that, she couldn't know.
"Uncle Bill? A piece of my roobub pie?"
Without waiting for an answer, Comfort cut a wedge the size of an Egyptian pyramid, eased it onto a dinner plate, and passed it down the table to her husband's uncle. Comfort began dividing what was left of dessert among the rest of the family, and the talk settled down into pleasing, pie-filled murmurs about everyone else's day.
Uncle Bill, however, wasn't interested in everyone else's day; he was interested in the new man at the table. Uncle Bill had money — he'd sold his hardware store at the peak of the boom in ‘87 — and as a result he tended to respect other people who had money. He wanted to know how much respect Tom Wyler deserved.
"So. Whatsit you do for a living, Mr. Wyler?"
Buy Embers
A Charmed Place Sample Chapter
Antoinette Stockenberg
"Buy this book! A truly fantastic read!"
--Suzanne Barr, Gulf Coast Woman
USA TODAY bestselling author Antoinette Stockenberg delivers an original and wonderfully romantic story of two people -- college lovers separated for twenty years -- who have the chance to be happy together at last. But family, friends, an ex-husband, a teenaged daughter and an unsolved murder seem destined to keep the lovers star-crossed, until Dan takes up residence in the Cape Cod lighthouse, with Maddie's rose-covered cottage just a short walk away ...
Chapter 1
"He'd look perfect tied to my bedposts," Norah murmured.
Joan lifted the binoculars from her friend's grip and focused them on the lighthouse at the tip of the windswept peninsula. After a minute, she said, "They'd better be pretty strong bedposts."
She held out the binoculars to Maddie Regan, who, as always, was the first to show up at Rosedale, her family's summer cottage on the Cape. "Here, Maddie. Have a look."
"Thank you, no," said Maddie, walking away from the kitchen window with her box of books. "Unlike the two of you, I happen to have a life."
Norah arched one perfectly shaped eyebrow. "Well, la-di-da. Doing what? Spending another summer on the Cape, watching the beach erode? Get with the program, Maddie. Women our age have to keep their eyes open. Especially women our age in Dulltown."
Maddie managed a wry smile and said, "There's nothing wrong with Sandy Point. It's where I want to be every year come June. It's where I want a teenage daughter to be. It's quiet; it's safe; it's—"
"Dull. Let's face it. It's dull. We aren't the Hamptons. We aren't the Vineyard. We aren't even Newport. There's nothing to do in Sandy Point, and no one rich to do it with."
Joan, still focused on the peninsula, said, "This one could change your mind, Norah. No kidding. Wow. Killer aura. He's standing in front of the lighthouse, looking out at the ocean. The wind's blowing his hair around. You can't mistake the guy. It really is him. Sure you don't want a peek, Maddie?"
Maddie shook her head and kept to her box of books.
Norah took Maddie's refusal personally. "You do understand our situation here? Three women, nada men—none worth bringing down from Boston, anyway? How are we going to network? This is turning into a serious dry spell, Maddie. I'm still separated. Joan's still single. And you're still—"
"All right, all right. Divorced," Maddie conceded. "But unlike you two, not dribbling with lust."
"Why should you be?" Norah shot back. "Your ex has a condo two miles away, and he's willing to bed you any time you want."
"But I don't want."
"I've never really understood that," Joan admitted. "Michael's always been so kind, so considerate to me."
"So considerate to everyone," said Norah with a caustic smile. She repossessed the binoculars from Joan and aimed them on her prey. "Nuts. He's gone. No, wait. Here he comes out of the lighthouse—with a basket of laundry. Good Lord. Dan Hawke is going to hang his own laundry. Dan Hawke!"
Joan, as usual, had a theory. "He's a war correspondent. He's probably used to washing his socks in some dead soldier's helmet."
"Joannie, the way you put things. Okay, here we go. First item out of the basket: jeans. I'd say a thirty-four waist, thirty-six, tops. How cute—he's holding the clothespins between his teeth. Oh, Maddie, you should look. He looks nothing like he does on TV."
Maddie dropped another box of books onto the kitchen table and began unlocking its cardboard flaps. "How would you know, Norah? You never watch CNN."
Without taking her focus away from the lighthouse, Norah said, "Now, now. Just because I sell shlock art for a living, it doesn't mean I don't watch CNN."
"Have you ever actually seen him in a broadcast from a war zone?"
Norah shrugged and said, "No. But it doesn't mean I don't watch CNN."
"Well, I watch it," Joan chimed in, "and I can tell you, the guy makes an impression. It isn't his tousled hair or his flak jacket; they all have that. And he's not especially to-die-for handsome. It's more his air of—I don't know—reluctance. As if he can't stand what he's doing but he does it anyway because somebody has to, and he can do it better."
"Bullshit," Norah argued. "War pays his bills."
Joan, less assured but more introspective than taller, thinner, richer, red-haired Norah, decided to dig in her heels. "He hates his work. I'll bet my house on it. He's come to Sandy Point because he's burned out."
"Pillowcases," said Norah, looking up from her binoculars and flashing the other two women a knowing grin. "That's a good sign. H
e's only been renting for a couple of days. He must be fastidious."
"Fastidious!" Joan had another theory. "That's the last thing he'd be. War correspondents eat leaves and grass if they have to, and sleep in the crotches of trees."
"A waste," said Norah with a snort. "He should be sleeping in another kind of crotch altogether."
"Norah!"
Maddie said it too sharply for someone who wasn't supposed to be listening. She looked away. Norah was being outrageously—well—Norah. It didn't mean anything.
Norah seemed oblivious to the scolding. A second or two later, still gazing through the binoculars, she said, "One, two three, four, five, six hankies. How quaint: he uses handkerchiefs."
Joan had theories for that, too. "Of course he uses handkerchiefs. Do you really think he can buy purse-sized Kleenex in the mountains of Afghanistan? Besides, they make good tourniquets."
She added in a thoughtful voice, "I remember one of his reports from Chechnya. There were half a dozen rebels huddled around a campfire, trying to keep warm, and most were in rags. He wasn't wearing anything better. I suppose he bartered his jacket for information."
"Whatever." Obviously Norah wasn't listening. Her high cheekbones had become flushed with the first faint sign of her formidable temper. Maddie braced herself.
Norah turned to Maddie in a fed-up way and said, "You know what your problem is, Maddie Regan? You're too damned prim. You're too damned proper. And you're too damned passive."
She handed off the binoculars to Joan and launched into an all-too-familiar lecture. "You assume the Right One will just drop in your lap while you're sipping iced tea on your patio." She folded down one of the box flaps over Maddie's forearm, forcing her to pay attention. "And meanwhile life is passing you by. You've been divorced for four years, Maddie," she added, sounding extremely annoyed about it. "You're almost forty. What're you waiting for?"
Maddie reached into the box and pulled out a hardcover. "I'm waiting for this guy to make the New York Times," she quipped, waving a Jensen novel in front of Norah. "He's vastly underrated."
Norah responded with a stony look, so Maddie gave her an honest answer. "I'm not waiting for the Right One ... or the Wrong One ... or anyone, Norah. I have my hands full with all the relationships—"
"None of them sexual!"
"—that I can handle at the moment."
Nudging the cardboard flap open again, Maddie lifted Philip Roth's Goodbye, Columbus out of the box, and a novel by Orwell, and Vonnegut's Cat's Cradle. This was the summer to update the Freshman survey of the modern novel that she taught. Morrison, Rushdie, maybe even King? Much more relevant. She'd meant to revamp the course last summer, but last summer she was still caught up, along with the rest of her family, in shock. No one did much of anything last summer.
"And I'm not prim," she threw out over her shoulder.
Passive, maybe. Proper, obviously. But not prim.
"Of course you're prim!" snapped Norah. "Who the hell else could resist gawking at a bona fide celebrity who's spending the summer a few hundred yards away from her?"
"The man is renting a lighthouse," Maddie reminded her friend. "In a backwater summering hole. It's obvious, at least to me, that he wants privacy."
"It's obvious that he doesn't want it. He went and became a celebrity of his own free will! If you had a shred of decency in you, you'd be fawning over him like the rest of us. He's entitled to it!"
"Oh, pooh," said Joan in a disappointed voice. "He has a woman with him."
"What? Let me have those," said Norah, snatching the binoculars back from Joan with such vigor that she knocked Joan off balance.
"Watch it!" Joan snapped. The edge in her usually soft-pitched voice was a clear sign, at least to Maddie, that Norah had gone over the line again.
He has a woman with him.
Norah stared intently through the binoculars. After a thoughtful silence she said, "Hard to say. If she's his lover, she's not a recent one. They seem too used to one another. She's leaning against the mud shed with her hands in the pockets of her sundress, mostly listening to him—the wind just blew her dress up; great legs—and nodding once in a while. I get the sense that she's just soaking him up. As if they go back together."
Norah looked up for a moment. "I'm right that he never married?"
Joan said, "Not as far as I know. He made People's most-eligible list a few years ago—after the War—but then he kind of faded. So it's possible he went off and did something stupid, but I doubt it. We would've read about a wedding, in People if not in Newsweek. I imagine he was just living with someone. Probably her."
Joan rose up on tiptoe, trying for the same vantage over the café curtains that Norah had. In heels, Joan was able to manage an inch or two over five feet, but today she was wearing sandals. She was short. Her two best friends were tall. It made her peppery sometimes.
"Norah, would you mind?" Joan asked in a dangerously mild voice. "They're my binoculars, after all."
She reached for them but Norah shooed her away with her elbow, the way she might a pesky terrier. Maddie stepped in, as she always did, to keep the peace. She took the binoculars.
"All right, you two clowns. Have a little dignity."
With Norah, dignity was always in short supply. She proved it now by nodding slyly toward the lighthouse. "Check it out—if you're not too prim."
Probably she'd used the exact same line on half the men she'd dated; Norah had no reason to be shy. With her knockout figure, creamy skin, red, red hair and full red lips, she was the kind of woman who made men take off their wedding rings and hide them in their hip pockets.
But Maddie was not, and never would be, Norah.
"Why are you being such a pain, Nor?"
"You're abnormal, you know that? Anyone else would look. Prim, prim, prim."
With an angry, heavy sigh, Maddie accepted the binoculars and aimed them in the general direction of the lighthouse. Her sense of dread ran deep. She did not want to gape at the man and did not want, most of all, to gape at the woman. What was the point? It would be like staring into her own grave.
"Yes. I see him. Yes. He looks like on TV." She held the binoculars out to Norah. "Happy now?"
"What about the woman? What do you think?"
"I didn't see any woman," said Maddie, grateful that a billowing bed sheet hid all but a pair of slender ankles from view.
"No, she's there, Maddie. I can see her now, even without the binoculars. Look again," Joan urged.
It was going to be so much worse than Maddie thought. She sighed and tried to seem bored, then took the glasses back for another look. This time she was spared nothing. A slender woman of medium height was facing squarely in their direction, laughing. The wind was lifting her blunt-cut hair away from her face and plastering her pale blue sundress against her lithe body. She was the picture of vitality and high spirits. And the sight of her filled Maddie with relief.
"It's obviously his sister," she said.
"Ah, his sister. Wait—how would you know?" Norah demanded.
She walks the way he does... throws her head back when she laughs the way he does... does that jingle-change thing in her pocket the way he does. Who else could she be?
Maddie spun a plausible lie. "I overheard it in the post office yesterday. I remember now."
"I don't believe it. She's half his age."
"I doubt it."
The two were five years apart. But the sister looked young for her years, and the brother carried thoughts of war and savagery with him everywhere he went. Joan was right: he looked burned out. Maddie could see it in the apathetic lift of his shoulders after the woman said something. It was such a tired-looking shrug.
Norah was watching Maddie more carefully now. She folded her forearms across her implanted breasts and splayed her red-tipped fingers on her upper arms. "What else did you manage to ... overhear, in the post office?" The question dripped with skepticism.
Maddie met her friend's steady gaze wit
h one almost as good. "That was pretty much it. It was crowded. You know how little the lobby is. They took the conversation outside."
"Who were they? Man? Woman? Did you recognize them from town?"
"Two women, as I recall. I didn't bother turning around to see who. As I've said, I'm not really interested."
Norah cocked her head. Her lined lips curled into a faint smile. Her eyes, the color of water found nowhere in New England, narrowed. "Really."
"Okay, they're getting into the Jeep!" Joan cried. "Now what?"
"We follow 'em. Let's go!"
Maddie stared agape as the two made a dash for the half-open Dutch door that led to the seashelled drive of the Cape Cod cottage. "Are you out of your minds? What do you hope to accomplish?"
Norah slapped the enormous glove-soft carryall she'd slung over her shoulder. "I have a camera," she said on her way out.
"You're going to photograph them?"
"If we don't, the paparazzi will!"
She had her Mercedes in gear before Joan was able to snap her seat belt shut. The top of the convertible was down, of course, the better for Norah to be seen. Maddie watched, boggled, as the two took off in a cloud of dust, Norah pumping her fist in a war whoop the whole time.
The episode bordered on the surreal: an educated, beautiful forty-year-old woman and an even more educated thirty- eight-year-old one, tracking down a media celebrity like two hound dogs after some felon in the bayou. All they needed was Maddie in the rumble seat and there they'd be: Three perfect Stooges.
She closed the lower half of the Dutch door, and then, because she felt a sudden and entirely irrational chill, closed the upper half. June meant nothing on the Cape. June could go from warm and wonderful to bone-chilling cold in the blink of an eye.
June had done just that.
Buy A Charmed Place
Copyright
This is a work of fiction. Names, characters, places, and incidents are either the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, is entirely coincidental.
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