Arguably: Essays by Christopher Hitchens

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Arguably: Essays by Christopher Hitchens Page 71

by Christopher Hitchens


  I do not mean these to sound like commissar questions, or wife-beating questions either. On the first and perhaps most important one posed by Amis, for example, I find that I never quite know what I think myself about this moral equivalence. Nor did I quite know when I was still a member of a Marxist/post-Trotskyist group, when such matters were debated from dawn until dusk, often with furious or thuggish Communists. However, I do know from that experience, which was both liberating and confining, that the crucial questions about the Gulag were being asked by left oppositionists, from Boris Souvarine to Victor Serge to C. L. R. James, in real time and at great peril. Those courageous and prescient heretics have been somewhat written out of history (they expected far worse than that, and often received it), but I can’t bring myself to write as if they never existed, or to forgive anyone who slights them. If they seem too Marxist in tendency, one might also mention the more heterodox work of John Dewey, Sidney Hook, David Rousset, or Max Shachtman in exposing “Koba’s” hideous visage. The “Nobody” at the beginning of Amis’s sentences above is an insult, pure and simple, and an insult to history, too.

  History is more of a tragedy than it is a morality tale. The will to power, the will to use human beings in social experiments, is to be distrusted at all times. The impulse to create, or even to propose, what Amis calls “the perfect society” is likewise to be suspected. At several points he states with near perfect simplicity that ideology is hostile to human nature, and implies that teleological socialism was uniquely or particularly so. I would no longer disagree with him about this. Corruptio optimi pessima: No greater cruelty will be devised than by those who are sure, or are assured, that they are doing good. However, one may come to such a conclusion by a complacent route or by what I would still dare to call a dialectical one. Does anybody believe that had the 1905 Russian Revolution succeeded, it would have led straight to the Gulag, and to forced collectivization? Obviously not. Such a revolution might even have forestalled the Balkan wars and the First World War. Yet that revolution’s moving spirits were Lenin and Trotsky, defeated by the forces of autocracy, Orthodoxy, and militarism. Excuse me, but nobody can be bothered to argue much about whether fascism might have turned out better, given more propitious circumstances. And there were no dissidents in the Nazi Party, risking their lives on the proposition that the Führer had betrayed the true essence of National Socialism. As Amis half recognizes, in his en passant compliment to me, the question just doesn’t come up.

  Amis says he doesn’t wish that the Second World War had gone the other way, which is good of him (though there were many Ukrainians and Russians who took their anti-Stalinism to the extent of enlistment on the Nazi side). However, it would be nice to know if he wishes that the Russian civil war, and the wars of intervention, had gone the other way. There are some reasons to think that had that been the case, the common word for fascism would have been a Russian one, not an Italian one. The Protocols of the Elders of Zion was brought to the West by the White emigration; even Boris Pasternak, in Doctor Zhivago, wrote with a shudder about life in the White-dominated regions. Major General William Graves, who commanded the American Expeditionary Force during the 1918 invasion of Siberia (an event thoroughly airbrushed from all American textbooks), wrote in his memoirs about the pervasive, lethal anti-Semitism that dominated the Russian right wing and added, “I doubt if history will show any country in the world during the last fifty years where murder could be committed so safely, and with less danger of punishment, than in Siberia during the reign of Admiral Kolchak.” Thus “the collapse in the value of human life,” as Amis describes the situation in post-revolutionary Russia, had begun some time before, perhaps in the marshes of Tannenberg, and was to make itself felt in other post–First World War societies as well.

  Some confrontation with this line of thinking—I hesitate to use the word “context”—is essential if one is to avoid the merely one-dimensional or propagandistic. It might be concluded that upon reflection and analysis, the Bolshevik Revolution was the worst possible of the many available postwar outcomes, none of which (unlike Germany in 1933) included the prospect of parliamentary pluralism. It might also be concluded that Stalinism was the ineluctable and even the intended outcome of 1917, though this would involve some careful reasoning about whether things are or are not products of “historical inevitability.” Yet Amis simply evades the question with a couple of sneers, saying that my argument “would have more weight behind it if (a) there had been a similar collapse (i.e., total, and lasting thirty-five years) in any other combatant country, and if (b) a single Old Bolshevik had spent a single day at the front, or indeed in the army.” Well, even the collapse of postwar Germany into the arms of first the Freikorps and then their successors doesn’t seem to meet his first exacting condition, at least in point of duration (though the enforced shortening of the Nazi period did involve some fairly harsh decisions about the value of human life). As for the second sneer, is Amis telling us that he hasn’t read, for example, Isaac Babel’s Red Cavalry? Bolshevism was in some ways a product of the hard-line front fighters. Indeed, its very militarization was one of the several reasons for its ugliness.

  Hard work is involved in the study of history. Hard moral work, too. We don’t get much assistance in that task from mushy secondhand observations like this one:

  Accounting, as a Catholic, for his belief in evil as a living force, the novelist Anthony Burgess once said, “There is no A. J. P. Taylor-ish explanation for what happened in Eastern Europe during the war.” Nor is there.

  Oh, yes. And what might the Catholic explanation be? The Church is still trying to find new ways of apologizing for its role in these events, and for things like the Nazi puppet regime in Slovakia, which was actually headed by a priest. Of course, original sin would be just as persuasive a verdict as any other the Church might offer. But tautology is the enemy of historical inquiry: If we are all evil, then everything becomes a matter of degree. Amis for some reason has a special horror of Bolshevik anti-clericalism, and writes as if the Tsarist Russian Orthodox Church was some kind of relief organization run by nuns. If he would look even at the recent performance of state-sponsored militant Orthodoxy in Bosnia … Incidentally, do not the Churches also insist on trying to perfect the imperfectible, and on forcing the human shape into unnatural attitudes? Surely the “totalitarian” impulse has a common root with the proselytizing one. The “internal organs,” as the CHEKA and the GPU and the KGB used to style themselves, were asked to police the mind for heresy as much as to torture kulaks to relinquish the food they withheld from the cities. If there turns out to be a connection between the utilitarian and the totalitarian, then we wretched mammals are in even worse straits than we suspect.

  Amis might have profited from studying the novelistic gold standard here, which is Arthur Koestler’s Darkness at Noon. Koestler’s theory of Stalin’s grim success, which was that some of his old Bolshevik victims half feared that “Koba” might be correct after all, is only partly superseded by the “beat, beat and beat again” account, which itself is an insufficient explanation for the actual capitulation of the defendants. (A handful of the old comrades, after all, never cracked.) But his theory allowed for a very illuminating fictional dramatization of the relationship of ideas to outcomes. And Koestler put such persuasive words into the mouth of the interrogator Gletkin—his version of the Grand Inquisitor—that some English and French readers (John Strachey most notably) were actually persuaded by them. That unintended consequence was obviously limited. But it points to an essential difference. Koestler exposed the ghastliness of Stalinism by means of a sophisticated deployment of historical irony, whereas Amis—and again I startle myself by saying this—has decided to dispense with irony altogether. (He mentions, with all the gravity of one returning from a voyage of discovery, that the sailors of Kronstadt fought against the Bolsheviks under red flags and with revolutionary slogans. He even italicizes the word “revolutionaries,” as if this point were at t
he expense of the left opposition. As Daniel Bell pointed out decades ago, the only real argument among members of the old left was about the point at which their own personal “Kronstadt” had occurred. Bell was proud to say that Kronstadt itself had been his “Kronstadt.”)

  Writing toward the very end of his life, a life that had included surprising Stalin himself by a refusal to confess, and the authorship of a novel—The Case of Comrade Tulayev—that somewhat anticipated Darkness at Noon, Victor Serge could still speak a bit defensively about the bankruptcy of socialism in the “midnight of the century” represented by the Hitler-Stalin Pact. But he added,

  Have you forgotten the other bankruptcies? What was Christianity doing in the various catastrophes of society? What became of Liberalism? What has Conservatism produced, in either its enlightened or its reactionary form? … If we are indeed honestly to weigh out the bankruptcies of ideology, we shall have a long task ahead of us.

  In the best sections of this book Amis makes the extraordinary demand that, in effect, the human species should give up on teleology and on all forms of “experiment” on fellow creatures. He is being much more revolutionary here than perhaps he appreciates. Had he allowed himself to ponder the implications, he might have engaged fruitfully with some of his own earlier work on fascism and on thermonuclear gamesmanship—two absolutist theories and practices that had in common the view that Leninism was the main enemy. If it matters, I now agree with him that perfectionism and messianism are the chief and most lethal of our foes. But I can’t quite write as if a major twentieth-century tragedy had been enacted to prove that I was correct in the first place. And I don’t say this just because I wasn’t correct. After all, the most valiant of the historians and the resisters in our own time was undoubtedly Solzhenitsyn, who has now descended into a sort of “Great Russian” spiritual and political quackery, replete with nostrums about the national “soul” and euphemisms about pogroms and anti-Semitism. Amis should be self-aware enough to admit that this is an “ideology” too.

  His is a short work, and one cannot ask for a complete theory of modern ideology and the various deathtraps it sets for the body and the mind. However, much of the space that could have been devoted to a little inquiry is instead given over to some rather odd reflections on Amis’s family life, featuring some vignettes about his offspring and a meditation on the sadly short term that was set to the life of his younger sister. Few people could be more sympathetic to his children than I am (one of those children is my godson). But what is this doing? A baby daughter screams inconsolably one night and forces her father to summon the nanny.

  “The sounds she was making,” I said unsmilingly to my wife on her return, “would not have been out of place in the deepest cellars of the Butyrki Prison in Moscow during the Great Terror. That’s why I cracked and called Caterina.”

  From darkness at noon to … lightness at midnight. There’s quite a lot more in the same vein. I find it inexplicable, partly because I can easily imagine the scorn with which Amis would write about anyone else who employed the Terror for purposes of relativism. His own purpose, presumably, is to refute Stalin’s foul inhumanity by showing that an individual, too, can be a considerable “statistic.” But the transition from macro- to micro-humanity is uneasy at its best.

  Slightly easier to take is his letter to his late father, who was a believing Communist for many of the Stalin years, and whose irrational dogmatism is set down, probably rightly, to a series of emotional and attitudinal and familial complexes. In Experience, in contrast, we saw old Kingsley as he declined into a sort of choleric, empurpled Blimpishness, culminating in his denunciation of Nelson Mandela as a practitioner of Red Terror. The lessons here ought to have been plain: Be very choosy about what kind of anti-communist you are, and be careful not to confuse the state of the world with that of your family, or your own “internal organs.”

  (The Atlantic, September 2002)

  Imagining Hitler43

  WHAT A PIECE OF WORK IS MAN!” says the Prince of Denmark. “How noble in reason! how infinite in faculty! in form and moving how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals!” Well said, but where, as Ron Rosenbaum so intelligently asks in his recent book, Explaining Hitler, do all the Jeffrey Dahmers come from? This is sometimes put, by nervous theologians, as “the problem of evil.” We often phrase it, colloquially, as the problem of Hitler. “His face in those early years,” wrote Arthur Koestler in 1942, “an unshaped pudding with a black horizontal dot, came to life as the lights of obsession were switched on behind the eyeballs.” And then those paragons of animals, those with the godlike and angelic faculties of reason and understanding, flung themselves down by the millions and groaned great noises of worship and adoration. And this in the country of Beethoven and Goethe, where, to continue with Koestler for a moment, “the features of it retained their crankish ridiculousness, with the black dot under the upturned nose and the second black dot pasted on the forefront, but it now assumed the grotesque horror of a totem-mask worn at ritual dances where human sacrifices are performed.” A piece of work—no question about that.

  I treasure one episode, in the clotted pages of Mein Kampf, above all others. As a young, resentful loser hanging around in the Austro-Hungarian empire, Adolf Hitler was forced to seek employment on a construction site. He thought the labor beneath him, and he very much resented being pressed to join a union. The lunchtime chat of his fellows was even more repugnant to his nature: “Some of the men went into the nearest public house,” while “I drank my bottle of milk and ate my piece of bread somewhere on the side.” And when they talked politics,

  everything was rejected: the nation as an invention of the “capitalistic” classes—how often was I to hear just this word!—; the country as the instrument of the bourgeoisie for the exploitation of the workers; the authority of the law as a means of suppressing the proletariat; the school as an institution for bringing up slaves as well as slave-drivers; religion as a means for doping the people destined for exploitation; morality as a sign of sheepish patience, and so forth. Nothing remained that was not dragged down into the dirt and the filth of the lowest depths.

  It was this, said the young Hitler, which first persuaded him to study “book after book, pamphlet after pamphlet,” and to begin fighting back for race and nation and decency. “I argued till finally one day they applied the one means that wins the easiest victory over reason: terror and force. Some of the leaders of the other side gave me the choice of either leaving the job at once or of being thrown from the scaffold.” He sloped wolfishly away, later to notice the beards and caftans of the Viennese Jews and to discover another source of lifelong resentment. (One has to admire, also, his early revulsion against “terror and force.”)

  The passage always sends me into a reverie. I think, first, of those solid Viennese workers who, by the ill luck of the draw, found themselves dealing with the staring eyes of Adolf Hitler at every lunch break. Austrian social democracy was not created by intimidation, so one imagines their patience being sorely tested before they finally told him he could either clear off or be dropped over the side. Then, in 1914, they and millions like them were dragooned into war by their Emperor and found—among others at the front—Corporal Adolf Hitler, the gung-ho enthusiast! All that having turned into a bloody nightmare for civilization, the few survivors got home and found … Adolf Hitler demanding revenge for the same war he had wanted in the first place! (He had meanwhile been exposed to poison gas, which I don’t think can have brought out the best in him.) Then the annexation of Austria, the creation of a new, thousand-year Reich, and, after a mere twelve years of that, hardly one brick standing upon another from one end of Germany and Austria to the next. Plenty of opportunities for construction workers. Was there one, I wonder, who ever made the connection and sometimes thought of the chance he had missed, to send that little bastard over the edge and right onto the brick p
ile below?

  A foe of political correctness in one way, Hitler was its friend in another. Recall the bottle of milk he swilled while the others were boozing? (The frightful mustache was grown partly to distract attention from his rotting fangs and suppurating gums.) In the same way, he abhorred smoking, was a fanatical vegetarian, and would never allow jokes about sex in his presence. His tedious hypochondria and health-cultishness found expression in hysteria about “bacilli” and “vermin,” and were, eventually, something more than crankish. He was, like most of his gang leaders, morbidly pious about religion and the family.

  Is it the insult to one’s integrity and intelligence—the shame of having still to cringe at the thought of such a person—that partly accounts for our continued fascination with der Führer? The maddening thought that, in other circumstances, he could have been such an ordinary bore and nuisance? The man’s opinions are trite and bigoted and deferential, and the prose in Mein Kampf is simply laughable in its pomposity. (When mutiny and rebellion broke out in Munich after the First World War, Hitler could not get over the shock. He burst into floods of tears, moaning in print that “the loyalty toward the honorable House of Wittelsbach [had] seemed to me to be stronger than the will of a few Jews.”) Yet attempts to make him absurd by caricature and contempt are always, somehow, failures. Charlie Chaplin’s 1940 farce, The Great Dictator, was in many ways a masterpiece, and Bertolt Brecht’s 1941 play, The Resistible Rise of Arturo Ui, was a workmanlike attempt to cut Hitler down to size by depicting him as a cheap crook and a tool of the rackets. P. G. Wodehouse introduced one of his Mulliner stories, published in 1937, with a heated pub discussion about “the situation in Germany.” Hitler must soon decide one way or another, says a thoughtful customer. There’s no dodging the issue. “He’ll have to let it grow or shave it off.” But if this style of subversive or mocking wit could do the job, there wouldn’t be a “problem of evil,” or such a Hitler conundrum, in the first place.

 

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