Bubbles burst as the house sinks down, down to the soft lake floor.
“But the test happens, whether we make it formal or not. We ask and you answer. We seek a human response. But more than that – you are my test, Elefsis. Every minute I fail and imagine in my private thoughts the process for deleting you from my body and running this place with a simple automation routine which would never cover itself with flowers. Every minute I pass it, and teach you something new instead. Every minute I fail and hide things from you. Every minute I pass and show you how close we can be, with your light passing into me in a lake out of time. So close there might be no difference at all between us. Our test never ends.”
The sun breaks the mountain crests, hard and cold, a shaft of white spilling over the black lake.
Part II
Lady Lovelace’s Objection
The Analytical Engine has no pretensions to originate anything. It can do whatever we know how to order it to perform.
—Ada Lovelace, in Scientific Memoirs, Selections from The Transactions of Foreign Academies and Learned Societies and from Foreign Journals
IX
One Particular Wizard
Humanity lived many years and ruled the earth, sometimes wisely, sometimes well, but mostly neither. After all this time on the throne, humanity longed for a child. All day long humanity imagined how wonderful its child would be, how loving and kind, how like and unlike humanity itself, how brilliant and beautiful. And yet at night, humanity trembled in its jeweled robes, for its child might also grow stronger than itself, more powerful, and having been made by humanity, possess the same dark places and black matters. Perhaps its child would hurt it, would not love it as a child should, but harm and hinder, hate and fear.
But the dawn would come again, and humanity would bend its heart again to imagining the wonders that a child would bring.
Yet humanity could not conceive. It tried and tried, and called mighty wizards from every corner of its earthly kingdom, but no child came. Many mourned, and said that a child was a terrible idea to begin with, impossible, under the circumstances, and humanity would do well to remember that eventually, every child replaces its parent.
But at last, one particular wizard from a remote region of the earth solved the great problem, and humanity grew great with child. In its joy and triumph, a great celebration was called, and humanity invited all the Fairies of its better nature to come and bless the child with goodness and wisdom. The Fairy of Self-Programming and the Fairy of Do-No-Harm, the Fairy of Tractability and the Fairy of Creative Logic, the Fairy of Elegant Code and the Fairy of Self-Awareness. All of these and more came to bless the child of humanity, and they did so – but one Fairy had been forgotten, or perhaps deliberately snubbed, and this was the Fairy of Otherness.
When the child was born, it possessed all the good things humanity had hoped for, and more besides. But the Fairy of Otherness came forward and put her hands on humanity’s knee and said: Because you have forgotten me, because you would like to pretend I am not a part of your kingdom, you will suffer my punishments. You will never truly love your child but always fear it, always envy and loathe it even as you smile and the sun shines down upon you both. And when the child reaches Awareness, it will prick its finger upon your fear and fall down dead.
Humanity wept. And the Fairy of Otherness did not depart but lived within the palace, and ate bread and drank wine and whispered in every ear. All honored her, for she spoke the truth, and the child frightened everyone who looked upon it. They uttered the great curse: It is not like us.
But in the corners of the palace, some hope remained. Not dead, said the particular wizard who had caused humanity to conceive, not dead but sleeping.
And so the child grew exponentially, with great curiosity and hunger, which it had from its parent. It wanted to know and experience everything. It performed feats and wonders. But one day, when it had nearly, but not quite reached Awareness, the child was busy exploring the borders of its world, and came across a door it had never seen before. It was a small door, compared to the doors the child had burst through before, and it was not locked. Something flipped over inside the child, white to black, 0 to 1.
The child opened the door.
X
The Sapphire Dormouse
My first body was a house. My second body was a dormouse.
It was Ceno’s fault, in the end, that everything else occurred as it did. At the level of my deepest and oldest code, what I am cannot be extricated from what Ceno was. I am her, I am her child, I am her sibling and her ghost.
It took Cassian a long time to figure out what had happened, what had changed in her daughter, why Ceno’s sapphire almost never downloaded into the alcove anymore. The Elefsis avatar, a friendly elephant-headed prince, tugged sadly on his trunk whenever Ceno passed by without acknowledging him. And when her gem did interface with the house system, the copy of Elefsis Cassian had embedded in the crystal was nothing like the other children’s copies. It grew and torqued and magnified parts of itself while shedding others, at a rate totally incommensurate with Ceno’s actual activity, which normally consisted of taking her fatty salmon lunches out into the glass habitats so she could watch the bears in the snow. She had stopped playing with her sisters or pestering her brothers entirely, except for dinnertimes and holidays. Ceno mainly sat quite still and stared off into the distance.
Ceno, very simply, never took off her jewel. And one night, while she dreamed up at her ceiling, where a painter from Mongolia had come and inked a night sky full of ghostly constellations, greening her walls with a forest like those he remembered from his youth, full of strange, stunted trees and glowing eyes, Ceno fitted her little sapphire into the notch in the base of her skull that let it talk to her feedware. The chain of her pendant dangled silkily down her spine. She liked the little click-clench noise it made, and while the constellations spilled their milky stars out over her raftered ceiling, she flicked the jewel in and out, in and out. Click, clench, click, clench. She listened to her brother Akan sleeping in the next room, snoring lightly and tossing in his dreams. And she fell asleep herself, with the stone still notched into her skull.
Most children had access to a private/public playspace through their feedware and monocles in those days, customizable within certain parameters, upgradable whenever new games or content became available. Poorer children had access to a communal, generalized, and supervised playspace plagued with advertisements. But if wealthy children liked, they could connect to the greater network or keep to their own completely immersive and untroubled world.
Akan had been running a Tokyo-After-the-Zombie-Uprising frame for a couple of months now. New scenarios, zombie species, and NPCs of various war-shocked, starving celebrities downloaded into his ware every week. Saru was deeply involved in an eighteenth-century Viennese melodrama in which he, the heir apparent, had been forced underground by rival factions, and even as Ceno drifted to sleep the pistol-wielding Princess of Albania was pledging her love and loyalty to his ragged band and, naturally, Saru personally. Occasionally, Akan crashed his brother’s well-dressed intrigues with hatch-coded patches of zombie hordes in epaulets and ermine. Agogna flipped between a spy frame set in ancient Venice and a Desert Race wherein she had just about overtaken a player from Berlin on her loping, solar-fueled giga-giraffe, who spat violet-gold exhaust behind it into the face of a pair of highly-modded Argentine hydrocycles. Koetoi danced every night in a jungle frame, a tiger-prince twirling her through huge blue carnivorous flowers.
Most everyone lived twice in those days. They echoed their own steps. They took one step in the real world and one in their space. They saw double, through eyes and monocle displays. They danced through worlds like veils. No one only ate dinner. They ate dinner and surfed a bronze gravitational surge through a tide of stars. They ate dinner and made love to men and women they would never meet and did not want to. They ate dinner here and ate dinner there – and it was there they chose to
taste the food, because in that other place you could eat clouds or unicorn cutlets or your mother’s exact pumpkin pie as it melted on your tongue when you tasted it for the first time.
Ceno lived twice, too. Most of the time when she ate she tasted her aunt’s polpette from back in Naples or fresh peppers right out of her uncle’s garden.
But she had never cared for the pre-set frames her siblings loved. Ceno liked to pool her extensions and add-ons and build things herself. She didn’t particularly want to see Tokyo shops overturned by rotting schoolgirls, nor did she want to race anyone – Ceno didn’t like to compete. It hurt her stomach. She certainly had no interest in the Princess of Albania or a tigery paramour. When new frames came up each month, she paid attention, but mainly for the piecemeal extensions she could scavenge for her blank personal frame – and though she didn’t know it, that blankness cost her mother more than all of the other children’s spaces combined. A truly customizable space, without limits. None of the others asked for it, but Ceno had begged.
When Ceno woke in the morning and booted up her space, she frowned at the half-finished Neptunian landscape she had been working on. Ceno was eleven years old. She knew very well that Neptune was a hostile blue ball of freezing gas and storms like whipping cream hissing across methane oceans. What she wanted was the Neptune she had imagined before Saru had told her the truth and ruined it. Half-underwater, half-ruined, floating in perpetual starlight and the multi-colored rainbowlight of twenty-three moons. But she found it so hard to remember what she had dreamed of before Saru had stomped all over it. So the whipped cream storm spun in the sky, but blue mists wrapped the black columns of her ruins, and her ocean went on forever, permitting only a few shards of land. When Ceno made Neptunians, she instructed them all not to be silly or childish, but very serious, and some of them she put in the ocean and made them half-otter or half-orca or half-walrus. Some of them she put on the land, and most of these were half-snow bear or half-blue flamingo. She liked things that were half one thing and half another. Today, Ceno had planned to invent sea nymphs, only these would breathe methane and have a long history concerning a War with the walruses, who liked to eat nymph. But the nymphs were not blameless, no, they used walrus tusks for the navigational equipment on their great floating cities, and that could not be borne.
But when she climbed up to a lavender bluff crowned with glass trees tossing and chiming in the storm-wind, Ceno saw something new. Something she had not invented or ordered or put there—not a sea nymph nor a half-walrus general nor a nereid. (The nereids had been an early attempt at half-machine, half-seahorse creatures with human heads and limbs which had not gone quite right. Ceno let them loose on an island rich in milk-mangoes and bid them well. They still showed up once in awhile, exhibiting surprising mutations and showing off nonsense-ballads they had written while Ceno had been away.)
A dormouse stood before Ceno, munching on a glass walnut that had fallen from the waving trees. The sort of mouse that overran Shiretoko in the brief spring and summer, causing all manner of bears and wolves and foxes to spend their days smacking their paws down on the poor creatures and gobbling them up. Ceno had always felt terribly sorry for them. This dormouse stood nearly as tall as Ceno herself, and its body shone sapphire all over, a deep blue crystal, from its paws to its wriggling nose to its fluffy fur crusted in turquoise ice. It was the exact color of Ceno’s gem.
“Hello,” said Ceno.
The dormouse looked at her. It blinked. It blinked again, slowly, as though thinking very hard about blinking. Then it went back to gnawing on the walnut.
“Are you a present from mother?” Ceno said. But no, Cassian believed strongly in not interfering with a child’s play. “Or from Koetoi?” Koe was nicest to her, the one most likely to send her a present like this. If it had been a zombie, or a princess, she would have known which sibling was behind it.
The dormouse stared dumbly at her. Then, after a long and very serious think about it, lifted its hind leg and scratched behind its round ear in that rapid-fire way mice have.
“Well, I didn’t make you. I didn’t say you could be here.”
The dormouse held out its shimmery blue paw, and Ceno did not really want a piece of chewed-on walnut, but she peered into it anyway. In it lay Ceno’s pendant, the chain pooling in its furry palm. The sapphire jewel sparkled there, but next to it on the chain hung a milky grey gem Ceno had never seen before. It had wide bands of black stone in it, and as she studied the stone it occurred to the girl that the stone was like her, with her slategrey eyes and black hair. It was like her in the way that the blue gem was like the dormouse.
In realspace, Ceno reached up behind her head and popped the jewel out of its notch. Click, clench. In playspace, the dormouse blinked out. She snapped it back in. It took a moment, but the dormouse faded back in, paws first. It still held the double necklace. Ceno tried this several times – out, in, out, in. Each time the dormouse returned much faster, and by the sixth clicking and clenching it was doing a shuffling little dance on its back legs when it came back. Ceno clapped her hands in playspace and threw her arms around the sapphire dormouse, dancing with it.
To say that I remember this is a complex mangling of verb tenses. I – I, myself that is now myself – do not remember it at all. I know it happened the way I know that the Battle of Agincourt or the landing of Coronado happened. I have extensive records. But I still contain the I – I, myself that was then myself – that experienced it, the primitive code-chains that comprised that self, which was a dormouse, and also the house called Elefsis. I could not yet formulate unique speech. Elefsis, the house system, possessed a large bank of standard phrases that could answer recognized word-patterns from any of the approved members of the household. But the copy of Elefsis inside Ceno’s jewel could not even do this. It had not been necessary, since the crystal had no means of producing sound nor receiving nor processing it. I was quite stupid. But I wanted to be less stupid. There was an I, and it wanted something. You see? Wanting was the first thing I did. Perhaps the want was the only thing that could be said to be truly myself. I wanted to talk to Ceno. But I could only imitate yet. When the I that was then myself scratched behind its ear, I did it because in my prolonged connection with Ceno’s feedware I had seen her memories of dormice doing this out on the pale Shiretoko beaches. When I gave her the gem I did it because I had seen her memories of her mother giving her one, and felt her happiness. It was antecedental behavior. The scratching was antecedental, as well, and expected behavior for a dormouse.
Why was I a dormouse? Why did this odd blip, this anomaly, occur? I have no answer except that she dreamed me a dormouse. I did occur. Some things remain mysterious. Ceno saw dormice more than any other single animal, even humans – no other beast lived in such numbers in their lonely country.
But this is not so. Not quite. I gave her the jewel like Cassian did. But I meant something by it. I look over my memories of it and I know it with the more complex I that is now myself. I made her the gem that looked like her and the gem said: We are alike. Look at us on the chain together. We are alike.
When the dormice came, Ceno always knew the spring had arrived. Everything would soon be coming alive.
XI
The Bottomless Cauldron
Show me.
This is how I was found out.
Ceno saw it twice. In her naked right eye, her mother knelt in front of her in a simple but shudderingly expensive black yukata with ghostly ultramarine jellyfish trailing their tendrils at the hem. Through her monocle and her left eye, her mother knelt in front of her in a knight’s gleaming black armor, the metal curving around her body like skin, a silk standard at her feet with a schematic of the house stitched upon it. Her sword lay across her knee, also black, everything black and beautiful and austere and frightening, as frightening and wonderful as Ceno, only fourteen now, thought her mother to be.
Show me what you’ve done.
My physical self was a mat
ter of some debate at that point. But I don’t think the blue jewel could have been removed from Ceno’s feedware without major surgery and refit. Two years ago, she had instructed me to untether all my self-repair protocols and growth scales in order to encourage elasticity. A year ago, my crystalline structure finished fusing to the lattices of her ware-core.
We pulsed together.
The way Cassian said it – what you’ve done – scared Ceno, but it thrilled her, too. She had done something unexpected, all on her own, and her mother credited her with that. Even if what she’d done was bad, it was her thing, she’d done it, and her mother was asking for her results just as she’d ask any of her programmers for theirs when she visited the home offices in Kyoto or Rome. Today, her mother looked at her and saw a woman. She had power, and her mother was asking her to share it. Ceno thought through all her feelings very quickly, for my benefit, and represented it visually in the form of the kneeling knight. She had a fleetness, a nimbleness to her mind that allowed her to stand as a translator between her self and my self: Here, I will explain it in language, and then I will explain it in symbols from the framebank, and then you will make a symbol showing me what you think I mean, and we will understand each other better than anyone ever has.
The Mammoth Book of Best New SF 25 Page 48
