by J. A. Jance
Harry thought for a moment before he answered. "I think Don wanted to be rid of her," he said. "I don't think he had any idea that she wouldn't give him up without a fight. I think he just expected her to lie down, play dead, and take his word as gospel about their not being married. But she wouldn't do that. The last thing she ever said to me was that some things were worth fighting for, and marriage was one of them. I couldn't believe it. Sometimes I just don't understand women at all, do you Detective Beaumont?"
"No," I said. "Not at all. But let me ask you one more thing, Mr. Moore. This is about Don Wolf now. How close is the biotech community down there?"
"Did you say community?" he returned. "That's not quite the right term, Detective Beaumont. I'd say it's closer to a snake pit. Why?"
"But do you pretty much know what the other guys in your field are doing?"
"Of course. Nobody in his right mind turns his back on another snake. Why?"
"I was told Don Wolf had a considerable reputation as a financial wizard in biotech. His previous places of employment were listed as Downlink of San Diego, California; Bio-Dart Technologies, Pasadena, California; Holman-Smith Industries, City of Industry, California. Ever heard of them?"
"Never," Harry Moore replied. "I can do some checking around, if you like, and see what I come up with."
"You do that, Mr. Moore. And let me know what you find out."
I put down the phone in Gabe Rios's messy office and sat there staring at it. Latty Gibson and Lizbeth Dorn Wolf weren't the only people Don Wolf had lied to. He had also pulled the wool over Bill Whitten's eyes. Of the three, Whitten seemed like the only one who had seen through to the real back-stabbing Don Wolf. And maybe he, more than the others, had been prepared to defend himself.
All of which meant that Bill Whitten was right. He needed to stay on my list of prime suspects, and although it was a very short list, I reminded myself to keep him close to the top. Right under Latty Gibson.
Fourteen
I had no more than put down the phone after talking to Harry Moore when a proud Gabe Rios appeared in the door to his office. Grinning from ear to ear, he gave me the old thumbs up.
"Congratulations, Detective Beaumont. You've got yourself a Seecamp thirty-two auto murder weapon," he said.
"Gee, thanks," I returned glumly.
Gabe frowned. "What's the matter, Beau? For somebody who just found a critical piece of evidence, you don't sound very happy."
"I'm not," I said. "I may have a murder weapon, but that doesn't mean I have a murderer."
Gabe shrugged and booted me out of his chair. "You have to start somewhere," he said. "For right now, I just eyeballed things. I'll get the official ballistics report put together and sent up to you through regular channels. You should have it by the first of next week."
"That's the soonest I can have it?"
"You know it is."
"What about prints?"
"Wiped clean."
"That figures," I said.
Grace Highsmith obviously watched too many police dramas on television. How could I possibly have expected anything else?
"Okay," Gabe said. "Out of my chair so I can get back to work."
As I vacated the chair, he was already reaching for the magazine he had been reading when I had first entered his office. "Reading magazines?" I asked with more than a trace of sarcasm. "Is that really part of your job description?"
He grinned. "What do you think?" he asked. "How else am I going to stay up-to-date?"
On the way back to Seattle, I puzzled over what I had learned so far. The gun-Grace Highsmith's gun-really was the weapon that had been used to murder Don Wolf. That lent a good deal of credence to the theory that Latty Gibson was the killer, and that Aunt Grace had attempted to confess to the crime in an effort to save her niece from a long prison term.
But if Grace had gone to the trouble of confessing to one murder, why not to both? If a capable defense attorney-and Suzanne Crenshaw seemed plenty cagey-could somehow manage a plea of temporary insanity. If evidence of the rape were somehow admitted into courtroom proceedings, that could possibly prove mitigating circumstance.
But with all the focus on Latty, I couldn't afford to ignore the other possibilities. The other detectives and I had somehow fallen into the trap of thinking that Don Wolf had been the first to die. But that might not be the case. The question raised by Harry Moore about whether or not Don Wolf had murdered Lizbeth was one that merited some serious consideration.
And then, there in the distance, stood Bill Whitten. Another station heard from, as they say, and one I couldn't afford to ignore.
I must have driven another five miles or so before I realized what I had done. Even lacking proper identification, I had given the second victim a name. In my mind, Audrey Cummings notwithstanding, the dead woman found in Don Wolf's apartment was Lizbeth Wolf and nobody else. Harry Moore had told me that Don Wolf had been determined to be rid of his relatively new wife. One way or another, now he was.
The trip back to Seattle from Tacoma took far less time than the drive down. Part of that was due to the fact that I was dreading the inevitable ass-chewing from Captain Powell. But by the time I finally made it back to the fifth floor at ten past seven that evening, I knew I was home free. Powell's a day-shift kind of guy. He might stay late to work a case, but never just to issue a reprimand.
Ducking into my cubicle, I paused long enough to take three messages off my voice mail. One was from someone I didn't know-a lady named Hilda Chisholm. She left two numbers-both for work and home-without giving me even a glimmer of information as to why she was calling. That wasn't particularly disturbing or unusual. In my line of work, I often receive phone calls from witnesses who are reluctant to leave important information of any kind on a recording device. They have to be handled on a person-to-person basis. Consequently, I started my next day's TO DO list by writing Hilda Chisholm's name on the topmost line. Then I retrieved my next message.
That one was from Lucille Enders down in La Jolla. "Detective Beaumont," she said, "I just left Anna Dorn's house. I've talked to her, told her that Don Wolf is dead and that her daughter may be as well. That way, in case something shows up on the news, at least she's been warned. She's taking the whole thing pretty hard. She requested that you not call back until tomorrow morning. I did ask her if she knew any other next of kin on her son-in-law, and she said she couldn't help us there. She told me that if he had any family, he never mentioned them to her."
Bless you, Lucille, I said to myself as I erased her message and wrote Captain Powell's name directly beneath Hilda Chisholm's. Being able to tell him that the next-of-kin notification was a fait accompli might help bail me out of the Larry Powell doghouse, as far as Grace Highsmith's public nonconfession was concerned.
Lucille Enders' message buoyed me up. The third one left me reeling.
"Hello, Beau," the voice said. "This is Dave-Dave Livingston, calling from Rancho Cucamonga."
My heart fell. I would have recognized Dave Livingston's voice even without the tagline introduction. Dave is my first wife's-Karen's-second husband. I could tell from the minute quaver in his voice-the slight hesitation between words-that this wouldn't be good news. Karen had been battling cancer for more than two years-most of that time without my knowing anything about it. I gripped the phone tightly and braced myself for whatever was coming.
"I had to take Karen back into the hospital early this morning," his disembodied voice continued. "I've been here all day. In fact, that's where I'm calling you from right now-a pay phone in the lobby. I've been in touch with the kids. Scott should be home within hours. Kelly will be coming with Jeremy and little Kayla. They'll be leaving Ashland sometime this evening and driving straight through. If you want to come down…"
Dave broke off. I could hear him struggling to regain his composure before he went on. "Sorry about that," he said finally. "I guess I got a little choked up. As I was saying, if you want to come down, too, it would
probably be better if you did it sooner than later. Sometime in the next two or three days. I'm off work, so I can pick you up from the airport anytime. You're welcome to bunk in here with me if you like. It's a big house. Even with the kids, there'll be plenty of room. I'm leaving pretty much this same message on your machine at home in case you miss this one. I told Kelly I'd let you know, so she and Jeremy won't have to worry about getting in touch with you before they leave town. I probably won't be back at the house until fairly late tonight-sometime around midnight. Give me a call then. However late it is, I doubt I'll be asleep."
Then he hung up. I held the receiver away from my head, staring uncomprehendingly at it through tear-dimmed eyes. Faintly, very faintly, I heard the recorded voice mail reciting its familiar directions: "To replay this message, press four. To erase this message, press seven. To save it, press nine. To disconnect, press star."
But at that precise moment, I was incapable of pressing any number at all. The receiver simply tumbled out of my hand. For some inexplicable reason, it came to rest exactly where it belonged-in its cradle-automatically disconnecting the call.
Dave's chilling words sank in slowly. Karen was dying. The surgery, the chemo, the radiation had worked together and had bought her a little relief and a little time-enough for her to see her granddaughter born and to see her daughter, Kelly, happily married. But very little beyond that. Not enough. Not nearly enough.
And here was Dave-staunch old bighearted Dave-calling to see if I wanted to come down. Calling with the very generous offer of letting me decide whether or not I wanted to be included in the looming family crisis when there was no good reason for him to do so. When most people in his position would have said, "Screw you, buster. You blew your chances a long goddamned time ago."
I can't quite enumerate all the conflicting emotions that washed over me in the course of those next few awful minutes. Terrible sadness. Anger that life could be so unfair and that Karen would die so young. Regret that I had ever lost her in the first place. Thankfulness that, of all the guys out there in the world, the one she had chosen to marry had turned out to be as kind and caring as Dave Livingston inarguably was. Jealousy that Dave was there at her side instead of me. And last of all, the appalling realization that had our situations been reversed, I might not have been nearly as openhanded to him as he was being to me.
God help me, I didn't cry. Some kind of stupid pride stuck in my craw. I didn't let myself go, although it probably would have done me a world of good. Instead, I sat there stunned and empty and not moving for a very long time-ten minutes? Fifteen? Maybe longer. I have no idea.
Finally, almost like an electric shock, something else took over. Force of habit kicked in, and responsibility and maybe a kind of stiff-necked pride. Of course I'd go. I had to. I'd call Dave back and tell him I was coming, but not until after things were straightened out. After all, I was in the middle of a case. I couldn't just walk away and leave the job half done, could I?
The answer to that question should have been an unequivocal yes. The sensible thing would have been to pick up the phone right then. I should have called Paul Kramer, given him everything I had, and then caught the very next plane to southern California. But for some reason, I didn't do that. Couldn't do that.
When I glanced at my watch again, it was almost seven-thirty. That gave me four and a half hours before I could call Dave back. Opening my notebook, I thumbed through until I found the numbers Dave Riveira had given me for Virginia Marks. I tried the cellular number that was listed there. She answered almost immediately, "AIM Research."
"Hello," I said. "Is this Virginia Marks?"
"Yes. Who's this?"
"My name's Beaumont. Detective J. P. Beaumont with the Seattle P.D."
"I know who you are," she said. "What do you want?"
Her reaction wasn't exactly warm and fuzzy, but she didn't hang up on me, either. I hurried on. "I need to talk to you, Ms. Marks. I'd like to do it as soon as possible. Tonight, if it's convenient."
"Cut the ‘convenient' crap, Detective Beaumont. I know what this is about, and I know I have to talk to you, so we might just as well get it over with. I'm already late for one meeting, but I'll probably be done with that by eight-thirty or so. How about nine o'clock?" she concluded.
"Where?" I asked.
"My place, I suppose."
"Where's that?"
"It's in Bellevue," Virginia answered. "It's a new condo at the corner of Bellevue Way and Northeast Twelfth. It's called The Grove on Twelfth. You'll have to park under the building and then call my unit from the security phone next to the elevator."
"Good enough," I said. "I'll be there right at nine."
Since I had to go back to Bellevue anyway, I decided to try to kill two birds with one stone. I dialed information and asked for Bellevue information. "Name, please," the information operator asked me.
"Gibson," I said. "Latty Gibson on Main Street."
"I have an S. L. Gibson on Main Street."
"That's the one."
She gave me the number and I dialed it immediately. It rang several times, but when there was no answer, I finally gave up on making any more calls, and devoted the next forty-five minutes to writing up a series of reports for Captain Powell. They detailed my day's worth of activities and clued him in on the unofficial ballistics information I'd picked up from Gabe Rios.
Flush with the illusion of having accomplished something, of having made some small progress, I left the office and headed home. There wasn't a lot of time between then and my appointment with Virginia Marks, but there was enough so I could spend a few minutes sitting in the recliner with my feet up.
In retrospect, I suppose I should have recognized that feeling of false euphoria for what it was, but I didn't. Instead, I took it at face value. I found some comfort in the idea that I was doing something constructive. That illusion kept me from thinking too much; kept me from contemplating the emotional quagmire that was lying in wait for me down in Rancho Cucamonga. Instead of seeing things for what they were, I blithely headed out into the night, convinced that I was perfectly capable of handling whatever was coming.
I suppose I shouldn't be too hard on myself about that. After all, when you've spent a lifetime stuffing your feelings, it isn't easy to change.
Down at Belltown Terrace, I didn't bother pulling into the garage. Instead, I parked on the street and then walked up to the lobby entrance so I could stop and pick up the mail before continuing on upstairs.
Kevin, Belltown Terrace's newest doorman, left his desk and hurried to meet me. "Good evening, Mr. Beaumont," he said, clearing his throat. "There's someone here who's been waiting to see you."
"Really?"
I glanced around the lobby. There, on one of Belltown Terrace's two handsome but highly uncomfortable lobby couches, sat a grim-faced middle-aged woman who looked as though she had just stepped out of a Grateful Dead concert. Her hair was a wild mane of unconstrained curls. She wore a tie-dyed ensemble-T-shirt and gathered skirt-that matched only insofar as the wild colored dies were of somewhat the same hue. Her small, gold-framed, round-lensed glasses reminded me of the kind John Lennon used to wear. White socks under black socks completed her outfit. A well-used, grubby briefcase sat on the floor next to her feet.
My first thought was that maybe this was Grace Highsmith's niece. Whoever this woman was, no doubt she, too, had friends with one-word names. In fact, maybe she had a one-word name. "You're waiting for me?" I asked.
"If you're Mr. J. P. Beaumont," she said.
Rising from the couch and hefting the briefcase off the floor, she reached into the pocket of her skirt and pulled out a business card. She handed it over to me and waited, unsmiling, while I looked at it.
The name was definitely one with two words: Hilda Chisholm, the card read, Investigator, Child Protective Services.
"I left a message on your phone at work," she said.
"I know," I replied. "I was just down at my office a
nd took your message, but I thought it was too late to call tonight."
"That's all right. I was here doing some interviews and I decided to do my paperwork here just in case you came home before I left. I would have called ahead, you see," she added, "but your telephone number is unlisted."
The accusatory way in which she said that single sentence made my hackles rise. She made it sound as though my having an unlisted telephone number was both suspect and antisocial, something I had done deliberately and for no other reason but to inconvenience her.
"I'm a homicide detective," I said, making an effort to speak in a civil fashion, more for Kevin's benefit than for hers. "I think, if you checked with some of my peers down at Seattle P.D., you'd find that most homicide cops have unlisted numbers. We all do the same thing, and for obvious reasons. What can I do for you?"
"I'm here to talk with you about Heather and Tracy Peters," she answered.
"Child Protective Services isn't wasting any time on this, are they?"
"Mr. Beaumont, as you are no doubt aware, my agency has been vilified far too often in the past for letting things go on and on without taking timely corrective measures. Where the safety and welfare of children are concerned, time is of the essence, don't you agree?"
"Oh, absolutely," I said.
There was no escape. I could see that even with my appointment with Virginia Marks looming at nine o'clock, I was going to be trapped into a conversation with Hilda Chisholm. My intention was to keep it short and sweet.
"I'll be happy to talk with you, Ms. Chisholm," I said, glancing pointedly at my watch. "You're welcome to come up to my apartment, but I do have a nine o'clock appointment."
"I don't expect this will take very long," she said with a chilly smile. "As a matter of fact, it shouldn't take long at all."
I pushed a button to open the elevator door and then waited-in the gentlemanly fashion my mother always insisted upon-for Hilda Chisholm to step aboard first. I stepped in after her and punched the button marked PH for penthouse. The doors swished shut quietly.
