If your boss is such a stickler, I'd be sure I listed the shells," Call said.
Joey Garza had first gone to Crow Town when he was seventeen. A cowboy, so drunk he had forgotten which side of the border he was on, insulted Maria in the streets in Ojinaga. When Maria tried to walk away, the cowboy opened his pants and showed himself to her. Joey was standing in front of their house, a few yards away. He agreed with the gringo. His mother was a whore. Why else would she have four husbands? But he had been wanting to kill a Texan, and the cowboy was right there handy. Joey put a pistol in his belt, walked past Maria who was hurrying home, her eyes down, and went over to the gringo, who was attempting to button up.
Without saying a word, Joey stuck his pistol in the man's face and blew his brains out.
The cowboy was too drunk even to realize that he was about to die. But Maria knew. She felt death in Joey when he walked past her. Joey was smiling, but not at her. She knew her son didn't like her. He was smiling because of the death he was about to deal. Joey's smile soon became part of the legend the gringos made about him: Joey Garza always smiled before he killed.
Maria gave Joey her horse and made him leave. She knew the gringos would be back to kill him. He had to leave. She didn't suppose he had killed the cowboy because of the insult to her, either. Joey didn't do things for other people. He did things for himself. It didn't matter to him that a drunk gringo had showed himself to his mother. He just wanted to kill, and chose that moment, and that man.
When the men came from the ranch where the dead cowboy had worked, they beat her with a lariat and then pretended they were going to hang her with the same rope. After they pretended to hang her, they beat her again. Maria wanted to be silent, but the men were determined; she cried out. It was merely for pleasure that the men beat her; they didn't expect her to tell them where to find Joey.
It was easier to beat her than to go look for Joey. She knew it wouldn't end with the beating, either, and it didn't. Later that night, after they had been to the cantina, the men came to her house.
Maria had given Joey her horse; she had no way to flee, and anyway, she could not leave her children.
What happened in her house was worse than the beating. Maria had never been used by men who hated her. She was a modest woman and had not supposed she would have to bear such shame, such humiliation. She fought, but as a woman without spirit would fight: her spirit had become a crow. It flew to Crow Town to be with her son, the son she had to love, despite the bitter knowledge that he was no good.
The white men from the ranch across the border were men without purpose. Even degrading Maria was not purpose enough to interest them for long. They degraded her until they lost interest in degrading her, and then they left.
As deep as the shame of being handled by men in their lust, was the pain of knowing that she would not have Joey much longer. When the men left, Maria cried until she was empty. For days, she would fill up with tears, and then cry until she was empty. Whether Joey lived or not, Maria knew she had lost her son--the good son she had until Juan Castro sold him. That son was gone, farther away even than Crow Town. He was only seventeen, but already he belonged to death.
When Joey returned, Maria told him that.
Joey only laughed.
"We all belong to death, Mother," he said.
"You're too young to say that to me," Maria said angrily. "I don't belong to death. I brought you out of me. I want you to stay alive. You have only killed one American. You should go to the mountains. The whites won't hunt you for long." "I don't like the mountains," Joey said. Then he left, just in time. The next day, four lawmen came. The bad one named Doniphan, the hard sheriff, only watched while the others did the work. The lawmen were rougher than the cowboys. They tied Maria's feet together and loped around the village, dragging her. After that, they dragged her into a prickly pear. Then, they strapped her over a mule and took her across the river. The river was up; their horses had to swim, and so did the mule. In the middle of the river the men let the mule go. Maria and the mule were swept far downstream. Maria thought she would drown.
But the mule finally struggled up the rocky bank, hitting Maria's head against a rock as it struggled. Maria heard the men laughing; not the sheriff, but the others. They kept her in jail for a month, during which time she was feverish from the festering cactus wounds. Because they kept her handcuffed, she could only draw out a few thorns. She could only sleep slumped against a wall. If she lay down, she merely mashed the cactus thorns deeper into her flesh.
Though the lawmen never said it, Maria knew they were keeping her in jail in hopes that Joey would try to free her. The lawmen didn't know that her son disliked her. Only she knew it. Joey wouldn't try to free her. He had no loyalty to her.
But she had loyalty. She ignored the lawmen's questions. She wouldn't tell them which way Joey went. They didn't degrade her, but they starved her. Some days she would get nothing, and when they did feed her it would only be a tortilla and a little water. She grew tired and very weak.
When they finally let her out, Maria was so weak she couldn't walk across the street. She didn't have the strength to walk to the river, much less to cross it. She fell and had to crawl to the shade of a small mesquite tree to rest.
While she was resting, she began to think about dying.
Her body would heal, but she didn't know about her spirit. Her spirit smelled old. It no longer smelled like the spirit of a woman who wanted to be a woman, a woman who wanted to live. Her spirit smelled too bad to her. She thought she ought to die and let it go to some new life, someone who smelled like birth and not like death.
But there was Rafael, and Teresa. She couldn't die. While she was resting and trying to summon the will to go on living, Billy Williams found her.
He rode into town, rather drunk, and saw a brown woman sitting under a tree. That was not uncommon in Presidio. He had almost ridden past before he saw that the brown woman was Maria.
"Good God, Mary," he said, and immediately brought her water, and then more water. He went to the house of a Mexican woman and begged a little menudo, but Maria was too weak to eat.
Seeing Maria's condition, Billy began to boil. Her hands were almost black from poor circulation caused by the handcuffs. Most of her cactus wounds had festered.
"I despise lawmen," he said. "I despise their stinkin' hearts." He went back to his horse, his face red with anger, and yanked his rifle out of its scabbard.
"What are you doing?" Maria asked, alarmed.
"I am going to kill those sorry dogs," Billy said.
"No, take me home, I'm sick," Maria said.
"All right, then--I will kill them later," Billy said.
Tom Johnson, the oldest of Doniphan's deputies, came and watched as Billy carefully loaded Maria onto his horse.
"I didn't know you fancied Mexican whores, Billy," Tom Johnson said.
"I fancy cutting your stinkin' heart out, Tom," Billy said. "I expect I'll come back and do it, once I take Mary home." The lawman laughed. "You old-timers have got rough tongues," he said. "Do you fancy all whores, or just this one?" He turned to see if his deputy, Joe Means, was coming to watch the fun. He only glanced off for a second, it seemed, but when he turned back toward Billy Williams, there was a crack and his right ear went numb. He thought a wasp might have got him, but when he put his hand up to his head he found that his ear was just dangling by a little strip of skin. Blood was pouring down his cheek.
"What'd you do, Billy?" Tom asked, astonished. The old man was walking toward him, a big knife in his hand. Tom became frightened; these old scouts were unpredictable. He thought he should draw his gun, but he felt paralyzed. Before he could reach for his weapon, the old man was there. He severed the little strip of skin that held the ear. Then he shook the severed ear in front of the shocked lawman's eyes.
"It could just as easy be your stinkin' heart," he said. Then he stuffed the ear in the man's shirt pocket and backed away. He didn't think Tom Johns
on would recover from his shock in time to shoot him, but there was no point in taking chances.
Tom Johnson walked back to the jail, still in shock. Joe Means had his boot off and was shaving a callus off his right big toe when Tom Johnson walked in. Blood covered one side of Tom's face, so much blood that Joe almost slit his toe instead of the callus. His first thought was Apaches. Tom had only left the jail a minute before. Could the man have somehow gotten scalped?
"Good God, Tom, where's your other ear?" Joe Means asked, horrified.
"It's in my shirt pocket," Tom said, numbly. It didn't occur to him that the remark might sound odd. After all, Joe had asked where the ear was, and the ear did happen to be in his shirt pocket.
The line would be repeated along the border for the rest of Tom Johnson's life. He considered himself an able lawman. If nothing else, he outlasted his friend Joe Means by more than three decades. Joe was killed the very next year by a rattlesnake. He had ridden home one night, rather in his cups, and had the misfortune to step off his horse right onto a coiled rattlesnake.
Normally, the snake would have rattled loudly enough to have warned Joe, but it was Joe's bad luck that the snake had broken off all but one of its rattles. If it rattled its one rattle, Joe didn't hear it. Most men didn't die of snakebite, but Joe Means gave up the ghost within twenty-four hours. He was mourned by few in the town of Presidio. Joe had a tendency to be surly, since being a deputy had gone to his head. He frequently arrested people for minor offenses that a more seasoned lawman would have overlooked.
Tom Johnson felt he was a seasoned lawman, but that was lost on the populace, such as it was. All anyone on the border could remember was that he had once kept his ear in his shirt pocket. Tom took to drink. When drunk, he often cursed Billy Williams.
He didn't forget the Mexican woman, either.
She had been the start of it all. It was because of her that he had become a figure of fun along the border. If he ever had occasion to arrest her again, he meant to do worse than he had done. In the meantime, there were other brown women in Presidio or across the river that he could wreak vengeance on, and he did. Any brown woman who got taken to Tom Johnson's jail knew she was in for trouble. Two suffered so much that they died. Several times Tom Johnson had gone to Ojinaga meaning to arrest Maria herself, to show her she could not get away with making a mockery of a white lawman.
In his memory, Maria had mocked him.
But for some reason, when the moment came, he didn't arrest her. Sometimes he took a substitute. He would take another unlucky brown woman, strap her on a mule, and pull her across the river. Once, in a drunken moment, he told a cowboy in a bar that the reason he wasn't arresting Maria was because he wanted her to worry. He wanted her to wake up thinking about what he would do to her the next time.
Billy Williams laughed when the cowboy told him that story.
"That ain't why he leaves Mary alone," he said.
"Well, he said it was," the cowboy said.
"He leaves her alone because he knows if he harms her I'll do worse than shoot his ear off," Billy said. "Next time, I'll tie him to a stump and cut his stinkin' heart out." "Whoa," the cowboy said. His name was Ben Bridesall. "You'd cut a deputy sheriff's heart out?" "I would," Billy assured him.
"Whoa, that's strong talk," Ben said again. "Killing a lawman's as bad as stealing horses, in the law's eyes. You better keep a fast horse handy, if you do that. They'll chase you clean to Canada." "I wouldn't go to Canada," Billy said.
"I'd go to Crow Town." "That might do it," Ben said. "They'd have to want you pretty bad to come and get you there."
Maria was a midwife, the only one in Ojinaga. She did not want to be gone to Crow Town too long; several women in the village would need her soon. Crow Town lay two hundred miles north of the border, in the sandhills. Maria had never been there, but she knew its reputation--everyone knew its reputation, an evil one. In earlier times, slaves had been traded in the sandhills; stolen children, white or brown; stolen women. To have gone to Crow Town and survived was a mark of pride to the young pistoleros along the border.
Years before, when the buffalo were being killed, a large remnant of the great southern herd had wandered south, off the plain and into the sandhills. There they were pursued by the Kiowa and Comanche, and by the most unremitting of the buffalo hunters. More than fifteen thousand were slaughtered by the buffalo hunters, in a last great frenzy of killing. The skins were piled in great heaps, awaiting wagons to transport them east. But the hide market collapsed, and the wagons never came. The towering heaps of hides slowly rotted. The ropes that bound them into piles were chewed by rodents. In the fierce winds of winter and spring the hide stacks began to blow apart. Wolves, coyotes, and badgers played with them. Soon the hides swarmed with lice and fleas. The thousands of hides were scattered throughout the sandhills. One spring, two years after the last buffalo had died, cowboys began to see crows in the sandhills, crows and crows and then more crows. Something in the hides, some nit or flea, attracted the crows. At night, hundreds roosted on the few piles of hides that remained. In the daytime, a crowd of wheeling crows could be seen from far away. At certain times of the year, thousands of crows could be seen, and heard. Their cawing was audible thirty miles away.
An Indian named Blue Skin built the first structure in Crow Town, a one-room adobe hut. Blue Skin was shot by a vaquero, on the run from trouble in Mexico. The vaquero took Blue Skin's hut. He lived in it for a while, and then went back to Mexico. The hides continued to rot; more and more crows came, to caw and to wheel.
Then a Basque sheepherder built himself a little shack, not far from Blue Skin's hut. The Basque had been horse-whipped in Kansas for bringing sheep into cattle lands. The sandhills of the Pecos were not yet cattle land, and only Charles Goodnight and his partner, Loving, passed through them with cattle. The Basque felt that he wouldn't be bothered, since the land was too poor for cattle; sheep could barely survive it. Then the famous killer John Wesley Hardin passed through and killed the Basque, on a whim. John Wesley found the crows amusing.
"If there was another building or two here we could call it Crow Town," he said, speaking to his horse. John Wesley Hardin traveled alone. What conversation he made, he made with his horse. He repeated the remark in El Paso, and the name stuck.
Later, with the law after him, John Wesley fled to Crow Town. Two rough brothers from Chicago were sharing Blue Skin's hut. It was kill neither or kill both; fatigued, John Wesley chose to kill neither. He contented himself with a tent the old Basque had left. The soil around Crow Town boiled with fleas, from the thousands of rotting hides, but John Wesley wasn't bothered by fleas. His only problem with Crow Town, the community he had named, was the unavailability of victims. He didn't have to kill every day, or even every month or every year, but he did like to have people handy, in case the killing mood came on.
He left, but returned to Crow Town whenever he needed a respite after some killing spree.
Every year he found more people there--adobes that were smaller and more crude than the one Blue Skin had built, low frame houses and ragged tents.
Finally, there were twelve houses and a little saloon.
An Irishman named Patrick O'Brien owned the saloon. Whiskey deliveries were few and far between. When wagons did arrive Patrick O'Brien stacked the whiskey around his house, to the height of his roof. He had unpredictable customers, and was nervous about running out of liquor.
It was risky, stacking whiskey outside in such country. Patrick slept with four guns in his bed, and often had to run outside and empty two or three of them into the darkness, to protect his whiskey.
In Crow Town, where the sound of cawing could be heard night and day, the tamer types of citizens rarely appeared. Most of those who rode in were bad ones; not a few of them were worse than bad.
Many a traveler had been casually shot down in the street, his death watched only by the crows. The crows rested in the skinny mesquite. Sometimes they walked among the
buildings, as if they were people.
The air, even on nice spring days, had a kind of rotten smell, the legacy of thousands of rotting hides.
Behind the town was a low, sandy hill with one skinny mesquite tree on it. Bodies of the dead were casually buried there; most of them would be dug up again, within a day or two, by enterprising varmints.
The most enterprising of the varmints was a giant feral hog, which showed up one Sunday and consumed substantial portions of three bodies. The locals, annoyed by the impudence of the swine, assembled a hasty firing squad and fired a fusillade at it; but, to their amazement, the hog defied them. It didn't die, or even retreat. It kept on eating. In the night it disappeared and was not seen for a month. Then one day, it reappeared and ate an unfortunate mule skinner who had been gored by his own ox. The ox, normally a placid creature, suddenly went insane and killed the mule skinner, though he had coaxed it across the prairies for eight years.
In time, the great pig grew bolder. Sometimes it would walk through town, attended by a contingent of crows, who would flank it or walk ahead of it, cawing. When the pig stretched out to sleep in the hot sun, several crows would attend it, cleaning nits and ticks out of its hide. The poor people who worked in the sandhills feared the pig. They called it the devil pig.
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