The Historian
Elisabeth Kostova
"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.
Elisabeth Kostova
The Historian
For my father,
who first told me
some of these stories
A Note to the Reader
The story that follows is one I never intended to commit to paper. Recently, however, a shock of sorts has prompted me to look back over the most troubling episodes of my life and of the lives of the several people I loved best. This is the story of how as a girl of sixteen I went in search of my father and his past, and of how he went in search of his beloved mentor and his mentor’s own history, and of how we all found ourselves on one of the darkest pathways into history. It is the story of who survived that search and who did not, and why. As a historian, I have learned that, in fact, not everyone who reaches back into history can survive it. And it is not only reaching back that endangers us; sometimes history itself reaches inexorably forward for us with its shadowy claw.
In the thirty-six years since these events transpired, my life has been relatively quiet. I have devoted my time to research and uneventful travel, to my students and friends, to the writing of books of a historical and mainly impersonal nature, and to the affairs of the university in which I have ultimately taken shelter. In reviewing the past, I’ve been fortunate in having access to most of the personal documents in question, because they have been in my possession for many years. Where I felt it appropriate, I’ve stitched them together to make a continuous narrative, which I have occasionally had to supplement from my own reminiscences. Although I have presented my father’s first stories to me as they were told aloud, I’ve also drawn heavily on his letters, some of which duplicated his oral accounts.
In addition to reproducing these sources almost in their ent
irety, I’ve tried every possible avenue of recollection and research, sometimes revisiting a place in order to brighten the faded areas of my memory. One of the greatest pleasures of this undertaking has been the interviews-in some cases, the correspondences-I have conducted with the few remaining scholars who were involved in the events related here. Their memories have provided an invaluable supplement to my other sources. My text has also benefited from consultations with younger scholars in several fields.
There is a final resource to which I’ve resorted when necessary-the imagination. I have done this with judicious care, imagining for my reader only what I already know is very likely, and even then only when an informed speculation can set these documents into their proper context. Where I have been unable to explain events or motives, I have left them unexplained, out of respect for their hidden realities. The more distant history within this story I have researched as carefully as I would any academic text. The glimpses of religious and territorial conflict between an Islamic East and a Judeo-Christian West will be painfully familiar to a modern reader.
It would be difficult for me to adequately thank all those who have helped me with this project, but I would like to name at least a few. My profound gratitude goes to the following, among many others: Dr. Radu Georgescu of the University of Bucharest’s Archaeological Museum, Dr. Ivanka Lazarova of the Bulgarian Academy of Sciences, Dr. Petar Stoichev of the University of Michigan, the tireless staff of the British Library, the librarians at the Rutherford Literary Museum and Library of Philadelphia, Father Vasil of Zographou Monastery on Mount Athos, and Dr. Turgut Bora of Istanbul University.
My great hope in making this story public is that it may find at least one reader who will understand it for what it actually is: a cri de coeur. To you, perceptive reader, I bequeath my history.
Oxford, England
January 15, 2008
Part One
How these papers have been placed in sequence will be made manifest in the reading of them. All needless matters have been eliminated, so that a history almost at variance with the possibilities of later-day belief may stand forth as simple fact. There is throughout no statement of past things wherein memory may err, for all the records chosen are exactly contemporary, given from the stand-points and within the range of knowledge of those who made them.
– Bram Stoker, Dracula, 1897
Chapter 1
In 1972 I was sixteen-young, my father said, to be traveling with him on his diplomatic missions. He preferred to know that I was sitting attentively in class at the International School of Amsterdam; in those days his foundation was based in Amsterdam, and it had been my home for so long that I had nearly forgotten our early life in the United States. It seems peculiar to me now that I should have been so obedient well into my teens, while the rest of my generation was experimenting with drugs and protesting the imperialist war in Vietnam, but I had been raised in a world so sheltered that it makes my adult life in academia look positively adventurous. To begin with, I was motherless, and the care that my father took of me had been deepened by a double sense of responsibility, so that he protected me more completely than he might have otherwise. My mother had died when I was a baby, before my father founded the Center for Peace and Democracy. My father never spoke of her and turned quietly away if I asked questions; I understood very young that this was a topic too painful for him to discuss. Instead, he took excellent care of me himself and provided me with a series of governesses and housekeepers-money was not an object with him where my upbringing was concerned, although we lived simply enough from day to day.
The latest of these housekeepers was Mrs. Clay, who took care of our narrow seventeenth-century town house on the Raamgracht, a canal in the heart of the old city. Mrs. Clay let me in after school every day and was a surrogate parent when my father traveled, which was often. She was English, older than my mother would have been, skilled with a feather duster and clumsy with teenagers; sometimes, looking at her too-compassionate, long-toothed face over the dining table, I felt she must be thinking of my mother and I hated her for it. When my father was away, the handsome house echoed. No one could help me with my algebra, no one admired my new coat or told me to come here and give him a hug, or expressed shock over how tall I had grown. When my father returned from some name on the European map that hung on the wall in our dining room, he smelled like other times and places, spicy and tired. We took our vacations in Paris or Rome, diligently studying the landmarks my father thought I should see, but I longed for those other places he disappeared to, those strange old places I had never been.
While he was gone, I went back and forth to school, dropping my books on the polished hall table with a bang. Neither Mrs. Clay nor my father let me go out in the evenings, except to the occasional carefully approved movie with carefully approved friends, and-to my retrospective astonishment-I never flouted these rules. I preferred solitude anyway; it was the medium in which I had been raised, in which I swam comfortably. I excelled at my studies but not in my social life. Girls my age terrified me, especially the tough-talking, chain-smoking sophisticates of our diplomatic circle-around them I always felt that my dress was too long, or too short, or that I should have been wearing something else entirely. Boys mystified me, although I dreamed vaguely of men. In fact, I was happiest alone in my father’s library, a large, fine room on the first floor of our house.
My father’s library had probably once been a sitting room, but he sat down only to read, and he considered a large library more important than a large living room. He had long since given me free run of his collection. During his absences, I spent hours doing my homework at the mahogany desk or browsing the shelves that lined every wall. I understood later that my father had either half forgotten what was on one of the top shelves or-more likely-assumed I would never be able to reach it; late one night I took down not only a translation of theKama Sutra but also a much older volume and an envelope of yellowing papers.
I can’t say even now what made me pull them down. But the image I saw at the center of the book, the smell of age that rose from it, and my discovery that the papers were personal letters all caught my attention forcibly. I knew I shouldn’t examine my father’s private papers, or anyone’s, and I was also afraid that Mrs. Clay might suddenly come in to dust the dustless desk-that must have been what made me look over my shoulder at the door. But I couldn’t help reading the first paragraph of the topmost letter, holding it for a couple of minutes as I stood near the shelves.
December 12, 1930
Trinity College, Oxford
My dear and unfortunate successor:
It is with regret that I imagine you, whoever you are, reading the account I must put down here. The regret is partly for myself-because I will surely be at least in trouble, maybe dead, or perhaps worse, if this is in your hands. But my regret is also for you, my yet-unknown friend, because only by someone who needs such vile information will this letter someday be read. If you are not my successor in some other sense, you will soon be my heir-and I feel sorrow at bequeathing to another human being my own, perhaps unbelievable, experience of evil. Why I myself inherited it I don’t know, but I hope to discover that fact, eventually-perhaps in the course of writing to you or perhaps in the course of further events.
At this point, my sense of guilt-and something else, too-made me put the letter hastily back in its envelope, but I thought about it all that day and all the next. When my father returned from his latest trip, I looked for an opportunity to ask him about the letters and the strange book. I waited for him to be free, for us to be alone, but he was very busy in those days, and something about what I had found made me hesitate to approach him. Finally I asked him to take me on his next trip. It was the first time I had kept a secret from him and the first time I had ever insisted on anything.
Reluctantly, my father agreed. He talked with my teachers and with Mrs. Clay, and reminded me that there would be ample time for my homework while he was in
meetings. I wasn’t surprised; for a diplomat’s child there was always waiting to be done. I packed my navy suitcase, taking my schoolbooks and too many pairs of clean kneesocks. Instead of leaving the house for school that morning, I departed with my father, walking silently and gladly beside him toward the station. A train carried us to Vienna; my father hated planes, which he said took the travel out of traveling. There we spent one short night in a hotel. Another train took us through the Alps, past all the white-and-blue heights of our map at home. Outside a dusty yellow station, my father started up our rented car, and I held my breath until we turned in at the gates of a city he had described to me so many times that I could already see it in my dreams.
Autumn comes early to the foot of the Slovenian Alps. Even before September, the abundant harvests are followed by a sudden, poignant rain that lasts for days and brings down leaves in the lanes of the villages. Now, in my fifties, I find myself wandering that direction every few years, reliving my first glimpse of the Slovenian countryside. This is old country. Every autumn mellows it a little more,in aeternum, each beginning with the same three colors: a green landscape, two or three yellow leaves falling through a gray afternoon. I suppose the Romans-who left their walls here and their gargantuan arenas to the west, on the coast-saw the same autumn and gave the same shiver. When my father’s car swung through the gates of the oldest of Julian cities, I hugged myself. For the first time, I had been struck by the excitement of the traveler who looks history in her subtle face.
Because this city is where my story starts, I’ll call it Emona, its Roman name, to shield it a little from the sort of tourist who follows doom around with a guidebook. Emona was built on Bronze Age pilings along a river now lined with art-nouveau architecture. During the next day or two, we would walk past the mayor’s mansion, past seventeenth-century town houses trimmed with silver fleurs-de-lis, past the solid golden back of a great market building, its steps leading down to the surface of the water from heavily barred old doors. For centuries, river cargo had been hoisted up at that place to feed the town. And where primitive huts had once proliferated on the shore, sycamores-the European plane tree-now grew to an immense girth above the river walls and dropped curls of bark into the current.
The Historian Page 1
