“There are seven of us,” Finn said. “Three teams of two and one lookout. The lookout has to get to some place with a view of the—”
“Fireworks,” Philby said.
“No,” Finn said, “the whole park.”
“The control center for the fireworks is at the very top of this temple—the Mayan Temple.”
No one was going to question Mr. Encyclopedia.
Finn arched his head back to look nearly straight up at the top of the Mayan temple.
“How do we get up there?” he asked.
“There’s a door on the east side,” Philby said. “It leads to a staircase that goes al the way up.
This time of night, no one wil be in there. As long as we don’t touch anything…. Finn, you could al -
clear through the door and let someone inside.”
“That would be me,” said Amanda, also looking up. “I was the lookout last time, right?” She didn’t wait for anyone to answer. “Okay, I’l do it. But I’l need to borrow someone’s phone in order to reach you.”
30
AS FINN’S MOTHER DRIFTED off to sleep at a few minutes past eleven her body twitched in a serious convulsion that rocked the bed. She sat bolt upright, throwing the covers off the bed. Her husband reached down, pul ed the covers back up, and went back to snoring.
The code! Her mind had played tricks on her by replaying as a dream the afternoon spent sorting out the code with Finn and his friends, Wil a and Philby.
“Wayne’s missing,” she recal ed Finn tel ing her—accidental y tel ing her, if she were any judge of her son.
How could she have been so stupid? The code had nothing whatsoever to do with any competition, and everything to do with Wayne going missing. It had al made so much sense in her quick dream: she relived the expressions on the faces of the kids as they worked together to solve the code, the exchanged glances. How could she have been so obtuse to miss it al at the time?
She threw her legs over the edge of the bed, tugged at her nightgown to straighten it, and hurried out of her bedroom and down the hal . Late or not, she had every intention of confronting Finn. The family policy was, no lying. They were not about to change that policy just because Finn was now a teenager—if anything, it was more important than ever.
She opened the door to his room, moved to the bed, and hesitated a moment as she saw her son’s peaceful face cast in the glow of his various electronics. In that instant, the thought crossed her mind to turn around and leave this for the morning. How could she disturb his peace over some dream she’d had? Why was she so suspicious of her own son? Where had her trust gone?
She turned and took two steps back toward the door. But then she spun around sharply, her eyes scanning the floor. She’d been working on Finn for five years— More like ten! she thought—
to put his clothes away when he took them off. She’d even bought him his own laundry hamper. Yet every morning, there were his clothes from the day before, strewn about the room as if a tornado had hit.
So where were they?
No boots. No pants. No shirt.
The anger she’d felt in the bedroom resurfaced. This seesaw of emotion was exhausting her.
While her adrenaline was stil charged, she marched to the bed and gently pul ed back the covers.
Ful y dressed. No pajamas.
Could this possibly mean…?
She shook his shoulder.
“Finn? Sweetheart?”
She shook him harder. In the past two years he’d taken to sleeping so soundly she could sometimes have a bear of a time waking him.
“Finn, dear?”
Not a twitch. Not a complaint. He didn’t rol over; he didn’t squint or moan or tel her to go away. He didn’t move.
It was as if…
“Oh, Lord…” she said aloud. She stepped back away from the bed, her bottom lip trembling, and crossed her arms, tears forming in her eyes. She returned to his bedside and shook him again.
“Finn? Finn! Finn! This is not funny!”
She shook him so hard that his lifeless, limp, sleeping body just rocked back and forth like…
like…
She couldn’t bring herself to admit what it was like.
“Wake up! Wake up!”
Tears spil ed from her blotchy face as droplets on his pil ow.
“You did not do this. Tel me you did not do this! Where are you? Come back! Please, God, come back!”
Then she fel to her knees and wailed.
31
IT TOOK PHILBY THREE TRIES to find the right door, but finaly he got himself, Amanda, and Finn into the back of the Mayan Temple and up its long staircase. They reached a glassed-in booth at the top. It was high enough and wel disguised enough so that it couldn’t be seen by park guests from within Epcot. Finn used al -clear to enter the control room and unlock the door.
Inside it looked like a miniature version of something NASA would build. There was a wraparound console with two computers, several dials and switches, and two phones.
“Il umiNations,” Philby said, studying some of the switches up close. “This is where they run the music and the lasers for the show. Maybe even the fireworks—I can’t tel , but if I had to guess
—”
“So you’re saying don’t touch anything,” Finn said.
“Amanda,” Philby said in his Professor Philby voice, “the idea is that by being here maybe you can see the Overtakers move around. Tel us what’s going on. You touch any of these buttons, or mess with the computers, and you’l announce to the whole park that something is way wrong.
You’l also tel them exactly where you are, and they’l come after you. So whatever you do—”
“I’ve got it,” she said.
“You’re sure?”
“I’m sure.”
Together, the three tested different locations, discovering that there was a projection shadow beneath the main console: if you tucked yourself under the console on hands and knees, you disappeared. Knowing that invisibility could prove critical y important to her survival, Amanda took a seat in the center chair behind a console. The boys left her there, Charlene’s cel phone in hand, Amanda’s DHI glowing just enough to al ow her to see the console panel clearly.
In its center there was a single word on a plaque: DANGER.
* * *
“They could have tried to make it girl–boy,” Wil a said. “You know, like every girl had to have a boy with her to keep her safe? Personal y, I’m glad we were teamed up the way we are.”
“I’ve never done anything like this. Not exactly like this,” Jess said.
“It’s a lot to get used to, I know. Being crossed over is not exactly what you’d cal normal, is it?”
“Definitely not.”
“The important thing,” Wil a said, “is for you and me to stick together. Safety in numbers and al that.”
“And if we’re…I don’t know…attacked?”
“Overtakers? We try to avoid them. If we can’t then we run, and if we have to, we split up and meet at the rendezvous when it’s safe. And when you can, you want to practice going al -clear.
Finn got it real y early. Maybeck managed it once. Philby, too. If you can pul that off you can do things like walk through wal s, and if someone tries to grab you, they can’t. Not that I’d know. But with your…powers…or whatever you cal what it is you do—”
“Dreams.”
“Yeah…your dreams…maybe you can figure it out quicker than the rest of us. Finn says it’s al about relaxation, about not thinking about anything.”
“Not so easy for me,” Jess said. “I tend to think about the present and the future. I’m not so sure I can just turn that off.”
“Good point,” Wil a said. “For now we just stick close and try to figure out if there’s anything different about Soarin’. Any clue Wayne might be wanting us to get. The first time we did this, we had to solve the Stonecutter’s Quil and the clues were pretty obvious. Last time—”
“I
was the one giving the clues.”
“Exactly.”
“So do we know what kind of clue Wayne might leave us?”
“Something weird. Wayne is definitely weird. And it won’t be obvious. He never makes it easy.”
“That doesn’t exactly narrow things.”
“No, it doesn’t.”
“So it could be anything,” Jess said.
“Hopeful y we’l know it when—if—we see it. But we should try to remember everything we see and hear. Maybe it won’t make sense until later.”
“I love Soarin’,” Jess said.
“Me, too. But if the Overtakers are in control of it, maybe not so much.”
“Like Smal World.”
“Exactly. You never know what to expect.”
“I’m kinda scared,” Jess said. They’d been sneaking along the edge of the path and were now only fifty yards from the entrance to Soarin’.
“Finn says that’s a good thing,” Wil a said. “But I think he only says that. I don’t think he actual y means it. I think what he actual y means is you can’t help but being scared so you’ve just got to learn to live with it.”
“So you’re scared too?”
“Definitely. As cool as it is to go on these rides when the parks are closed, more often than not something bad happens. I can’t help but be…apprehensive, I guess you’d say.”
“You say apprehensive. I say scared.”
“That’l work,” Wil a said, smiling faintly, her DHI sparking in the dark.
Creepy was more like it. She and Jess entered the Soarin’ pavilion and went up the waiting-line ramp between huge aerial photographs that gave Wil a the chil ing sensation she was being watched. As they pushed through the door and into the vast chamber that fronted a curved, white projection screen sixty feet high an automated voice spoke into the cavernous theater: “If you have loose fitting shoes, such as slip-ons or sandals, please remove them once you take your seat and leave them on the floor in front of you. If you have any carry-ons that are too large or fragile to fit inside the under-seat compartments, please leave them on the floor in front of you as well and our flight attendants will be happy to store them for you. Thank you and have a nice flight.”
“The ride is about to start!” whispered Wil a.
“We’re one minute to go,” said a woman from near the front of the building.
Jess pul ed on Wil a, wanting to leave immediately.
Wil a shook her head, held her finger to her lips, and pointed to the back bench of seats. As far as she was concerned if there was someone in here doing something, then maybe that was what Wayne wanted them to discover. It seemed incredibly late at night to be running tests, although she had no idea when regular maintenance was done on the rides, and she supposed nighttime was the only free time the engineers had. If she and Jess could get into third-row seats, once the mechanism lifted, they would be wel back into the dark room. If they held their legs up, and kept them from dangling, they would be basical y impossible to spot.
She pul ed Jess with her. They took middle seats—more hidden than the end seats—and pul ed their legs up into their chests, wrapping their arms around their shins.
“We’re go in thirty!” cal ed out the woman.
“Rachel, let’s watch the sync on the aroma trigger.” It was a man’s voice from off to their left.
Wil a caught a glimpse of stairs rising from the left of the hal , something she’d never seen before.
At once the room grew even darker. Loud music started. Wil a felt a flutter in her chest. She loved this ride—her favorite in al of Disney World—but something told her this wouldn’t be any ordinary flight. If they were testing the equipment, did that mean there was a problem?
Jess reached over and laid her hand on Wil a’s right arm and squeezed. Wil a, in the glow from the screen, indicated that Jess should grip her legs with her arms: they had to keep from being seen at al costs.
As the mechanism began to lift and rotate, Wil a caught a man’s silhouette passing in front of the screen heading in the direction of Rachel, whom she now could see was standing at a console at the screen’s lower right corner.
The man caught up to Rachel and the two shouted at each other over the roar of the music.
Wil a looked up: New York City, not California as she had expected. She and Jess were flying over the skyscrapers and diving down into the avenues. They banked steeply left, then sharply right, and the air smel ed of bagels as they reached a bridge. A seagul squawked and Wil a had to clamp her hand over her mouth to keep her squeal from being heard.
They were changing the location of the flight. Rachel and the man were troubleshooting the timing and the effects. Suddenly the air smel ed of hot dogs and mustard. Far in the distance Wil a could see a long beach crowded with families in swimsuits. The water was frothing white from thousands more out swimming.
The girls pitched down, diving toward the beach.
“No! No! No!” shouted the man.
The music stopped, the screen went dark. Then a few emergency or work lights came on.
Wil a and Jess were wel hidden, but they were hanging facing down, in the dive position. If Rachel or the man happened to look up, Wil a knew she and Jess would be spotted. Making things more difficult, it felt as if she was going to fal out of the seat.
“We need the smel of hot dogs on the Coney Island flyover,” the man said. He cal ed on a walkie-talkie. “Mr. Devlin? We need to move aroma effect number two twenty-one-point-five seconds forward. Something’s wrong with the time code.”
A nasal voice replied. “Roger that, John. I see that here, too. I’l sync aroma effect two with the flyover and we’l go again.”
“Wil wait for your say-so.”
Wil a glanced over at Jess to see how she was doing. Her eyes went wide.
Jess might have been doing fine, but her hair had cascaded over her head and a barrette on the side was slowly creeping down her hair, drawn by gravity.
If Wil a cal ed out to Jess, she might be heard. If she reached over and touched her Jess might jerk, and if she did the barrette was going to fal . It slipped another inch, and judging by her expression, this time Jess felt it, and knew she didn’t dare move.
Wil a stretched to try to reach the barrette, but came up several inches short. Letting go of her leg to do so, she al owed it briefly to hang down. She strained against the safety belt, trying to buy herself the precious few inches needed. As she did Jess moved, however slightly, and the barrette slid down the remainder of her hair and went airborne like a smal black moth—with rhinestones.
Wil a swiped the air and missed the barrette. Instinctively, her leg kicked out to stop it. It was a soccer move, like trapping and balancing a bal on top of your foot. The barrette now lay atop Wil a’s Converse sneaker, perched there. If she moved her leg in the slightest, it was going to slip off.
More walkie-talkie chatter. Wil a was too consumed with the balancing act to pay attention.
But when the words rang out, “Good to go in thirty seconds,” she knew she had trouble. She bent and lifted her knee, trying to bring the barrette high enough that either she or Jess could grab it.
But in the process, it slipped from her shoe and her reflex was to kick straight out. It was a perfect kick, connecting with the barrette. She sent it flying toward the screen. It careened off a piece of the steel superstructure and into the set of seats suspended a row in front of them.
It disappeared. Though loose, it had not fal en to the floor.
The theater went dark and the flight started again. This time the ride might have been even more exciting since she knew at least some of what to expect, but Wil a’s ful concentration was on the row of seats ahead of them and the unseen hair clip.
As they dove down toward Coney Island, the smel of hot dogs fil ed the air.
“Yes!” she heard the man shout. “That’s better.”
They buzzed a windsurfer and water sprayed in their faces. There was
no music now, just the light sound of wind.
Clack! An abrupt, brittle sound.
“Full stop!” the man shouted.
The music and film stopped and the cars descended. As Wil a approached the poured-concrete floor she spotted Jess’s barrette on the floor, up near the front of the three rows of seats.
She tried her seat belt.
Locked!
Tried it again.
Locked!
The row of seats hit bottom and came to a ful stop.
The seat belt released.
She tapped Jess on the forearm and Jess released her seat belt as wel .
They had to get away from that hair clip. They couldn’t make for the entrance as they’d step right into view of the man and Rachel. Wil a took Jess by the hand, crouched, and made a mad dash for the far wal and the staircase she’d spotted. Reaching the end of the line of machinery, she paused, holding Jess back. It had to be timed exactly right.
The man walked past the first row, no doubt searching for the source of the unfamiliar sound.
His eyes would be trained on the floor.
Three, two…
She raced across the open space, Jess right behind her, and reached the staircase. She pul ed them flat against the wal , wishing now, more than ever, that she’d perfected the art of al -
clear.
“It’s a hair thing-a-ma-bobby,” the man cal ed out. “Someone lost it and it chooses now to fal off. Can you believe that dumb luck? Stopped the whole test for a freaking hair clip. Okay! Let’s run it again.”
Wil a pointed up the stairs to a red-and-white exit sign. She turned an imaginary crank by the side of her head, signaling Jess they would make their move when the film ran again.
“Thirty seconds!” Rachel cal ed out.
Jess nodded back at Wil a, looking terrified, and sick to death with guilt.
“You okay?” Wil a asked.
Jess squinted and put her hand to head. “No,” she said in a forced whisper. “I keep seeing something.”
“As in—?”
“Yes. Like my dreams. Like that. And the thing is: I’ve seen it before in other dreams.
Recently. Like in the past couple of days. Rectangles. Buttons, maybe. A TV, I think. And I’ve seen it twice tonight: the same pattern. It’s always the same pattern.”
Kingdom Keepers III Dinsey in Shadow Page 21
